Sentences with phrase «out of cast bronze»

Glimmering strands of gold lamé, which Gallaccio drapes from the gallery walls, add further contrast to the rotting flowers and their fabricated doppelgängers, like «where do i begin,» a branch decorated with glossy red berries, made out of cast bronze and crimson beads.

Not exact matches

Out of the blue 2014 cast and polished bronze from wooden burl, extruded aluminum, cast acqua resin, wood, wood putty, papier mâché, foam, Japanese paper, aluminum screening, acrylic paint, chalk 25 3/4 x 40 1/2 x 12 inches

Jesús «Bubu» Negrón creates sculptures and performances by inserting small gestures into the everyday landscape: for example, creating a carpet out of cigarette butts collected by street sweepers, or mending a cracking bronze public sculpture with a plaster cast.

Delicate and poised, spidery and animated, these bronze casts of tree trunks, hollowed out and painted with a radiant gold - leaf interior, seem to prowl the gallery on their spindly branched limbs.

Lehmann Maupin Gallery have the honour of presenting a solo show by English artist Tracey Emin, entitled I Fell in Love, the show will debut the artists bronze sculpture The Heart Has Its Reasons while the Sean Kelly Gallery will feature works from esteemed British sculptor Antony Gormley, famed for his giant Angel of the North sculpture located in Gateshead, UK and his Another Place work that saw the sculptor place 100 cast iron figures facing out to sea on Crosby Beach near Liverpool in the UK.

He cast all the real teeth, including his own wisdom teeth, in bronze and spread them out in layers, which he set between four 500 - pound blocks of concrete stacked in a modernist - style monolith.

Exhibition Checklist Main Gallery (Clockwise from entrance) Robert Arneson Splatt, 1983 bronze with unique ceramic base 71 x 21 x 21 inches RAs 130.01 Robert Arneson Elvis II, 1978 conte, pastel on paper 41 5/8 x 29 7/8» RAd 04 Joan Brown Self - Portrait at Age 42, 1980 enamel on canvas 71 3/4» x 60» JBRp 19 Steven Campbell Men Insulting Nature and the Notion of Travel, 1986 oil on canvas 83 x 99 inches SCamp 01 Carol Cole Tar Baby, 2004 mixed media 7 x 13 inches CCs 1 Peter Saul Come and Get Me, 1968 oil on canvas 63 1/2 x42 inches PSp 118 Richard Shaw Figure on a Palette, 1980 glazed porcelain 39 x 13 x 18 inches RSs 68 Andrew Lenaghan Big Sarah, 2005 acrylic on canvas 77 1/2 x 58 inches AnLp 395 Yoan Capote Madness II, 2004 steel 70 1/2 x 40 x 23 inches YCs 19 Collier Schorr Esther's Fine Dream (Ashes to Ashes, We All Fall Down), 1991 cast paper, acrylic, pencil, and collage L 18 x W 12 x D 10 inches CoSs 1 James Barsness Untitled (Red nude on street), 2004 acrylic, ballpoint pen 12 x 9 inches JBARd 60 James Barsness Untitled (with jack o'lantern), 2004 acrylic, ballpoint pen, inkjet archival print on paper 11 7/8 x 8 5/8 inches JBARd 61 Anthony Kulig Look - Out, 2005 plaster, acrylic Two figures 17 x 4 1/2 x 3 inches each AKuls 8 Don Colley Weave 2003 7 x 6 1/2 inches scratchboard, artist's frame DCp 10 Don Colley Reel, 2003 scratchboard, hand - made hardwood frame 6 x 6 inches DCp 09 Side Gallery Diane Edison Self - Portrait Interior (striped robe), 1992 color pencil / black paper 30 x 22 inches DEd 8 Adolph Gottlieb The Watchers, c. 1941 oil on canvas 30 x 24 inches AGotp01 Lesley Dill Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd of Travel, 1986 oil on canvas 83 x 99 inches SCamp 01 Carol Cole Tar Baby, 2004 mixed media 7 x 13 inches CCs 1 Peter Saul Come and Get Me, 1968 oil on canvas 63 1/2 x42 inches PSp 118 Richard Shaw Figure on a Palette, 1980 glazed porcelain 39 x 13 x 18 inches RSs 68 Andrew Lenaghan Big Sarah, 2005 acrylic on canvas 77 1/2 x 58 inches AnLp 395 Yoan Capote Madness II, 2004 steel 70 1/2 x 40 x 23 inches YCs 19 Collier Schorr Esther's Fine Dream (Ashes to Ashes, We All Fall Down), 1991 cast paper, acrylic, pencil, and collage L 18 x W 12 x D 10 inches CoSs 1 James Barsness Untitled (Red nude on street), 2004 acrylic, ballpoint pen 12 x 9 inches JBARd 60 James Barsness Untitled (with jack o'lantern), 2004 acrylic, ballpoint pen, inkjet archival print on paper 11 7/8 x 8 5/8 inches JBARd 61 Anthony Kulig Look - Out, 2005 plaster, acrylic Two figures 17 x 4 1/2 x 3 inches each AKuls 8 Don Colley Weave 2003 7 x 6 1/2 inches scratchboard, artist's frame DCp 10 Don Colley Reel, 2003 scratchboard, hand - made hardwood frame 6 x 6 inches DCp 09 Side Gallery Diane Edison Self - Portrait Interior (striped robe), 1992 color pencil / black paper 30 x 22 inches DEd 8 Adolph Gottlieb The Watchers, c. 1941 oil on canvas 30 x 24 inches AGotp01 Lesley Dill Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd 52

Each of the sculptures» light fittings has been cast in bronze, creating a condition whereby the lamps can never be in a state of illumination, devoid of their function — essentially rendering them «Dead Stars», ghostly and hollowed out.

Joel Shapiro has built his sculptures out of wood, wire, and cast bronze, relying on space and the position and proximity of the viewer to play with perception.

The inaugural Triennial in 2008 brought together 22 works by significant artists, including Christian Boltanski's sound installation of letters of First World War servicemen being read as one sat upon a bench at the site where these men were shipped off to battle, staring out into the sea, and Tracey Emin's work «Baby Things» — a spattering of bronze - cast baby clothes strewn across the city paying homage to the vast number of teenage mothers that inhabit these seaside towns such as Folkestone, and Margate, Emin's notorious hometown.

The bronze cast of a fist with an out - of - proportion thumbs - up was the winning commission for the Fourth Plinth Project, which has been inviting artists since 1999 to make a proposal for the empty plinth, originally intended to hold an equestrian statue of William IV that was never made.

The looming piece stands alongside the rest of the Capote's highly symbolic and allusive show, containing many years of works including a gilt bronze hammer and sickle, cast bronze hands spelling out «Freedom» in sign language, and silver prints laid in porcelain urinals.