The progressively muddled storyline - coupled with the inclusion of a few decidedly underwhelming action sequences - slowly but surely transforms The Last Airbender into a lamentably tedious experience, and there's little doubt that the interminable build - up to the final confrontation results in as hopelessly anti-climactic an atmosphere as one can easily recall (with a
noble sacrifice made by a periphery figure standing as the only reasonably compelling interlude within the movie's
otherwise disastrous third
act).
Kara Walker's racially charged gouaches in sepia tinged hues
act as a sarcastically delicate counterbalance to Terence Koh's white chocolate monoliths; Tino Sehgal's harmonic narrative «This Is Propaganda,» performed by a female guard, adds an air of the ethereal to an
otherwise politically heavy - handed section of the exhibition; artist team Tim
Noble and Sue Webster's «Black Narcissus» (2006) draws us back into the corporeal with their penile and phalange inflected shadow - cast portraiture; and Cindy Sherman's work from the early 80s shocks with its carnal ferocity.