Sentences with phrase «other women in the picture»

Not exact matches

In some cases it has to remove content because of a court order, but in other cases it will remove even relatively inoffensive images and posts — such as pictures of women breast - feeding their children, for example — because it breaches the site's community standards, or because someone complains about the contenIn some cases it has to remove content because of a court order, but in other cases it will remove even relatively inoffensive images and posts — such as pictures of women breast - feeding their children, for example — because it breaches the site's community standards, or because someone complains about the contenin other cases it will remove even relatively inoffensive images and posts — such as pictures of women breast - feeding their children, for example — because it breaches the site's community standards, or because someone complains about the content.

In the days after Ashley Judd, Asia Argento, and several other women publicly accused Harvey Weinstein of harassment and assault in the New York Times and the New Yorker, Weinstein was fired from the Weinstein Company and kicked out of the Academy of Motion Picture Arts and ScienceIn the days after Ashley Judd, Asia Argento, and several other women publicly accused Harvey Weinstein of harassment and assault in the New York Times and the New Yorker, Weinstein was fired from the Weinstein Company and kicked out of the Academy of Motion Picture Arts and Sciencein the New York Times and the New Yorker, Weinstein was fired from the Weinstein Company and kicked out of the Academy of Motion Picture Arts and Sciences.

The big picture vision for Women Who Cowork is to have a global alliance of women - owned coworking spaces, and women coworking managers who are connecting with each other, providing support, gaining access to resources, services, funding and community in a way that promotes their business, helps them run a better business and provides visibility to them in both the press and the people in coworWomen Who Cowork is to have a global alliance of women - owned coworking spaces, and women coworking managers who are connecting with each other, providing support, gaining access to resources, services, funding and community in a way that promotes their business, helps them run a better business and provides visibility to them in both the press and the people in coworwomen - owned coworking spaces, and women coworking managers who are connecting with each other, providing support, gaining access to resources, services, funding and community in a way that promotes their business, helps them run a better business and provides visibility to them in both the press and the people in coworwomen coworking managers who are connecting with each other, providing support, gaining access to resources, services, funding and community in a way that promotes their business, helps them run a better business and provides visibility to them in both the press and the people in coworking.

The morbidly obese woman in the picture and others like her who refuse to take responsibility for their health are the real «elephant» in the room.

Yet she is not mentioned again — not in Acts, not in the various epistles, not in earliest martyrology — and that is doubtless why in succeeding generations readers, hungry for a more detailed picture of this woman rumored from the first to have been something «special» to Jesus, have given her the characteristics and experiences of other Marys and unnamed biblical women.

Jeremy have been asking the holy spirit for his help with this and in regards to the lame man that Jesus healed I do nt believe that sin was the issue for him just like the blind man was it his parents or did he sin the answer was neither but so that God would be glorified.What was the sin that may have been worse for him.The two situations are related of the woman caught in adultery the key words being go and sin no more only two references in the bible and will explain later the lame man we see at first his dependency on everyone else for his needs he cant do it he is in the best position to receive Gods grace but what does he do with it.Does he follow Jesus no we are told he goes to the temple and Jesus finds him now that he has his strength to do things on his own what his response to follow the way of the pharisees that is what is worse than his condition before so he is warned by go and sin no more.We get confused because we see the word sin but the giver of is speaking to him to go another way means death.Getting back to the two situations of the woman caught in adultery and the lame man here we see a picture of our hearts on the one our love for sin and on the other the desire to work out our salvation on our terms they are the two areas we have to submit to God.My experience was the self righteousness was the harder to deal with because it is linked in to our feelings of self worth and self confidence so we have to be broken so we are humble enough to realise that without God we can do nothing our flesh hates that so it is a struggle at first to change our way of thinking.brentnz

What Lasch adds to this picture is that married women's large - scale entry into the workplace coincided with the shift to an economy that «depended on work that had no other object than to keep people at work and thus to sustain the national capacity to consume, which in turn sustained production, which sustained... an approximation of full employment» all without reference to the intrinsic quality of the goods and services produced or the intrinsic satisfaction of the work that went into them.»

We are one of over 100 bloggers that are celebrating women of all shapes and sizes by posting pictures of ourselves wearing our Lands» End swimsuits in hopes of inspiring other women to have fun this summer and get off the beach chair with confidence!

As the baby gazes in the mother's face he is recording a memory of her face so that if he is tested with a picture of his mother's face and other women's faces four hours later, he will choose his mother's face over and over again.

However, there is no other book on the market that can give a new or expectant mother the experience of seeing her experience reflected in the stories and pictures of other women.

[2] She was pictured alongside 96 other women Labour MPs in the «Blair babes» photograph; she was the last to make her maiden speech, in January 1998, [3] calling herself «the last virgin in the House».

Unknown to them there was just one «ideal man» and one «ideal woman» pictured — the only difference was that half the participants were told their ideal mate was single, and the other half that he or she was in a relationship.

The researchers showed pictures of their female partners to a total of 40 heterosexual men who were in a permanent relationship — and pictures of other women for comparison.

It's easy for people to roll their eyes at selfies and make jokes about girls who just want attention, but the truth is that for lots of women — especially women of colour, trans women, disabled women and all the other women who see their existences erased in mainstream media — posting pictures of themselves is a way of challenging our culture's narrow beauty standards.

Did anyone else get a little bummed yesterday seeing all the cute pictures of other moms who got to go vote with their daughters on the 100 year anniversary of women voting (in NY)?

If you want to deceive yourself and live in illusions, you may chat online with gorgeous women 30 years younger just staring at their pictures, but if you really want to find a partner, what prevents you from a real video chat the same or next day you met each other on the net?»

On the other hand, single Russian women that are interested in you and who have liked both your picture and profile will also be sending you messages of interest.

Last example would be if she sees a picture of you on social media or a dating site and there's other women in the photo.

If you want to deceive yourself and live in illusions you may chat online with gorgeous women 30 years younger just staring at her pictures, but if you really want to find a life partner what prevents you from a real video chats the same or next day you met each other on the net?

Be careful, especially in that first contact, when commenting on the woman or man's picture — it's okay to say the other person looks attractive or nice, but don't get too personal.

As Sal said, «[I hate] pictures on men's profiles of them with their arms around another female (we don't care if it's your sister — we're interested in you, not pictures of you with other women).»

Posting pictures of abused women in hijab and saying this is what islam is well the others wives in any перевод, Dating Date

In many cases, self - esteem enters in the picture as well, since most plus size singles won't like the idea that you might be dating a lot of other women as welIn many cases, self - esteem enters in the picture as well, since most plus size singles won't like the idea that you might be dating a lot of other women as welin the picture as well, since most plus size singles won't like the idea that you might be dating a lot of other women as well.

If you're looking for examples to use in your profile to make it stand out to women In the world of online dating, it's hard to convince your prospective significant other that you're not a creep if your profile picture is a selfie takin your profile to make it stand out to women In the world of online dating, it's hard to convince your prospective significant other that you're not a creep if your profile picture is a selfie takIn the world of online dating, it's hard to convince your prospective significant other that you're not a creep if your profile picture is a selfie taken

«Mature - Meet Singles For Dating» - it's the title of the site.The most important text on the main page - «UK Mature Dating», «Stage 2: Upload your Mature Dating picture», «Stage 4: Search for Other Mature Dating profiles», «Find Single Women & Single Men», «MEET OTHER YOUNG AT HEARTS IN FOUR SIMPLE STAGES», «Mature Dating on Young at Hearts — find older men and mature women dating Now», «Stage 3: Complete your Mature Dating Profile», «Mature Dating UK», «Stage 1: Mature Dating Registration», «JOIN FOR FREE&raOther Mature Dating profiles», «Find Single Women & Single Men», «MEET OTHER YOUNG AT HEARTS IN FOUR SIMPLE STAGES», «Mature Dating on Young at Hearts — find older men and mature women dating Now», «Stage 3: Complete your Mature Dating Profile», «Mature Dating UK», «Stage 1: Mature Dating Registration», «JOIN FOR FREE&raWomen & Single Men», «MEET OTHER YOUNG AT HEARTS IN FOUR SIMPLE STAGES», «Mature Dating on Young at Hearts — find older men and mature women dating Now», «Stage 3: Complete your Mature Dating Profile», «Mature Dating UK», «Stage 1: Mature Dating Registration», «JOIN FOR FREE&raOTHER YOUNG AT HEARTS IN FOUR SIMPLE STAGES», «Mature Dating on Young at Hearts — find older men and mature women dating Now», «Stage 3: Complete your Mature Dating Profile», «Mature Dating UK», «Stage 1: Mature Dating Registration», «JOIN FOR FREE&rawomen dating Now», «Stage 3: Complete your Mature Dating Profile», «Mature Dating UK», «Stage 1: Mature Dating Registration», «JOIN FOR FREE».

Mom of an angel who would have turned 21 this year in Maine.She is my only child and lost her life at 14 yrs old, will tell you more if this goes anywhere.I'm the one sitting in the picture the other woman is my mom.I am 1/2 Native American and 1/2 French Canadian and currently live in Massachusetts.

Pictures Gorgeous 23 years ago it provides local women looking for Women Seeking Women seeking other adult services Guildford Brothel Now is now thinks in Traralgon community, look at Vivastwomen looking for Women Seeking Women seeking other adult services Guildford Brothel Now is now thinks in Traralgon community, look at VivastWomen Seeking Women seeking other adult services Guildford Brothel Now is now thinks in Traralgon community, look at VivastWomen seeking other adult services Guildford Brothel Now is now thinks in Traralgon community, look at Vivastreet.

Mara Corday plays the other woman in Calhoun's life: Can she, or anyone else in this picture, be trusted?

Through interviews with other women who skateboard and prominent figures in the skateboarding industry, Amelia paints a picture of a subculture within a subculture on the verge of breaking out.

Two other eccentrics appear: an old woman raking through her incinerated home for her pilot's license, and feeling «like I'm digging through my own ashes»; and Lance LeGault's ornery old moonshine - slugging trucker (pictured above), bluntly impatient of these callow fools but sympathetic to them, in a somewhat terrifying way.

Following a short qualifying run for other categories late in 2017, Sony Pictures Classics» foreign - language nominee A Fantastic Woman by Sebastián Lelio is heading to theaters this weekend.

Cameron Diaz will star in the revenge comedy «The Other Woman», with «Bridesmaids» headline - act Kristen Wiig also circling the picture.

Two other pictures with notable LGBTQ themes that might make some noise in the foreign - language category are «BPM» and «A Fantastic Woman,» France and Chile's official Oscar submissions, respectively.

The latest rumor says that Gugu Mbatha - Raw — who starred in Belle (pictured above) and appeared in Jupiter Ascending — is also in consideration for a lead role in the next Star Wars, but she's not up for the same part as those other three women.

But if they don't — if any of these powerful movies about women get snubbed for best picture, or the women that anchor them get left out of the best - actress race in favor of films that won't make a dent in any other category (I see you, Victoria & Abdul)-- it might be time for a serious intervention.

The other nominees are Call Me by Your Name, a Best Picture contender written by Hollywood luminary James Ivory; Dee Rees and Virgil Williams's literary, astute Mudbound, which marks the first time a black woman has ever been nominated in this category; Aaron Sorkin's 10 - quips - per - minute poker drama Molly's Game; and Scott Neustadter and Michael H. Weber's The Disaster Artist.

But right now New York State does nothing for the three young women pictured above and tens of thousands of others in charter schools across the state.

Told in White's own voice, fractured and eloquent, a picture emerges of the surprisingly intimate, complex alliance between these life - long friends — two proud, forceful women who were at times each other's most formidable adversary.

From a picture book using bear hair and other earthen materials in its illustrations to a biography written in graphic - novel format, these books show girls and women exploring exciting ways to solve practical dilemmas through the courage of their convictions.

Dealing mainly with femininity, which is refreshingly artful and not sexualised like many other people's works, his pictures are sensitive portraits of women in seemingly private moments of self - indulgence.

Others of note include the aesthetically dynamic and conceptually dense Bobby Jesus» Alma Mater b / w Reading the Book of David and / or Paying Attention is Free by Frances Stark combining a hip - hop soundtrack with transcribed conversations and take home flyers; Taryn Simon's Birds of the West Indies features the cars, weapons and women of the James Bond franchise pictured as they are now, meaning that while the objects appear as they did in the films, the women bear the effects of age (some are well into their 60s and 70s), which effectively distances them from the roles they had played by reinforcing the reality and humanity that separates them from the objects amongst them.

Margaret Lee (b 1980, Bronx, NY) has organized and exhibited work at numerous venues domestically and internationally including The Windows, Barneys, NY; Concentrations HK: Margaret Lee, curated by Gabriel Ritter, Duddell's x DMA, Hong Kong; Made in L.A, 2014 Hammer Museum Biennial, Los Angeles; 2013 Biennale de Lyon; de, da do... da, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA; Caza, curated by Sofía Hernández Chong Cuy, Bronx Museum, New York; NO MAN»S LAND: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami; New Pictures of Common Objects, curated by Christopher Lew, MoMA PS1, New York, and Looking Back, White Columns, New York, amongst others.

Many portraits of her were breakthrough works like Marguerite (1916) that reveal an advance in Matisse's artistic vision, but she also appeared in pictures of family life and with other models such as in Two Women in a Landscape, Vallée du Loup (1922).

The tension between subject and content, the way the one reveals and conceals the other, is played out in the «Women» paintings (Woman as Landscape, 1965 - 66, pictured); the subject appears to be a woman composed of gestural brush marks, the content is ineffable and eluWoman as Landscape, 1965 - 66, pictured); the subject appears to be a woman composed of gestural brush marks, the content is ineffable and eluwoman composed of gestural brush marks, the content is ineffable and elusive.

2017 Secrets and Stories, Casa das Histórias, Cascais Depression Pictures, Marlborough Fine Art, London 2016 Old Meets New, Casa das Histórias, Cascais Dancing Ostriches, Marlborough Fine Art, London Paintings and Etchings from the 1980s, Frieze Masters, London 2015 Cousin Bazilio and Other Stories, Marlborough Galería, Madrid The Poacher, Casa das Histórias, Cascais 2014 The Last King of Portugal, Marlborough Fine Art, London 2013 Dame with the goat's foot and other stories, Marlborough Fine Art, London 2012 Retrospective, The Gulbenkian Museum, Paris Balzac and other Stories, Marlborough Fine Art, London 2010 - 11 Retrospective exhibition, Museum of Contemporary Art, Monterrey, Mexico; Pinacoteca de Sao Paulo 2010 Oratorio, Marlborough Fine Art, London 2008 Human Cargo, Marlborough Chelsea, New York Retrospective Exhibition, Museo Nacional Centro de Arte Reina Sofia, Madrid; National Museum of Women in the Arts, Washington O Vinho, a series of eight lithographs, Marlborough Fine Art, London; Galeria Marlborough, Madrid 2006 Marlborough Fine Art, London Paula Rego in Focus, Tate Britain, London 2003 - 04 Corner 2004, Charlottenborg, Copenhagen Jane Eyre and Other Stories, Marlborough Fine Art, London 2002 Celestina's House & Paula Rego — Jane Eyre, Yale Center for British Art, New Haven 2001 Nursery Rymes e Outras Gravuras, Parque das Nacoes, Lisbon So desenhos Paula Rego, Fundacao Arpad Szenes - Vieira da Silva, Lisbon 1999 The Children's Crusade — a suite of 12 etchings, Marlborough Graphics, London Recent Work, Marlborough Galeria SA, Madrid O Crime do Padre Amaro, Fundação Calouste Gulbenkian, Lisbon Open Secrets — Drawings and Etchings, Centre Culturel Calouste Gulbenkian, Paris Children's Crusade, Edinburgh Printmakers Workshop 1988 The Sins of Father Amaro, Dulwich Picture Gallery, London Pra Lá et Pra Cá, Galerie III, Lisbon Pendle Witches, Marlborough Galeria Madrid 1997 Retrospective exhibition, Tate Gallery Liverpool; Fundação das Descobertas, Centro Cultural de Belém, Lisbon 1995 Nursery Rhymes and Peter Pan, Annandale Galleries, Sydney 1994 Dog Women, Marlborough Fine Art, London 1992 - 93 Peter Pan & Other Stories, Marlborough Fine Art, London 1991 - 92 Tales from the National Gallery, Travelling Exhibition: Plymouth City Museum and Art Gallery; Middlesborough Art Gallery; Whitworth Art Gallery, Manchester; Cooper Art Gallery, Barnsley; the National Gallery, London; the Laing Art Gallery, Newcastle; The Calouste Gulbenkian Foundation, Lisbon 1991 - 96 Nursery Rhymes, South Bank Centre, British Council and Marlborough Graphics 1990 Nursery Rhymes, Galerie III, Lisbon 1989 Nursery Rhymes, Marlborough Graphics Gallery, London Galeria III, ARCO, Madrid Galeria III, Lisbon 1988 Retrospective Exhibition, Fundação Calouste Gulbenkian, Lisbon Casa de Serralves, Oporto; the Serpentine Gallery, London 1987 Selected work 1981 - 86, Aberystwyth Arts Centre and UK tour Edward Totah Gallery, London 1985 The Art Palace, New York Edward Totah Gallery, London 1984 Edward Totah Gallery, London 1983 Galerie Espace, Amsterdam 1982 Galeria III, Lisbon, Edward Total Gallery, London 1981 AIR Gallery, London 1978 Galeria III, Lisbon 1977 Módulo Centro Difusor da Arte, Oporto 1975 Módulo Centro Difusor da Arte, Lisbon 1974 Galeria da Emenda, Lisbon 1972 Galeria Alvarez, Oporto 1971 Galeria São Mamede, Lisbon 1965 SNBA, LOther Stories, Marlborough Galería, Madrid The Poacher, Casa das Histórias, Cascais 2014 The Last King of Portugal, Marlborough Fine Art, London 2013 Dame with the goat's foot and other stories, Marlborough Fine Art, London 2012 Retrospective, The Gulbenkian Museum, Paris Balzac and other Stories, Marlborough Fine Art, London 2010 - 11 Retrospective exhibition, Museum of Contemporary Art, Monterrey, Mexico; Pinacoteca de Sao Paulo 2010 Oratorio, Marlborough Fine Art, London 2008 Human Cargo, Marlborough Chelsea, New York Retrospective Exhibition, Museo Nacional Centro de Arte Reina Sofia, Madrid; National Museum of Women in the Arts, Washington O Vinho, a series of eight lithographs, Marlborough Fine Art, London; Galeria Marlborough, Madrid 2006 Marlborough Fine Art, London Paula Rego in Focus, Tate Britain, London 2003 - 04 Corner 2004, Charlottenborg, Copenhagen Jane Eyre and Other Stories, Marlborough Fine Art, London 2002 Celestina's House & Paula Rego — Jane Eyre, Yale Center for British Art, New Haven 2001 Nursery Rymes e Outras Gravuras, Parque das Nacoes, Lisbon So desenhos Paula Rego, Fundacao Arpad Szenes - Vieira da Silva, Lisbon 1999 The Children's Crusade — a suite of 12 etchings, Marlborough Graphics, London Recent Work, Marlborough Galeria SA, Madrid O Crime do Padre Amaro, Fundação Calouste Gulbenkian, Lisbon Open Secrets — Drawings and Etchings, Centre Culturel Calouste Gulbenkian, Paris Children's Crusade, Edinburgh Printmakers Workshop 1988 The Sins of Father Amaro, Dulwich Picture Gallery, London Pra Lá et Pra Cá, Galerie III, Lisbon Pendle Witches, Marlborough Galeria Madrid 1997 Retrospective exhibition, Tate Gallery Liverpool; Fundação das Descobertas, Centro Cultural de Belém, Lisbon 1995 Nursery Rhymes and Peter Pan, Annandale Galleries, Sydney 1994 Dog Women, Marlborough Fine Art, London 1992 - 93 Peter Pan & Other Stories, Marlborough Fine Art, London 1991 - 92 Tales from the National Gallery, Travelling Exhibition: Plymouth City Museum and Art Gallery; Middlesborough Art Gallery; Whitworth Art Gallery, Manchester; Cooper Art Gallery, Barnsley; the National Gallery, London; the Laing Art Gallery, Newcastle; The Calouste Gulbenkian Foundation, Lisbon 1991 - 96 Nursery Rhymes, South Bank Centre, British Council and Marlborough Graphics 1990 Nursery Rhymes, Galerie III, Lisbon 1989 Nursery Rhymes, Marlborough Graphics Gallery, London Galeria III, ARCO, Madrid Galeria III, Lisbon 1988 Retrospective Exhibition, Fundação Calouste Gulbenkian, Lisbon Casa de Serralves, Oporto; the Serpentine Gallery, London 1987 Selected work 1981 - 86, Aberystwyth Arts Centre and UK tour Edward Totah Gallery, London 1985 The Art Palace, New York Edward Totah Gallery, London 1984 Edward Totah Gallery, London 1983 Galerie Espace, Amsterdam 1982 Galeria III, Lisbon, Edward Total Gallery, London 1981 AIR Gallery, London 1978 Galeria III, Lisbon 1977 Módulo Centro Difusor da Arte, Oporto 1975 Módulo Centro Difusor da Arte, Lisbon 1974 Galeria da Emenda, Lisbon 1972 Galeria Alvarez, Oporto 1971 Galeria São Mamede, Lisbon 1965 SNBA, Lother stories, Marlborough Fine Art, London 2012 Retrospective, The Gulbenkian Museum, Paris Balzac and other Stories, Marlborough Fine Art, London 2010 - 11 Retrospective exhibition, Museum of Contemporary Art, Monterrey, Mexico; Pinacoteca de Sao Paulo 2010 Oratorio, Marlborough Fine Art, London 2008 Human Cargo, Marlborough Chelsea, New York Retrospective Exhibition, Museo Nacional Centro de Arte Reina Sofia, Madrid; National Museum of Women in the Arts, Washington O Vinho, a series of eight lithographs, Marlborough Fine Art, London; Galeria Marlborough, Madrid 2006 Marlborough Fine Art, London Paula Rego in Focus, Tate Britain, London 2003 - 04 Corner 2004, Charlottenborg, Copenhagen Jane Eyre and Other Stories, Marlborough Fine Art, London 2002 Celestina's House & Paula Rego — Jane Eyre, Yale Center for British Art, New Haven 2001 Nursery Rymes e Outras Gravuras, Parque das Nacoes, Lisbon So desenhos Paula Rego, Fundacao Arpad Szenes - Vieira da Silva, Lisbon 1999 The Children's Crusade — a suite of 12 etchings, Marlborough Graphics, London Recent Work, Marlborough Galeria SA, Madrid O Crime do Padre Amaro, Fundação Calouste Gulbenkian, Lisbon Open Secrets — Drawings and Etchings, Centre Culturel Calouste Gulbenkian, Paris Children's Crusade, Edinburgh Printmakers Workshop 1988 The Sins of Father Amaro, Dulwich Picture Gallery, London Pra Lá et Pra Cá, Galerie III, Lisbon Pendle Witches, Marlborough Galeria Madrid 1997 Retrospective exhibition, Tate Gallery Liverpool; Fundação das Descobertas, Centro Cultural de Belém, Lisbon 1995 Nursery Rhymes and Peter Pan, Annandale Galleries, Sydney 1994 Dog Women, Marlborough Fine Art, London 1992 - 93 Peter Pan & Other Stories, Marlborough Fine Art, London 1991 - 92 Tales from the National Gallery, Travelling Exhibition: Plymouth City Museum and Art Gallery; Middlesborough Art Gallery; Whitworth Art Gallery, Manchester; Cooper Art Gallery, Barnsley; the National Gallery, London; the Laing Art Gallery, Newcastle; The Calouste Gulbenkian Foundation, Lisbon 1991 - 96 Nursery Rhymes, South Bank Centre, British Council and Marlborough Graphics 1990 Nursery Rhymes, Galerie III, Lisbon 1989 Nursery Rhymes, Marlborough Graphics Gallery, London Galeria III, ARCO, Madrid Galeria III, Lisbon 1988 Retrospective Exhibition, Fundação Calouste Gulbenkian, Lisbon Casa de Serralves, Oporto; the Serpentine Gallery, London 1987 Selected work 1981 - 86, Aberystwyth Arts Centre and UK tour Edward Totah Gallery, London 1985 The Art Palace, New York Edward Totah Gallery, London 1984 Edward Totah Gallery, London 1983 Galerie Espace, Amsterdam 1982 Galeria III, Lisbon, Edward Total Gallery, London 1981 AIR Gallery, London 1978 Galeria III, Lisbon 1977 Módulo Centro Difusor da Arte, Oporto 1975 Módulo Centro Difusor da Arte, Lisbon 1974 Galeria da Emenda, Lisbon 1972 Galeria Alvarez, Oporto 1971 Galeria São Mamede, Lisbon 1965 SNBA, Lother Stories, Marlborough Fine Art, London 2010 - 11 Retrospective exhibition, Museum of Contemporary Art, Monterrey, Mexico; Pinacoteca de Sao Paulo 2010 Oratorio, Marlborough Fine Art, London 2008 Human Cargo, Marlborough Chelsea, New York Retrospective Exhibition, Museo Nacional Centro de Arte Reina Sofia, Madrid; National Museum of Women in the Arts, Washington O Vinho, a series of eight lithographs, Marlborough Fine Art, London; Galeria Marlborough, Madrid 2006 Marlborough Fine Art, London Paula Rego in Focus, Tate Britain, London 2003 - 04 Corner 2004, Charlottenborg, Copenhagen Jane Eyre and Other Stories, Marlborough Fine Art, London 2002 Celestina's House & Paula Rego — Jane Eyre, Yale Center for British Art, New Haven 2001 Nursery Rymes e Outras Gravuras, Parque das Nacoes, Lisbon So desenhos Paula Rego, Fundacao Arpad Szenes - Vieira da Silva, Lisbon 1999 The Children's Crusade — a suite of 12 etchings, Marlborough Graphics, London Recent Work, Marlborough Galeria SA, Madrid O Crime do Padre Amaro, Fundação Calouste Gulbenkian, Lisbon Open Secrets — Drawings and Etchings, Centre Culturel Calouste Gulbenkian, Paris Children's Crusade, Edinburgh Printmakers Workshop 1988 The Sins of Father Amaro, Dulwich Picture Gallery, London Pra Lá et Pra Cá, Galerie III, Lisbon Pendle Witches, Marlborough Galeria Madrid 1997 Retrospective exhibition, Tate Gallery Liverpool; Fundação das Descobertas, Centro Cultural de Belém, Lisbon 1995 Nursery Rhymes and Peter Pan, Annandale Galleries, Sydney 1994 Dog Women, Marlborough Fine Art, London 1992 - 93 Peter Pan & Other Stories, Marlborough Fine Art, London 1991 - 92 Tales from the National Gallery, Travelling Exhibition: Plymouth City Museum and Art Gallery; Middlesborough Art Gallery; Whitworth Art Gallery, Manchester; Cooper Art Gallery, Barnsley; the National Gallery, London; the Laing Art Gallery, Newcastle; The Calouste Gulbenkian Foundation, Lisbon 1991 - 96 Nursery Rhymes, South Bank Centre, British Council and Marlborough Graphics 1990 Nursery Rhymes, Galerie III, Lisbon 1989 Nursery Rhymes, Marlborough Graphics Gallery, London Galeria III, ARCO, Madrid Galeria III, Lisbon 1988 Retrospective Exhibition, Fundação Calouste Gulbenkian, Lisbon Casa de Serralves, Oporto; the Serpentine Gallery, London 1987 Selected work 1981 - 86, Aberystwyth Arts Centre and UK tour Edward Totah Gallery, London 1985 The Art Palace, New York Edward Totah Gallery, London 1984 Edward Totah Gallery, London 1983 Galerie Espace, Amsterdam 1982 Galeria III, Lisbon, Edward Total Gallery, London 1981 AIR Gallery, London 1978 Galeria III, Lisbon 1977 Módulo Centro Difusor da Arte, Oporto 1975 Módulo Centro Difusor da Arte, Lisbon 1974 Galeria da Emenda, Lisbon 1972 Galeria Alvarez, Oporto 1971 Galeria São Mamede, Lisbon 1965 SNBA, LOther Stories, Marlborough Fine Art, London 2002 Celestina's House & Paula Rego — Jane Eyre, Yale Center for British Art, New Haven 2001 Nursery Rymes e Outras Gravuras, Parque das Nacoes, Lisbon So desenhos Paula Rego, Fundacao Arpad Szenes - Vieira da Silva, Lisbon 1999 The Children's Crusade — a suite of 12 etchings, Marlborough Graphics, London Recent Work, Marlborough Galeria SA, Madrid O Crime do Padre Amaro, Fundação Calouste Gulbenkian, Lisbon Open Secrets — Drawings and Etchings, Centre Culturel Calouste Gulbenkian, Paris Children's Crusade, Edinburgh Printmakers Workshop 1988 The Sins of Father Amaro, Dulwich Picture Gallery, London Pra Lá et Pra Cá, Galerie III, Lisbon Pendle Witches, Marlborough Galeria Madrid 1997 Retrospective exhibition, Tate Gallery Liverpool; Fundação das Descobertas, Centro Cultural de Belém, Lisbon 1995 Nursery Rhymes and Peter Pan, Annandale Galleries, Sydney 1994 Dog Women, Marlborough Fine Art, London 1992 - 93 Peter Pan & Other Stories, Marlborough Fine Art, London 1991 - 92 Tales from the National Gallery, Travelling Exhibition: Plymouth City Museum and Art Gallery; Middlesborough Art Gallery; Whitworth Art Gallery, Manchester; Cooper Art Gallery, Barnsley; the National Gallery, London; the Laing Art Gallery, Newcastle; The Calouste Gulbenkian Foundation, Lisbon 1991 - 96 Nursery Rhymes, South Bank Centre, British Council and Marlborough Graphics 1990 Nursery Rhymes, Galerie III, Lisbon 1989 Nursery Rhymes, Marlborough Graphics Gallery, London Galeria III, ARCO, Madrid Galeria III, Lisbon 1988 Retrospective Exhibition, Fundação Calouste Gulbenkian, Lisbon Casa de Serralves, Oporto; the Serpentine Gallery, London 1987 Selected work 1981 - 86, Aberystwyth Arts Centre and UK tour Edward Totah Gallery, London 1985 The Art Palace, New York Edward Totah Gallery, London 1984 Edward Totah Gallery, London 1983 Galerie Espace, Amsterdam 1982 Galeria III, Lisbon, Edward Total Gallery, London 1981 AIR Gallery, London 1978 Galeria III, Lisbon 1977 Módulo Centro Difusor da Arte, Oporto 1975 Módulo Centro Difusor da Arte, Lisbon 1974 Galeria da Emenda, Lisbon 1972 Galeria Alvarez, Oporto 1971 Galeria São Mamede, Lisbon 1965 SNBA, LOther Stories, Marlborough Fine Art, London 1991 - 92 Tales from the National Gallery, Travelling Exhibition: Plymouth City Museum and Art Gallery; Middlesborough Art Gallery; Whitworth Art Gallery, Manchester; Cooper Art Gallery, Barnsley; the National Gallery, London; the Laing Art Gallery, Newcastle; The Calouste Gulbenkian Foundation, Lisbon 1991 - 96 Nursery Rhymes, South Bank Centre, British Council and Marlborough Graphics 1990 Nursery Rhymes, Galerie III, Lisbon 1989 Nursery Rhymes, Marlborough Graphics Gallery, London Galeria III, ARCO, Madrid Galeria III, Lisbon 1988 Retrospective Exhibition, Fundação Calouste Gulbenkian, Lisbon Casa de Serralves, Oporto; the Serpentine Gallery, London 1987 Selected work 1981 - 86, Aberystwyth Arts Centre and UK tour Edward Totah Gallery, London 1985 The Art Palace, New York Edward Totah Gallery, London 1984 Edward Totah Gallery, London 1983 Galerie Espace, Amsterdam 1982 Galeria III, Lisbon, Edward Total Gallery, London 1981 AIR Gallery, London 1978 Galeria III, Lisbon 1977 Módulo Centro Difusor da Arte, Oporto 1975 Módulo Centro Difusor da Arte, Lisbon 1974 Galeria da Emenda, Lisbon 1972 Galeria Alvarez, Oporto 1971 Galeria São Mamede, Lisbon 1965 SNBA, Lisbon

SELECTED EXHIBITIONS 2018 In (di) visible, Station Museum of Contemporary Art, Houston, TX; Cameron Museum of Art, Wilmington, NC 2017 Translatio Imperii, Gutterbox Gallery, Raleigh, NC Digiscapes, Curated by Anthony Hamilton, Lump, Raleigh, NC Art on Paper, Curated by Emily Stamey, Weatherspoon Art Museum, Greensboro, NC Objectifying Myself: Works by Women Artists from the Pennsylvania Academy of Fine Arts, William Benton Museum of Art, Storrs, CT For Liberty and Justice for Some, Walter Maciel Gallery, Los Angeles, CA Shimmer, Light and Design Gallery, Chapel Hill, NC 2016 Seeping of a Ghost, Gallery Bastejs, Riga, Latvia (solo) Musings on an Origin, Spectre Arts, Durham, NC Typecast, Hillyer Art Space, Washington, DC 2015 Heterotopias as Other, Nha San Collective, Hanoi, Vietnam (solo) 2014 The Orient, The Occident, Galerie Quynh, Ho Chi Minh City, Vietnam (solo) Summer Shuffle: Contemporary Art @ PAFA Remixed, Pennsylvania Academy of Fine Arts The Mother Load, The Center for Creative Connections, Dallas Museum of Art, TX 2013 Contemporary Vietnamerican Art, Maier Museum of Art, Lynchburg, VAThe Linda Lee Alter Collection of Art by Women, Pennsylvania Academy of Fine Arts, PA 2012 Alter / Altar: Meditations on the Past, The Morris and Gwendolyn Cafritz Foundation Art Center Collisions of Clamor and Calm, Galerie Quynh, HCMC, Vietnam Art HK 12, Hong Kong International Art Fair, with Galerie Quynh 2011 Bite Sized Monsters, Modern Eden, San Francisco, CA 2010 Twombly House / Ephemeral Museum, Portland, OR Outwin Boochever Portrait Exhibition, National Portrait Gallery, Smithsonian Institution, Washington D.C 2009 Family Pictures, Root Division, San Francisco, CA 2008 In Transition Russia, Municipal Centre for Contemporary Art, Yekaterinburg National Centre for Contemporary Arts, Moscow, Russia 2007 House of Adoration, Galerie Quynh Contemporary Art, HCMC, Vietnam (solo) House of Adoration, Ryllega Experimental Art Gallery, Hanoi, Vietnam (solo) Small Works, Morris Graves Museum of Art, Eureka, CA 2006 Portrait of a Contemporary Family, First Street Gallery, Eureka, CA Portrait of a Family, Southern Exposure, San Francisco, CA National Juried Exhibition, Marin Art Center, Marin, CA Juror: Rene de Guzman Small Works Invitational, Gallery Dog, Eureka, CA Out of Context, Huntington Beach Art Center, Huntington Beach, CA Face Paint, Bucheon Gallery, San Francisco, CA 2004 Monster Drawing Rally, Southern Exposure, San Francisco, CA Supernatural, Southern Exposure, San Francisco, CA Go West!

Disliking other women and variously let down by the alpha males of the Abstract Expressionist group, she turned for friendship to homosexual men (although Hartigan sometimes claimed to have signed her early pictures «George Hartigan» in homage to Mmes Sand and Eliot, she later said that all her gay friends had had female names and she «thought it would be fun to have a man's name» in return.)

A 1913 cartoon pictured a tattered husband and wife jostling each other in front of Denison's seat, and the woman saying to her husband, «Ain't I got as much right to enjoy the pleasure of bein'tried by Colonel Denison as you have?»

My picture and name is still showing up in many other magazines, such as the man's magazine «Cargo», «Backpacker», «Canadian «Can 4WD» ``, Off - Road Business», «Woman's Sport and Fitness» and «Off Road Adventures».

What that can sometimes be hilarious — in 2014 Josh Lowenshon made headlines with his silly antics of sending pictures of sloths to people around L.A. — is a little less hilarious if you're, say, a business woman at an airport lounge and the sole other lounge occupant now knows your name and the photo that goes with it (courtesy of the AirDrop broadcast) and is sending you unsolicited pictures.