Other than that comedy gold.
Babyjohn Choi plays a young man who joins the eponymous department led by none
other than comedy legend Richard Ng, Chin Siu - ho (one of the students in the original Mr. Vampire) and Yeun Cheung - yan (one of Yuen Woo - ping's younger brothers).
Who else could kick off this list
other than the comedy scene's ultimate weed enthusiasts, Richard «Cheech» Marin and Tommy Chong.
«It's exciting, to be honest, using farts
other than comedy, like using them for plot and emotion and making some people super uncomfortable.
The running joke, then, is that I have an unhealthy obsession with Night Trap, and so anything
other than a comedy review that ends by saying it's the greatest game ever made would seem oddly out of character for this site.
Not exact matches
The model for
other studios to follow here would seem to be to, first, test your potential audience with more
than just a vague idea and then deliver a product that is both true to its source material while also offering something beyond what viewers have already come to expect from typical superheroes (in this case, that would be the
comedy, sex, and violence).
If we engage in the «de-mythologizing» of the Revelation to St. John the Divine, as we must also «de-mythologize» the creation stories in the book Genesis in the Old Testament, we realize that what is being said is that as human existence and the world in which that existence is set has its origin in the circumambient, everlasting, faithful Love that is nothing
other than God — we recall Wesley's hymn, quoted a few paragraphs back, that «his nature and his Name is Love», and Dante's great closing line in The Divine
Comedy about «the Love that moves the sun and the
other stars» — so also the «end» toward which all creaturely existence moves is that very same Love.
Multi-camera
comedies have been popular since the 1980s but Norman Lear's signature style on One Day at a Time has reintroduced this format, which is much easier to produce
than others, to Netflix.
As it turned out, the participants who had a good laugh at the
comedy routine shared much more intimate information with their peers
than the groups who watched the
other videos.
I have been pretty swamped focusing on building up my social consulting business + designing a new site for it (stay tuned... I am perfecting the design hehe), being a boss lady ain't easy... let me tell ya haha However, one of my highlights of the long Labor Day Weekend (
other than the amazing sales) was being able to meet up with some of my blogger friends — I have been out of commission for a little bit since I've been drowning in work + the blog, but heading to a
comedy show + some brunch was the perfect way to catch up with some of my favorite gals!
I have a very sarcastic sense of humour and would much rather watch a
comedy than any
other genre.
i love to exercise and stay as fit as i can.i like
comedy and horror the most.i listen to almost all music
other than metal and jazz.i have a nice penis thats what im told.
Antique shops, live
comedy «
other than yourself» concerts, festivals, boating, sho oting pool, meeting new people, crafts and...
This turns out to be none
other than Agis, with whom, on first sight, she's fallen head over heels, propelling her through the strategems that is the material of the kind of
comedy of intrigue and missteps that was the mainstay of legitimate theatre in 1732.
«Just Go with It» has major problems with its lack of wit and exhausted repeated jokes, but thankfully, Aniston's performance is able to boost up the
comedy in the film; adding to an amount that ranks higher
than many
other films that try the same formula of
comedy as of this film With Sandler's and Aniston's connection being believable, «Just Go with It» manages to hit the mark for several adults and teens to enjoy.
Aliens offer a cure for earthling ennui in From
Other Worlds, a limp sci - fi
comedy with fewer laughs
than a meeting of Abductees Anonymous.
Satirical
comedy starring Iwan Rheon and Rupert Grint that reimagines the megalomaniac dictator as an 18 - year - old oddball who dreams of nothing
other than becoming a famous painter.
Visceral action (including an opening sequence that masterfully sets the tone for the rest of the film); a sharply written and directed script; rich, dynamic characters; and, as promised, the world's cutest cat (
other than yours if you have one) combine to create a gut - busting, endearing, salty - sweet, and highly re-watchable
comedy.
The Russos are on much firmer ground pitting their good guys against each
other — for
comedy or friction —
than pushing any of them up against Thanos.
More
than anything, Blair is under the presumption that the semblance of utter randomness in the characters and developments will produce
comedy (tidbits like «cat meat makes a person invisible», a deadly snake confrontation, and
other such kooky events), and while occasionally diverting, wittier laughs are sparse.
Those in the middle - aged demographic might find this middlebrow
comedy more pleasing
than others.
Probably more
than any
other filmmaker, his name evokes instant expectations on the part of audiences: at least two or three great chills (and a few more good ones), some striking black
comedy, and an eccentric characterization or two in every one of the director's movies.Originally trained at a technical school, Hitchcock gravitated to movies through art courses and advertising, and by the mid -»20s he was making his first films.
Alex Orr's dark
comedy Blood Car stars Mike Brune as Archie Andrews, a mild - mannered elementary teacher attempting to beat the high cost of gasoline (forty bucks a gallon) by creating a car that runs on something
other than traditional petrol.
... never quite comes off as anything
other than an instantly forgettable, unmistakably Canadian romantic
comedy.
Popper's assistant Pippi (Lovibond) speaks almost entirely using words beginning with «p» which is precisely as preposterous, pretentious and pitiful as it sounds and isn't the
comedy genius it wants to be but
other than that it's not at all bad.
Not perfect - the film is made on a tight budget and sometimes it shows - but this is so much better written
than every
other American
comedy this year (apart from Burn After Reading) that it is embarrassing.
Other than that it wasn't really a funny
comedy nor a true drama and failed at both really.
It's nice to see Arnett playing something
other than an emotionally stunted man - child, and if the pilot for Up All Night didn't make me guffaw all that much, it passed by pleasantly and it was good to see that creator Emily Spivey was able to wring
comedy from the new - parent situation without using the same dozen baby jokes we've all seen 200 times before.
If you want to do more
than merely tolerate a
comedy — in
other words, if you want to fall in love with one — try binging on FX's You're the Worst.
Aside from these momentary lapses and some third - act stuff that wants us to take the characters far more seriously as human beings
than we're capable of doing, «The Campaign» is an effective vulgar
comedy about two idiots competing with each
other.
But it might have been better if it had focused on
comedy first, politics second, rather
than the
other way around.
An
other thing that was awesome in» Friends with Benefits» is the situations (when there talking, etc) between Dylan and Jamie, which I found less cliche
than most of romantic
comedies.
The film admirably fights off similarity to Greg Mottola's theme park - set Adventureland by plumping for heartwarming human relationships over
comedy, rather
than the
other way around.
Following his
other 2017 effort, the sex
comedy bomb of The Layover, William H. Macy is better
than Krystal, as proven by his own distinguished acting resume and 2014 directorial debut and festival favorite Rudderless.
More
than any
other word, that tidily sums up Teller, who pinballs between beloved indies and big - budget fare like Fantastic Four and, this year alone, both a
comedy opposite Jonah Hill (War Dogs) and an upcoming drama about PTSD (Thank You for Your Service).
I won't give away much more plot
other than it's a dark
comedy because this film would suffer in my eyes if the audience knew too much about it.
Other than that, Modern Family won almost everything else in the
comedy category (including Best Direction, even though the majority of those nominees were women, one of them having directed an episode of Modern Family, but whatever).
A scene where Fred goes to a «Siblings Anonymous» meeting and he rubs elbows with the likes of Frank Stallone, Roger Clinton and Stephen Baldwin has the makings of a funny skit
comedy, but they couldn't really find a funny angle
other than the initial idea.
After searching through more pages of IMDB
than I care to admit, along with multiple
other sites, I have come up with my own personal Top Ten R Rated
Comedies of the last decade (2004 - 2014, so far).
Aside from the well - noted fact that more superior long - form drama (and
comedy) can be found on television
than in cinemas, the two most interesting motion picture experiences I had in 2012 were in galleries: The Clock (Christian Marclay, 2010), a staggering and hypnotic achievement of which I still have some of its 24 hours to catch up with, and two multi-screen installations by Candice Breitz: «Him» and «Her» in which many scenes from the films of Jack Nicholson (in Him) and Meryl Streep (in Her), isolate the actors from their filmic background leaving the actors to speak to and interrogate each
other across space and time on many themes of character, identity, success, failure, anger and disappointment.
The coming - of - age
comedy, out next year, chronicles a year in the life of Christine (Saoirse Ronan), an angsty teen who refuses to be known by anything
other than Lady Bird.
But the tone is all over the place, wildly veering from broad
comedy to surprisingly dark horror — a sign there was never a guiding vision behind the picture
other than a movie poster and Depp's bankability.
In 2002, 2003, 2005, and 2006, it had more Emmy nominations
than any
other comedy series.
Other than that, everything else went as expected, including Jordan Peele winning the «First - Timer» award for «Get Out,» «Veep» winning
Comedy Series, and «Big Little Lies» winning for Movies for Television and Miniseries.
But Spy never lets its genre conceit get in the way of its
comedy, which delivers more laugh - out - loud moments
than any
other mainstream
comedy so far this year.
Oh, if only this had been that film instead... or anything
other than this lame ensemble dark
comedy, which never really earns any of the sporadic, guilty chuckles it may inspire.
In 2001 he starred opposite Jennifer Lopez in The Wedding Planner and,
other than forgettable turns in the dreary Frailty and Reign of Fire, he suddenly turned and barreled down a chipper but oddly gloomy road of shallow, glossy romantic
comedies and fruitless attempts to become a mellower Harrison Ford.
For up close and personal drama it is pretty good
comedy (better
than Berry's Oscar acceptance speech) and there are
other unconvincing moments like these.
And like those previous movies mentioned this really is more of a dramady then a striahgt
comedy or drama, but alot lighter
than the
other movies.
While Feig pulls through with the
comedy, if there's something sorely lacking from this version
other than Rick Moranis and the late Harold Ramis, it's excitement in seeing the ghosts and their resulting mayhem.