Sentences with phrase «other than comedy»

The running joke, then, is that I have an unhealthy obsession with Night Trap, and so anything other than a comedy review that ends by saying it's the greatest game ever made would seem oddly out of character for this site.
«It's exciting, to be honest, using farts other than comedy, like using them for plot and emotion and making some people super uncomfortable.
Who else could kick off this list other than the comedy scene's ultimate weed enthusiasts, Richard «Cheech» Marin and Tommy Chong.
Babyjohn Choi plays a young man who joins the eponymous department led by none other than comedy legend Richard Ng, Chin Siu - ho (one of the students in the original Mr. Vampire) and Yeun Cheung - yan (one of Yuen Woo - ping's younger brothers).
Other than that comedy gold.

Not exact matches

The model for other studios to follow here would seem to be to, first, test your potential audience with more than just a vague idea and then deliver a product that is both true to its source material while also offering something beyond what viewers have already come to expect from typical superheroes (in this case, that would be the comedy, sex, and violence).
If we engage in the «de-mythologizing» of the Revelation to St. John the Divine, as we must also «de-mythologize» the creation stories in the book Genesis in the Old Testament, we realize that what is being said is that as human existence and the world in which that existence is set has its origin in the circumambient, everlasting, faithful Love that is nothing other than God — we recall Wesley's hymn, quoted a few paragraphs back, that «his nature and his Name is Love», and Dante's great closing line in The Divine Comedy about «the Love that moves the sun and the other stars» — so also the «end» toward which all creaturely existence moves is that very same Love.
Multi-camera comedies have been popular since the 1980s but Norman Lear's signature style on One Day at a Time has reintroduced this format, which is much easier to produce than others, to Netflix.
As it turned out, the participants who had a good laugh at the comedy routine shared much more intimate information with their peers than the groups who watched the other videos.
I have been pretty swamped focusing on building up my social consulting business + designing a new site for it (stay tuned... I am perfecting the design hehe), being a boss lady ain't easy... let me tell ya haha However, one of my highlights of the long Labor Day Weekend (other than the amazing sales) was being able to meet up with some of my blogger friends — I have been out of commission for a little bit since I've been drowning in work + the blog, but heading to a comedy show + some brunch was the perfect way to catch up with some of my favorite gals!
I have a very sarcastic sense of humour and would much rather watch a comedy than any other genre.
i love to exercise and stay as fit as i can.i like comedy and horror the most.i listen to almost all music other than metal and jazz.i have a nice penis thats what im told.
Antique shops, live comedy «other than yourself» concerts, festivals, boating, sho oting pool, meeting new people, crafts and...
This turns out to be none other than Agis, with whom, on first sight, she's fallen head over heels, propelling her through the strategems that is the material of the kind of comedy of intrigue and missteps that was the mainstay of legitimate theatre in 1732.
«Just Go with It» has major problems with its lack of wit and exhausted repeated jokes, but thankfully, Aniston's performance is able to boost up the comedy in the film; adding to an amount that ranks higher than many other films that try the same formula of comedy as of this film With Sandler's and Aniston's connection being believable, «Just Go with It» manages to hit the mark for several adults and teens to enjoy.
Aliens offer a cure for earthling ennui in From Other Worlds, a limp sci - fi comedy with fewer laughs than a meeting of Abductees Anonymous.
Satirical comedy starring Iwan Rheon and Rupert Grint that reimagines the megalomaniac dictator as an 18 - year - old oddball who dreams of nothing other than becoming a famous painter.
Visceral action (including an opening sequence that masterfully sets the tone for the rest of the film); a sharply written and directed script; rich, dynamic characters; and, as promised, the world's cutest cat (other than yours if you have one) combine to create a gut - busting, endearing, salty - sweet, and highly re-watchable comedy.
The Russos are on much firmer ground pitting their good guys against each other — for comedy or friction — than pushing any of them up against Thanos.
More than anything, Blair is under the presumption that the semblance of utter randomness in the characters and developments will produce comedy (tidbits like «cat meat makes a person invisible», a deadly snake confrontation, and other such kooky events), and while occasionally diverting, wittier laughs are sparse.
Those in the middle - aged demographic might find this middlebrow comedy more pleasing than others.
Probably more than any other filmmaker, his name evokes instant expectations on the part of audiences: at least two or three great chills (and a few more good ones), some striking black comedy, and an eccentric characterization or two in every one of the director's movies.Originally trained at a technical school, Hitchcock gravitated to movies through art courses and advertising, and by the mid -»20s he was making his first films.
Alex Orr's dark comedy Blood Car stars Mike Brune as Archie Andrews, a mild - mannered elementary teacher attempting to beat the high cost of gasoline (forty bucks a gallon) by creating a car that runs on something other than traditional petrol.
... never quite comes off as anything other than an instantly forgettable, unmistakably Canadian romantic comedy.
Popper's assistant Pippi (Lovibond) speaks almost entirely using words beginning with «p» which is precisely as preposterous, pretentious and pitiful as it sounds and isn't the comedy genius it wants to be but other than that it's not at all bad.
Not perfect - the film is made on a tight budget and sometimes it shows - but this is so much better written than every other American comedy this year (apart from Burn After Reading) that it is embarrassing.
Other than that it wasn't really a funny comedy nor a true drama and failed at both really.
It's nice to see Arnett playing something other than an emotionally stunted man - child, and if the pilot for Up All Night didn't make me guffaw all that much, it passed by pleasantly and it was good to see that creator Emily Spivey was able to wring comedy from the new - parent situation without using the same dozen baby jokes we've all seen 200 times before.
If you want to do more than merely tolerate a comedy — in other words, if you want to fall in love with one — try binging on FX's You're the Worst.
Aside from these momentary lapses and some third - act stuff that wants us to take the characters far more seriously as human beings than we're capable of doing, «The Campaign» is an effective vulgar comedy about two idiots competing with each other.
But it might have been better if it had focused on comedy first, politics second, rather than the other way around.
An other thing that was awesome in» Friends with Benefits» is the situations (when there talking, etc) between Dylan and Jamie, which I found less cliche than most of romantic comedies.
The film admirably fights off similarity to Greg Mottola's theme park - set Adventureland by plumping for heartwarming human relationships over comedy, rather than the other way around.
Following his other 2017 effort, the sex comedy bomb of The Layover, William H. Macy is better than Krystal, as proven by his own distinguished acting resume and 2014 directorial debut and festival favorite Rudderless.
More than any other word, that tidily sums up Teller, who pinballs between beloved indies and big - budget fare like Fantastic Four and, this year alone, both a comedy opposite Jonah Hill (War Dogs) and an upcoming drama about PTSD (Thank You for Your Service).
I won't give away much more plot other than it's a dark comedy because this film would suffer in my eyes if the audience knew too much about it.
Other than that, Modern Family won almost everything else in the comedy category (including Best Direction, even though the majority of those nominees were women, one of them having directed an episode of Modern Family, but whatever).
A scene where Fred goes to a «Siblings Anonymous» meeting and he rubs elbows with the likes of Frank Stallone, Roger Clinton and Stephen Baldwin has the makings of a funny skit comedy, but they couldn't really find a funny angle other than the initial idea.
After searching through more pages of IMDB than I care to admit, along with multiple other sites, I have come up with my own personal Top Ten R Rated Comedies of the last decade (2004 - 2014, so far).
Aside from the well - noted fact that more superior long - form drama (and comedy) can be found on television than in cinemas, the two most interesting motion picture experiences I had in 2012 were in galleries: The Clock (Christian Marclay, 2010), a staggering and hypnotic achievement of which I still have some of its 24 hours to catch up with, and two multi-screen installations by Candice Breitz: «Him» and «Her» in which many scenes from the films of Jack Nicholson (in Him) and Meryl Streep (in Her), isolate the actors from their filmic background leaving the actors to speak to and interrogate each other across space and time on many themes of character, identity, success, failure, anger and disappointment.
The coming - of - age comedy, out next year, chronicles a year in the life of Christine (Saoirse Ronan), an angsty teen who refuses to be known by anything other than Lady Bird.
But the tone is all over the place, wildly veering from broad comedy to surprisingly dark horror — a sign there was never a guiding vision behind the picture other than a movie poster and Depp's bankability.
In 2002, 2003, 2005, and 2006, it had more Emmy nominations than any other comedy series.
Other than that, everything else went as expected, including Jordan Peele winning the «First - Timer» award for «Get Out,» «Veep» winning Comedy Series, and «Big Little Lies» winning for Movies for Television and Miniseries.
But Spy never lets its genre conceit get in the way of its comedy, which delivers more laugh - out - loud moments than any other mainstream comedy so far this year.
Oh, if only this had been that film instead... or anything other than this lame ensemble dark comedy, which never really earns any of the sporadic, guilty chuckles it may inspire.
In 2001 he starred opposite Jennifer Lopez in The Wedding Planner and, other than forgettable turns in the dreary Frailty and Reign of Fire, he suddenly turned and barreled down a chipper but oddly gloomy road of shallow, glossy romantic comedies and fruitless attempts to become a mellower Harrison Ford.
For up close and personal drama it is pretty good comedy (better than Berry's Oscar acceptance speech) and there are other unconvincing moments like these.
And like those previous movies mentioned this really is more of a dramady then a striahgt comedy or drama, but alot lighter than the other movies.
While Feig pulls through with the comedy, if there's something sorely lacking from this version other than Rick Moranis and the late Harold Ramis, it's excitement in seeing the ghosts and their resulting mayhem.
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