Sentences with phrase «out of camera shot»

The last addition to our living room was this orchid plant (the nest is sitting just out of camera shot):

«What I've [seen], living in this neighborhood from the time those camera's have gone up, is that crime just out of camera shot has been devastating to the neighborhoods,» Gay said.

Not exact matches

We felt that the best way to exploit the scale and scope required to close out the final chapter of these three phases, was to be the first films shot entirely on the IMAX / ARRI Digital camera.»

We invited our Instagramers out for a day of shooting in New York City, during which we had our own cameras tag along to get an up - close and personal view of how they view the city.

While street style is inherently meant to provide a «guerrilla - like» style of photography, those who are truly skilled with their camera can turn the pedestrian street style photo into something straight out of an editorial shoot.

Shortly after the launch, Musk tweeted out a live camera shot of the dummy, called «Starman» after the David Bowie song that could be heard playing toward the end of the launch.

When I need a break from word - working, I like to make music mixes for friends, create collages from magazine and newspaper clippings, work on my design skills in QuarkXpress, or take the camera out for an afternoon of shooting.

I have the same problem when it comes to taking pictures of «life» things... I have the hardest time being able to justify whipping out the camera when I'm trying to be in the moment, but then I regret not having captured some shots because they're so great to look back on.

I'm rather proud of my camera; the shot above and the next two below were taken while the paddle was in motion, and they turned out perfectly clear.

Even though I have been shooting for about a year and half for this blog, I have had troubles stepping out of my comfort zone or really understanding my cameras modes when in certain lighting positions and such.

A little lucky and a lot talented, Director Chuck Howard put one of his three isolated cameras on 21 - 1 shot Gato del Sol, who was 19th out of 19 horses in the first turn.

So long, in fact, that when he broke out his driver during a Wednesday practice session for the PGA Championship he proceeded to break through the virtual barrier separating the Quail Hollow driving range from the rest of the world — which of course went berserk after Golf Channel cameras captured the two - time PGA champ blasting shots into the stratosphere.

I've not seen the game on the Arsenal Player yet to know if they have a set of different camera shots, but I will watch out for it.

It wasn't one for the cameras but the likes of David de Gea and Courtois have been caught out with near post shots over recent weeks.

Film is not included with this camera so make sure you pair it with Instax Fujifilm for a gift that's point - and - shoot ready right out of the box.

Early Saturday evening I was walking up 18th Street in Adams Morgan (DC) and stopped off at Columbia Station to catch the end of a jazz set, which turned out to be a good test for the camera and microphone, since I was sitting on a partially covered patio in the bright outdoors and shooting into a much more dimly lit space inside.

This advanced drone features strong carbon fiber arms which lift out of sight once the drone flies, so that you can shoot true 360 - degree videos with the built - in UHD camera.

As CNET's Goldman has pointed out, this is an unusually large sensor for a smartphone, and it's also larger than sensors found on the vast majority of point - and - shoot cameras.

It's hard to want to put pictures of yourself up on the internet for public consumption when all you can focus on in a picture is the hair that's out of place, the way a shirt wrinkles on camera that you didn't notice in real life, or the fact you forgot to throw on the earrings you meant to shoot.

I feel like other people get the best photos of Caleb, but any time I pull out the camera, Caleb automatically goes into «duck and hide» mode where it is impossible to get a shot of his adorable face (that's not blurry, lol!)

I've been using the hell out of my Mezzi clutches and my new camera so I decided to shoot a few photos incorporating both of my current favorite things... Wearing jacket by J Brand, American...

If I'm doing a blog shoot, 9 times out of 10 I» bring this to throw hair spray, my camera, my jewelry, a brush and makeup into it.

I've been using the hell out of my Mezzi clutches and my new camera so I decided to shoot a few photos incorporating both of my current favorite things... Wearing jacket by J Brand, American Apparel tights, Mezzi clutch, and Ray - Ban sunglasses.

When we were shooting these photos, we weren't too sure if they would turn out because of the humidity inside of the camera.

And so earlier this week when I was out and about with my camera one morning, I just had to capture a few shots of these beauties....

Your matches are there to find out what you look like, so there's no point in posting a photo of yourself stood at the back of a huge group of friends, or with your back to the camera in a family shot.

The film was obviously shot in one day, but the cast and crew rehearsed for months to time their movements precisely with the flow of the camera while capturing the complex narrative, with elaborate costumes from different periods, and several trips out to the exterior of the museum.

Only the obvious ending of Marlene walking out when Petra promises to be better to her and Michael Ballhaus» sometimes imprecise camera movements (probably due to Fassbinder wanting to shoot it in 10 days, a usual feat even on location for him) are sour points.

McGarvey shot with the ARRI Alexa 65, a high - resolution digital camera with imaging characteristics that mimic the shallow - depth - of - field effects often associated with 70 mm photography, throwing much of the image out of focus.

It's assembled mainly from out - of - focus shots and obstructed - view camera angles and can be recommended warmly to all those Jonathan Tiersten superfans out there.

The film is shot primarily by camera operator Lukasz Zal, making his feature debut; he took over shortly into the shooting from the director's usual DP Ryszard Lenczewski, who stepped out partly because of illness.

Many of the scenes within the clinic are captured in long takes and fixed - camera shots, but with certain images beginning out of focus before slowly becoming clearer — a clever way to suggest undertones of doom - laden tension amid the outward calm.

Frequently filmed in a sort of washed - out, oversaturated hue, the fights are crisply shot and well choreographed and the camera tends not to linger on the damage done.

She's game, even when she's being out danced and out sung by her fellow orphans, and she at least doesn't embarrass herself like Foxx, who will likely go to his grave remembering the time a director told him to stand still and hold the Purell bottle so the camera can get a nice long shot of the label.

The Brothers even pastiche themselves, with a shot that is straight out of Raising Arizona, the camera zooming up to a screaming mouth at the top of a ladder.

In this routine, Bale has found the rhythm of a charismatic crack addict: always on, always centre - stage, always ready to perform for any inquisitive eyes.The first act inclusion of a camera crew from HBO, who are allegedly shooting a documentary about Dicky's down - and - out life in Lowell, is a stroke of genius from director David O Russell and writers Scott Silver, Paul Tamasy and Eric Johnson.

This isn't a virtuoso tracking shot out of Scorsese or P.T. Anderson, though; Rosetta isn't accommodating the camera.

I love how IMAX obliged shots that were «lovingly held» to maximize the effort of rigging up the cameras and get the most out of their 3 - minute magazines, lending the applicable action sequences a delightful old - school tempo.

It's your usual assortment of production anecdotes, but Wynorski is pretty good at screen - specific observation, cluing us in on which shots required the most work behind the scenes — like the tracking shot through the furniture store that forced stagehands to move furniture into place and stay out of frame as the camera rolled backwards through the set.

In both «types» of movies, Assayas displays the same gaze: the camera always glides over people, never letting you believe that you can get «inside» them, what they think, what they feel; and, whether big (the kidnapping of the OPEC delegates in Carlos) or small (the decision of which heirloom to give to a deceased mother's old retainer in Summer Hours), «events» are shot in the same way, as an accretion of minute, yet complex decisions; of out - of - sync bodies competing for leg room in a claustrophobic space.

Several times he holds a camera shot just past the point where it's no longer comfortable for the audience, including a close - up of the pet dog that I still can't get out of my mind.

Director Steven Soderbergh shoots those dance sequences with dynamic flourish (The camera is almost always moving in ways that punctuate the actors» motions) and plenty of polish (The stark contrast of the darkened house of the club with the perfectly lit stage is itself a contrast to Soderbergh's washed - out cinematography for the scenes outside of the club).

After Bendjelloul ran out of film for his 8 mm camera, he used an iPhone app called 8 mm Vintage Camera to shoot the remainder of the movie, which came out incamera, he used an iPhone app called 8 mm Vintage Camera to shoot the remainder of the movie, which came out inCamera to shoot the remainder of the movie, which came out in 2012.

Director Adam Shankman is the Uwe Boll of family movies: he doesn't know how to pace a picture, he has no idea what to do with a camera (check out an outdoor banquet sequence that looks like it was shot under muddy water), and his use of John Debney's atrocious, hate - crime of a score should set off Amnesty International's radar.

Their readings play out over a mix of archive footage, clips from his work, rostrum camera stills and, most interestingly, home movies shot by Fuller himself, including some of his wartime experiences.

Barring some fly - on - the - wall angles, elegant exterior shots by the brook or Julie's garden, and a couple of truly fantastic reflections of Julie against the window superimposed with the only escape out of the castle; Ullmann decides to keep her camera firmly pointed at the actors, in medium shot, reminiscent of her old mentor and friend Ingmar Bergman.

And until then, the film is so remarkable at synching its picturesque style to Moonee's seemingly limitless freedom that the one time they do fall out of sync feels jarring, almost offensive: In long shot, Moonee and her friends charge past a series of stores and toward the promise of ice cream, and even after the children have exited the frame, the camera lingers on the sight of an obese person on a scooter riding in the other direction, the sound of the scooter going over a speed bump nothing more than a punchline, an easy potshot, at the expense of a person who isn't even a bystander to Moonee's life.

From the magic lantern - style innovation of his sculpture installation Six Men Getting Sick to the fixed camera placements of The Alphabet to the rudimentary narrative of The Grandmother (whose heavy's freakishly accentuated jawline transforms his countenance into that of a snarling villain in the «Perils of Pauline» mode) to, finally, the total aesthetic compromise of the shot - on - video The Amputee, the first few entries contained on «The Short Films of David Lynch» imply that there is only one destiny for the medium, whether its evolution is spread out over a century or concentrated in the time it takes for an artist to develop a conscience.

In between these peaks, it plays out the haunted / cursed house tale mostly via sound, camera point of view shots and character reactions — and it's far more effective than you might expect.

To counter the common rap that he makes the same film over and over, The Day After, which competed for the Palme d'Or, is one of his most melancholic works, filmed in moody black and white, while Claire's Camera, shown out of competition, is its tonal opposite, a light and sunny divertissement shot on the fly during last year's Cannes.