Sentences with phrase «out into the world without»

It's truly a blessing to live in an age of publishing where you can independently get your story out into the world without fear of gatekeepers.»

Friends don't let friends send their babies out into the world without some sort of editing.

I wouldn't dream of sending a book out into the world without making sure it's as good as it can be.

Independent publishing is a great way to get work out into the world without waiting for the chance to maybe get an agent, who will perhaps get your manuscript read by an editor, who will think about possibly presenting the book for acquisition...

The opening scenes abruptly push you out into the world without giving a true sense of what's going on — beyond the brief blurb on the loading screen.

Not exact matches

Greenspan has painted the FED and the world into a corner that his successor, Bernanke, will not be able to get us out of without a whole lot of pain and suffering.

We're transported out of this ordinary world into another realm, legally and without drugs.

The Christian will, therefore, go out into the world serenely, without anguish.

Globalization and free markets are not without their problems, but they are the only real hope that the laboring poor have of raising themselves out of misery by giving them the opportunity to tap into world markets not only to offer their labor to more bidders but to avail themselves of the goods and services the rest of the world has to offer them.

The Bible points out, he went on, that there will be a day «when you can't buy or sell without the Mark of the Beast, you have to be part of that world system and a very, very few can escape because right now they can go down into the bush in the darkest Africa and hunt you down.»

nice to see you crawl out of your hole just in time to offer your 2 cents worth once again... unlike yourself I started following this team long before Wenger arrived on the scene and will continue to do so long after he's gone... in his earlier years I admired the cerebral elements he brought to the EPL, which at that point was more brutish than beautiful, and I respected the seemingly tireless efforts of Arsene, Dein & staff to uncover and develop talent without sacrificing the product on the field... likewise I appreciated that such a youthful manager wasn't afraid to bring strong personalities and / or world - class players into the fold without being fearful of how said players would potentially undermine and / or dilute his authority... unfortunately this all changed about 10 years ago and culminated in the removal of all our greatest players, both young and old, without any real replacements coming in... from Henry to RVP to Fabergas and Nasri, it was easy to see that this club was no longer interested in competing at the highest levels... instead of being honest, minus the ridiculous claims regarding the new stadium, Wenger chose to side with management and in doing so became the «front man» for this corporation pretending to be a world - class soccer club... without the «front man» this organization would have been exposed numerous years earlier, so his presence was imperative if the facade was to continue... it's for this reason and more that I despise what this once great man and Kroenke has done to my beloved club... the gutless, shameful and manipulative way they have treated the fans, like myself, is largely indefensible and this is why I felt it necessary to start offering my opinion in a public format... trust me, I resisted the temptation for many years but as long as the same shit continues to exist I will voice my opinions and if you don't like it maybe you should look for a different team to pretend to follow

This is an incredibly difficult question to answer for a variety of reasons, most importantly because over the years our once vaunted «beautiful» style of play has become a shadow of it's former self, only to be replaced by a less than stellar «plug and play» mentality where players play out of position and adjustments / substitutions are rarely forthcoming before the 75th minute... if you look at our current players, very few would make sense in the traditional Wengerian system... at present, we don't have the personnel to move the ball quickly from deep - lying position, efficient one touch midfielders that can make the necessary through balls or the disciplined and pacey forwards to stretch defences into wide positions, without the aid of the backs coming up into the final 3rd, so that we can attack the defensive lanes in the same clinical fashion we did years ago... on this current squad, we have only 1 central defender on staf, Mustafi, who seems to have any prowess in the offensive zone or who can even pass two zones through so that we can advance play quickly out of our own end (I have seen some inklings that suggest Holding might have some offensive qualities but too early to tell)... unfortunately Mustafi has a tendency to get himself in trouble when he gets overly aggressive on the ball... from our backs out wide, we've seen pace from the likes of Bellerin and Gibbs and the spirited albeit offensively stunted play of Monreal, but none of these players possess the skill - set required in the offensive zone for the new Wenger scheme which requires deft touches, timely runs to the baseline and consistent crossing, especially when Giroud was playing and his ratio of scored goals per clear chances was relatively low (better last year though)... obviously I like Bellerin's future prospects, as you can't teach pace, but I do worry that he regressed last season, which was obvious to Wenger because there was no way he would have used Ox as the right side wing - back so often knowing that Barcelona could come calling in the off - season, if he thought otherwise... as for our midfielders, not a single one, minus the more confident Xhaka I watched played for the Swiss national team a couple years ago, who truly makes sense under the traditional Wenger model... Ramsey holds onto the ball too long, gives the ball away cheaply far too often and abandons his defensive responsibilities on a regular basis (doesn't score enough recently to justify): that being said, I've always thought he does possess a little something special, unfortunately he thinks so too... Xhaka is a little too slow to ever boss the midfield and he tends to telegraph his one true strength, his long ball play: although I must admit he did get a bit better during some points in the latter part of last season... it always made me wonder why whenever he played with Coq Wenger always seemed to play Francis in a more advanced role on the pitch... as for Coq, he is way too reckless at the wrong times and has exhibited little offensive prowess yet finds himself in and around the box far too often... let's face it Wenger was ready to throw him in the trash heap when injuries forced him to use Francis and then he had the nerve to act like this was all part of a bigger Wenger constructed plan... he like Ramsey, Xhaka and Elneny don't offer the skills necessary to satisfy the quick transitory nature of our old offensive scheme or the stout defensive mindset needed to protect the defensive zone so that our offensive players can remain aggressive in the final third... on the front end, we have Ozil, a player of immense skill but stunted by his physical demeanor that tends to offend, the fact that he's been played out of position far too many times since arriving and that the players in front of him, minus Sanchez, make little to no sense considering what he has to offer (especially Giroud); just think about the quick counter-attack offence in Real or the space and protection he receives in the German National team's midfield, where teams couldn't afford to focus too heavily on one individual... this player was a passing «specialist» long before he arrived in North London, so only an arrogant or ignorant individual would try to reinvent the wheel and / or not surround such a talent with the necessary components... in regards to Ox, Walcott and Welbeck, although they all possess serious talents I see them in large part as headless chickens who are on the injury table too much, lack the necessary first - touch and / or lack the finishing flair to warrant their inclusion in a regular starting eleven; I would say that, of the 3, Ox showed the most upside once we went to a back 3, but even he became a bit too consumed by his pending contract talks before the season ended and that concerned me a bit... if I had to choose one of those 3 players to stay on it would be Ox due to his potential as a plausible alternative to Bellerin in that wing - back position should we continue to use that formation... in Sanchez, we get one of the most committed skill players we've seen on this squad for some years but that could all change soon, if it hasn't already of course... strangely enough, even he doesn't make sense given the constructs of the original Wenger offensive model because he holds onto the ball too long and he will give the ball up a little too often in the offensive zone... a fact that is largely forgotten due to his infectious energy and the fact that the numbers he has achieved seem to justify the means... finally, and in many ways most crucially, Giroud, there is nothing about this team or the offensive system that Wenger has traditionally employed that would even suggest such a player would make sense as a starter... too slow, too inefficient and way too easily dispossessed... once again, I think he has some special skills and, at times, has showed some world - class qualities but he's lack of mobility is an albatross around the necks of our offence... so when you ask who would be our best starting 11, I don't have a clue because of the 5 or 6 players that truly deserve a place in this side, 1 just arrived, 3 aren't under contract beyond 2018 and the other was just sold to Juve... man, this is theraputic because following this team is like an addiction to heroin without the benefits

A world class CDM would make the difference without a doubt.I thought Zhaka had a fairly decent first season as a whole and this season would develop into a far far better player than he is showing now.Managers make mistakes with transfers and bearing in mind the restrictive budgets Wenger had to work with until recently he has not made too many bad buys.But when we were all crying out for a CDM his scouts and coaching team have allowed Zhaka to be exactly what we don't need.

Some articles of clothing you just can not do without as your baby starts going out into the world and this is one of them.

I requested this book expecting dialog about what drives some children to go out into the world and try without fear to achieve their goals, and some to drop out of college — if they make it that far — and drift... and / or take up permanent residence in their parents» basement.

I went out there with marine biologists from all over the world in a Scripps Oceanographic Institution expedition trying to look at, you know, what would the baseline be for a truly healthy ocean that had not been overfished and overflushed with chemicals and all the other things that we dump into the ocean — and from those examples, I started to get an idea of what the world might look like without us, but then it occurred to me to really understand, I would also have to get a baseline for what was the world like before us.

Without a doubt, having the title of «Board Certified Holistic Health Coach» gave me the confidence to go out into the world and help people.

«With regards to the warnings that comfrey can cause cancer and liver disease, most herbal practitioners point out that those results were from studies that isolated the pyrrolizidine alkaloids and fed or injected them into animal subjects in doses far higher than any typical usage of comfrey leaf, and that comfrey leaf has been regularly ingested by thousands of people around the world without reported ill effects.»

If you have found yourself thrust back out into the dating world without a clue as to how to get a date, let a night with speed dating help you out.

Match.com doesn't charge you a penny to sign up, so you can delve into the world of online dating without pulling out your credit card.

It made more sense that people over 50 would remain alone back before we had the technology that allows us to communicate with anyone from any location in the world without having to go out there and feel vulnerable or get into an awkward situation just because you wanted to meet someone.

Online dating gets you out into the dating world without even leaving home.

His travels give him some insight into disease rapidly sweeping around the world, but none of his efforts come without their fair share of perils and everywhere he goes a pervading sense of hopelessness seems to win out.

Without ever turning that world itself into a joke, Anderson brings a lot of comedy out of his stars, Wahlberg in particular.

It jumps right into the proceedings without a moment to waste, immediately picking up the tone and world of the first «Kick - Ass» and barreling forward like a bat out of hell.

Similarly, Charlie's anxiety about his newfound popularity plays out amid an increasing array of absent students: bringing Jerry's larger threat into the world of teenage cliques without drawing undue attention to itself.

Without preserving for educators the power to decide, we risk suffocating the very life that brought us to this work: you must lead us out of the world of compliance and into the world of creation.

GNG got them out of the classroom and into another part of the world without taking them away from their home.

But how odd and dreamy it seems to single out preschool alone, as Ridley does (and as the Copenhagen group gives him a basis for doing) as having this fantastic benefit - to - cost ratio without considering the education continuum into which it must fit if it's to make any lasting difference in the lives of kids — or, for that matter, the world.

I love the idea of empowering yourself to follow your heart and delve into the world of writing and to take it upon yourself to get your books out there without the need of all those external pieces that you mention (publisher, etc.) that could really just weigh you down into getting the message out and achieving your goals.

There are too many kids that go out into the real world without understanding the value and importance of money.

Whether you're looking to head out to the reef and snorkel the second largest barrier reef in the world or if you're ready to take an exciting adventure into the rain forests and ancient Mayan dwellings in the heart of the mainland, you'll be able to enjoy almost every experience this country has to offer without having to worry about how you'll make it happen.

Famous games, like Punch Out, even without the code, Contra, the Metal Gears of the world, even Kung Fu, one of the original eight - bit titles, you'd get to a certain level but you couldn't get past it without buckling down and putting some hours into the game.

Without a doubt my person favorite stories were contained with the historical collection, the first being A Dance in Fire and its sequel The Argonian Account, which follows the tale of one Decumus Scotti as he ventures out into the world in an attempt broker contracts for construction work in Valenwood.

- as Captain Olimar is making his way home, an asteroid onslaught forces him to land on a nearby planet - Sparklium is the fuel for Olimar's Dolphin III ship - with the ship's fuel depleted, you have to find items on this planet which can be turned into fuel - collect everything from seeds to large scale treasures - you need 30,000 Sparklium to make your way home - you are eventually required to find a lost ship part at the end of the game - levels are more linear and puzzle based, and include specific goals / goodies to collect - move Captain Olimar with the Circle Pad, while all other interactions use the touchscreen - blow your whistle, throw Pikmin and also touch certain objects - worlds are called Sectors, with six areas altogether - find all the treasure and look for new passageways to complete a sector 100 % - passageways can grant you access to secret spots or additional levels highlighted with the letter X - the first world is called Brilliant Garden, which has lush forest environments - Yellow Pikmin can easily reach the upper screen, where you can sometimes collect goodies and pull down vines - there's a level where you use yellow Pikmin as a source to connect two wires - connecting the wires lets you see enemies and platforms that were hidden in the shadows - Winged Pikmin can be flung at high speeds, and they can pick up Olimar and help him descend down into new areas - in a later level, you need to use red Pikmin to stomp out fire and clear the way for you - Rock Pikmin are the strongest ones of the bunch and can break crystals - blue Pikmin can swim and fight well underwater - the maximum amount of Pikmin you can have in a stage is 20 - blow your whistle to call over the correct Pikmin for a task or puzzle - Ravaged Rustworks offers a unique industrial environment where you climb on pipes - Loney Tower has you climbing to the top of a tower without any help of Pikmin, and instead use pipes and Olimar's jetpack - Valley of the Breeze, found in the Leafswirl Lagoon sector, relies complete on Winged Pikmin - Barriers of Flame is in the Sweltering Parchlands sector - here you «lll be forced to improvise with Yellow and Rock Pikmin to get around fire - every world ends with a boss stage - one boss fight puts you up against a Fiery Blowhog, where you use Red Pikmin to pick up / feed bombs to the boss - beating bosses gives you treasures worth 1,000 Sparklium each - supports amiibo in the Splatoon, Super Mario and Animal Crossing lines - amiibo can be scanned in to grant you access to secret spots - these are one room puzzle challenges where you collect a statue - these bonus rooms will also get you 200 Sparklium every time - you are limited by how many amiibo you can summon to each secret spot - one of the treasures you will find is an NES cartridge for Ice Climbers, which carries the name «Revenge Fantasy».

If you're the sort who eagerly dissolves into the challenges of a beautiful world, one which will chew you up and spit you out without thinking about it, is entirely up to you.

But what makes a casual game great is that you can jump quickly into their world without spending a huge amount of time just figuring out how to play, and you can jump out just as quickly without the need to play hours in a single session just to get anything accomplished.

You can go out into the world and if you found a place to mine for materials, you can do it quick and easy without feeling like you're losing supplies.

With the administration out of the way, your journey begins when your character wakes up without any memory of how he got into the game world.

The player is drawn into the world of Dead Island on the brink of a mysterious epidemic that suddenly, and without warning, breaks out on the fictional island of Banoi.

Although the song is lyrically apt (I must have died alone, a long long time ago), it's this Midge Ure version below, plonked out in synths, a jarring»80s take on a familiar 1970's song, which makes it an amazing thematic choice — you fell into a coma before synths were a mainstream thing, and you wake up to a synth cover, an alienating emblem of how time has passed, the world moved on without you.

As you work your way up the tree, adding new skills and weaponry, selling your finds to open up new crafted materials in the shop, and hanging out at the tavern to find new side quests, the game easily comes into it's own, and it becomes exciting to revisit the world, delving deeper and learning more, with or without an epic overarching plot.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

In a 1989 statement, Ghirri said his images, «become our impossible landscape, without scale, without a geographic order to orient us; a tangle of monuments, lights, thoughts, objects, moments, analogies from our landscape of the mind, which we seek out, even unconsciously, every time we look out a window, into the openness of the outside world, as if they were the points of an imaginary compass that indicates a possible direction.»

I love technology, and hope we can go forward without giving up those physical and mental prosthetics that have turned out world into a global village with a gind of collective consciousness based in the internet.

The bottom line is probably that whilst we should take the idea of sudden changes seriously, and investigate possibilities within the scientific arena, it wouldn't work to take such stuff out into the wide world without a rather better basis.

Proper use of gas and clean coal generation will be essential until renewables and other forms of generation are economical, but South Australia's ideological crusade (which has turned the state into the world's electricity crash test dummy, as I read somewhere) has meant that the lights will continue to go out during periods of high demand, with or without Elon Musk's Duracell.

Without the US, China, and India making serious cuts soon, we will reach the tipping points that James Hansen and so many others are pointing out, such as those in the «State of the World 2009: Into a Warming World», and nothing will be able to stop catastrophic climate change.

You can not simply throw out the null hypothesis of «natural variability» without stepping into a world of muck.

There is a huge amount of punch and power to the audio coming out of the Zeppelin Wireless, but that beefy bass is beautifully controlled, terminating precisely without being left to wobble away out into the world.