Not exact matches
Steve Jobs I have not seen, but the early reviews have been promising and have established Fassbender as a force to be reckoned with in the Best
Actor race, which is turning
out to be, yet again, filled up to the brim: Fassbender, Leo, Redmayne, Hardy, Elba and McKellen seem destined for a
possible nomination, but many surprises await and many will get knocked
out of the final five.
British talent dominates the leading
actor category, with four
out of the
possible five nominations.
One
possible scenario that exists would be if voters want to respond or send a message about the Oscar white
out and vote for Idris Elba in Male
Actor in a Supporting Role or his film, Beasts
of No Nation, in Outstanding Cast.
Indeed, the plot feels very much
out of short fiction — and, we can't help but notice,
possible autobiography; Braff is a young
actor from Jersey, too.
Best
Actor: Jeff Bridges — True Grit — an amusing, disgusting, powerful presence that makes everything seem
possible & REAL Jesse Eisenberg — Social Network — smart, subtle, fearless & very, very funny in a very, very specific way Colin Firth — King's Speech — appropriately pompous with vulnerability the audience adores — a true star turn and a true joy to behold James Franco — 127 Hours — wild and impassioned and believable with manliness battling it
out with sensitivity in almost every frame Hrithik Roshan — Guzaarish — remarkably vulnerable with an edge
of steel and a level
of frustrated yearning that blew me away
That aside, the
actors do a fine job
of fleshing them
out as much as
possible, and even finding ways to bring some nuance.
Quite
possible the best performance by an
actor in 2016 was left
out of the Oscar showdown, and we're all the poorer for it.
Egerton goes through the job interview from hell, pitted against a bunch
of Oxford and Cambridge Bond wannabes and thrown
out of helicopters without a parachute, while Firth sets his attention to
possible megalomaniac, Richmond Valentine (Samuel L. Jackson is literally the only
actor that springs to mind when it comes to handling a bad guy in Vaughn's wackiest movie yet — the man is phenomenal here).
A longer run time like this can permit
actors to play with a scene more and possibly get even more
out of it than originally thought
possible.
The Commission was faced with the difficulty
of identifying the beneficiary undertakings
of the STL regime in this case, as it acknowledged that it was in principle
possible to identify 5 major categories
of actors: (i) the shipyards offering new built vessels or construction, repair and renovation services, (ii) leasing companies offering financing facilities, (iii) EIGs chartering
out and selling vessels, (iv) the investors in those EIGs offering goods and services on a wide range
of market (except if they are individuals not exercising any economic activity, in which case the Commission recognised that they were not covered by the Decision), and (v) shipping companies offering maritime transport services buying vessels to the EIGs through the STL system (recital 126).