Sentences with phrase «other widescreen»
Despite the resolution being lower than a lot of other widescreen displays on the market, there's no denying that the LG 34UC79G - B pulls off a crisp image nonetheless — and with stunning color accuracy at that.
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The film is coming to DVD in two separate releases, one full - frame and the other widescreen.
The movie is coming to DVD in two separate editions, one full - frame and the other widescreen.
The film is being released in two separate DVD packages, one full - frame and the other widescreen.
There will be two separate releases of the DVD, one with a full - frame transfer, the other widescreen.
The film has come to DVD in two separate editions, one full - frame and the other widescreen.
The film is being released in two separate DVD packages, one with a full - frame transfer and the other widescreen.
The film has come to DVD in two separate versions, one full - frame and the other widescreen.
Not exact matches
Other Info: Anamorphic Widescreen (1.85:1) Dolby 5.1 Digital Surround Sound DTS 5.1 Surround Sound English, Spanish, and French Language English, Spanish, and French Subtitles Running Time: 3 Hours 16 Minutes
Other Info: Widescreen (2.40:1) DTS - HD Master Audio Sound French and Spanish Languages French and Spanish Subtitles Running Time: 130 Minutes
Other extras include Create - A-Player, Fantasy Draft, and widescreen TV support.
Other Info: Widescreen (2.40:1) Dolby TrueHD 5.1 Sound Spanish and French Languages Spanish and French Subtitles Running Time: 108 Minutes
Screen formats: Widescreen Anamorphic 1.85:1 Subtitles: English; French; Spanish Language and Sound: English: Dolby Digital 5.1; English: Dolby Digital 2.0 Stereo; French: Dolby Digital 2.0 Stereo; Spanish: Dolby Digital 2.0 Stereo Other Features: Color; interactive menus; scene access; trailers; making - of featurettes; commentary; games.
Other Info: Widescreen (2.35:1) Dolby Digital 5.1 Surround Sound French and Spanish Languages French and Spanish Subtitles Running Time: 2 Hour 9 Minutes
Other Info: Widescreen (1.85:1) Dolby Digital 5.1 Surround Sound Spanish and French Language Spanish and French Subtitles Running Time: 1 Hour 55 Minutes
THE DVD Fox checks in with a spotty 1.85:1 anamorphic widescreen transfer of Dunston Checks In on one side of a DVD and a fullscreen pan-and-scan version on the other.
Other Info: Widescreen (2.35:1) Dolby Digital 5.1 Surround Sound Dolby TrueHD 7.1 Sound Portuguese, Spanish and French Subtitles Portuguese, Spanish and French Language Running Time: 154 Minutes
Other Info: Widescreen (2.35:1)-- Enhanced for 16 × 9 Televisions Dolby Digital 5.1 Surround Sound THX Certified DTS 5.1 Digital Surround Sound French Language Track French and English Subtitles Running Time: 143 Minutes
Like most other 21st century primetime series, «Samantha Who» takes on the specifications of a major movie in 1.78:1 anamorphic widescreen and Dolby Digital 5.1 surround.
The 1.78:1 16x9 - enhanced widescreen transfer indeed dazzles and while the film's visuals aren't as stunning as some other CGI cartoons, they're easy on the eyes and filled with vivid, pleasing colors.
Like other cinematic novelties, not all filmmakers used widescreen aspect ratios to artistic effect.
Like just about every other show on television today, «The Middle» comes to DVD with 1.78:1 anamorphic widescreen picture and Dolby Digital 5.1 sound.
As with previous widescreen processes (e.g., Fox's Grandeur process two decades earlier), Fox and other studios deemed the panoramic expanse of widescreen formats especially well - suited to Westerns.
The 2.40:1 anamorphic widescreen presentation suffers from no specific drawbacks other than being encoded in a format with a lower resolution than is commonly found these days.
D.P. Linus Sandgren shoots the many musical numbers, and numerous other scenes besides, in gorgeous widescreen long takes that privilege space and bodies in ways managed by few modern movie musicals.
Long recognized as one of George Lucas» primary inspiration for Star Wars (among other things, the bickering peasants who wander into the odyssey inspired R2D2 and C - 3PO), it's Kurosawa's his first go at the widescreen format and he proves to be a master at it, dynamically spreading his compositions out to an epic scope and boldly setting his cascade of sharp action scenes against a magnificent landscape.
Presented in either widescreen (2.35:1 aspect ratio) or full frame versions, the disc packs along two audio commentaries (one by stars Jodie Foster and Abigail Breslin, and the other by directors Mark Levin and Jennifer Flackett), three featurettes (Nim's Friends, Abigail's Journey and Working on Water) and deleted scenes (where you'll meet some of Nim's imaginary friends).
Britain fared better, with my favourite sci - fi horror film in a long time, Glazer's Under the Skin, and my favourite entertainment film of the year, the conventional, but charming Pride, while the flawed Mr. Turner impressively reflects the great painter's sun worship through Dick Pope's widescreen cinematography.Highlights of my year included being on the FIPRESCI jury at the Hong Kong IFF, where I admired Yang Hen's third feature, Na pian hu shui (Lake August), and a couple of first features among others, as well as attending the amazing HK film market for the first time, where I saw one of my three 2014 «films for the ages», Tsai's Journey to the West; and seeing a nitrate print of Hitchcock's Rebecca at the George Eastman House in Rochester (where they are doing a three - day all - nitrate festival in May, 2015!).
The 1.80:1 anamorphic widescreen presentation exhibits some combing, though it's not especially pronounced unless you step through the film frame - by - frame and no other authoring artifacts are detectable.
Some have expressed concern at the «Family Friendly Widescreen» phrase that Disney used on the packaging for Return to Never Land, assuming that the film is presented in a ratio other than the ratio in which it was created.
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Presented in a widescreen video transfer and Dolby Digital 5.1 audio soundtrack, the «Man on Fire» DVD includes two full - length audio commentary tracks (the first by director Tony Scott, and the other with producer Lucas Foster, screenwriter Brian Helgeland and star Dakota Fanning), as well as deleted scenes and an alternate ending (also featuring optional director commentary).
Mulan is presented in 1.66:1 anamorphic widescreen (the aspect ratio of this and other animated films created with Disney's CAPS system), a step up over its 1.85:1 non-anamorphic widescreen treatment as a Limited Issue / Gold Collection DVD.
The 1.78:1 anamorphic widescreen transfer is true, in other words, to the trademark grit of DP Bruce Surtees (Dirty Harry, Lenny, The Outlaw Josey Wales), while the DD 1.0 audio is shockingly retro in its modesty.
Evan Almighty comes to DVD in two different editions, one preserving its 2.35:1 widescreen theatrical aspect ratio and the other chopping it up to conform to «full screen» standards.
When widescreen became popular in the 1950s, André Bazin and other critics at Cahiers...
When widescreen became popular in the 1950s, André Bazin and other critics at Cahiers du cinèma immediately recognised that formats like Cinerama and CinemaScope would have implications for the ways filmmakers could manipulate mise en scène.
Other than those extremely minor drawbacks, the 1.78:1 widescreen transfer is an utter delight, with its pristine element, vibrant colors, and sharp imagery.
THE DVD Warner brings Unaccompanied Minors home on a flipper that renders the Super35 film in 1.33:1 fullscreen on one side and 2.35:1 anamorphic widescreen on the other.
The movie has come to DVD in two separate releases, one widescreen and the other full - frame.
Housed in a regular Amray snap - case with an extra tray for its second disc, the DVD is presented in 16 × 9 widescreen with a sterling Dolby digital 5.1 audio track, and includes an exhaustive feature - length documentary, The Journey, which offers up no shortage of rehearsal footage and other interview clips in its behind - the - scenes look at the making of this extraordinary event.
Nonetheless, this film (and the others) are presented on DVD with first - rate anamorphic widescreen and excellent sound.
The Other Guys looks pretty good in the DVD's 2.40:1 anamorphic widescreen.
Next to other contemporary fantasy films, the visuals aren't overly stylized, but the clean, sharp 2.35:1 anamorphic widescreen transfer allows one to easily marvel at them.
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VIDEO AND AUDIO The Rocketeer is nicely photographed and makes fine use of the 2.20:1 widescreen frame (the packaging and other reviews claim it's 2.35:1, but it's not).
Still, it's a very good video transfer, and it's heads and shoulders above most other»60s and»70s live action fare that Disney releases, not to mention that it preserves the film's 1.75:1 widescreen ratio and has been enhanced for 16:9 television sets.
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Bonus materials on the 2 - disc R - rated, widescreen Blu - ray / DVD Combo Pack include deleted scenes, commentary track, new hi - def transfers of several other kung fu film theatrical trailers (with bonus Bruce Lee trailers), poster and lobby card gallery, bad kung fu dubs, and reversible coverwrap.
Although captures weighing the fullscreen version of the SE (reviewed below) against the Superbit's 1.85:1 anamorphic widescreen transfer wouldn't prove much other than the disparity in aspect ratios, the Superbit platter boasts a much more expressive colour palette, blacks that approach pitch for a change, and detail so microscopically fine that, while Gobby's costume now officially looks stupid, the CGI has, conversely, never been more convincing, since all that compositing work is finally discernible.