Big banks often hire loan officers in call centers and may not provide much training
other than a script and some computer programs to navigate the sales process.
Not exact matches
Glubz also had an entry at the now - defunct skidpaste.org, a site which sought to document the known aliases, addresses and
other contact information on young
script kids (hence «skid») who fancy themselves much better hackers
than they really are.
Such risks and uncertainties include, but are not limited to: our ability to achieve our financial, strategic and operational plans or initiatives; our ability to predict and manage medical costs and price effectively and develop and maintain good relationships with physicians, hospitals and
other health care providers; the impact of modifications to our operations and processes; our ability to identify potential strategic acquisitions or transactions and realize the expected benefits of such transactions, including with respect to the Merger; the substantial level of government regulation over our business and the potential effects of new laws or regulations or changes in existing laws or regulations; the outcome of litigation, regulatory audits, investigations, actions and / or guaranty fund assessments; uncertainties surrounding participation in government - sponsored programs such as Medicare; the effectiveness and security of our information technology and
other business systems; unfavorable industry, economic or political conditions, including foreign currency movements; acts of war, terrorism, natural disasters or pandemics; our ability to obtain shareholder or regulatory approvals required for the Merger or the requirement to accept conditions that could reduce the anticipated benefits of the Merger as a condition to obtaining regulatory approvals; a longer time
than anticipated to consummate the proposed Merger; problems regarding the successful integration of the businesses of Express
Scripts and Cigna; unexpected costs regarding the proposed Merger; diversion of management's attention from ongoing business operations and opportunities during the pendency of the Merger; potential litigation associated with the proposed Merger; the ability to retain key personnel; the availability of financing, including relating to the proposed Merger; effects on the businesses as a result of uncertainty surrounding the proposed Merger; as well as more specific risks and uncertainties discussed in our most recent report on Form 10 - K and subsequent reports on Forms 10 - Q and 8 - K available on the Investor Relations section of www.cigna.com as well as on Express
Scripts» most recent report on Form 10 - K and subsequent reports on Forms 10 - Q and 8 - K available on the Investor Relations section of www.express-
scripts.com.
However, since
other (more recent) versions of Timthumb have had a dangerous flaw, I will of course include the more recent version of the
script in future versions of the plugin... except if I find it to be less secure
than the version I presently use which was safe because not including any of the dangerous, unuseful features they introduced later on.
Some fell more deeply into the trap of imagining that pluralism could be written out of the
script of history
than others; some remained mired in that trap longer
than others.
(For real: it's because some regions were more stacked
than others, and also because I wanted to
script some weird first - round matchups for fun).
A good dating coach will focus on the core specifics such as self confidence, physical image and
other attractive qualities rather
than using tricks, techniques or
scripted pick up lines.
Based on J.D. Salinger: A Life by Kenneth Slawenski, the movie sticks to the formula of Strong's
other scripts, focusing on major moments in the life of a public figure rather
than concentrating on any one period in history.
For all its sincere intentions, Kruishoop's
script feels cobbled together from newspaper headlines and bits of
other movies rather
than real, lived experience.
Visceral action (including an opening sequence that masterfully sets the tone for the rest of the film); a sharply written and directed
script; rich, dynamic characters; and, as promised, the world's cutest cat (
other than yours if you have one) combine to create a gut - busting, endearing, salty - sweet, and highly re-watchable comedy.
Access the Services using any interface
other than ours, including by making any automated use of the Services such as using
scripts to interact with the Services;
The
script could have done more with this idea: Shen might have tricked Po into joining forces, if for no
other reason
than to split the cost of a therapist to sort out their daddy issues.
This movie is a mixed bag on one side is Kevin Hart mostly improvising which give most of, if not all of the film's funny dialogue, he also shares good chemistry with Ice Cube, on the
other side the
scripted jokes, are most of the time well lame, this fun to watch now
than most of the movies are ****
Poorly acted and thinly
scripted, Pompeii has nothing more to offer
than brilliantly choreographed fight sequences and the spectacle of lava and
other objects being flung around in 3D.
With only three of its seven
scripted series premiering before midseason (not a bad strategy in that promotion can be split and reality series, if they're any good, are likely to do better against baseball
than something more involved), Fox is hoping to have a more successful first half of the season, then launch the
other shows in the second half where it's traditionally stronger.
DVD Extras Anamorphic 1.85:1; incredibly atmospheric animated menus; scene selection; choice of 2.0 / Dolby digital 5.1; full audio commentary by co - writer / director Shane Meadows, co - writer / star Paddy Considine, and producer Mark Herbert (all giggling), revealing that the decision to include Anthony in scenes
other than flashbacks was last - minute, that the
script changed daily on - set, that the castle was a disused zoo, and that the original ending was too close to Get Carter; nine minutes of commentary out - takes (Easter egg); Optimum trailer reel; What U Sitting On?
The
script is nothing special, and it even borders on schmaltzy at times, but there's an honesty to the material (especially the father - son relationship) that some people will connect to more
than others.
Netflix announced on Tuesday that it had acquired the rights to a new action flick called «Six Underground,» and it's already got a seriously impressive roster of creative talent: Reynolds will star; «Deadpool» and «Deadpool 2» screenwriting duo Rhett Reese and Paul Wernick are penning the
script; and none
other than Michael Bay is directing.
Moving away from the horror elements of The Terminator, Terminator 2: Judgment Day is an all - out war of car chases, fight scenes, shoot outs, nuclear explosions and a phenomenal, if gratuitous set piece where the Terminator blows up numerous police cars with a machine gun for no
other reason
than the
script required an action beat.
It was just a really good
script and I really wanted it, so it was a little more excitement
than I would have in any
other audition.
Director Joe Wright recognizes this and thanks to a sharp
script by Anthony McCarten, Darkest Hour is more
than just a stoic piece of work that has characters occasionally yelling at each
other.
Directed by Jake Kasdan (who co-wrote the
script with producer Apatow), it's more silly
than clever, quoting «Ray» and «Walk the Line» (among
other biopics) as Dewey morphs through country, R&B, rock, folk and
other musical genres
Other than one scene of brutal, physical violence, Shyamalan unfolds his story without delving into the horror and gore of so many scary
scripts.
These questions, and many more, bring the
script of Episode III into the light of reality far more
than any of the five
other films.
In fairness, Edgerton is guided by Cooper's hand and Jez Butterworth and Mark Mallouk's
script, and like so many
other movies set in Bahston, their concept of the provincial dialect boils down to clichés: drop your Rs, speak through your nose at two octaves higher
than normal, and communicate primarily by saying «fuck.»
Fede Alvarez's
script and direction is smart in some areas and confusing in
others, but eons better
than his Evil Dead remake.
Not much is known about the upcoming Guardians of the Galaxy sequel
other than James Gunn is writing the
script and has big plans for the band of misfits.
Unfolding from a gentle, childlike perspective, the
script is also free of objectionable content,
other than some tense moments during the sinking of the ship.
If the
script falls flat, there's little chance that any actors
other than Dench will get recognized and the top category (Best Picture) pretty much goes out the window.
How do stereotypes play into the
script to make some crooks in the film more appealing and likeable
than others?
Though the film does a better job of capturing the spirit of the «Hitman» franchise with violent, stealth - based action sequences, it's bogged down by a cheesy and predictable
script that shackles its titular character to Hannah Ware's human MacGuffin for no
other reason
than because Agent 47 would be an emotionally detached bore on his own.
Whilst the film isn't going to reach the heights of
other Australian comedy classics, there's something to be said for a film a film that manages to tick all the simple boxes; great acting, witty
script, a fine balance of comedy and drama, with characters and themes that are more complex
than the surface reveals.
Had more resources gone toward the
script department (which consists of no less
than four individuals), perhaps the
other failings wouldn't have been so egregious, and this really could have lived up to its aggrandizing title.
But what CHRISTINE does far better
than «the
other Christine Chubbuck film» is that it humanizes an elusive figure thanks in part to Craig Shilowich's
script and Rebecca Hall's fully - realized, powerful performance.
More so
than the
script, its pretty obvious that the reason each of them signed on was because the
others had agreed to sign on.
Overall however all these women have been better in
other movies and deserve a better
script than they got to play with.
According to the director, Digging for Fire had a more complete, «bigger»
script than any of his
other projects — mostly because he had so much talent involved and needed to schedule like a really Hollywood dog.
Bantering, arguing or just glaring at each
other, they make «The Nice Guys» far more entertaining
than it deserves to be; let's hope that, for the inevitable «Nice Guys 2,» somebody gives them the
script they deserve.
The
script is nothing special, even bordering on schmaltzy at times, but there's an honesty to the material (especially the father - son relationship) that certain people will connect to more
than others.
There's little doubt, however, that Reiner's decidedly deliberate sensibilities, coupled with the episodic bent of Raynold Gideon and Bruce A. Evans»
script, ensures that the movie's first half isn't quite as electrifying as one might've hoped, as it's clear that certain sequences ultimately fare a whole lot better
than others - with the boys» efforts at safely crossing a railroad bridge certainly standing as a highlight within the film's opening hour.
The rest is hardly original: Koepp's
script, co-written with John Kamps, is an undisguised mix of GHOST, TOPPER, BLITHE SPIRIT, OVER HER DEAD BODY and countless
other supernatural comedies, but a handful of genuine, choke - up moments suggest a finer sensibility
than the one behind, say, GHOST DAD.
In
other words, he should have picked a style and focused on that, rather
than trying to fit every aspect of what the
script entailed.
That is no fault of her own, since she performs the lead role capably, or at least no less capably
than any
other young actress bogged down by such a shallow
script.
Eventually, none
other than bona fide auteurs James Cameron and David Fincher had a hand in passing along the
script to the right people.
The
script tends to be a little too talky at times, pretending to be a more clever
than it actually is, but it still retains a playful quality as people begin backstabbing each
other in earnest for a bigger share of the money.
So, I entered the lab knowing nothing
other than 1) even through those fleece - lined waterproof boots, my toes were freezing and 2) my
script wasn't done, and as strongly as I felt that, I didn't know why.
It's true that the subject matter is darker in tone
than the
other releases, but the inventiveness and brilliance more
than keeps the action moving and story perplexing (in a good way), thanks to a fantastic
script from Bob Gale (Interstate 60, Trespass), who keeps the in - jokes and humor in perfect step with the first film.
Unfortunately, the
script doesn't give Blanchette much to do
other than wreak havoc.
The one thing I can say in its favor is that Amanda Peet (Syriana, A Lot Like Love) is quite good in it, and Dermot Mulroney (The Wedding Date, Must Love Dogs) is more
than adequate in his role (that's two films in a row for Mulroney featuring people dying of cancer before they can see their next Christmas — The Family Stone is his
other), but even then, they aren't quite enough to elevate the terrible
script into something remotely approaching believable or plausible.
Miller recalls that
other than Guster's music, Trevorrow hadn't heard anything else «I hadn't read the
script, and he hadn't heard any of my stuff, so it was really blind faith that we were both going to like each
other's work.»