Sentences with phrase «other than a script»

Big banks often hire loan officers in call centers and may not provide much training other than a script and some computer programs to navigate the sales process.

Not exact matches

Glubz also had an entry at the now - defunct skidpaste.org, a site which sought to document the known aliases, addresses and other contact information on young script kids (hence «skid») who fancy themselves much better hackers than they really are.

Such risks and uncertainties include, but are not limited to: our ability to achieve our financial, strategic and operational plans or initiatives; our ability to predict and manage medical costs and price effectively and develop and maintain good relationships with physicians, hospitals and other health care providers; the impact of modifications to our operations and processes; our ability to identify potential strategic acquisitions or transactions and realize the expected benefits of such transactions, including with respect to the Merger; the substantial level of government regulation over our business and the potential effects of new laws or regulations or changes in existing laws or regulations; the outcome of litigation, regulatory audits, investigations, actions and / or guaranty fund assessments; uncertainties surrounding participation in government - sponsored programs such as Medicare; the effectiveness and security of our information technology and other business systems; unfavorable industry, economic or political conditions, including foreign currency movements; acts of war, terrorism, natural disasters or pandemics; our ability to obtain shareholder or regulatory approvals required for the Merger or the requirement to accept conditions that could reduce the anticipated benefits of the Merger as a condition to obtaining regulatory approvals; a longer time than anticipated to consummate the proposed Merger; problems regarding the successful integration of the businesses of Express Scripts and Cigna; unexpected costs regarding the proposed Merger; diversion of management's attention from ongoing business operations and opportunities during the pendency of the Merger; potential litigation associated with the proposed Merger; the ability to retain key personnel; the availability of financing, including relating to the proposed Merger; effects on the businesses as a result of uncertainty surrounding the proposed Merger; as well as more specific risks and uncertainties discussed in our most recent report on Form 10 - K and subsequent reports on Forms 10 - Q and 8 - K available on the Investor Relations section of www.cigna.com as well as on Express Scripts» most recent report on Form 10 - K and subsequent reports on Forms 10 - Q and 8 - K available on the Investor Relations section of www.express-scripts.com.

However, since other (more recent) versions of Timthumb have had a dangerous flaw, I will of course include the more recent version of the script in future versions of the plugin... except if I find it to be less secure than the version I presently use which was safe because not including any of the dangerous, unuseful features they introduced later on.

Some fell more deeply into the trap of imagining that pluralism could be written out of the script of history than others; some remained mired in that trap longer than others.

(For real: it's because some regions were more stacked than others, and also because I wanted to script some weird first - round matchups for fun).

A good dating coach will focus on the core specifics such as self confidence, physical image and other attractive qualities rather than using tricks, techniques or scripted pick up lines.

Based on J.D. Salinger: A Life by Kenneth Slawenski, the movie sticks to the formula of Strong's other scripts, focusing on major moments in the life of a public figure rather than concentrating on any one period in history.

For all its sincere intentions, Kruishoop's script feels cobbled together from newspaper headlines and bits of other movies rather than real, lived experience.

Visceral action (including an opening sequence that masterfully sets the tone for the rest of the film); a sharply written and directed script; rich, dynamic characters; and, as promised, the world's cutest cat (other than yours if you have one) combine to create a gut - busting, endearing, salty - sweet, and highly re-watchable comedy.

Access the Services using any interface other than ours, including by making any automated use of the Services such as using scripts to interact with the Services;

The script could have done more with this idea: Shen might have tricked Po into joining forces, if for no other reason than to split the cost of a therapist to sort out their daddy issues.

This movie is a mixed bag on one side is Kevin Hart mostly improvising which give most of, if not all of the film's funny dialogue, he also shares good chemistry with Ice Cube, on the other side the scripted jokes, are most of the time well lame, this fun to watch now than most of the movies are ****

Poorly acted and thinly scripted, Pompeii has nothing more to offer than brilliantly choreographed fight sequences and the spectacle of lava and other objects being flung around in 3D.

With only three of its seven scripted series premiering before midseason (not a bad strategy in that promotion can be split and reality series, if they're any good, are likely to do better against baseball than something more involved), Fox is hoping to have a more successful first half of the season, then launch the other shows in the second half where it's traditionally stronger.

DVD Extras Anamorphic 1.85:1; incredibly atmospheric animated menus; scene selection; choice of 2.0 / Dolby digital 5.1; full audio commentary by co - writer / director Shane Meadows, co - writer / star Paddy Considine, and producer Mark Herbert (all giggling), revealing that the decision to include Anthony in scenes other than flashbacks was last - minute, that the script changed daily on - set, that the castle was a disused zoo, and that the original ending was too close to Get Carter; nine minutes of commentary out - takes (Easter egg); Optimum trailer reel; What U Sitting On?

The script is nothing special, and it even borders on schmaltzy at times, but there's an honesty to the material (especially the father - son relationship) that some people will connect to more than others.

Netflix announced on Tuesday that it had acquired the rights to a new action flick called «Six Underground,» and it's already got a seriously impressive roster of creative talent: Reynolds will star; «Deadpool» and «Deadpool 2» screenwriting duo Rhett Reese and Paul Wernick are penning the script; and none other than Michael Bay is directing.

Moving away from the horror elements of The Terminator, Terminator 2: Judgment Day is an all - out war of car chases, fight scenes, shoot outs, nuclear explosions and a phenomenal, if gratuitous set piece where the Terminator blows up numerous police cars with a machine gun for no other reason than the script required an action beat.

It was just a really good script and I really wanted it, so it was a little more excitement than I would have in any other audition.

Director Joe Wright recognizes this and thanks to a sharp script by Anthony McCarten, Darkest Hour is more than just a stoic piece of work that has characters occasionally yelling at each other.

Directed by Jake Kasdan (who co-wrote the script with producer Apatow), it's more silly than clever, quoting «Ray» and «Walk the Line» (among other biopics) as Dewey morphs through country, R&B, rock, folk and other musical genres

Other than one scene of brutal, physical violence, Shyamalan unfolds his story without delving into the horror and gore of so many scary scripts.

These questions, and many more, bring the script of Episode III into the light of reality far more than any of the five other films.

In fairness, Edgerton is guided by Cooper's hand and Jez Butterworth and Mark Mallouk's script, and like so many other movies set in Bahston, their concept of the provincial dialect boils down to clichés: drop your Rs, speak through your nose at two octaves higher than normal, and communicate primarily by saying «fuck.»

Fede Alvarez's script and direction is smart in some areas and confusing in others, but eons better than his Evil Dead remake.

Not much is known about the upcoming Guardians of the Galaxy sequel other than James Gunn is writing the script and has big plans for the band of misfits.

Unfolding from a gentle, childlike perspective, the script is also free of objectionable content, other than some tense moments during the sinking of the ship.

If the script falls flat, there's little chance that any actors other than Dench will get recognized and the top category (Best Picture) pretty much goes out the window.

How do stereotypes play into the script to make some crooks in the film more appealing and likeable than others?

Though the film does a better job of capturing the spirit of the «Hitman» franchise with violent, stealth - based action sequences, it's bogged down by a cheesy and predictable script that shackles its titular character to Hannah Ware's human MacGuffin for no other reason than because Agent 47 would be an emotionally detached bore on his own.

Whilst the film isn't going to reach the heights of other Australian comedy classics, there's something to be said for a film a film that manages to tick all the simple boxes; great acting, witty script, a fine balance of comedy and drama, with characters and themes that are more complex than the surface reveals.

Had more resources gone toward the script department (which consists of no less than four individuals), perhaps the other failings wouldn't have been so egregious, and this really could have lived up to its aggrandizing title.

But what CHRISTINE does far better than «the other Christine Chubbuck film» is that it humanizes an elusive figure thanks in part to Craig Shilowich's script and Rebecca Hall's fully - realized, powerful performance.

More so than the script, its pretty obvious that the reason each of them signed on was because the others had agreed to sign on.

Overall however all these women have been better in other movies and deserve a better script than they got to play with.

According to the director, Digging for Fire had a more complete, «bigger» script than any of his other projects — mostly because he had so much talent involved and needed to schedule like a really Hollywood dog.

Bantering, arguing or just glaring at each other, they make «The Nice Guys» far more entertaining than it deserves to be; let's hope that, for the inevitable «Nice Guys 2,» somebody gives them the script they deserve.

The script is nothing special, even bordering on schmaltzy at times, but there's an honesty to the material (especially the father - son relationship) that certain people will connect to more than others.

There's little doubt, however, that Reiner's decidedly deliberate sensibilities, coupled with the episodic bent of Raynold Gideon and Bruce A. Evans» script, ensures that the movie's first half isn't quite as electrifying as one might've hoped, as it's clear that certain sequences ultimately fare a whole lot better than others - with the boys» efforts at safely crossing a railroad bridge certainly standing as a highlight within the film's opening hour.

The rest is hardly original: Koepp's script, co-written with John Kamps, is an undisguised mix of GHOST, TOPPER, BLITHE SPIRIT, OVER HER DEAD BODY and countless other supernatural comedies, but a handful of genuine, choke - up moments suggest a finer sensibility than the one behind, say, GHOST DAD.

In other words, he should have picked a style and focused on that, rather than trying to fit every aspect of what the script entailed.

That is no fault of her own, since she performs the lead role capably, or at least no less capably than any other young actress bogged down by such a shallow script.

Eventually, none other than bona fide auteurs James Cameron and David Fincher had a hand in passing along the script to the right people.

The script tends to be a little too talky at times, pretending to be a more clever than it actually is, but it still retains a playful quality as people begin backstabbing each other in earnest for a bigger share of the money.

So, I entered the lab knowing nothing other than 1) even through those fleece - lined waterproof boots, my toes were freezing and 2) my script wasn't done, and as strongly as I felt that, I didn't know why.

It's true that the subject matter is darker in tone than the other releases, but the inventiveness and brilliance more than keeps the action moving and story perplexing (in a good way), thanks to a fantastic script from Bob Gale (Interstate 60, Trespass), who keeps the in - jokes and humor in perfect step with the first film.

Unfortunately, the script doesn't give Blanchette much to do other than wreak havoc.

The one thing I can say in its favor is that Amanda Peet (Syriana, A Lot Like Love) is quite good in it, and Dermot Mulroney (The Wedding Date, Must Love Dogs) is more than adequate in his role (that's two films in a row for Mulroney featuring people dying of cancer before they can see their next Christmas — The Family Stone is his other), but even then, they aren't quite enough to elevate the terrible script into something remotely approaching believable or plausible.

Miller recalls that other than Guster's music, Trevorrow hadn't heard anything else «I hadn't read the script, and he hadn't heard any of my stuff, so it was really blind faith that we were both going to like each other's work.»