Sentences with phrase «other video game property»

«There's no other video game property like Call of Duty.

Have you had other video game properties or people coming at you saying, «I think this could be the next Resident Evil» or «I think you'd be perfect for this video game franchise?»

With that said, the Mega Man games typically aren't as story driven as some other video game properties that have recently started development for the silver screen such as Assassins Creed, also being handled by Fox, which begs the question as to whether or not this project can succeed where so many other video game movies have failed miserably in the past.

Not exact matches

The program also includes the ability for gamers to stream their gameplay in smooth 1080p with 60 fps, and Facebook is looking to add distribution of videos to other company properties, including Oculus and Instagram.

We will still see Disney properties appear in video games, though: the company announced that it will continue to license out properties to other developers and publishers.

No other video games producer is capable right now to take the time properties really need to grow the way they have to, since video games are a business like every other in the world and money is what makes it run.

In addition to the award - winning trailer and video game, the Dead Island intellectual property will be simultaneously developed by Deep Silver into forthcoming graphic novels, novels and other extensions.

Considering a majority of the good comic book properties have been gobbled - up other studios have been looking to video games and anime / manga for franchise potential.

Disney says they plan to continue licensing their properties to other video game publishers but will no longer make their own console games.

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GTA V is the best - selling video game of all time, fastest entertainment property to $ 1 billion in revenues, and holds many other such records.

The lawsuit, filed in California, claims that CIG «promised, among other things, (i) to use the CryEngine game development platform exclusively and to promote that platform within the video game, (ii) to collaborate with Crytek on CryEngine development and (iii)(to take a number of steps to ensure that Crytek's intellecutal property was protected.»

In that Agreement, Defendants promised, among other things, (i) to use the CryEngine game development platform exclusively and to promote that platform within the video game, (ii) to collaborate with Crytek on CryEngine development, and (iii) to take a number of steps to ensure that Crytek's intellectual property was protected.

Current Nintendo, on the other hand, seems to be in the same boat as most of the popular video game industry at the moment, relying on their franchises for their newest hits instead of expanding beyond and looking towards new properties.

Therefore, do not submit any unsolicited creative works or ideas, including, but not limited to, games, films, television shows, videos, audio recordings, music, scores, images, drawings, artwork, sketches, written materials, novels, stories, scripts, storyboards, treatments, comics, plotlines, dialogue, characters, settings, scenes, textures, designs, code, inventions, concepts, plans, marketing concepts, or any other works, ideas, or intellectual property (collectively «Material») to Square Enix.

The firm has successfully represented studios, networks, financiers, video and social online game developers, production companies, producers, distributors, publishers, talent, talent agencies, gaming companies, sports leagues and teams, and other entertainment and media clients in virtually every kind of commercial and intellectual property dispute.

Some of our notable entertainment and media attorneys are: John Quinn, General Counsel of the Academy of Motion Picture Arts and Sciences, who has also represented entertainment and media clients in a number of high profile cases; Kathleen Sullivan, the former Dean of Stanford Law School, First Amendment scholar, and nationally renowned appellate advocate, who heads the firm's appellate practice group; Bob Raskopf, an expert in the sports, entertainment and media bars in New York, who is perhaps best known for his work on behalf of professional sports leagues and teams, newspapers and publishers; Claude Stern, who has represented a broad array of leading software developers, videogame manufacturers, online publishers and other media clients in all forms of intellectual property litigation, including copyright, patent, trade secret, trademark, and licensing disputes; Bruce Van Dalsem, who has tried and resolved disputes for studios, producers and performing artists in the film, television, music and finance businesses, securing a top five verdict in California based on the misappropriation of a film library; Gary Gans, an expert litigator in motion picture financing, production and distribution disputes, as well as copyright and idea theft cases, who has been named in 2012 by The Hollywood Reporter as one of America's «Top Entertainment Attorneys;» Jeff McFarland, who has litigated entertainment related cases for more than 20 years, including cases involving motion picture and television series profits, video game licenses, idea theft and the «seven year rule;» and Michael Williams, who represents a satellite exhibitor and other media clients in trademark, copyright, patent, antitrust and other commercial litigation.