Sentences with phrase «out of a horror movie with»

In a scene that looked to be straight out of a horror movie with a much larger budget, viewers were treated to an abundance of gore, creative zombie killings and gruesome deaths (both zombie and human) that pleased even the most veteran genre fans.

Not exact matches

I remember getting real cross with my little sister when she told me that she went out to see the movie The Exorcism of Emily Rose, but when she started asking me questions about God and all that, I was kind of thinking, «You know Olga, maybe this is a good thing that Hollywood is spending some money on making horror movies.»

Easy going down to earth big bear here, green eyes, salt and pepper hair, love horror movies and all type of music, love to cook, dine in or out, would love to share many more interests with the right guy.

What #Horror never quite figures out is if it's trying to be an allegory for the dangers of social media, an actual horror film, or a lesson on why pre teen girls are **** Those themes never mix with each other in a cohesive way and instead battle each other throughout the whole movie.

There are a couple of original shots and some funny moments, and in the gross - out, sadistic violence and celebration of crudity, it successfully does the horror movie as a Looney Tunes farce, although Joe Dante and George Miller have done that with finesse.

If, for some reason, decades» worth of horror movies on the subject have yet to convince you that going out into an isolated area with no cellphone service alone and unarmed is a recipe for brutal murder, Australian writer - director Damien Power's Killing Ground might be the deciding factor.

You know one of the biggest problems with horror movies is nowadays, and perhaps this has even gone farther than, say, the last 5 years, and that is the fact that some of these movies do not have enough interesting material in the script to fill out one hour of screen time, much less 90 minutes of it.

You don't have to be a horror - movie scholar to know that nothing significant is going to happen in any movie with «2» in the title; the creature has to stay around long enough at least to complete a trilogy and fill out a nice boxed set of DVD's.

I was able to sit down with Alvarez after my second viewing and like many of the directors responsible for the most gruesome of horror movies, he turned out to be thoughtful, funny, and full of great stories.

While the theme may be one we see lazily churned out Halloween after Halloween, critics across the board are agreeing that this movie is a mustwatch — with Time Out New York calling it «One of the most genuinely unnerving horror films in recent memory.&raqout Halloween after Halloween, critics across the board are agreeing that this movie is a mustwatch — with Time Out New York calling it «One of the most genuinely unnerving horror films in recent memory.&raqOut New York calling it «One of the most genuinely unnerving horror films in recent memory.»

There was no more perfect movie for this year than Jordan Peele's «Get Out,» with its uncanny mix of horror and comedy, and the way it eviscerated the complicit (white liberals) rather than more obvious targets.

my only beef with this (and other horror movies) is this: if it was me, i'd have gotten the hell out of there!!!

Jordan Peele gives the acceptance speech after winning the scifi / horror movie award for his film, «Get Out,» with members of the cast and crew standing behind him, at the Critics Choice Awards.

On The Official LCJ Report Card, «Fury» gets a B. For once, I suggest you leave the theater when the closing credits begin because they feature a series of grim, bizarre images of the war, in blood - red, with music out of a horror movie.

Todd McFarlane, creator of Image Comics» flagship character Spawn, has announced he's partnering with Jason Blum and Blumhouse Productions — the company that produced Jordan Peele's critically acclaimed horror - suspense movie Get Out — to bring the character back to the big screen.

Shrieking strings jump out with a slight cheapness in a couple of instances, ones that could certainly do without the PG - 13 horror - movie - level jump scare.

«So many horror movies start out with a nifty premise only to back themselves into a conceptual corner, but Grant and Kovac figure out a way to pay off their conceit, and leave us wondering how they did it... and how much of it was real in the first place» — Norm Wilner, NOW

Horror movies often play with the contrast between deathly silence and deafening cacophony, one puncturing the other to shred nerves and send asses out of seats.

Heading to the woods for a weekend of inspiration, they eventually devise the idea of a Blair Witch docu - horror movie about an intruder with a bag over his head — which turns out to be both the laziest imaginable conceit and ironically effective as a scare machine, onscreen and off.

As keeping with horror remake month and the rules set out by the Insomniac Movie Theater blog that all movies must be on Netflix Instant, late - night television, or from my personal collection, I got to rewatch one of the all - time great horror movies on a technicality.

It took all of my strength to get my ass to the theatre to watch Get Out because I hate horror movies and I spent half of the movie with my face buried in my friend Brian's shoulder.

Writer / director Michael Dougherty has given movie buffs everywhere a gift, not just in terms of crafting an excellent film (one that's assuredly destined for cult classic status), but in granting us the opportunity to surprise the hell out of all of our friends on Halloween night with a trippy little horror flick that they know nothing about.

As it turns out, Fox has neither the acting chops nor the movie star charisma to elevate the disorganized tornado of horror movie clichés and leaden one - liners whirling around her, and with no real base to support the film, Jennifer's Body quickly careens into an incoherent exercise in high production values glossing over an utter lack of imagination.

MOVIE: KNOCK KNOCK STARRING: KEANU REEVES; LORENZA IZZO; ANA DE ARMAS; IGNACIA ALLAMAND; AARON BURNS DIRECTED BY: ELI ROTH AMovieGuy.com's RATING: 1 1/2 STARS (Out of 4) With Knock Knock, the newest film from horror genre director, Eli Roth (Cabin Fever; Hostel), I'm forced to guess what his end game is.

Thor: Ragnarok 2017 showed that there's more than one way to challenge genre conventions - redefining the superhero movie with the indie feel of Logan and the empowerment of Wonder Woman, to pushing psychological tension with horrors Get Out and mother!

After checking out the box office, he takes a look at home cinema releases with a spotlight on the solid horror movie The Autopsy of Jane Doe.

Sort of a Mumblecore horror flick, this movie starts out with some promise before becoming overly familiar by the third act, but in a week like this, it's the most viable option for those looking to pick something up.

This year's best picture Oscar, after all, went for the first time to a science - fiction film of sorts, Guillermo del Toro's adoring monster - movie homage The Shape of Water — beating, among others, Get Out, Jordan Peele's wickedly playful collision of old - school horror with brisk, bracing racial politics.

2014 didn't have a cult film in the making like What We Do in the Shadows, or a true sleeper like Straight Outta Compton (or Spy, for that matter), or a blockbuster hitting the sweet spot for audiences and critics alike like Mad Max has done, or a traditional standalone nonfranchise blockbuster like The Martian, or an animated film with the acclaim of Inside Out, or a little horror movie that could like It Follows, or an unexpected independent drama that ran forever like Room....2015 was a year like 1999 or 1994.

In cutting from the clanging bazaars of Iraq to the quiet streets of Georgetown, in blending dizzying dream sequences with starkly believable human drama, Friedkin created a horror movie like no other — both brutal and beautiful, artful and exploitative, exploring wacked - out religious concepts with the clinical precision of an agnostic scientist.

He doesn't skimp on his hard - R, horror movie instincts and lets blood spill where it must — sorry cat lovers, not all felines make it out of the movie with their heads in tact — which is what makes this love story so uniquely del Toroian.

In honor of Halloween get the creeps with horror movies directed by women, weigh in on what age children should see horror movies and find out the scary new project for «Girls Trip» co-writer Tracy Oliver

The Grey is a simple tale, stretched out from an original short story, with a horror movie backbone, but succeeds in drawing out suspense and the semblance of depth thanks to director Joe Carnahan's (Smokin» Aces, Narc) existential and psychologically motivated telling.

And then there's the flick movie fans of all stripes still can't get enough of: February's Get Out, Jordan Peele's genuinely frightening horror tale infused with savage, no - holds - barred social commentary and doused in dark comedy.

Unless you're just looking for that flick to get your date to hold you tighter and hide her face against you whenever it looks like something particularly nasty is about to jump out, The Quiet Ones is not much more than a dreadfully routine horror flick with credible actors and a decent sense of period to keep it from completely freefalling into the bad movie abyss during the unsatisfying and lackluster finale.

A couple of its more peripheral niche sections — Midnight Madness (genre movies from horror to martial arts, presented with plenty of showmanship) and Wavelengths (experimental film, meticulously presented with care and respect)-- have carved out strong identities and audience followings for themselves.

Everything about it screams «niche,» from the budget ($ 4.5 million, which is what its studio, Universal, spent to make approximately two - and - a-half minutes of The Fate of the Furious), to the first - time director - writer, Jordan Peele, a cable - TV star whose show ended and who was looking to branch out, to the complete lack of movie stars (although now, Daniel Kaluuya and Allison Williams are nicely on their way), to the genre: horror cut with more than a dash of comedy and of pointed sociopolitical commentary.

The opening scene, in which Sadie (Brianna Hildebrand) and McKayla (Alexandra Shipp) try to catch the killer's attention with the bait of a teenage make - out session in a car, plays like a horror movie.

The original provided Jamie Lee Curtis with a gateway out of the horror - movie ghetto — will the remake do the same for Snow?

Where last time we had a horror movie, Cameron's masterpiece is an all - out action - packed rocket - launcher of a film, with Ripley and pals battling tooth and nail against a seemingly endless stream of snarling space beasties.

At the film's recent press day, Speedman spoke about his creative collaboration with Egoyan with whom he worked previously on Adoration, how Egoyan wrote the role specifically with him in mind, why he was drawn to the complicated character and enjoyed the challenge of an enigmatic story, the backstory he created for his character, his research with the Kitchener - Waterloo detectives, working with Reynolds and Dawson, how they had fun while doing serious work on a dark movie, and his upcoming films: October Gale, a romantic thriller with Patricia Clarkson, and Out of the Dark, a horror - thriller with Julia Stiles.

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Additionally, players will encounter an enigmatic DJ in the theme park, portrayed with voice and likeness by David Hasselhoff (Knight Rider, Baywatch), who will be an invaluable resource as they try to get out of this horror movie alive.

With said implements of destruction you'll go out on a B - movie style, sci - fi horror, time traveling, dead people killing rampage; finding yourself dismembering bad guys and racking up massive combos as you go.

As Warren's suit was applied to his body with what looked like something out of a horror movie.

This interactive horror movie is heaps of fun and packed with moments that'll have you and anyone watching jumping out of their skin.

The teen horror movie vibe works wonderfully with the game and it's a lot of fun, especially when it makes you jump out of your skin.

With remediation specialists in airtight suits transporting materials in special containers, the scene looked like something out of a horror movie.

If you're a big fan of horror movies blended with supernatural happenings in homes, you may also want to check out Poltergeist (1982), a home built on ancient burial ground, with spirits awakened by TV signals, then wreaking ghostly hijacks worse than opening and seeing your monthly cable bill.