Sentences with phrase «other story scenes»

Not exact matches

At this point Nathan, the trusted prophet, appears on the scene and tells David a story about two men, one a poor man who loves a special ewe — it ate with the man's children and was «unto him as a daughter» — and the other a rich man with many flocks and herds.

For the story I'm writing, well - known published writers in our critique group, who were getting their stuff published in paper by CBA publishers commented, among other things: - «The scene where Tammy throws her bikini up into the tree would never get published by a CBA publisher.»

(So that when you read a news story, for instance, you might also get a composite assessment value that was assigned directly from other readers without them ever having to express such assessment via speaking, writing, etc. if a group of people are on the scene of some event covered by the news, then obviously there would be great value in knowing some directly transferred assessment values from their brains, rather than what today we get as a summary from a few reporters plus maybe a few witnesses that still have to express what they saw.)

There were numerous times where fight scenes were completely unnecessary, and other times where the fight scenes seems to drag on and on, but then, they delete entire portions out of the Bible (such as all of Jacob's story, the 40 years of wilderness wanderings, etc.) Couldn't they have cut out the fight scenes and included a scene or two from these other crucial events?

If Ross occasionally plays loose with the facts, he remains true to the core of the story, and many of the racetrack scenes evoke more sharply than ever before on film a sense of the surpassing grace and power of the running horse, the sound of rolling thunder of the hooves and a sense of the precarious, perilous nature of the jockeys» existence as they bound along hell - fired at 40 miles an hour, monkeys on a stick, wind - sheared and often screaming at each other in the din.

So while I'd heard other moms» horror stories about 48 tortuous hours of labor, crime - scene - worthy amounts of blood and vaginas literally ripping in half, I shrugged and figured everyone's pain tolerance was different.

While many of the images represent scenes and figures unrecognisable without the stories that accompanied the original photographs, others show familiar news themes and events.

The story of continuity also ties to perceptions of impunity — no one in Burundi has thus far been prosecuted for political murder -, to lack of progress on questions of justice and memory, lack of trust in the newly established Truth and Reconciliation Commission (which interestingly only appeared on the scene months before the election, in December 2014), and perceptions of corruption, abuse of office, the sense of being «used» by those in authority (people speak of being their «bridge» to other objectives).

It's a very British story; it's farcical, people in power running around and traipsing through tunnels [there's a scene where Brown has to secretly try to meet the other side].

The volunteers were tasked with decoding information about other people?s emotional state by looking at their faces, listening to stories and observing scenes.

What many did not realise was that behind the scenes there were other motives and passions driving them to use the simple coconut to carry a message and story to a much broader audience.

If you have started on the online dating scene and you are trying to meet women you might be faced with advertising in the form of positive success stories about other people who joined and met a perfect stranger who became a serious relationship.

Just add your profile, browse other Thailand members seeking like you for Thailand online dating, love and online romance at Free Ok Date i you Signing up is free and only takes a second so what are you waiting for?Thai Woman horror stories regarding the dating scene are fairly common the.

Without fail, the dullest installment in any superhero movie franchise is the origin story, during which audiences anxiously awaiting The Big Bad Guy have to suffer through, yaaaawn, scenes of childhood trauma, romantic tragedy, and other expository effluvia, by which point the closing credits are fast approaching.

The participants get into cast and performances, characters and story issues, sets, production design, and shooting in Louisiana, deleted scenes and changes made for the extended cut, making their directorial debut, and a mix of other production topics.

On the other hand, the scenes between Clooney and Thekla Reuten as they're planning her mission work far better towards setting up the story's conclusion.

Difficult story with Elektra, other amazing character, but the film is terrible, the only good parts are the action scenes, but this film have much mistakes.

If the guard is not precisely self - aware, he does make the act of torture (and murder, which becomes a natural extension) into a scene you might recognize, not only from other movies or stories about torturers, damaged souls in need of punishing or saving.

Despite the lessening of madcap energy, Shrek the Third is still quite funny in parts, with some fresh throwaway gags to produce chuckles now and then from characters you'd think they probably should have jettisoned long ago, but are secretly glad they've kept around (the Gingerbread Man, Pinocchio, etc.) The fact that they are keeping in nearly all of the characters introduced in the series thus far is a bit of a double - edged sword, as they do provide a certain respite from the main characters that are already cycling through the same jokes all over again, but on the other hand, it's getting to the point that the high overhead of injecting scenes for all of these characters takes away from the focus of the story at large.

Good: Starscream is a lot cooler in this movie, Best computer - graphics for any movie to date, Original Optimus voice, Bumblebee vs. Barricade scene was awesome, Decent story, but the Unicron story is a million times better Bad: No Hot Rod or Soundwave, Shia LeBeouf, Ending, Futile attempts to connect to classic scenes, lines and concepts, No Stan Bush soundtrack, Some immature humor ruined a lot of the movie for me, Poor dialogue I really expected a lot from this movie and am very critical about my feelings towards it - Overall Michael Bay made a good movie, but he made it appeal to the masses (immature jokes and a lot of action) and it gave up a lot of other crucial aspects to the story and quality of the Transformers franchise.

Small, incidental scenes contribute nifty insights and shading: the Post sends a young reporter up to New York to sneak into the Times offices to try to find out what Sheehan is up to; an elite dinner at Graham's home concludes when the men and women retire to different rooms, as if it were still 19th century England; when Sheehan's first Pentagon Papers story is set to break in the Times the next morning, it's none other than McNamara (Bruce Greenwood) himself who calls his old friend Graham to alert her.

Other than that split screen scene, no convincing argument is made to translate the story from the stage to film.

Bonus: • Audio Commentary with Producers Douglas Wick and Lucy Fisher • «Insurgent Unlocked» Featurettes • «From Divergent to Insurgent» Featurette • «The Others: Cast and Characters» Featurette • «Anatomy of a Scene: The Train Fight» Featurette • «The Peter Hayes Story» Featurette • «Divergent: Adapting Insurgent for the Screen» Featurette • Marketing Gallery • Previews

The single player arcade mode is pretty much pointless other than to see some story cut scenes and whatnot.

The single player arcade mode is pretty much pointless other than to see some story cut scenes and

«Parkland» takes a unique behind the scenes view of one of history's most examined events, the assassination of JFK on November 22, 1963, telling the story not only of the hospital staff at Parkland Memorial Hospital in Dallas who attended to the President, but the many others impacted that day including Abraham Zapruder the unwitting cameraman who captured the event, and the family of assassin, Lee Harvey Oswald.

By the time the movie gets to the final climax, basically where every last character is suddenly together in a big obviously - in - a-warehouse-set with an impending action scene pitting them all against each other, I had completely lost interest in the story.

In the early going, the story alternates between scenes of wayward kids partying and moments in which a friend knocks on Sara's door and blankly informs her that her latest make - out partner has hung himself; by the end, it's just one scene after another of people screaming at each other.

The show's other co-creators — Brian Koppelman and David Levien, whose screenwriting credits include «Ocean's Thirteen» and «Rounders» — have delivered a compelling and remarkably original story that is filled with florid, entertaining dialogue that ricochets from scene to scene.

The incessant rumbling and flashing that accompanies virtually every other scene underscores the hollowness of a story that in the decades since the original «Omen» has had any freshness trampled out of it by a rampaging army of Freddies, Jasons and Michael Myerses, not to mention assorted «Omen» and «Exorcist» sequels and knockoffs.

«Armed and Underground: Production Design» (7 mins., 1080i / 16x9) brings production designer Jon Gary Steele into the interview mix for an insider's view of the film's carefully - aged sets (the industrial - site exterior was a real location in Fontana, CA, but the massive interior was built on a soundstage), while «Crash Course: Stunts» (11 mins., 1080i / 16x9) taps stunt coordinator Lance Gilbert to tell, among other stories, the one about crawling around on the floor with his kids» Hot Wheels cars to plan the armoured - truck chase scene with Antal.

Dominika and the other main characters in the Moscow scenes speak English with the kind of heavy Russian accents you associate with Smersh or Spectre agents in Bond stories.

Pixar vets will remember the profound emotions brought up by the opening sequences of Up, the final scenes of Toy Story 3 and Monsters, Inc., and so many other watershed moments in the company's library of films.

The story — which borrows from Predator and Red Dawn, among others — has zero scale, with action scenes that are as indistinguishable from each other as its stock characters.

We had heroes fighting each other, we had fantastic CGI work, we had a decent story line, and I felt like he made the Hulk scary in that first scene when he transforms.

Director Francis Lawrence treats the central story as a passing phase between the grandeur of the circus and the squalor behind the scenes, and Pattinson and Witherspoon come across as less star - crossed than light - years - removed from each other.

Most scenes have little in terms of pushing forward a story, merely existing to show us how a couple of dumb stoners make asses of themselves, including accidentally imbibing urine, urinating on their nosy neighbor, and sing songs that are as seemingly ad - libbed as every other aspect of the movie.

The odd hybrid of small town soap opera and brutal crime thriller builds slowly — maybe a little too slowly for some — but director Richard Fleischer does an impressive job of weaving the stories and character around each other visually, with characters criss - crossing through scenes and Fleischer panning his camera to across the vast canvas to pick out threads of others stories.

As the story progresses both men learn more about each other, setting the scene for some emotional revelations.

While the opening scene, which serves only as back - story and general reasons as to why it takes so long for Raleigh (Charlie Hunnam) to return to the Jaeger game, is fluff for the film and even in the moment felt unnecessary as opposed to just being retro - actively less awesome than the other greater action sequences.

-- «A Personal Journey: The Making of The Big Sick» Featurette — «The Real Story» Featurette — 2017 SXSW Film Festival Panel — Cast & Filmmaker Commentary with Actor - Writer Kumail Nanjiani, Writer Emily V. Gordon, Producer Barry Mendel and Director Michael Showalter — The Big Sick: The Other Stuff — Deleted Scenes — The Bigger Sick: Stick Around for More Laughs

Writer / director Rodrigo García is not interested in providing answers to these queries or the multitude of others that the film presents (The final scenes, which flash ahead to the end of Jesus» story before bringing history into the present day, are especially enigmatic).

Although other films might've depicted a fun - filled female - bonding sequence as a throwaway montage backed by an En Vogue song, Story transformed it into a full - fledged music video set to Bell Biv DeVoe's 1990 mega-hit «Poison,» complete with MTV - and BET - style corner - screen end credits, resulting in one of Think Like a Man Too's most memorable scenes.

Other than one scene of brutal, physical violence, Shyamalan unfolds his story without delving into the horror and gore of so many scary scripts.

Every single scene with Bill Nighy's faded pop star Billy Mack and his manager is a keeper, and despite having no relation to any of the other stories, they never seem remotely out of place.

Boxer's life allows the player to take their other characters in various story - driven matches with a variety of cut scenes to keep things interesting that lead you to the grand finale.

Special Features «Insurgent» Unlocked: The Ultimate Behind - the - Scenes Access (a feature - length, in - depth look at all aspects of the movie - for the ultimate fan) From «Divergent» to «Insurgent» Diverging: Adapting «Insurgent» to the Screen The Others: Cast and Characters The Train Fight Unlocked The Peter Hayes Story Marketing Gallery Audio Commentary with Producers

The scenes are almost hermetically sealed, with few other characters of note and scant political or musical context to Simone's rich story.

It's one scene after another of a character explaining this, that or the other as though it's a story you'd hear on the street or at a business meeting.

Since she first appeared as Nina in Goran Dukić's Wristcutters: A Love Story (2006), Seimetz has been active in the independent film scene in many capacities — as a collaborator to Joe Swanberg (which involves wearing many hats), (14) a producer (for Barry Jenkins's elegant and sensitive Medicine for Melancholy [2008], among others) and an actress for edgy, polyvalent directors who often blur the boundary between acting, directing, writing and crewing: Jay Keitel (also the DP for Sun Don't Shine), Lawrence Michael Levine, Lena Dunham, Kentucker Audley, David Robert Mitchell, Adam Wingard, Cherie Saulter, Josh Slates, Dan Bush and Tomer Almagor.