Sentences with phrase «out of slow motion»

It'll also blow away what Zack did on 300 with Gerard Butler and that long - take that moves in and out of slow motion.

Not exact matches

You won't have a trainer pushing you to eek out every last amount of your effort, but doing the slow - motion method on your own still can be effective.
Sometimes it feels as though we're in slow motion while we watch people quickly come in and out of our lives.
When the alarm buzzes at 5:40 am, I groggily pull myself out of bed and go through the motions, but my pace is slow and my mind is still back in bed, resting under the sheets.
Check out this stop - motion photo of Sweat's excellent get - off to see what I'm talking about: LINK: So you say Josh Sweat has a slow get - off?
Ozil appears to have so much time on the ball it seems like slow motion — wouldn't be surprised if he is conducting a quick mental calculation to work out what he should do next to maximise the probability of a goal — shoot with his weaker foot or pass to someone in a better position — last two games he chose the latter with goals resulting from both decisions.
In the wake of a hard Brexit and the slow motion car crash on the Irish border, the Scottish government wants out of the imploding British union.
That paper spelled out how an observer's motion through space affects his motion through time (to someone traveling at nearly the speed of light, time slows to a crawl), but it said nothing about treating time as a fourth dimension in a continuum of space - time.
They move as if in slow motion until Vincent flips another switch that turns on a converted Toro leaf blower, which blows the flecks into a mesh screen and out of the way.
Frustration and rejection — and confusion resulting from being out of their element — put the job search into slow motion.
To find out why, researchers used high - speed video to capture in slow motion what happens when the rinds of lemons, and navel and Valencia oranges are squeezed or bent.
In slow motion - in video originally shot at a thousand frames per second but played back here at 30 frames per second - we see the initial suspension lines deploying out of the pack and taking the parachute backwards where it will ultimately inflate in nearly half a second.
Use standard barbell press technique; don't splay elbows out to the side excessively, use shoulder width grip, use a tight grip, keep wrists as straight as possible, bring the weight down to the chest using full range of motion or what your flexibility allows without pain, lower the weight down slow and press up faster, contract abs, glutes, and chest simultaneously while pressing, slower the weight down controlled and slower than you are pressing up, inhale on the way down and exhale while pressing up.
Personal Trainer Tips: Move in a slow and controlled manner, and be careful not to lock out your knees at the top of the motion.
Check out the Power Clean slow motion of BMX rider and silver medallist at the Olympic Games 2016 Jelle van Gorkom, the close - up shows nicely the catch position above parallel
The Messenger is not the slickest documentary, but it includes beautiful slow - motion footage of birds in flight, and fascinating theories about the links between classical music and the avian songs that rang out before there were even human ears to hear them.
Despite a plethora of Bay's usual flourishes (casual sexism, ridiculous premises, gratuitous slow - motion shots of guys climbing out of choppers), The Island actually succeeds as a midsummer diversion.
The typical slow - motion explosions, the out - of - place humor (we get more fart jokes again), proving that Megan Fox is nothing more than eye - candy, and some unusual camera techniques that were only unique to a Michael Bay - directed movie.
Along those lines, a slow - motion nightmare of war violence that plagues Georges in his sleep feels out of place compared to the understated calm that marks the rest of the film.
This time out, he's tasked with finding the daughter (Hannah Ware) of the scientist who helped create him, which will presumably unearth all kinds of twisty secrets while still leaving plenty of room for slow - motion gunfire and a possible sequel.
To continue down this path of self - centered celebration, I must say I'm rather excited to check out the Blu - ray — the slow - motion button will certainly be employed.
When they're not figuring out how to make sniper bullets move in the slowest of motions and cause the worst kind of damage to some people, UK developer Rebellion has been working on a modern take of the»80s arcade title Battlezone.
Within five minutes, our briefly imperiled hero chats with a skeleton (it doesn't reply), blasts out of his chains and hurls himself, slow motion, at an enormous fire demon out of Norse mythology while Led Zeppelin's «Immigrant Song» blasts on the soundtrack.
Since «George Washington» (2000) opens with a teenage girl's dreamy, wise - beyond - her - years narration as the camera floats in slow - motion through waving fields of grass and glides along railroad tracks, you probably don't need to be told that first - time feature director David Gordon Green, then just twenty five and fresh out of film school, was a big Terrence Malick fan.
During the battle, when the Americans are about to fall to the British, Martin picks up Old Glory again, waves it around in slow - motion, and inspires his men to beat the crap out of the Brits.
Cut to Ronnie ordering his subordinates around with over-the-top lingo out of movies like Commando and Delta Force; cut to slow - motion shots of the mall cop crew, squinting and posing in badass formations that emphasize their dorky self - importance; cut to Ronnie's bombastic antics constantly getting in the way of police detective Harrison (Ray Liotta), who highlights the hero's dumbassery by actually knowing what he's doing.
Too earnest to ironically indulge in the narrative's familiar pulpy beats and too uncertain about the strength of this material to play it straight, Fleischer aims for a muddled middle, jazzing up Beall's faux - hardboiled dialogue with slow - motion shootouts and shaky HD - cam pursuits that only remind us of how much better Public Enemies turned out.
Captured in slow motion, the curtains billow from the room as Frank plummets from the hotel window, a Christ - like figure as he holds his arms out in a sort of silent surrender in freefall.
Director Baltasar Kormà ¡ kur («The Deep») and screenwriters William Nicholson («Unbroken») and Simon Beaufoy («127 Hours») are slow out of the gate (there are many details to and players to set in motion), but once in motion they deftly unfold the perfect storm of bad weather, miscommunication, and fateful decisions that led to the tragedy in a way that sneaks up on the viewer much as it does the characters.
Gloomy, washed - out lighting and collages of carnage (cinematographer Greig Fraser impressively juxtaposes frenzied camerawork with slow motion) sustain the dour vibe as does the richly dark soundtrack.
Fantasy sequences involving Conrad's reconstruction of his mother's car accident play out in beautiful slow - motion sequences.
Still, for every moment of intrigue there's a scene like that of domestic abuse played out in slow motion, with instant replay too.
All the slow motion, tracking moves, and framing and wide and long shots are hauntingly descriptive: In that strangulation sequence, a shot in an apartment hallway with Bulger and his victim in the foreground slowly accommodates, in the background, one out - of - focus henchman, then another.
The non-linear plot - which essentially revolves around a skateboarding teen who may or may not be involved in a murder - has been padded out with slow motion and instances of repetition, and while there is admittedly something initially mesmerizing about the whole thing, there does reach a point at which the viewer begins to long for something more concrete.
The over-the-top action is pretty good, if oddly directed; car chases and gunfights will vacillate between conventionally filmed excitement and kooky close - ups and slow - motion shots of Helen Mirren firing two guns out of the windows of a spinning car.
After you whip out your sword to finish the last one off, you'll have killed a dozen enemies in a bloody display of stylish, slow - motion savagery within a few short moments.
Not only did we see Cornish and Malone smack the life out of some German soldiers, we saw some amazing slow motion shots that will make audiences freak out.
The rest of the film plays out like watching a car crash up close and in slow motion, as the characters swerve away from danger only to find themselves confronting it again.
The Power falls into a category I happen to cherish, mid-to-late»60s films where the slow - motion collision between the last vestiges of the Hollywood studio system and the counterculture can be seen playing out on screen.
The climactic shoot - out registers the nihilism of the gangsters» lives, but To distances himself from it, staging it in the time it takes a soda can to fall to the floor in slow motion; the viewer is encouraged to step back from the bloodshed and reflect on how rapidly everything can change.
The big visual difference is that once commands are executed, actions immediately play out in dramatic cinematic slow - motion close - ups where you can see the detail and personality of the 3D models interacting with one another in bloody engagement.
Allen looks at it inquisitively as it passes him in slow motion then, with a profound realization, grabs it out of the air.
Then there's Nancy, who is but isn't Max's mother, and somewhere between the obvious jokes about awful dialogue, unnecessary slow - motion, and extended flashbacks (all by the screenplay's own design, of course) exists a disarmingly touching story about a daughter reaching out to a deceased parent who is and isn't right there in front of her.
A camera takes you on a slow - motion roller coaster ride inside the wreckage and mayhem of a black SUV flipping out of control on a crowded highway during rush hour.
The opening credits of «Nocturnal Animals» play out over shots of overweight, middle - aged burlesque dancers performing in slow - motion, harsh lights accentuating their naked bodies.
It would be a heartbreaking saga, played out in slow motion during the lifetime of today's fifth graders.
Not only do learning videos edit out the irrelevant stuff from the live edition of the show, they can add zoom and slow motion to parts we should concentrate on, which we can rewind and replay as many times as it takes.
You can check out all the results here — and here's some video of the Range Rover Evoque being crunched in almost - gratuitous slow motion:
(You should check out the video too... there's a slow motion example of the rear coming around).
It hung around in my car, making more of itself, piling on, the feeling of its dead weight slowing me down, drawing out the drama of expectation and allowing me to witness each potential calamity in slow motion until, eventually, I arrived on the other side, astonished and safe.
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