Sentences with phrase «other young painters»

«There are a number of things that distinguish Zak Prekop, who was born in 1979, from other young painters.

Along with John Hoyland, Walter Darby Bannard, Larry Zox, Ronald Davis, Ronnie Landfield, John Seery, Pat Lipsky, Dan Christensen [29] and several other young painters a new movement that related to Color Field painting began to form; eventually called Lyrical Abstraction.

Are there any other younger painters who you see much of or that interest you particularly?

I used to see a lot of Larry Poons and a couple of other younger painters — John Grieffen and Ronnie Langfeld — when I was in New York in 1969 to» 70.

(And Stanley Lewis, although a significant artist, is out of place here, being a generation younger than the rest of the artists — and if he's included, then why not a lot of other younger painters, including a number of significant women?)

Not exact matches

Others had stayed, like Karlstadt; and a brilliant young painter, Lucas Cranach had stayed in his service to adorn the interior of the castle.

However, for those familiar with the great painter's works, as well as the prevailing spirit of the Era of Enlightenment and the style of the other great artists of various mediums who used their craft to comment on the blights of the world around them, Goya's Ghosts speaks on a level that transcends just the story of two men looking after the welfare of a young, unfortunate woman caught up in the hysteria of power that marked the end of the Spanish Inquisition's stranglehold of power, as well as the outrageous hypocrisy in their manner of governance.

His first shorts Heroes Are Immortal (90) and Straight Ahead Until Morning (94), both set in small towns by night, show his interest in juxtaposing image and text, assaulting the viewer with torrents of speech: the first a dialogue between two young men (one played by Guiraudie) who wait night after night for a third to arrive, the other the monologue of a watchman caught up in the repetitive, futile pursuit of a wall painter.

uuu Living in Paris as American ambassador, Thomas Jefferson observes France's growing revolutionary fervor while striking up two romantic relationships: one with the wife of a foppish French painter, the other with the African - American nursemaid of his youngest daughter.

As young starting painter Johns was close friends with Robert Rauschenberg; they shared together studio for several years and were mutual sparring - partners for each other.

The other story is set in the present day and is about Elina, a young Finnish painter, who has just had her first child.

In this issue we feature Encounters with our cover artists, as well as Lubaina Himid, Ian Davenport, Anne Collier and Kehinde Wiley, and have two Paper Galleries — one dedicated to the work of celebrated Leviathan creator Shazeed Dawood, the other to young painters who are turning the world on its head.

In addition to this new initiative, other programs undertaken by the Foundation include free art education programming for New York City youth and young adults, the Painters & Sculptors Grant Program, grants to arts organizations, the Creating a Living Legacy (CALL) program that supports mature artists in the areas of studio organization, archiving and inventory management, as well as grants to artists and arts communities in need of emergency support after a disaster.

Collection, Museum of Art, Fort Lauderdaie, FL; travelled to Oklahoma Museum of Art, Oklahoma City, OK; Santa Barbara Museum of Art, Santa Barbara, CA; Grand Rapids Art Museum, Grand Rapids, MI; Madison Art Center, Madison, WI; Montgomery Museum of Fine Arts, Montgomery, AL 1981 Drawing Invitational, Harm Bouckaert Gallery, New York, NY 1981 New Work, Roy Boyd Gallery, Chicago, IL 1981 Artists Books, Metrònom, Barcelona, Spain 1980 Little Books, Franklin Furnace, New York, NY 1980 New York 1980, Banco - Massimo Minini, Brescia, ltaly 1980 Pool Project Documentation, Artists Space, New York, NY 1980 New York Painters, University of Rochester, Rochester, NY 1980 Works of Art, Patricia Sneed Gallery, Rockford, IL 1980 Group Show, Roy Boyd Gallery, Chicago, IL 1980 Collection of Dr. Milton Brutten and Dr. Helen Herrick, Ben Shahn Gallery, William Patterson College, Wayne, NJ 1980 Group Exhibition, Susan Caldwell, Inc., New York, NY 1980 Pool Projects, Wake Forest University, Winston - Salem, NC 1980 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post College, Greenvale, NY 1979 Prospectus, Aldrich Museum, Ridgefield, CT 1979 New Wave Painting, The Clocktower, MoMA P.S. 1, New York, NY 1979 Artist's Postcards, Ananas Gallery, Abrau, Switzerland 1979 Poets and Painters, The Denver Art Museum, Denver, CO; traveled to Atkins Museum of Fine Art, Kansas City, MO; La Jolla Art Museum, La Jolla, CA 1979 14 Painters, Lehman Gallery, CUNY, Bronx, NY 1979 Drawings, Hal Bromm, New York, NY 1979 Summer Show, Hal Bromm, New York, NY 1979 Drawings, Pyramid Gallery, Providence, MA 1978 Detective Show, Gorman Park, Jackson Heights, NY 1978 Works on Paper, Studio La Citta, Verona, Italy 1978 Group Exhibition, Arte Fiera, Bologna, Italy 1978 Group Exhibition, Art - 9, Basel, Switzerland 1978 Black and White on Paper, Nobe Gallery, New York, NY 1978 Paperworks, Galerie Wirz, Milan, Italy 1978 Selections from the Collection, Aldrich Museum, Ridgefield, CT 1978 Artists Books: USA, New Gallery, Cleveland, OH 1977 Fine / Fleishman / Stamm, Franklin Furnace, New York, NY 1977 Painting 75,76,77, Sarah Lawrence College, Bronxville, NY; traveled to American Foundation for the Arts, Miami, FL; Contemporary Arts Center, Cincinnati, OH 1977 Book Objects, Albright - Knox Art Gallery, Buffalo, NY 1977 A Painting Show, MoMA P.S. 1, Long Island City, NY 1977 New York Group Show, Galerie Denise Rene, New York, NY 1977 Group Exhibition, Art Fiera, Bologna, ltaly 1977 Group Exhibition, Documenta - 6, Kassel, Germany 1977 Collection in Progress, Moore College of Art, Philadelphia, PA 1977 Ideas — Images, Eugenia Cucalon Gallery, New York, NY 1977 Postcards and Other Mail, Jock Truman, New York, NY 1977 Wrapping Paper Invitational, Nobe Gallery, New York, NY 1977 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1976 Group Exhibition, Art Fiera, Bologna, Italy 1976 Summer Group, Max Protetch Gallery, Washington D.C. 1976 SoHo and Downtown Manhattan, Akademie Der Kunste, Berlin, Germany 1976 Selections SoHo - Berlin, Louisiana Museum, Humlebaek, Denmark 1976 Works on Paper, Hal Bromm, New York, NY 1976 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1975 Contemporary Reflections 1971 — 1974, AFA; travelling exhibition Spare, Central Hall Gallery, Port Washington, NY 1975 Group Indiscriminate, 112 Greene Street, New York, NY 1975 A Collection in Progress (Herrick - Brutten Collection), The Clocktower, MoMA P.S. 1, New York, NY 1975 Group Exhibition, International Art Fair, Cologne, Germany 1975 Five from SoHo, Rose Art Museum, Waltham, MA 1975 Spare, Central Hall Gallery, Port Washington, NY 1975 Abstraction Alive and Well, SUNY, Potsdam, NY 1975 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1974 Tight and Loose, State University, Albany, NY; travelled to State University, Potsdam, NY 1974 Black as Color, Reed College, Portland, OR 1974 Drawings, Albright - Knox Art Gallery, Buffalo, NY 1974 Paperworks, Rosa Esman Gallery, New York, NY 1974 10th Anniversary Exhibition 1964 — 1974, Aldrich Museum, Ridgefield, CT 1974 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1973 Painting in America, Decorative Arts Center, New York, NY 1973 Black Paintings, Nancy Hoffman Gallery, New York, NY 1973 DiDonna / Stamm, O.K. Harris Gallery, New York, NY 1973 Nine New York Artists, Hartwick College, Oneonta, NY 1973 Recent Acquisitions, Phoenix Museum, Phoenix, AZ 1972 Contemporary Reflections 1971 — 1972, Aldrich Museum, Ridgefield, CT 1971 What's Happening in SoHo, University of Maryland, College Park, MD 1971 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1971 Alumni Show, Hofstra University, Hempstead, NY 1970 Young Artists: New York 1970, Greenwich, CT

We have talked with him about his drive to work from life, the painting challenges that come with diminished vision, how to use the inspiration you get from other painters, and what it was like coming to New York City as a young artist in the nineteen fifties.

In addition to this initiative, other programs undertaken by the Foundation include free art education programming for New York City youth and young adults, the Painters & Sculptors Grant Program, the Emerging Artist Grant Program, grants to arts organizations nationally, the Creating a Living Legacy (CALL) program that supports mature artists in the areas of studio organization, archiving and inventory management, as well as grants to artists and arts communities in need of emergency support after a disaster.

In a disconcerting way, he remains relevant by being, like so many younger artists today, not necessarily a painter per se, but an artist who uses painting coincidentally, as one of many other potential mediums available at any time; a phenomenon which in itself would merit its own investigation.

Ironically many young American cutting - edge painters notably Dan Christensen, Peter Young, William Pettet, Ron Davis, Lawrence Stafford, Larry Poons, Alan Cote, myself and many others sent their expressive, painterly paintings to Germany and other parts of Europe during the late sixties and early sevenyoung American cutting - edge painters notably Dan Christensen, Peter Young, William Pettet, Ron Davis, Lawrence Stafford, Larry Poons, Alan Cote, myself and many others sent their expressive, painterly paintings to Germany and other parts of Europe during the late sixties and early sevenYoung, William Pettet, Ron Davis, Lawrence Stafford, Larry Poons, Alan Cote, myself and many others sent their expressive, painterly paintings to Germany and other parts of Europe during the late sixties and early seventies.

Some of the participants included Dan Christensen, Walter Darby Bannard, Ronald Davis, Helen Frankenthaler, Sam Francis, Cleve Gray, Ronnie Landfield, Morris Louis, Jules Olitski, Robert Natkin, William Pettet, Mark Rothko, Lawrence Stafford, Peter Young and several other painters.

The organizer, the American painter and art dealer William Copley, conceived of it as an intermedia and intergenerational publication, presenting works by an impressive array of artists, both well - known and emerging, including the Dada and Surrealist luminaries Marcel Duchamp, Man Ray, and Meret Oppenheim; Pop artists Richard Hamilton and Roy Lichtenstein; composers Terry Riley and La Monte Young; and an up - and - coming generation of conceptual and post-studio artists represented by Joseph Kosuth and Bruce Nauman, among others.

In addition to the Painters & Sculptors Grant Program, other programs undertaken by the Foundation include the Emerging Artist Grant Program, free art education programming for New York City youth and young adults, grants to arts organizations, the Creating a Living Legacy (CALL) program that supports mature artists in the areas of studio organization, archiving and inventory management, as well as grants to artists and arts communities in need of emergency support after a disaster.

In addition to this initiative, other programs undertaken by the Foundation include the Painters & Sculptors Grant Program, the Creating a Living Legacy (CALL) program that supports mature artists in the areas of studio organization, archiving and inventory management, education initiatives for both young and adult artists, as well as grants to artists and arts communities in need of emergency support after a disaster.

In New York City a new generation of young and exciting Modernist painters led by Arshile Gorky, Willem de Kooning, and others were just beginning to come of age.

Copied by a young Giorgio de Chirico, and claimed ironically perhaps, by Marcel Duchamp as his favorite painter, Böcklin is part of a well - worn, if less traveled, «other» modernist tradition of which Lüpertz is definitely part.

Sotheby's started the evening's other 38 lots with the 2012 painting «Drown,» by the young Nigerian - born figurative painter Njideka Akunyili Crosby, who earlier this year was the subject of a one - woman show at the Norton Museum of Art in West Palm Beach, Fla..

Like the young Italian painters, such as Francesco Clemente, Schnabel draws on art history, current events, other cultures and religion for his imagery.

In his writing and criticism, painting is often privileged over other art mediums and young painters do often attract his attention.

Even today, if you wanted to be a young figurative painter you may be discouraged because there's some other new movement that seems more compelling.

In 1953, following successful solo exhibitions at the Frumkin Gallery in Chicago and the Stable Gallery in New York, Burri was included alongside Karel Appel and Pierre Soulages, among others, in James Johnson Sweeney's «Younger European Painters» at the Solomon R. Guggenheim Museum.

Influential on other artists after Morris Louis and Kenneth Noland first saw her work in the early 1950s, since 2000 her art has inspired a new generation of younger painters such as Carrie Moyer, Jackie Saccaccio, and Mary Weatherford.

«We know that Santiago Rusiñol, the leader of the Catalan modernisme movement, painted this site, and we believe other younger Catalan painters would have painted this site too,» said Kenneth Brummel, assistant curator of modern art at the Art Gallery of Ontario.

Her time in the U.S. marked the second significant period of her collecting, focusing this time on young American Abstract Expressionist painters, and above all others, by Jackson Pollock.

[3] Polish Romantic painting is exemplified in the work of Artur Grottger, Henryk Rodakowski, or the equestrian master artist Piotr Michałowski (now at Sukiennice), and Jan Nepomucen Głowacki considered the father of Polish school of landscape painting, as well as the renowned historical painter Leopold Loeffler invited to Kraków by Matejko to teach the future luminaries of the Young Poland movement including Wyspiański, Tetmajer, Malczewski and Weiss among others.

Thus Bonnard gave up law to become an artist, and, after brief military service, in 1889 he joined the group of young painters called the Nabis, who were organized by Paul Sérusier and included Maurice Denis, Paul Ranson, Roussel, Vuillard, and others.

Other showings include Leonardo Live, an insightful high - definition tour of the National Gallery exhibition, Leonardo da Vinci: Painter in the Court of Milan and Colin Firth starring in the 2003 release, Girl with a Pearl Earring, the story of a young peasant maid working in the house of painter Johannes Vermeer, who becomes the model for one of his most famousPainter in the Court of Milan and Colin Firth starring in the 2003 release, Girl with a Pearl Earring, the story of a young peasant maid working in the house of painter Johannes Vermeer, who becomes the model for one of his most famouspainter Johannes Vermeer, who becomes the model for one of his most famous works.

Is it any wonder, then, that many younger American painters and sculptors have long abandoned the bygone absolutisms of Minimalism on one hand and Hyper - Realism on the other and are making works today that hover in a hard to define space that might be called Abstract Figuration or Figurative Abstraction?»

Bo had come out of the Pennsylvania Academy as a sort of wunderkind, alongside other dedicated young representational painters like Vincent Desiderio and Wade Schuman.

His friendship with Jean - Michel Basquiat and other prominent young painters from the New York scene had thrust him firmly back into the limelight with the editor of Art Forum, John Coplans, stating that Warhol's «choice of imagery, forces us to squarely face the existential edge of our existence.»

By showing works by Van Gogh side by side with works by young Expressionist painters, this exhibition reveals the full extent of his influence on other painters.

A handful of Color School painters can be found at Bethesda Fine Art, including Willem De Looper, Sam Gilliam, Kenneth Young, the aforementioned Davis and several others.

Other important early exhibitions include Processes of Visualized Thought: Young Italian Avant - garde, Kunstmuseum Luzern (1970) and A Painting Exhibition of Painters who Place Painting in Question, curated by Michel Claura, Stadtische Museum, Monchengladbach (1973).

A very distinct and continually evolving case in point is that of Jenny Morgan, a young contemporary painter who since emerging through Denver Colorado's gallery circuit in 2002 has developed her own particular attachment to the self to build a formidable career with a unique trajectory unlike any other in art today.

There is, in van Velde's work, a quality of indecision and incompleteness, of being improvised rather than planned, of being left in a transitional stage, in other words, of Provisionalism — as defined by Raphaël Rubinstein in his now famed article from 2009 — which makes it relevant to today's state of affairs in abstract painting as well as to the young painters loosely grouped under the name of New Casualists.

The younger German painter is known for collaborating with more folks than a Vichy bureaucrat (having partnered with, among others, Martin Kippenberger and Jonathan Meese).

Most of the famous painters she knew and admired as a young woman — Jackson Pollock, Willem de Kooning, Franz Kline and others — are long gone.

Arguably the most influential of the Impressionist painters because he helped and encouraged so many younger artists (notably Gauguin and Cezanne), the genial anarchist Camille Pissarro was a participant - along with Edouard Manet (1832 - 83), Gustave Courbet (1819 - 77), Cezanne (1839 - 1906), Fantin - Latour (1836 - 1904) and others - in the seminal Salon des Refusés held in 1863.

The English painter Jenny Saville won the admiration of art critics when she participated, along with other Young British Artists from the Charles Saatchi Collection, at the 1997 «Sensation» Exhibition at the Royal Academy of Arts, London.

As the daughter of an accomplished painter, she traveled extensively throughout Europe, seeing the The Louvre, the great work from Michelangelo, Rodin and other great artists as a young child.

More recently, we have the arresting neo-expressionism of Chinese painters like Zhang Xiaogang (b. 1958) and Yue Minjun (b. 1962), landscapes by Peter Doig (b. 1959) and the Ukrainian artist Dmitry Kolujny, the extraordinary «egg» pictures of Alexander Vlasenko, as well as numerous portraits by a range of young painters, including the Irishmen David Nolan (b. 1966) and Conor Walton (b. 1970), among many others.

When entering the booth from the other side, however, delicate canvases by iconic Korean painters Kim Whanki (1913 - 1974) and Kwon Young - Woo (1926 - 2013) draw viewers in for an equally intriguing but aesthetically different experience.