Do we really need one more spectacular photo of a snowy owl with its talons out, ready to grab the quaking pet store mouse just
out of the camera frame?
Not exact matches
He would be here primarily not to lob friendly set - ups at the Finance Minister, nor to fill
out the
camera frame or clap or nod in affirmation
of whatever his side just said.
One such process the team automated was figuring
out the actual
frame rate
of each
camera.
As Lee filed
out of the press conference, his thin
frame lit up by flashing
cameras, a lone Korean reporter cried
out, «Lee Sedol, fighting!»
Gillespie smartly uses the known and builds upon it with context and some style, using «modern day» Tonya, Jeff and LaVona among others as interview subjects for a documentary
of sorts that
frames the film, but also has the characters speak into the
camera in non-interview segments to help give Tonya some humanity, or at least make sure you have a better idea about all
of her story and life coming
out and you did going in.
They use the medium to their advantage, staging their numbers with and for the
camera; through
framing,
camera movement, editing, choreography, or production design, they craft rousing, sometimes resonant cinematic spectacle
out of their theatrical raw material.
It's your usual assortment
of production anecdotes, but Wynorski is pretty good at screen - specific observation, cluing us in on which shots required the most work behind the scenes — like the tracking shot through the furniture store that forced stagehands to move furniture into place and stay
out of frame as the
camera rolled backwards through the set.
Methodical
camera placements, a gentle push or pull, and where the leads occupy the
frame — the efficiency - favored aesthetic disarms those spoiled by the swankiness
of today's spies — like the later Bonds, Kingsmen, or Lorraine Broughton
of Atomic Blonde — and reminds them that, as Matthews» writings show, being a spy isn't living
out a blockbuster.
And until then, the film is so remarkable at synching its picturesque style to Moonee's seemingly limitless freedom that the one time they do fall
out of sync feels jarring, almost offensive: In long shot, Moonee and her friends charge past a series
of stores and toward the promise
of ice cream, and even after the children have exited the
frame, the
camera lingers on the sight
of an obese person on a scooter riding in the other direction, the sound
of the scooter going over a speed bump nothing more than a punchline, an easy potshot, at the expense
of a person who isn't even a bystander to Moonee's life.
Director Sean Baker works in an observational mode, simply letting the
camera follow Moonee and her friends around, or
framing them in long takes against the artificial backgrounds
of Orange World, Tillie's Twistee Treat ice cream, and the Giant Wizard Head gift shop, allowing the ambient noise
of the highway to nearly drown them
out.
I adore Ray Bradley's dystopian classic, a 1984-esque totalitarian future with literature - destroying firemen, and with Michael B. Jordan and Michael Shannon filling
out the
frame and Rain Bahrani (the underrated and under - seen 99 Homes) behind the
camera this could be a page - to - screen project
of great intrigue.
The interesting aspect
of work on The Young Pope is that, despite the limited production times, we managed to come
out of the constrictions
of the TV series: fast editing and elaborate
camera movements alternate with scenes in which the importance
of the dialogues allows a longer and less action - filled
framing.
The exquisite
camera work weaves in and
out of the confined space in real - time in a tight time - spatial
frame.
You can feel the energy, the fear and the uncertainty in each
camera move, each
frame as diplomats and ambassadors try to figure
out how to get
out of this situation, or barring that how to ameliorate the impending doom.
We can speculate on the roots
of its popularity: that it satisfies the genre and arthouse crowds; that it uses
framing, sound, editing and
camera movement to unreel a transfixing tale and flesh
out excruciatingly authentic characters; that it dares to coax
out the ghosts lurking in every watery passageway in Venice, Europe's most ornate and singular city; that it contains arguably the greatest sex scene on film.
Vehicle: 2001 Dodge Durango Owner: Steve Maxfield, Kanosh, Utah Engine: 5.7 L Hemi V - 8 Transmission: Stock five - speed automatic (four gears plus overdrive planetary) Transfer case: Stock Powerwagon Front axle: Powerwagon AAM 9.25 with 4.56:1 gears and electric lockers Rear axle: Powerwagon AAM 10.5 with 4.56:1 gears and electric lockers Front suspension: Stock Powerwagon five - link welded onto Durango
frame, including coil buckets and control arm mounts, 12 - inch - stroke King 2.0 air shocks Rear suspension: Stock Durango leaf spring with spring - over swap, 12 - inch - stroke King 2.0 air shocks Steering: Hydraulic - assist steering ram fed from ported Dodge steering box Tires / wheels: 42 - inch Pit Bull Rockers on 16 1/2 - inch H1 HUMVEE beadlocks Protection: Full belly skidplates made
out of 3 / 16 - inch steel, full 2 - inch, 0.120 - wall DOM exoskeleton, custom bumpers, and tire carrier integrated into exoskeleton Other: Warn winch, bumper - mounted LED lightbar, roof - mounted LED lightbar, rock
cameras connected to onboard monitor
Except for ics right -
out - the - box, ALL
of its specs are less desirable than the rezound's: SGN - 1.2 dual core, rez - 1.5, SGN ppi 316, rez ppi 342, SGN
camera set - 5meg back & 1.3 meg front, rez - 8meg back & 2meg front, rezound records 1080p at 30
frames per second while the galaxy nexus does it at only 24.
The main
camera captures 1080p video at 30
frames per second indoors and
out, but indoors, it does so at the cost
of heavy video noise.
Rather than the standard Android
camera app, NVIDIA preloads the freshly - released Camera Awesome for Android, which supports features like focus tracking for moving objects (allowing you to draw a box around an object and have it followed, even if it moves out of frame and then returns) together with separating the points of focus and exp
camera app, NVIDIA preloads the freshly - released
Camera Awesome for Android, which supports features like focus tracking for moving objects (allowing you to draw a box around an object and have it followed, even if it moves out of frame and then returns) together with separating the points of focus and exp
Camera Awesome for Android, which supports features like focus tracking for moving objects (allowing you to draw a box around an object and have it followed, even if it moves
out of frame and then returns) together with separating the points
of focus and exposure.
Emily (a Pawmetto Lifeline volunteer) and I sometimes have to go to great lengths to put the dogs at ease, to get «perky ears», to make them comfortable and happy, so that they feel safe being themselves, all while trying to keep them in good light for the
camera, being aware
of our surroundings, and keeping our own bodies
out of the
frame (Emily is a master at this!).
But at least the performance was solid across the board, though some
frame drops do occur when the
camera pulls
out to offer a wider view
of the environment.
As described on Destructoid, Saito, Iwata and Shigeru Miyamoto would regularly meet up for tea and bounce off ideas for games, and one particular concept by Mr. Saito caught the Nintendo pair's eye: sculpting chunk — as in, the process
of creating watches,
camera frames, Macbooks and more
out of metal.
It almost makes me feel left
out: instead
of glitches that could at least make me laugh, all I got were stuttery
camera shakes, constant
frame drops, and seemingly glitched railings that would suddenly pop me
out of a grind and terminate my combos for no reason.
Common ways men's butts are hidden are by preventing the player from seeing below the character's waistline, or employing a more over-the-shoulder
camera angle, which has the added benefit
of keeping the character's butt safely
out of the
frame.
Here, Ligon presents his subjects as generic figures, their faces turned away from the
camera or
out of frame, in order to play with the idea
of -LSB-.....]
They appear to speak against a set made from large - scale ink - jet prints
of the house and grounds glued to cardboard, their backs to the
camera or their faces
out of focus or cut
out of the
frame.
Hubbard considers the field
of vision
of the
camera to be a physical space with boundaries delineated by an invisible cut, the line which separates what is in and
out of the
frame.
The
camera allows itself to be led, the film
frame delineating the parameters
of the stage, and the barrel lens sometimes catching the movement merely
out of the corner
of its eye.
At once anonymous and familiar, the figures populating Jimmy DeSana's performative photographs are stripped
of identity, their faces either cropped
out of the
frame, turned away from the
camera, or obscured by objects both commonplace (gauze, motorcycle helmets) and
of a more exotic variety (leather s / m masks).
Sadly, the
camera still juts
out of the
frame.
If you don't recall the device by name, you probably remember it for its 91 % screen - to - body ratio and front - facing
camera that pops
out of the top
frame.
Similar to the Vivo Apex, this patent shows a smartphone with a front - facing
camera that can pop
out from the top
of the
frame and then go back down into hiding when it's not in use.
The volume and power / display buttons are metallic and are on the sides, the 3.5 mm audio jack is on the top, the speaker grille and micro USB port on the base, and the
camera juts
out a bit but has been given a red (ThinkPad inspired)
frame and a panel
of its own, attached with four screws.
Both come with Android 6.0.1 Marshmallow
out of the box, offer 13MP
cameras at the back and 5MP front shooters, and feature a metal
frame around the sides.
The Google
Camera app comes with a new Portrait Mode that focuses on the main person in
frame and blurs
out the background to produce an image in vein
of a live portrait.
The concept Apex Phone from Vivo that we got to check
out at MWC provided an uninterrupted display with sensors hidden underneath the glass or at the top
of the metal
frame, and a front - facing
camera that smoothly pops up in a sleek and elegant fashion from the top
of the phone.
By figuring
out the diagonal measurement
of the diagonal
of a 35 mm
frame and dividing it by your sensor's diagonal measurement, you can roughly work
out how many stops you need to increase the ƒ - number on your full
frame camera to see what your depth
of field will look like on your smartphone.
The fingerprint scanner is recessed into the glass
frame just a fraction
of a millimeter, and the dual
camera module above it juts
out the same distance, creating a slight
camera hump.
The dual -
camera module on the back barely juts
out of the
frame about a millimeter or so, with the LED flash module located next to it.
On
camera, it can be difficult to work
out how your body language comes across, especially with the short time
frame of a Skype interview.