Sentences with phrase «out of the camera frame»

Do we really need one more spectacular photo of a snowy owl with its talons out, ready to grab the quaking pet store mouse just out of the camera frame?

Not exact matches

He would be here primarily not to lob friendly set - ups at the Finance Minister, nor to fill out the camera frame or clap or nod in affirmation of whatever his side just said.
One such process the team automated was figuring out the actual frame rate of each camera.
As Lee filed out of the press conference, his thin frame lit up by flashing cameras, a lone Korean reporter cried out, «Lee Sedol, fighting!»
Gillespie smartly uses the known and builds upon it with context and some style, using «modern day» Tonya, Jeff and LaVona among others as interview subjects for a documentary of sorts that frames the film, but also has the characters speak into the camera in non-interview segments to help give Tonya some humanity, or at least make sure you have a better idea about all of her story and life coming out and you did going in.
They use the medium to their advantage, staging their numbers with and for the camera; through framing, camera movement, editing, choreography, or production design, they craft rousing, sometimes resonant cinematic spectacle out of their theatrical raw material.
It's your usual assortment of production anecdotes, but Wynorski is pretty good at screen - specific observation, cluing us in on which shots required the most work behind the scenes — like the tracking shot through the furniture store that forced stagehands to move furniture into place and stay out of frame as the camera rolled backwards through the set.
Methodical camera placements, a gentle push or pull, and where the leads occupy the frame — the efficiency - favored aesthetic disarms those spoiled by the swankiness of today's spies — like the later Bonds, Kingsmen, or Lorraine Broughton of Atomic Blonde — and reminds them that, as Matthews» writings show, being a spy isn't living out a blockbuster.
And until then, the film is so remarkable at synching its picturesque style to Moonee's seemingly limitless freedom that the one time they do fall out of sync feels jarring, almost offensive: In long shot, Moonee and her friends charge past a series of stores and toward the promise of ice cream, and even after the children have exited the frame, the camera lingers on the sight of an obese person on a scooter riding in the other direction, the sound of the scooter going over a speed bump nothing more than a punchline, an easy potshot, at the expense of a person who isn't even a bystander to Moonee's life.
Director Sean Baker works in an observational mode, simply letting the camera follow Moonee and her friends around, or framing them in long takes against the artificial backgrounds of Orange World, Tillie's Twistee Treat ice cream, and the Giant Wizard Head gift shop, allowing the ambient noise of the highway to nearly drown them out.
I adore Ray Bradley's dystopian classic, a 1984-esque totalitarian future with literature - destroying firemen, and with Michael B. Jordan and Michael Shannon filling out the frame and Rain Bahrani (the underrated and under - seen 99 Homes) behind the camera this could be a page - to - screen project of great intrigue.
The interesting aspect of work on The Young Pope is that, despite the limited production times, we managed to come out of the constrictions of the TV series: fast editing and elaborate camera movements alternate with scenes in which the importance of the dialogues allows a longer and less action - filled framing.
The exquisite camera work weaves in and out of the confined space in real - time in a tight time - spatial frame.
You can feel the energy, the fear and the uncertainty in each camera move, each frame as diplomats and ambassadors try to figure out how to get out of this situation, or barring that how to ameliorate the impending doom.
We can speculate on the roots of its popularity: that it satisfies the genre and arthouse crowds; that it uses framing, sound, editing and camera movement to unreel a transfixing tale and flesh out excruciatingly authentic characters; that it dares to coax out the ghosts lurking in every watery passageway in Venice, Europe's most ornate and singular city; that it contains arguably the greatest sex scene on film.
Vehicle: 2001 Dodge Durango Owner: Steve Maxfield, Kanosh, Utah Engine: 5.7 L Hemi V - 8 Transmission: Stock five - speed automatic (four gears plus overdrive planetary) Transfer case: Stock Powerwagon Front axle: Powerwagon AAM 9.25 with 4.56:1 gears and electric lockers Rear axle: Powerwagon AAM 10.5 with 4.56:1 gears and electric lockers Front suspension: Stock Powerwagon five - link welded onto Durango frame, including coil buckets and control arm mounts, 12 - inch - stroke King 2.0 air shocks Rear suspension: Stock Durango leaf spring with spring - over swap, 12 - inch - stroke King 2.0 air shocks Steering: Hydraulic - assist steering ram fed from ported Dodge steering box Tires / wheels: 42 - inch Pit Bull Rockers on 16 1/2 - inch H1 HUMVEE beadlocks Protection: Full belly skidplates made out of 3 / 16 - inch steel, full 2 - inch, 0.120 - wall DOM exoskeleton, custom bumpers, and tire carrier integrated into exoskeleton Other: Warn winch, bumper - mounted LED lightbar, roof - mounted LED lightbar, rock cameras connected to onboard monitor
Except for ics right - out - the - box, ALL of its specs are less desirable than the rezound's: SGN - 1.2 dual core, rez - 1.5, SGN ppi 316, rez ppi 342, SGN camera set - 5meg back & 1.3 meg front, rez - 8meg back & 2meg front, rezound records 1080p at 30 frames per second while the galaxy nexus does it at only 24.
The main camera captures 1080p video at 30 frames per second indoors and out, but indoors, it does so at the cost of heavy video noise.
Rather than the standard Android camera app, NVIDIA preloads the freshly - released Camera Awesome for Android, which supports features like focus tracking for moving objects (allowing you to draw a box around an object and have it followed, even if it moves out of frame and then returns) together with separating the points of focus and expcamera app, NVIDIA preloads the freshly - released Camera Awesome for Android, which supports features like focus tracking for moving objects (allowing you to draw a box around an object and have it followed, even if it moves out of frame and then returns) together with separating the points of focus and expCamera Awesome for Android, which supports features like focus tracking for moving objects (allowing you to draw a box around an object and have it followed, even if it moves out of frame and then returns) together with separating the points of focus and exposure.
Emily (a Pawmetto Lifeline volunteer) and I sometimes have to go to great lengths to put the dogs at ease, to get «perky ears», to make them comfortable and happy, so that they feel safe being themselves, all while trying to keep them in good light for the camera, being aware of our surroundings, and keeping our own bodies out of the frame (Emily is a master at this!).
But at least the performance was solid across the board, though some frame drops do occur when the camera pulls out to offer a wider view of the environment.
As described on Destructoid, Saito, Iwata and Shigeru Miyamoto would regularly meet up for tea and bounce off ideas for games, and one particular concept by Mr. Saito caught the Nintendo pair's eye: sculpting chunk — as in, the process of creating watches, camera frames, Macbooks and more out of metal.
It almost makes me feel left out: instead of glitches that could at least make me laugh, all I got were stuttery camera shakes, constant frame drops, and seemingly glitched railings that would suddenly pop me out of a grind and terminate my combos for no reason.
Common ways men's butts are hidden are by preventing the player from seeing below the character's waistline, or employing a more over-the-shoulder camera angle, which has the added benefit of keeping the character's butt safely out of the frame.
Here, Ligon presents his subjects as generic figures, their faces turned away from the camera or out of frame, in order to play with the idea of -LSB-.....]
They appear to speak against a set made from large - scale ink - jet prints of the house and grounds glued to cardboard, their backs to the camera or their faces out of focus or cut out of the frame.
Hubbard considers the field of vision of the camera to be a physical space with boundaries delineated by an invisible cut, the line which separates what is in and out of the frame.
The camera allows itself to be led, the film frame delineating the parameters of the stage, and the barrel lens sometimes catching the movement merely out of the corner of its eye.
At once anonymous and familiar, the figures populating Jimmy DeSana's performative photographs are stripped of identity, their faces either cropped out of the frame, turned away from the camera, or obscured by objects both commonplace (gauze, motorcycle helmets) and of a more exotic variety (leather s / m masks).
Sadly, the camera still juts out of the frame.
If you don't recall the device by name, you probably remember it for its 91 % screen - to - body ratio and front - facing camera that pops out of the top frame.
Similar to the Vivo Apex, this patent shows a smartphone with a front - facing camera that can pop out from the top of the frame and then go back down into hiding when it's not in use.
The volume and power / display buttons are metallic and are on the sides, the 3.5 mm audio jack is on the top, the speaker grille and micro USB port on the base, and the camera juts out a bit but has been given a red (ThinkPad inspired) frame and a panel of its own, attached with four screws.
Both come with Android 6.0.1 Marshmallow out of the box, offer 13MP cameras at the back and 5MP front shooters, and feature a metal frame around the sides.
The Google Camera app comes with a new Portrait Mode that focuses on the main person in frame and blurs out the background to produce an image in vein of a live portrait.
The concept Apex Phone from Vivo that we got to check out at MWC provided an uninterrupted display with sensors hidden underneath the glass or at the top of the metal frame, and a front - facing camera that smoothly pops up in a sleek and elegant fashion from the top of the phone.
By figuring out the diagonal measurement of the diagonal of a 35 mm frame and dividing it by your sensor's diagonal measurement, you can roughly work out how many stops you need to increase the ƒ - number on your full frame camera to see what your depth of field will look like on your smartphone.
The fingerprint scanner is recessed into the glass frame just a fraction of a millimeter, and the dual camera module above it juts out the same distance, creating a slight camera hump.
The dual - camera module on the back barely juts out of the frame about a millimeter or so, with the LED flash module located next to it.
On camera, it can be difficult to work out how your body language comes across, especially with the short time frame of a Skype interview.
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