Sentences with phrase «other than their dialogue»

Not exact matches

According to Darren Barefoot of the Vancouver - based Internet market research firm Capulet Communications, rather than asking viewers to submit personal video testimonials (the site shows only four entrants in a contest to win $ 300 in Nicorette products), he suggests using blogs and other social networking tools to open up dialogue and?

There can be no true dialogue when each side is relating to a phantom of its own projection, however benevolent that projection might be, rather than to a view of the other side that the other side can truly accept about itself.

But the purposes of theological dialogue are much better served by the assumption of two active and responsible partners than of one who is active (and guilt - ridden) and the other passive (and self - righteous).

This list is not exhaustive, but it need not be so; more important than any one of the specific items above is the general principle that crafting a reasonable agenda for dialogue requires a commitment to allowing the other party to define itself on its own terms.

A third reason for selecting political theology rather than liberation theology for discussion in this book is that other process theologians have begun the dialogue with liberation theology, and I am confident that this will continue.

Hence it implies both dialogue and direction — the dialogue of the person with an «other» than he now is which gives him an intimation of the direction he is meant to take.

Umme, if we need to drag Muslim into this light of understanding that they are no different and in no ways more special than any other group, then this... with extreme amounts of dialogue... is what you and other Muslims will begin to see.

Rather than be divided into different groups that are then adversarial to each other I wonder if there is the opportunity now to consider constructive dialogue between movements that have otherwise been at each others throats.

Joseph Cardinal Ratzinger and others were and are much taken with Cullman's argument that the confessional divisions of the sixteenth century are the work of God's «left hand,» and the resulting differences must somehow be given the opportunity to play themselves out rather than being «negotiated away» in ecumenical dialogue.

As for the question of why interreligious dialogue should have had its first major public outing in the United States, and why it has flourished here more than in any other country since, this is slightly more complicated.

Methodologically speaking, however, systematics is a dialogue with a different public than those of philosophical and practical theology, theirs being the academy on the one hand, and society at large on the other.

In fact, these discussions can be regarded as an early form of the Christian - Marxist dialogue, even though the dialogue, for the most part, was internalized within these thinkers rather than being represented by «Christians» on the one side and «Marxists» on the other.

By the end of the Assembly, as Kenneth Slack pointed out, «most of the members felt that there was more danger from undue stress on the evangelism of individuals than the other way round, despite widely expressed anxiety, given expression by Stott, that liberation in political, social and economic sense was in danger of replacing salvation from sin at the heart of the redeeming gospel».73 There was no doubt that, despite the narrowing of the range of disagreements, important differences continued, especially with regard to the meaning of salvation and the program of dialogue with people of other faiths.

«In the world in which we now live, with fears about «The Other» - whether that be Sunni, Shia, Jew, Christian, Yazidi, Hindu or Buddhist - stoked and spread through social media, and amplified by those who would seek to suppress understanding, rather than promote it, there is an urgent need for calm reflection and a genuinely sustained, empathetic and open dialogue across boundaries of faith, ethnicity and culture.»

In our dialogue with other traditions, the key to sustaining conversation (rather than cutting it short by claims that others will interpret as arrogant) is to keep before ourselves the possibility that in some way or other all religions may be relative, culturally specific ways of looking toward an ineffable mystery.

In an interview with Il Foglio Cardinal Scola, Patriarch of Venice and founder of the Oasis cultural centre for understanding between Catholics and Muslims, said that the Open Letter to the Pope and other Christian leaders by 138 scholars from various Islamic traditions was «not only a media event, because consensus is for Islam a source of theology and law... The fact that the text is rooted in Muslim tradition is very important and makes it more credible than other proclamations expressed in more western language... It is only a prelude to a theological dialogue... in an atmosphere of greater reciprocal esteem.

There had been a number of allusions to this, but, in the earlier Dialogues, Margaret had been mainly concerned to bring out how our participation in the «passage of nature» gives us a bare sense - awareness which is much richer than that presupposed in other empiricist accounts, notably the sense data account.

If dialogue partners argue for violence for other than justifiable defense the Christian criteria of agape will incline Christians to argue that the other religious tradition be amended.

Confusion understandably arises because a political doctrine that goes by much the same name generally calls for political dialogue to be conducted on grounds other than religion.

This is just my opinion so hopefully we can all have a good dialogue on the above rather than have a go at each other

«I think to actually get into dialogue with people who at the moment don't seem to have any aim other than causing mass casualties, no clear way ahead, I think would be wrong,» he said.

The poor word choices, which resulted from the passion expressed by some, diverted the attention away from the legitimate concerns of the more than 500 hardworking mental - health workers, correctional officers, caregivers for developmentally - disabled individuals, administrative personnel and others who attended the rally to call for substantive dialogue with the governor about the direction we need to take the Empire State so that it serves all its citizens well, especially the most vulnerable among us.»

That means the fan runs a little quieter than some other models so there's less chance that it will distract you from the movie dialogue.

The dialogue unfolds to a look at how important it is to remain in true contact with both ourselves and those we are connected, as a necessary practice for remaining in touch with reality, rather than becoming blinded to the other person and consumed in our own personal stories.

Just because our dialogue in intimate relationships moves quicker, and is more honest and base than it is with other people, doesn't mean you can say whatever you please to complete strangers because they're single and on a dating website!

When you have dedicated episodes of these guys taking shelter from a storm, an entire episode with an awful hipstery filter fest, even more cringy dialogue and ridiculous death scenes that mean nothing other than just being shocking and violent; well that's when the show suffers.

There are so many things wrong with this game, first of all the plot is too linear you play as Mario throughout the whole game you don't get to play as peach or bowser, there are no new characters other than kersti, all the characters in the game are from the Mario platformers, there are no exp so you can't level up and if you run out of stickers you have no choice but to run away, peach only has about five lines, bowser is the main antagonist and he has no dialogue, in the previous installments the main antagonist always had dialogue, and one of this game's worst problems is that luigi went from being a playable character to a glorified cameo, I have no idea what nintendo was thinking when they made this game.

(xi) disrupts the normal flow of dialogue, causes a screen to scroll faster than other users are able to type, or otherwise act in a way which affects the ability of other people to engage in real time activities via the Service;

He's a devotee of unadorned camerawork and semi-improvised dialogue — but some actors are better at improv than others.

This movie is a mixed bag on one side is Kevin Hart mostly improvising which give most of, if not all of the film's funny dialogue, he also shares good chemistry with Ice Cube, on the other side the scripted jokes, are most of the time well lame, this fun to watch now than most of the movies are ****

Actually, it's like watching something other than a movie, like a bunch of bad acting, cheesy dialogue and laughably crap special effects, and like this kind of slapstick childish unfunny type of humour, all exploded

Actually, it's like watching something other than a movie, like a bunch of bad acting, cheesy dialogue and laughably crap special effects, and like this kind of slapstick childish unfunny type of humour, all exploded onto your screen!!!! It's a bit like something you'd see on Disney Channel, like in the same league as Lizzie McGuire.

In addition to Mr. Tarantino's trademark dialogue - heavy, suspense - filled set pieces, there are moments of pure silliness, like a gathering of hooded night riders (led by Don Johnson), and a late escapade (featuring Mr. Tarantino speaking in an Australian accent) that perhaps owes more to Bugs Bunny than to any other cultural archetype.

This is Tarantino, so the film is all about dialogue and character and not really breathtaking cinematography, so other than Tarantino's firm belief in preserving 70 mm, I'm not clear why he's pushing it for this particular film.

Oddly, there is little dialogue in much of the first half — other than the barks and barbs of Gunnery Sgt. Hartman, viciously and accurately portrayed by Lee Ermey, a real - life leatherneck who spent three years in Vietnam.

The stellar cast could play every single one of these roles in their sleep but that doesn't make them guilty of lazy performances; Anthony Mackie's conflicted cop is empathetic at times and well in need of a slap at others while Casey «better - in - every - way - than - his - brother - when - on - screen» Affleck is likable if not always blessed with the best lines of dialogue to deliver.

The film's limited dialogue leaves little room for language concerns other than some brief arguing.

Other than the bad language, this may be a good watch for older audiences who are looking for strong dialogue and acting versus special effects and action.

He talks about how this film is a fairytale and how he loves the little girl he cast and how honest she is in her complete inability to be anything other than herself (and, damnably, how much he let her ad lib her dialogue and thus alter his film).

Dialogue occasionally gets slightly drowned out by effects and music, but other than that, the potent mix excels.

Other than that, the Darkest Hour trailer make its look like a pretty standard alien invasion movie, complete with semi-hokey dialogue («They came here with a plan!»)

Ford did more than any other filmmaker to enshrine Lincoln as a saintly rustic, most memorably in the classic Young Mr. Lincoln (1939), and Spielberg seems to follow his lead in the first dialogue scene of Lincoln.

Some collectibles are more missable than others in the sense that they are affected by story choices, dialogue choices, and side quests.

Diaz spends most of the film with Applegate, and they have an unforced, cutesy girly - girl best friend rapport, but one wishes Kumble and Pimental gave them more to do than just goof off and make faces at each other and the audience, often while delivering lame dialogue such as (in reaction to seeing Jane's boyfriend nude) «Oh my cock!»

Its best moment is a snippet of a self - flagellating Amy Adams recording her Polly Purebred dialogue, if for no other reason than that Adams is a megawatt beacon in this pitch - black void.

While it's a bit slighter than some of his other pictures, it's arguably his most enjoyable — filled with endlessly quotable dialogue, pitch - perfect soundtrack choices and real heart — enough to make you want to stand up from your seat and go running down the street while 80's - era David Bowie plays joyously on the soundtrack.

outline, the gore (such as exploding heads) adds nothing other than wank - bank material for sadists, the dialogue is severely lacking in his usual cleverness, and worst of all Tarantino displays none of his usual skill at that constant electric hum of «shit is about to go down!»

On X-Ray, I did notice some annoying fluctuations in volume between music and dialogue, but other than that no complaints.

Morgan's dialogue and the lush high - definition visuals based on the paintings of Hans Holbein lead one to believe that «The Other Boleyn Girl» will be classier than, in fact, it is.

The other one is an extended version of an existing scene which incorporates more of the play's dialogue than was ultimately used.