Not exact matches
While fading in and out of consciousness and refusing to put his seatbelt on, he offered Caban vague directives while uttering cu
While fading in and
out of consciousness and refusing to put his seatbelt on, he offered Caban vague directives
while uttering cu
while uttering curses.
Both Sartre and Merleau - Ponty build on Bergsonian along with Husserlian foundations and succeed in answering, to a significant degree the questions surrounding this first concern.77 The second aspect is the metaphysical issue
of the concrete relation
of the vital and the inert (or being and non-being, if you prefer a traditional vocabulary), including the role
of consciousness treated as «a substance spread
out through the universe,» to use Merleau - Ponty's description
of Bergson.78 In the first aspect we ask what
consciousness does and what it experiences or «knows» as a result,
while in the second we ask about the relationship between what
consciousness is (in relationship to everything else that is) and what that has to do with what it does.79
While Jesse was being taken back to his room, he was fading in and
out of consciousness from the drugs.
While breastfeeding rates in the U.S. are on the rise, most women are unable to reach their breastfeeding goals, and I can't help but hypothesize that keeping nursing
out of the public eye (and therefore removed from general public
consciousness) has a lot to do with that.
The government also appears to have decided that it will not be able to proceed with this reform on any kind
of cross-party basis, and so is keen to test
out the conviction that the procedural reforms associated with EVEL will be employed on sufficiently few occasions that they may slip from political
consciousness,
while also looking substantive enough to satisfy the aspirations
of its backbenchers.
In fact, it is as if our
consciousness is
out on the golf course like the CEO
of a big company
while all the underlings are working.
Rachel faded in and
out of consciousness for a
while, until she was fully unconscious.
He kept likening charters to the
consciousness - expanding «red pill» in The Matrix
while calling for an all -
out assault on public schools and public school educators who were irredeemable because they had taken the «blue pill»
of complacent resignation.
These dogs might lose
consciousness, they might «zone
out» for a
while, or they might have tremors
of the face or display a repetitive action such as snapping at invisible flies.
And
while the series has slipped in and
out of limelight over the years, last fall's Hitman Absolution brought the games squarely back into public
consciousness, earning itself quite a few accolades along the way.
Similarly, do you think a man who goes every day to his job at an accounting firm, adds up beans all day long, watches popular movies when they come
out, goes to his childrens» games on the weekend and has the occasional beer
while cooking burgers on the grill in the backyard
while not contemplating the mysteries
of the universe or the necessarily self - referencing tautologies used to explain the existence
of consciousness is enjoying life any less than you?
What has not been mentioned is that the «Saul - into - Paul conversion theory», published by Elaine de Kooning in Art News in 1958, was not set in Willem de Kooning's studio and did not mention a «Bell - Opticon», unlike her account
of 1962.13 Additionally,
while the 1958 account's introduction dramatised Kline's breakthrough to abstraction as a «transformation
of consciousness», or a «revelation»
of Biblical proportions, invoking the example
of «Saul
of Tarsus outside the walls
of Damascus when he saw a «great light»», the description
of Kline's technical and conceptual breakthrough in this account nevertheless resembled previous accounts
of Kline's development in its gradualness, uneventfulness and thoughtfulness.14 The breakthrough that Elaine de Kooning first recounted was a product
of sustained technical experimentation and logical thought on Kline's part, rather than accident or epiphany: «Still involved, in 1950, with elements
of representation, he began to whip
out small brushes
of figures, trains, horses, landscapes, buildings, using only black paint.