People in the United States of America were pleased to know that they could not focus on
other subjective qualities that make the core of a relationship.
Not exact matches
The
quality of self - worth catches up and includes the
subjective forms of the
other two physical feelings.
He wrote (p. 267, my translation): «The world is a richly varied configuration of interdependent
qualities; some of these are given factors in my (or another's) consciousness, and I call these
subjective or psychic,
others are not directly given to any consciousness and these I term objective or extramental — the concept of the psychical does not arise in this connection.»
Galileo divided all attributes into two groups: «primary
qualities» of mass and extension, which he believed to be properties of objects themselves, and all
other «secondary
qualities» such as color and hotness, which he believed to be merely
subjective sensations in the observer's mind.
What attracted critical minds like Jacques Rivette, Eric Rohmer, and
others to Nicholas Ray and his oeuvre — bored stiff as they were by the risk - averse, respectable, and ultimately neutered «cinema of
quality» — was the stamp of the personal and the element of danger they discerned in his films, whether that meant the improvisatory handling of actors with a touch deft enough to coax remarkable performances out of even non-professionals; the «superior clumsiness,» cited by Rivette in «Notes on a Revolution,» resulting in «a discontinuous, abrupt technique that refuses the conventions of classical editing and continuity»; or the purely visual flourishes Ray relished — ranging from the sweeping, vertiginous helicopter - mounted shots in They Live By Night to disorienting,
subjective POV compositions like the «rolling camera» during a car crash halfway through On Dangerous Ground, its very title indicating the source of Ray's critical appeal.
The surveys gathered objective information about «inputs,» but they also asked about teacher and administrative attitudes and
other subjective indicators of
quality.
The most comprehensive evaluation models incorporate student learning outcomes while also capturing
other dimensions of teacher
quality, through both objective and
subjective evaluation tools.
Plenty of
other writers will no doubt be able to offer you the
subjective «
quality» you are looking for.
But the point of this is not to bash that novel but to say
quality is highly
subjective so let's not close the door on
other voices.
Some readers might be aware of the
subjective quality of review scores while
others might not.
The
qualities and intentions attributed to Denny's paintings, of an interactive dialogue between the observer's perception of quotidian architectural space within which they meet the painting and the spatial illusions created by the paintings themselves — are actually
qualities Denny had imbibed from Barnett Newman, in his paintings and his professed intentions (amongst
other qualities)-- and so, to denigrate Newman's (and Rothko's) as
subjective, «private» visions is completely unwarranted, but it chimes with Bunker's wish to portray «publicly engaged» art as somehow an advance on «high modernist» subjectivity.
I respect
other people tastes but I do not like when personal tastes are given as objective facts and when sound
quality (more or less objective) is confused with sound signature (greatly
subjective, always, no matter if flat, neutral, uncolored, colored, bright, warm, or whatsoever.).
Australian and US data from a large multi-instrument comparison survey were used to conduct tests of convergent, predictive and content validity using as comparators five
other multi-attribute utility (MAU) instruments — the EQ - 5D, SF - 6D, Health Utilities Index (HUI) 3, 15D and the
Quality of Well - Being (QWB)-- as well as four non-utility instruments — the SF - 36 and three measures of
subjective well - being (SWB).