Sentences with phrase «other than your work history»

On the other hand is the functional format, which is focusing on your job skills other than your work history.

Next, remove all sections other than your work history, leaving in employer names, dates and job titles.

Not exact matches

You're also able to see a freelancer's work history and reviews before you hire them, which makes it less of a stab in the dark than other hiring methods.

As you can see, your payment history and how much you owe are vastly more important than the other factors, so focus on those as you're working to build your credit.

Announcing his resignation (below) to the world he said: «I believe we've made great steps, with more people in work than ever before in our history, with reforms to welfare and education, increasing people's life chances, building a bigger and stronger society, keeping our promises to the poorest people in the world and enabling those who love each other to get married whatever their sexuality, but above all restoring Britain's economic strength.»

On the other hand, there is in the history of science more continuity than one would expect from Feyerabend or from Kuhn's earlier work, in which truth is entirely relative to a succession of self - contained language systems dominated by diverse paradigms.

On the other hand, nothing could be more dangerous than importing Western ideas into the subject matter or working with categories adopted from the history of Western philosophy.

If you properly engage in this work, you will be interested in arriving at a position on whatever it is that interests you (philosophy, critical theory, history, philology, literary criticism, or whatever) that is preferable to any other that you know of on that question, and you will concomitantly want to be clear as to what the position that you construct and defend is, what it excludes, how best to show that its competitors are less adequate than the one you want to defend, and in what sense this is true.

And they are bound to be with us if our perspective is time - bound and world - bound; it is only by relationship to, and trust in, some Reality bigger and other than the world, yet working in and through the processes of time and history, that we can be raised above the level of immediacy into the sphere of ultimacy — and it is in that sphere alone, so far as I can see, that man can achieve any peace of mind.

Man's character has been molded by his every - day work, and the material resources which he thereby procures, more than by any other influence unless it be that of his religious ideals; and the two great forming agencies of the world's history have been the religious and the economic.

In a few thousand years of recorded history, we went from dwelling in caves and mud huts and tee - pees, not understanding the natural world around us, or the broader universe, to being able to travel through space, using reason to ferret out the hidden secrets of how the world works, from physics to chemistry to biology, we worked out the tools and rules underpinning it all, mathematics, and now we can see objects that are almost impossibly small, the very tiniest building blocks of matter, (or at least we can examine them, even if you can't «see» them because you're using something other than your eyes and photons to view them) to the very farthest objects, the planets circling other, distant stars, that are in their own way, too small to see from here, like the atoms and parts of atoms themselves, detected indirectly, but indisputably THERE.

I work with more than one mission agency that has a history of sending workers to minster alongside established churches in other countries.

It's certainly not how marriages were throughout history, and while I'd be the last person to get all rose - colored glasses nostalgic over the way marriage was, there were historically some things that actually worked for couples — they relied on people other than their spouse to fulfill some of their needs.

Not all of our marriages will work, no — but when they do, they'll work better than at any other time in history, say scholars.

My kids especially love that each year contains work in each of the science disciplines (many classical - approach history programs do biology one year, chemistry the next, etc.) The format is not step - by - step, so this curriculum requires a bit more planning than some others, but it's well worth the effort.

The vote in Congress represents a referendum of sorts on the work of U.S. Education Secretary Arne Duncan, who has wielded more power than any other federal education official in the nation's history.

And so, more than at any other time in history, scientists are embracing the chance to work with industry.

Other factors that are also associated with increased prevalence rates include a history of incarceration or commercial sex work, geography, race / ethnicity, and being a male younger than 29 years.

Since American history dates back less than 300 years, it's good to look to other cultures to find food items that have worked for several...

The trend is less common on the other side of Although not the first work of black British history, its impact spread further than most, in part because its publication came at a crucial moment, three years after a wave of riots sparked by hostile policing set ablaze black neighbourhoods of London, Bristol and Liverpool.

He'd done more work than a lot of the other independent directors that made the leap, having made three features (Brick, The Brothers Bloom and Looper) and directed some very well received episodes of Breaking Bad, but it's hard to imagine any of that adequately prepared him for directing the middle chapter of the new trilogy in biggest franchise in movie history for the biggest studio on the planet.

It's in the one extended sequence with Moore that the film works best as a cohesive package, in which Ford restrains himself and lets Firth and Moore create a potently passionate portrait of long - term friendship, with all the unspoken history, tender affection, and the not - so - paradoxical simmering bitterness that can sometimes go along with that... particularly when one friend may want something different out of the relationship than the other does.

Now into my second year as a blended - learning history teacher — meaning I have a group of students in my classroom every other day, assigning them to work online, at home, on the «off» days — I've found the scary parts less frightening than most fear, with far greater benefits than I expected....

I write because history shows us — heck, The Daily Show and Roxane Gay and Supreme Court Justice Ruth Bader Ginsburg and thousands of journalists and bloggers and working poets and writers literally show us every day — that it's the best weapon against hopelessness and despair and loneliness, mightier than tear gas and homophobia and injustice and corrupt politicians and fracking and every other evil in the world, and every bit as necessary for reaching our human potential as oxygen is for continued function of the brain.

Thanks to the success of ebooks and print on demand (POD), its easier to publish your work now than at any other time in HISTORY.

You should also work on the other major factors of your credit score to help balance out a less - than - stellar payment history.

Obviously there will be cars being worked on at various times and are futher along than others, forza has a history of releasing between 6 and 10 cars a month, never see you say the same thing about that.

She studied animation at the School of Visual Arts 1970 — 72 and joined a working collective, Women Artist Filmmakers, although she was at least 10 years older than the other women and already had a significant history in the European art world.

Retracing more than three decades of one of the world's most important contemporary art foundations through archival photographs, press clippings, critical reviews, correspondence and unabashed conversations with many main protagonists — Maurizio Cattelan, Jeffrey Deitch, Urs Fischer, Massimiliano Gioni and Jeff Koons, among others — this more than 850 - page book walks the reader through not only the extraordinary, artist - centric work, but also through the recent and entertaining history of contemporary art itself.

His work has been included in ten exhibitions over the past two decades, including five iterations of the juried New Orleans Triennial; more than any other artist in its history.

He pointed out that exhibitions are not collected nor have they been documented with the consistency and depth that historical research requires, leaving in obscurity the work and imagination of curators who absorbed the lore of their elders and informally passed on their accumulated expertise to the succeeding generation: Only by comprehending those genealogies can we understand how some objects rather than others entered into conventional art history.

The Times Square Show Revisited's main contributions, however, are those of the original Colab members, who have been keeping alive the history of those years and working in a similar independent way: the Ahearn brothers, Dickson, Fitzgibbon, Howland, Moore, Otterness, Rupp, and dozens of others for whom, sadly, there is never enough space in articles and reviews, which are published in magazines and journals still structured around an individualistic model and more interested in representative phenomena and their most distinctive features than they are in providing data or offering objective interpretations that also acknowledge artists who never became famous.

In fact, according to a recent report by the University of Southern California's Stevens Institute for Innovation, «there are more artists, writers, filmmakers, actors, dancers and musicians living and working in Los Angeles than any other city at any time in the history of civilization.»

And for Thornton, unlike a rash of other contemporary painters, the work is less about making specific references to art history and calculated departures from it, than in developing a broader vocabulary that draws inspiration from far outside the art world.

Sharing the viewer's space more literally than any other medium, sculpture has given rise to some of the most iconic works in art history, including the classical Greek Venus de Milo (c. 130 - 100 B.C.), Michelangelo's High Renaissance David (1504), Rodin's The Thinker (1902), and Constantin Brancusi's The Kiss (1908).

Featuring works by, among others, Egon Schiele, Duncan Grant, Claude Cahun, Hannah Höch, Frida Kahlo, David Hockney, Glenn Ligon, Zanele Muholi, Allyson Mitchell and Tomoko Kashiki, all of whom subverted the norms of their day via bold, new forms of expression, A Queer Little History of Art is a celebration of more than 100 years of queer creativity.

Dalwood, 49, has also made works called Greenham Common and Brighton Bomb, constructing scenes from descriptions in the media and exercising his theory that «history is a construction, a fiction... I am constructing histories from a necessarily subjective view, which is no more or less real than any of the other attempts to describe that time or event».

While today's art world gender balance can hardly be called equitable, women artists are receiving far more attention than in any other period in history, and it's about time that artists were judged by the quality of their work, not their gender, age, race, institutional pedigree or any other factor outside the work itself.

Well, that has far less to do with them and their work than all the other B.S. that goes on within the art history stadium.

My climate enemies have done scientific and other academic frauds; they've destroyed, withheld and pretended to misplace scientific data in order to prevent the human race discovering things about nature; they've forged documents to frame people they don't like; mendaciously and publicly accused innocent people of deplorable crimes that carry prison sentences; betrayed the trust reposed in their professions by fraudulently abrogating to themselves the magical competence to diagnose entire swathes of the (perfectly healthy) population with thought disorders just to score points in an academic bitch fight; deliberately and self - servingly lied to * massive * audiences about the way science itself works — than which I can't for the life of me think of a greater crime against humanity in the recent history of the developed world, can you Joe?

If you have a long and relevant work history, try to reduce each one to the most important 2 - 3 bullet points that offer different information than you listed for other jobs.

On the other hand, a functional resume is great for someone with gaps in his or her work experience, and who wants to highlight their skills rather than their work history.

The only other marked difference is that a cover letter gives you latitude to explain unique situations; the gap in your work history or a non-standard career path, in greater detail than on a resume.

Limit your use of color — the only time you should use a color (other than black) is for your name in the header, or perhaps the titles of the different sections of your resume (Work History, Education, etc.).

I always give the same resume advice to candidates with gaps in their work history: Be straightforward rather than trying to hide dates or other pieces of information.

On the other side, if you have had many gaps in employment or have frequently changed organizations, it's always better to throw light on your accounting skills rather than work history.

Depending on your career level and work experience, some resume formats may work better than others at emphasizing your particular abilities and work history.

Therefore, when writing your resume, you will need to concentrate on showcasing your educational experiences, part - time work, volunteer work and other transferable skills rather than the standard work history more experienced applicants have.

Other types of resumes might focus on skills, called functional resumes, rather than chronological work history.

Other than that, you need to ensure that you create your resume with various sections that includes your contact information, work history, skills sections, accomplishments sections and reference sections.