Flood isn't the only cynic who has benefited from the perverse logic of a whacked -
out global art market, although Arning said he was one of the first.
Not exact matches
What I like about Artwork Network is it is not an «
art mall», the service and one on one attention given to the artist is outstanding (few
art marketing companies, let alone
art malls actually call each artist and lay
out a plan of action in order to increase sales), and the jurying process ensures a good fit for it's
global target
market!
His sell
out solo shows «Death & Glory», «EyeCons», «aPOPcalypse now», «All your Dreams Belong to Us» along with last years Los Angeles show «Going Nowhere Fast», which included his largest mural to date, and «Burn Brighter» his debut Australian show have firmly founded D * Face's presence within the
global contemporary
art market whilst retaining his notoriety.
How to estimate costs effectively to cover the work we are going to do without putting off potential clients by pricing ourselves
out of the
market; how to approach revising our estimates if we are going to go over budget; and when to take a
global, commercial view before billing a client every penny of WIP — dealing with costs is undoubtedly more an
art than a science.