Sentences with phrase «out of a feature film»

It all comes out of our feature film and the original project.

It is defending Royal Bank of Canada Trust Company (Jersey) in litigation brought by two individuals relating to royalties arising out of a feature film; and is representing Manchester Airport in a claim against Ten Group under a guarantee arising out of the termination of an advertising contract with Airport Advertising UK.

Not exact matches

Netflix was also shut out in the award show's film categories, with the streaming service's original feature film Mudbound failing to win either of its two nominations, while the Cambodian Civil War drama First They Killed My Father also fell short in the foreign film category.

As longstanding members of the Broadway Community, Lane and Comley knew they had to reach out to a lot of people and organizations to actually create a first - class web portal featuring meticulously filmed HD captures of full Broadway shows.

Here are just a few: Jordan Peele became the first African American to win the Best Original Screenplay Oscar for Get Out, and Guillermo del Toro's The Shape of Water won for Best Picture — a film featuring a female actor in the lead role hasn't won the category since Million Dollar Baby in 2004.

Most of all, the experience has been gratifying, as God has taken the story he first caused to be lived out in my experiences, and now is blessing others by its retelling in this first - class feature film.

Husband - wife duo Jared and Jerusha Hess literally came out of nowhere — well, the heart of Utah — in 2004 when they made their first feature film, Napoleon Dynamite and took the film world by storm with a wildly successful screening at the Sundance Film Festival.

It's a simple structural feature that would have been scrapped with the rest of the wreckage had it not been filmed by a few Christian reporters, after being pointed out by some Christian first - responders.

In Tangled, the Walt Disney Company's new animated, feature - length, 3 - D adaptation of «Rapunzel,» critic Armond White finds, sadly, that the story of the girl with the very long locks not only «has been amped up from the morality tale told by the Brothers Grimm into a typically overactive Disney concoction of cute humans, comic animals, and one - dimensional villains,» but also that the film's «hyped - up story line... gives evidence that cultural standards have undergone a drastic change» in the decades since Walt Disney first set out to charm both children and adults with his animated retellings of fairy tales.

And by heavily featuring the film's super villain, Apocalypse, in the movie poster, you could probably say that Fox was simply taking a page directly out of Hero Movie Marketing for Dummies.

Check out the recipes of the dishes featured in the film — Black Bean, Carrot and Sweetcorn Burgers, Courgetti with Tomato Sauce, Roasted Butternut Squash and Asparagus Tart

Especially now that a number of junior doctors have now produced a six minute campaign film setting out why they are eyeing up industrial action - and featuring real - life stories.

First, they can show feature films in the proportions that their directors intended; on 4:3 screens, either some of the side of the picture must cropped out, or it appears in a letterbox, with black bands above and below.

Break out of the classic pearl strand mold with this «Tin Cup» pearl bracelet, a style made famous by Rene Russo in the feature film of the same name.

They carry a full line of 3M window film products that include sun control, safety and security features, and decorative films, so they can help you out, no matter what your wants and needs are when it comes to window films and treatments.

Rounding out the bonus features are a Gag Reel, a digital copy of the film, and some online Blu - ray Live features.

Splash is probably the ultimate fish - out - of - water film, primarily because it literally features a fish out of water.

The action scenes highlight Rodriguez's trademark ability to choreograph firefights and explosions, but they're doled out with uncharacteristic stinginess between long stretches of exposition that clear up much less than they should, as the film builds toward a climax featuring some strangely underpopulated riot action.

Featuring a strong ensemble cast and solid camera work, the film starts out as one kind of story before metamorphosing into a bittersweet tale of retribution that never fails to engage.

Trainspotting isn't exactly one of the most quality films out there, but it's definitely one of the best films in terms of blatantly showing things that you don't expect in a feature film.

The feature debut of writer - director Aimee Lagos, the film feels overstuffed and overcooked, as if the filmmaker were trying to get too much out all in one go.

But even at a scant 90 minutes, the film manages to cover a lot of ground, hopping around from interviews to live footage, the highlights of which are a live studio take of «Higgs Bossom Blues,» a 9 minute epic whose slithering slow build plays out uninterrupted and the finale, a blistering live performance of «Jubilee Street» featuring a string section and children's choir, intercut with scenes of Cave onstage over the years.

It will be extremely hard for the studio to match those figures in 2016, as many of its biggest franchises are sitting out the year and Universal's planned 21 - film slate doesn't feature any sure - thing blockbuster hits aside from (maybe) a still - untitled Bourne sequel.

While much of it is quite funny, the film ends up feeling like a good comedy sketch stretched out unnecessarily to a feature - length.

The film was one of Brad Pitt's debut features, and luckily for him he turned out to have a pretty good career.

Early features (produced mostly in Australia) included Praise (1998), Dogwatch (1999), and Erskineville Kings (1999), but Edgerton came into his own with his popular ongoing turn as Will McGill on the Aussie soaper The Secret Life of Us, then branched out into increased international exposure with onscreen contributions to two of George Lucas» Star Wars films, Star Wars: Episode II — Attack of the Clones (2002) and Star Wars: Episode III — Revenge of the Sith (2005).

While Emmy - winning Survivor producer and host Jeff Probst (born November 4th, 1962) has occasionally taken a seat besides Kelly Ripa on Live with Regis and Kelly and even directed his own award - winning feature film, chances are that when all is said and done, the role he'll be best remembered for is that of the firm but fair host who snuffed out more than his share of torches on the popular competitive reality show that made him a household name.

He started out in 1963 by producing a fictional feature film, The Cool World, an examination of the lives of Harlem teenagers.

A film praised by Variety's Guy Lodge as her «most richly strange feature yet» and a «willfully, gorgeously out - of - time work, one that tangles past and present with critical concern for the future,» her third feature is a fable that follows the eponymous peasant on a fantastical journey.

Featuring interviews with the band and never - before seen footage, the film features behind - the - scenes views of historic moments from the perspective of the band, their fans, crew and management throughout their sold - out 40th anniversary tour.

He graduated to feature - film directing at the Columbia Pictures «B» unit, then turned out several low - budget thrillers at Monogram; he also helmed Marilyn Monroe's first starring picture, 1949's Ladies of the Chorus.

It's ultimately clear, however, that Fear and Desire simply isn't able to justify its feature - length running time (ie the whole thing feels padded - out even at 61 minutes), with the movie's less - than - consistent vibe paving the way for a second half that could hardly be less interesting or anti-climactic - which does, in the end, confirm the film's place as a fairly ineffective first effort that does, at least, highlight the eye - catching visual sensibilities of its preternaturally - talented director.

It should have been a no - brainer: The movie is based on a late -»80s arcade game spawned by the creature - feature films of the»50s and»60s, in which one to three players controlled giant monsters as they stomped the bejeezus out of one cityscape after another while the tiny cartoon populace reacted accordingly.

The features start out with a wonderful feature commentary from Coogler and production designer Hannah Beachler which goes into not only the look and action of the film, but also a lot of the themes and motivations of the characters.

Stamberg recently wrapped the feature films DAY OUT OF DAYS directed by Zoe Cassavetes and Havenhurst with Fionnula Flanagan.

In The Wolverine, Hugh Jackman makes his sixth feature film appearance as Logan / Wolverine (counting the cameo in X-Men: First Class), but it won't be his last; X-Men: Days of Future Past is due out next summer.

The film: BMG Music first impressed me with the DVD release ofTime Out With Britney Spears, a feature - packed DVD of what I considered to be high quality.

There's a scene in Bryan Bertino's film «The Strangers» that handily encapsulates the film's nervy brand of terror, one so good and simple that it served as the film's poster image when the 2008 feature first hit theaters: it's Liv Tyler, standing alone in her kitchen, looking out into what seems to be — what should be — an empty house.

Is it a real film, or a feature that uses the porn milieu to turn out a piece of softcore titillation that's halfway between porn and actual drama?

The opening credits feature a baby's fingertip reaching out to touch the title of the film, just like the famous Sistine Chapel painting of God and Adam brushing fingertips (the image becomes even more confrontational when it's repeated, with Darwin touching the finger of an orangutan).

Additional film credits include TALK TO ME; the 2006 Oscar ® winning Best Picture, CRASH, which Cheadle also produced; HOTEL RWANDA, for which his performance garnered Academy Award ®, Golden Globe ®, Broadcast Film Critics Award and Screen Actors Guild ® Award nominations for Best Actor; OCEAN»S ELEVEN, OCEAN»S TWELVE, and OCEAN»S THIRTEEN, directed by Steven Soderbergh; Mike Binder's REIGN OVER ME with Adam Sandler; the Academy Award ® winning film TRAFFIC and OUT OF SIGHT, both also directed by Soderbergh; Paul Thomas Anderson's critically acclaimed BOOGIE NIGHTS; BULWORTH, SWORDFISH, MISSION TO MARS, John Singleton's ROSEWOOD, for which Cheadle earned an NAACP Image Award nomination; FAMILY MAN, directed by Brett Ratner and starring Nicolas Cage; COLORS, HAMBURGER HILL, and the independent features MANIC and THINGS BEHIND THE SUN.

It was for his portrayal of an embittered DJ in another of Egoyan's films, Exotica (1994), that Koteas garnered his second Genie nomination; following this critical success, he began to appear in an increasing number of high profile productions.Koteas was subsequently featured to great effect as the creepy Vaughan in David Cronenberg's controversial Crash (1996), and he invested his brief but pivotal role as Holly Hunter's mystery man in the acclaimed Living out Loud (1998) with memorable charisma.

She earned critical praise for her role in the independent feature REMEMBER THE DAZE, singled out by Variety as the «scene stealer» of the film opposite Amber Heard and Leighton Meester.

Following the release of the latest poster, Smodcast Pictures has unveiled a second trailer for Yoga Hosers, the latest film from Kevin Smith, which features Harley Quinn Smith and Lily - Rose Depp alongside Nazis, Bratzis, Johnny Depp, and Marvel legend Stan Lee; check it out here...

The Summer Blockbuster Hit, Disney • Pixar's «Finding Dory,» Swims Home on Digital HD on Oct. 25 and Blu - ray ™ on Nov. 15 Dive deep into the kelp to find out more about the making of the film with extensive extras featuring the creative talent of Pixar and the all - star cast!

Recognizing its legion of devoted fans, a special edition release of the film was put out in 2002 along with an impressive slew of bonus features and video featurettes detailing how the film came together.

As the film jumps from location to location, chyron to chyron, picking up storylines listlessly while letting others lay fallow for a while, out of sight but without any sort of urgency at their displacement, the best moments emerge as those featuring Mark Ruffalo as Bruce Banner / Hulk, conveying an ocean of regret in the delivery of the word «Nat» to his lost love, Black Widow (Scarlett Johansson)-- or those between Paul Bettany's «Vision» and Elizabeth Olsen's «Scarlet Witch,» who share a stolen moment together in Scotland before what they believe will be their deaths.

But I'm sticking with my feeeling that «ÄúThe Hurt Locker «Äù will pull this one out — that for a variety of reasons, including the simple fact that she made the better movie, Kathryn Bigelow will become the first woman to ever win the DGA feature film award.

A bit more suspense would have gone a long way here, and while director David Gelb, whose prior experience had been in the crowd - pleasing documentary Jiro Dreams of Sushi, has turned in a slick - looking feature for one with such a small budget (reportedly, only $ 5 mil), it really can't compete with better films out there in terms of quality, while it's too straight - faced in execution to at least give us some choice b - movie thrills.

And so we're tweaking our «Best of the 21st Century» formula (check out our Horror Films, Animated and Music Documentary features) to look instead at the top - grossing films of the century to date, and seeing how, in this season of bottom lines and billions and box office bombs, the 25 reigning champions of the century stack up against each other in terms of quality.