Sentences with phrase «other woven works»

Not exact matches

That Short quotes extensively from the correspondence, often tying this to quotations from the sermons and other works, is also a treat: He exposes the reader to the range and beauty of Newman's writing at its most intimate; and he weaves together the private and the public in a way that makes clear how the two were intimately connected.

His path led to Sydney, Australia, where a desire to keep Nepali cuisine alive now drives his passion as he makes every attempt to weave in his childhood flavors at his place of work and other venues.

Work, play, story and song help to weave us closer together over the course of each 6 - week session for parents, grandparents or other caregivers with youngsters aged 13 months to 3 years old.

(Snappi ® terry cloth diapers, cotton pre-folds, and others) Note they do not work well with flannel or other tightly woven diapers.

Snappi work the best with prefold cloth diapers; we have found that terry cloth diapers and any other style of cloth diaper with a loose weave works well also, however, they do not work with the tightly woven flannel diapers.

Snappi ® s WORK BEST with terry cloth diapers, cotton prefolds (Indian or Chinese), and other cloth diapers with a loose enough weave for the Snappi ® to hook into.

He said: «What we launch today is not a catalogue of lofty promises woven together to entice the electorate for votes as others want to do but a product of months of careful and diligent work by some of the finest brains our nation can boast of.»

In the book, Phil recounts his own journey to optimal health through MFR, weaving throughout stories of other MFR therapists and clients whose experiences convey the transformative power of this work.

She's working what looks like a side braid that's been totally deconstructed, plus some smaller, tighter plaits that weave from one side of her head to the other.

Some of the jokes fall flat, others are badly telegraphed and it weaves in and out of being a documentary and just a film to the point of distraction but it ' s hard for me to dislike the movie since I ' ve worked with people like this especially the director, Harry Penderecki... only not as likeable.

And if you think it's only the well to do who shell out upwards of $ 3,000 for hair weaves, you'd better prepare yourself because there are working women all over the US and Canada (as I'm sure there are in other places though the film focuses mainly on the US) walking around with hair that cost more than some cars.

And, anyway, it's Pacino who's buying, and he works us like he works the other characters, mugging and weaving like a boxer who only pretends he's a clown, just before he sucker - punches you in the aorta.

Weaving together moments of humor with poignancy by way of personal anecdotes — as well as reflections on newsworthy events of the past 12 months — Ryan told graduates to take pride in their work and accomplishments, while asking themselves what more might they do to help others.

At the rear we also notice a nice «Duck tail» style rear wing in a carbon fiber weave pattern, the Aventador by LB Works comes with that massive GT racing inspired wing, but on the Huracan Kato - san went for the style he also used on the Ferrari 458, which let's face it, is the main competitor for this Huracan anyway, and I rather like this rear wing, it is different from what other tuners are offering, and that is what it is all about when you look to personalize your own car... being different from the rest.

Working carefully researched events and other historical figures together with richly nuanced creative details and fictional elements, Leveen weaves a wonderfully engaging tapestry that honors her subject and treats difficult material with sensitivity and honesty.

Fiorato is a clever, attentive author, weaving Shakespearean phrases and clues to the Bard's other works into her highly detailed and imaginative world.

It would be fine to weave in other information about Australia, if it relates to the subjects of the written works you are promoting on the site.

It can be about work, relationship, lifestyle, or other simple things that are attractively woven and designed into a continuous story.

There, the self - described city girl found herself amidst huts with no electricity, killer humidity (and the assorted insects that go along with its) and in the company of some «amazing» artisans, who were working with the fiber, weaving it into rope and other items.

As we work to understand the other, we each gain so much... we discover the tapestry of Divine woven within the fabric of everyday existence.

If your pet is unaccustomed to agility work, start with a very simple course, such as weaving in and out of a line of dowels (or other household objects).

Another echo is found in With Verticals (1946), a pictorial weaving, where the blue verticals behind a zigzag of reds, a supplementary weft allowing for both a foreground and background, engender a real sense of movement, and recall the other site - specific work belonging to the Frank O Gehry building, namely Jenny Holzer's scrolling red and blue LED words, Installation for Bilbao (1997).

The collection includes many works acquired early in its artists» careers, among them: collage by Kara Walker; paintings by Mickalene Thomas; neons by Tracey Emin, digital animation by Jennifer Steinkamp; paintings by Amy Sillman; sculpture by Kiki Smith; wall relief by Teresita Fernandez and woven trompe l'oeil by Miami artist Frances Trombly, among others.

One wonders if Weber and Stritzler - Levine realised just how far off the map they would go when independent institutional curator José Roca, a native of Colombia who now lives in Bogotá, agreed to take on the project.1 Inspired by a show of Andean chuspas — bags made from coca leaves — that would run simultaneously in the BGC Focus Gallery, Roca envisioned immersive environments in which the paradoxes, polarities and points of contact between diverse artistic practices are explored through the tropes of the river and weaving.2 The works themselves provide their own context as they interact with each other and viewers, who are given a minimalist illustrated pamphlet as their only guide to what they will encounter in the gallery spaces.

In these works, individual letters seem woven into lace like patterns from the upper to the lower portions of the support; in others, letters are distributed evenly across the work's surface as though collectively constituting gossamer scrims or two dimensional traceries.

An artist whose market went incandescent in the aughts due to her exceptionally covetable trompe - l'oeil paintings of folds and other semi-abstract forms, Tauba Auerbach has been refining her work since joining Paula Cooper five years ago to encompass a range of new materials and formats, from woven canvases to sleek, utterly refined geometric sculptures and jewelry.

At times the artist uses a canvas support with a rough, open weave; in other works, collage or gold or silver leaf embellish the setting or the subject's attire.

I have in mind the many artists who cut holes in canvas or paint likenesses of cotton or linen weave, as if to say, This is a painted surface on painted painting of a painted surface that is a painting; or the many more good little postmodernists who make art - historical references or paint in known styles, so the message is something like, This is a nod to other works of art, which tells you that this painting knows it's «a painting»... put me in a biennial.

Sophie Jung's new body of sculpture and performance work made in response to Äppärät creates an associative chain between — among other seemingly disparate phenomena — handheld origami fortune telling devices; hand - woven (and hence «unique») Ikea rugs produced in the developing world; hand gestures that indicate money, salt, resistance and digital navigation; sock puppetry, online and offline; «life hacks» involving fixing drowned iPhones with dry rice; «deskilling» in manual labour and in art; repetitive strain injuries; toxic «e-waste»; and Lady Macbeth's «out damned spot!»

In the work of David Bolduc, Harold Klunder, Paul Fournier, Alex Cameron, Paul Hutner, Howard Simkins, Eric Gamble and Christopher Broadhurst, among others in Toronto and elsewhere, figurative images are woven into the abstract concerns of the activity of painting.

Her use of traditional forms — weaving, knitting, sewing and stitching — may at first seem crafty, but there's always something more sinister, more undecided in her work which suggests other ideas about the human condition that go beyond our attraction to nature.

Lopes presents, among other works, a group of sizable canvasses featuring panels of wrapped woven elastic, appealing to the viewer's sense of touch.

In her 1965 introductory note to On Weaving, Anni Albers explains that the book is «not a guide for weavers or would - be weavers,» and that she hopes to «include in my audience not only weavers but also those whose work in other fields encompasses textile problems.»

As the viewer weaves his / her way through the exhibition, the seemingly disparate paintings begin to relate to one other, as Fuchs constructs an intriguing dialogue among all the works within the exhibition, all the while questioning the very nature of representation itself.

Reoccurring objects in his work include sinks and other plumbing fixtures made from plaster and painted with enamel, woven baskets, playpens, beds and...

Some of his pieces include intricate fabric weavings from old scraps and other works transform kitschy household objects like ketchup and mustard bottles and corn cob holders into artistic elements.

The light boxes will weave through the giant grass mounds and help link the works of the other artists at the site, Ilya and Emilia Kabakov and Kiki Smith.

Viewers got to see Hayuk's colorful, layered weave paintings that balance between tradition, psychedelic, strict geometry and abstraction, Revok's abstract geo - based works inspired by patterns and waste materials from urban environments, Peterson's signature b / w visions of power struggles and conflicts in the society, and Deiana's meticulous ball point pen on paper works that create abstraction out of textures, TV static and other everyday occurrences.

The dozen new works presented are a combination of oil, charcoal, and pastel on canvas and a combination of landscape and figures weaving throughout each other.

Young British artist, Jack Brindley's steel rods and weaving structures alter the gallery space, his flatbed prints on recycled aluminium winding through the other works on show.

Other gallery artists» work in the show include Lorenzo Hurtado Segovia's woven paper pieces, drawings by Laura Krifka, Larry Mantello's temporary tattoos on paper, a new series of collages by Timothy Nolan plus paintings on paper by Jaime Scholnick, Mira Schor.

, which included Emin's blankets, El Anatsui's wall - size bottle - cap constructions (you could easily call them tapestries), Mary Heilmann's woven chairs, and other work.

Using thousands of pages from Leonardo's astonishing notebooks and new discoveries about his life and work, Isaacson weaves a narrative connecting his art and science and emphasizes that his creativity, like that of other great innovators, came from having wide - ranging passions.

Bringing together a variety of working methods, ranging from complex installations with industrially produced items, such as Venetian blinds, to hand - made sculptures using rather low - tech craft such as knitting, paper making, origami, macramé and other types of weavings, Yang's oeuvre has reached a level of rich complexity and unique abstraction.

Crowner's forays into the ambiguous cross-over of form and function, her practice of re-articulation of artist and craft - people's work from other periods and geographic contexts, and not least her interest in hard - edged abstraction, project a strong affinity to these intricately woven, geometrically patterned baskets.

«It is a very poetical work, in which the different layers of time and space are woven into each other in a very intelligent way ``, a member of the jury stated.

Albeit subtle and latent, other seemingly fictional elements were woven into the work.

Both bodies of work address the bifurcated history of abstraction, in which some geometric forms (like those found in painting and sculpture) become canonical, while others (in weavings, in children's educational projects) are considered incidental to art history.

Often working for weeks or months on individual pieces, she used yarn, thread, fabric, and other fibers to envelop found objects into fastidiously woven, wrapped, and bundled structures.»

His 1993 work Alternating 1 to 100 and Vice Versa, a kilim (woven tapestry), similarly recruited others for the design and execution.