Sentences with phrase «other visitors to the exhibition»

At one point, I was joined two other visitors to the exhibition — the painters, Sherman Sam and Melissa Meyer — and we tried to figure out exactly what Wurmfeld was doing in a painting from the mid-1970s.

Not exact matches

Upon tasting various chocolates from Ghana, visitors to the exhibition, commended Ghana for its unique cocoa tastes and flavours over a variety of cocoa beans by cocoa producing countries like Ghana, Cote d'Ivoire, Mexico, Sao Tome and Principe, Cameroon, Mauritius, Togo, and many others, was exciting.

He hopes visitors will also tune in to the exhibition's other big message.

Games that invite visitors to interact with each other — even people they don't know — can create a community in your exhibition that may lead to great conversations later for families.

There are in the region of 50 museums (and many other exhibition areas) attracting over 4 million visitors a year, so it's easy to see why Amsterdam is regarded as a major cultural centre.

Leading with a topical mid-market theme, the initial results for the 23rd travel and tourism industry showcase, released by organiser Reed Travel Exhibitions, also recorded a 9 % increase in the number of Buyers» Club members, with a similar percentage hike in the number of other quality visitors such as VIPs, sponsors and speakers, compared to 2015.

The juror of selection and awards this year is renowned watercolor artist Kathleen Conover, who will select the winners of the Gold Medal ($ 1,200 prize), Silver Medal ($ 900 prize), and Bronze Medal ($ 600 prize) and 19 other designated awards worth more than $ 8,000 in cash and sponsored prizes.Throughout the exhibition, visitors will have the opportunity to cast a vote for their favorite painting in order to select the winner of the «People's Choice Award.»

Visitors can also view the memorial folder from Roy Rogers» funeral, as well as pay tribute to other fallen Hollywood cowboys and cowgirls in the museum's Thanks for the Memories exhibition.

by Alan Feuer Boston Globe, Nov. 16, Intimacy of attention paid in close up by Sebastian Smee Brooklyn Daily Eagle, Nov. 16, «Visions of an American Dreamland:» New book and Brooklyn Museum exhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Stepexhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Righother by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, StepExhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step RighOther Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Right Up!

«This app allows Museum visitors to engage on multiple levels with our programs, exhibitions, collection, and other related content.»

The room's other notable feature is a mosaic of triangular prisms, made out of black foam, that lines its four walls: the vestiges of an installation by Haroon Mirza for his recent exhibition, designed to create an «anechoic chamber» that shuts out all sound and light (and potentially triggers a hallucinatory state for the sensory - deprived visitor).

At Tate Modern, the opening of the Tanks in the summer, the Damien Hirst exhibition which attracted 463,000 visitors, and Tino Sehgal 2012 in the Turbine Hall, all part of the London Festival 2012, the culmination of the Cultural Olympiad, contributed to this success along with other exhibitions such as Edvard Munch

The exhibition offers visitors — whether religious or not — an opportunity to discover the art and history of the Reformation, while enjoying the many other exhibitions the Davis Museum has to offer.

We also have an active program of loaning smaller, banner exhibitions developed for our Maryland Community Space gallery to area schools, libraries, visitor centers and other interested institutions.

«Visitors to the Amon Carter are familiar with the work of Stuart Davis; however, this exhibition puts his work in a new light alongside other modernists not represented in our collection,» says Andrew Walker, director.

At the beginning of Carsten Höller's exhibition, the installations Y (2003) and Division Walls (2016) force the visitor to chose one of two routes through the exhibition, that features Carsten Höller's Two Flying Machines (2015), Double Carousel (2011), Yellow / Orange Double Sphere (2016), Two Roaming Beds (Grey)(2015), among others.

In London, his eyes had been opened to modern and contemporary art, and he had become an assiduous visitor to the Institute of Contemporary Arts, where Richard Hamilton and Eduardo Paolozzi were among the artist regulars, and Lawrence Alloway, among others, was curating exhibitions that brought in the most advanced international art.

Visitors to the exhibition can expect to see photographs on a monumental scale, such as Sarah Jones» The Spare Room, and others on an exceedingly intimate scale, like Ann Hamilton's Portal.

Take a look into what we do for yourself through our blog posts, which, among other things, showcases visitors» reactions to the museum; what the press has to say about our exhibitions and events; and our newsletter, which provides thoughtful and in - depth editorials into the goings - on at UMOCA each month.

He discusses financial arrangements with artists, guest exhibitions, collectors, the gallery's location and its disadvantages in regard to visitors and critics, an Allan Kaprow exhibition, and the inclusion of Hansa artists in the Whitney Museum of American Art's annuals and other exhibitions.

With Hidden Noise is an exploration of sound art that invites gallery and museum visitors to spend time listening with ears they may not know they have... Titled after Marcel Duchamp's readymade of a ball of string containing a mysterious sound - making object hidden in its folds, this Exhibition in a Box brings together evocative sounds, some recognizable from traditional instruments and field recordings, and others masked through electronic processes.

Visitors, and up to 40 million people globally, could access the exhibition as well as «visiting» other galleries throughout the world.

More so, one might be able to reflect upon the make - up of the audience for each of the exhibitions that have occurred and gather the deep and wide roots that my family and other support systems have in Arkansas that draw out a great range of visitors to the openings.

Found balls and other spherical objects inserted into the optics of the projectors create the effect of several overlapping eclipses that alternate between light and dark depending on how the visitors to the exhibition move about within the piece.

While other European countries boast successful exhibitions in cities other than their capitals, in Britain only one show outside London - 10 Religious Masterpieces at the Laing Gallery in Newcastle upon Tyne - drew enough visitors, 2,075 a day, to make the global top 100 list.

It may have been a mistake, then, to not attend the media preview for James Turrell's exhibition at the Guggenheim and, instead, to see the show on a busy Saturday afternoon with hundreds of other visitors.

The exhibition presents us with interlocking stories: first, that of Picasso's career in Britain, from his first and much - pooh - poohed showing at Roger Fry's 1910 Manet and the Post-Impressionists exhibition, to his major and unprecedentedly popular retrospective at the Tate Gallery in 1960, attracting a record - breaking 500,000 visitors; and second, the story of his influence on British artists, with the curators drawing out those moments when Picasso's formal experimentation and creative energy opened up the way for major artistic leaps within the careers of others.

«We're roughly doubling the exhibition space, but I think to visitors it will feel like we've quadrupled the total campus,» said Thompson, referring to Building 6 and other recently opened smaller structures.

Set to be shown in the upcoming exhibition Nam June Paik: Screen Play (June 30 — August 5, 2018), TV Buddha, along with several other works, will likely inspire more selfies by museum visitors.

Several of the artists represented in the exhibition studied and / or worked in Spain, or were influenced by Spanish art in other ways; seeing their paintings in the context of the Meadows» collection of Spanish art, especially those works from the same period, will enable visitors to detect early European influences, and understand how many of these Mexican artists later began to forge their own artistic path distinct from their European contemporaries.

Using key works from the Guggenheim Museum Bilbao Collection, along with selected works from other Guggenheim museums and pieces from major international collections, this exhibition invites visitors to join in a celebration of place and architecture through art.

This Jane is not a great one for receiving visitors, but I have travelled here with Chris Stephens, the curator of Tate Britain's forthcoming exhibition about Kenneth Clark, of whom she is clearly fond (Stephens has been up and down to Kent a lot lately, in search of photographs, newspaper cuttings and other bits and pieces that will work in the context of the show), and she has even made shortbread to welcome us.

While a number of the artists or specific works might be familiar to frequent visitors of the gallery over the exhibitions year, Selected Works offers a chance to see certain pieces with fresh eyes and in a different context or dialogue with each other.

Exhibitions include paintings and other experience - oriented works that can provide a pleasant and exciting experience to visitors.

One of the other Miró Personnage sculptures in the exhibition, from 1974, has already proved a great favourite with Museum visitors since it was given on loan to IMMA by the Successió Miró in May of last year.

As preparations for this major exhibition continue, the AGO is also planning other compelling exhibitions that will appeal to a broad array of visitor interests.

Many of the exhibitions have participatory elements that engage visitors of all ages, while other exhibitions are geared specifically to family audiences.

Tickets Please note that visitors who purchase tickets for either IMMA Collection: Freud Project or As Above, So Below can avail of free entry to the other exhibition when visited on the same day.

In order to access the exhibition space, the visitors are invited to pass through the work titled Stomach of the World (2017), an allegory of the world, described as a chaotic organism which alternates between processes of ravenous assimilation and moments of stasis, empathy or clashes between its inhabitants, and periods of control, digestion, expulsion and recycling of the «waste» produced, in other words its phobias and states of angst.

We have thought up a Metelkova City puzzle, consisting of all possible formats: from exhibitions at different venues, interventions into public space, talks, performances and open studios, with the desire to give each artist an opportunity for a presentation adequate to her / his practice on the one hand, and a look into the artist's work space and work process to a visitor on the other hand.

High: «Kurt Schwitters: Color and Collage» This traveling exhibition, hosted by the Berkeley Art Museum, may have offered more surprises even to knowledgeable visitors than any other museum show in an unusually stimulating year.

To celebrate the origins of the globally popular hymn, 13 separate locations in Austria will be putting on dedicated museum exhibitions, an original play and a multitude of other events designed to introduce visitors to «the land of Silent Night.&raquTo celebrate the origins of the globally popular hymn, 13 separate locations in Austria will be putting on dedicated museum exhibitions, an original play and a multitude of other events designed to introduce visitors to «the land of Silent Night.&raquto introduce visitors to «the land of Silent Night.&raquto «the land of Silent Night.»

In other words, the APP will act as a virtual museum guide to the exhibition and it will allow you, the visitor, to do all sorts of cool things, such as visit a virtual tank, watch exclusive interviews with artists, design your own tank, learn about water, and much more.

Through major paintings and sculpture by Balthus, Alexander Calder, Chagall, Dubuffet, Giacometti, Henri Matisse, Roberto Matta, Miró, Tanguy, and others, the exhibition examined some of the greatest artists of the period and gave visitors a glimpse of the very private man who opened American eyes to their work.

They also must compete for possession of the masterpieces and other exhibitions that draw the most visitors — and in turn lead to more donations.

The exhibition runs in parallel to a survey of celebrated painter Patrick Caulfield (1936 — 2005), offering visitors the chance to see alongside each other two complementary British painters from different generations.