Sentences with phrase «out of scripts for»

The first volume, Foul Perfection, contained thematic essays and writings about other artists; this collection concentrates on Kelley's own work, ranging from texts in «voices» that grew out of scripts for performance pieces to expository critical and autobiographical writings.

Not exact matches

For Crosby, this meant writing her own script and getting «should» out of her vocabulary.

We felt as if we had been playing parts in a fascinating movie that suddenly took a bad turn, in which we had worked like dogs for two weeks to produce something really spectacular and then were written out of the script.»

Yes, James Cameron, who holds box - office records for not one, but two of the highest - grossing films of all time, took time out of making the next three «Avatar» sequels to read over an early «Deadpool» script.

For all the misplaced criticisms aimed at lawmakers» attempts to unpack Zuckerberg's brain — or push him off script — the CEO's testimony told a chilling tale of an immature company seemingly untended and out of control, scrambling to establish mechanisms aimed at preventing the bad stuff from ever happening again.

«It was the darkest time of my life and it was also the most important time in my life,» she said, because it triggered a moment of reflection about why things work out the way they do — or don't — and inspired her to write the script for Braid.

For those who aren't in London and don't have tickets to the sold - out shows, the script of the play was released in bookstores with midnight release parties, reviving a tradition that accompanied the book releases throughout the year.

David Grossman, retired professor of psychology at West Point, says that these games provide a script for rehearsing the act of killing: «It is their job to condition and enable people to kill... [These games] teach a person how to look another person in the eye and snuff their life out.»

The MD can write the indication on the script, the pharmacy submits the clam to the insurance company and if it for a medical reason they will cover it, if it is for contraception, the patient will have to pay out of pocket.

He was also earning his varsity A as student manager of the baseball team, working as sports stringer for out - of - town Alabama papers, writing scripts for the football coaches» radio show, playing sandlot baseball and announcing downs and yards to go on the P.A. system at Alabama football games.

«The script of the inspirational coming out story of struggle is somehow not so noble when there's a character in that story who was deceived, and used — often for many years.

They had software on iPhones and BlackBerries that drew on their voter target list and used a volunteer's GPS location to provide a list of which doors to knock on, a script for interactions with voters and a form to fill out responses, eliminating the need for paper get - out - the - vote walk sheets.

The president defended his decision to disregard the advice of his national security team and congratulate Putin on his re-election, lashing out at the news media for reporting on how he diverged from his script and attacking his predecessors for failing to improve relations with Moscow.

The infamous Der Stürmer publishing house put out a book of fables for children which included the very same tale from Aesop as Trump - «The Farmer and the Viper» — and, like Trump, they added a post script to the story which made it abundantly clear what it meant:

And this has further fueled fears that Dalung is merely acting out the script of Giwa, who unfortunately is not recognised by FIFA and CAS, prompting any action taken at the planned January 20 meeting to run contrary to FIFA rules and may therefore provoke sanctions to be meted out to Nigeria at a time that the national teams will be battling on all fronts for AFCON qualification, Rio Games and the 2018 World Cup qualifying campaign.

They were further miffed when Miner veered off script during her State of the City address to single out Hudson for praise.

I recommend in my book that you check out some of the scripts that I have for checking out doctors and seeing if they are collaborative.

My test showed T was at 200 and my doc would not give my a scrip for trt said it would make my mean and angry, also had a pounding heart, felt like it was coming out of my chest,, long story made short went to another doc, got my script and in 3 days my heart stopped pounding after 3 months strength has came back along with more energy

Imagine, it's predominantly men whose scripts get done so it was mostly a male voice coming out of my mouth for fifteen years.»

Within the next few days, she sat down and wrote out a script, entitled, «For Men Only: Date Out of Your League.&raqout a script, entitled, «For Men Only: Date Out of Your League.&raqOut of Your League.»

So while working on the set of The X-Files guarding the honey wagons (while this can be interpreted as some sort of honey filled cart and while a search for this will give you a suction-esque type of machinery that literally sucks up human excrement but instead in reality is just a simple nice way of saying a trailer for actors and actresses) he was fired for following his dreams; writing out scripts in hopes that one day he would be able to put that film degree to good use.

But when Greg offhandedly comments the duo should make their own movie, the idea takes hold of Tommy and he quickly bangs out the script for The Room.

One of the collaborators on the script for Four Ways Out was Federico Fellini.

In» EDtv,» Ed's existence turns out to be a series of cute, tidy episodes that play as if they'd already been scripted for a television show.

This film is under the radar for one reason only: character actors Charles Coburn and Spring Byington step from behind the shadow of the leads and take a bite out of the script themselves, and man, what a bite.

Mark Perez's script has more than a few twists and turns and a major part of the fun for the audience is trying to figure out what's real and what isn't.

His screenplay for the 1959 film version of Tennessee Williams» Suddenly Last Summer was the most overt example of out - of - the - closet cinema of the fifties, while his contributions to the screenplay of Ben Hur (1959) were intended to suggest that Judah Ben Hur and Messala enjoyed more than just a warm friendship (Ben Hur star Charlton Heston bristles to this day over Vidal's claiming responsibility for the tone and texture of the screenplay; Heston insists that director William Wyler rejected Vidal's script suggestions after a single cold reading).

The script could have done more with this idea: Shen might have tricked Po into joining forces, if for no other reason than to split the cost of a therapist to sort out their daddy issues.

It feels like every script - reader in the Italian - Swiss - German - Albanian - Kosovo coproduction cut out a line of dialogue in each scene, leaving behind an irritating silence and an enigmatic puzzle for the audience to second - guess.

Now for My Rating not based on effort I give it a 4 out of 10 bad script / bad actors.

Check back for some of our favorites and / or highly - anticipated scripts, such as Phantom Thread, Call Me by Your Name, The Shape of Water, A Ghost Story, Get Out, The Post, and more.

But unlike too many American independent films, this one isn't essentially a PDF of the script acted out for a cinematographer who knows how to light faces.

Scene by scene, the movie is a bit uneven, but it's never long before it presents a moment of genuine glee, whether it be Mannix's presentation of the Hail, Caesar script to a group of religious luminaries for review («The Bible, of course, is terrific,» Mannix allows, sounding for an instant like Donald Trump); a marvelous exchange in which Fiennes's director tries to get through to his out - of - his - depth new star (respond to her «importuning,» he advises, with a «mirthless chuckle»); or an extended, gloriously homoerotic Tatum tap - dance number entitled «No Dames.»

Although that it features giant robots and giant monsters kicking the holy living shit out of each other, and that it has a very strong script to be working from are other good reasons why we're excited (and why Warner Bros have already commissioned a script for a sequel).

Director Daniel Espinosa has the advantage of shooting with, and around, digital effects that actually don't look like the last seven space movies you've seen, although the few times the script calls for a Martian's - eye - view shot, it throws you out of the movie temporarily, rather than pulling you in deeper.

But now the piper has come for payment, and the price is the manifold shortcomings of Green Lantern: a woefully underdeveloped script; dubious casting (I don't care how many billion galaxies are out there: in none of them is Tim Robbins the father of Peter Sarsgaard); slack, aimless direction by Martin Campbell; and a set of decidedly uneven performances.

They claim he's staying at the hotel the cast of the Guardians cast is using in Atlanta, walking out with the film's script, and even using a car usually reserved for star Chris Pratt.

Out of the blue, the stunt coordinator Rawn Hutchinson, who did the Rob Zombie Halloweens and has been around for years, when he read the script, he told Malek (Akkad) and David (Gordon Green), «Look, this is a role that, the way it's written, this is really physical, and it's also going to demand really deep acting chops.

With that, Tarantino brought out the star - studded cast with whom he'd rehearsed the first draft script for three days: Samuel L. Jackson as Major Marquis Warren, Kurt Russell as the cruel bounty hunter John Ruth, Tim Roth as the English «bit of a fop» Oswaldo Mobray, Amber Tamblyn as Daisy Domergue, Walton Goggins as Chris Mannix, Michael Madsen as John Gage, Bruce Dern as Confederate Gen. Smithers, James Parks as stagecoach driver O.B., Denis Menochet as the Frenchman Bob, Dana Gourrier as Minnie, Zoe Bell as Six Horse Judy and James Remar as Jody.

To be sure, this is a better crop than usual, with the magical 3D of Life of Pi and Tony Kushner's script for Lincoln standing out, but for me it wasn't a good year at all, especially because of the virtual disappearance of «film» projection in Montreal.

The impetus for The Forbidden Room emerged out of Maddin's longstanding desire to remake lost films, «films that were made and then disappeared, or that never developed beyond a script or a title or that were only rumoured to exist.»

While the script buries him in the Patch Adams - isms, Ellefsen somehow rises out of the tedium with a more likable character than many of the previousones patently made for tearjerkers.

The script has a stale air, like something that was doing the rounds for a long time before David Ross found backers to make a film out of it.

The only plausible origin story I can think of for Show Dogs is that someone forgot to curb their pet, this script dropped out, and someone thought it'd be a fair tax write off that'd have the excuse of the competition being too great.

Apparently, this offbeat script had been making the rounds in Hollywood for some 20 years as filmmakers struggled to work out how to blend its inventive mismatch of genres.

True Lies still shows us things we had never seen before (a human attached to a rocket being shot out of a Harrier, for instance), but the script is so witty and hilarious that it almost upstages the onscreen action.

At least part of the credit belongs to screenwriter Diablo Cody, who seems to have set out to write a greatest - hits Jonathan Demme movie — complete with full - length live musical numbers, kitsch décor, and a wedding — while taking another go at the basic premise of her script for Young Adult: the story of a nobody returning to nowhere.

Essentially, the script from Scott Neustadter and Michael H. Weber whip up a plethora of ridiculous things for Tommy to say and do, some of it just as bizarrely riotous as things he said in and out of The Room.

When looking for a rush, the source doesn't necessarily matter, as long as it serves that one purpose, and the film succeeds at that, moving along quickly and confidently, with the cast bringing out some intermittent pleasant notes of humor and sadness in the script.

Yet the film's insistent indictment of Duncan and Simmons, and its qualified accusation of Roberts, lack all conviction, despite the explicitness with which it spells out their personal responsibility for the disaster, because the fire itself is so far more convincing and menacing a villain than the script's paper - doll miscreants and good / bad guys.