Sentences with phrase «out of the cinema in»

Not exact matches

There have been comparatively few leaks compared to last year's awards season (so far), when a single group called Hive - CM8 leaked more than a dozen of 2016's top movies, including James Bond movie «Spectre,» «Legend,» «Steve Jobs,» «Creed,» and Quentin Tarantino's «The Hateful Eight» — before it even came out in the cinemas.

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Or consider JB Priestley's account of travelling out of London in 1933 along the Great Western road and confronting the endless, low - density exurbia of ribbon sprawl: «We might suddenly have rolled into California... This is the England of arterial and by - pass roads, of filling stations and factories that look like exhibition buildings, of giant cinemas and dance - halls and cafes, bungalows with tiny garages, cocktail bars, Woolworths, motor - coaches, wireless, hiking, factory girls looking like actresses, grey - hound racing and dirt tracks, swimming pools, and everything given away for cigarette coupons.»

The Ides of March is out in cinemas nationwide on 28 October

Remember the miserable fate of the all - party Britain in Europe movement, launched with a fanfare at the Imax cinema in London by Blair alongside Charles Kennedy — and, with considerable personal sacrifice, Kenneth Clarke and Michael Heseltine, who were out of tune with their own party.

How could he leave out the wonderful Alec Guinness film The Man in the White Suit (about a chemist who invents a fabric that never gets dirty, never needs ironing, never wears out — and nearly causes a revolution because it is too perfect) Fortunately, Perkowitz does include The Day the Earth Stood Still (the film in which Patricia Neal delivers one of cinema's most famous geek catchphrases: «Gort!

Now in the second year of her PhD in Silvio Parodi's experimental oncology group at the National Institute for Cancer Research in Genoa, Stefania Pasa (see photo) was a studious child who often «preferred to... study rather than go out to the cinema.»

Whether you're single and looking to mingle or you're happily married and need regular date nights to spend some quality time with your spouse, a great way to fit in more workouts is to turn your dates into activity nights, So, instead of going to the cinema, go for a hike and watch the beauty of nature unfold before your eyes, or instead of going out for a romantic meal at a restaurant, hire a rowing boat and go for a picnic, burning off lots of calories before you eat.

In my spare time I like to go for a walk read go out - of - doors go to the cinema go to a theatre go to museums

I am interested in all sorts of things, but really like going to the cinema or watching films at home, eating out, visiting places of i...

Hey I'm just a young man enjoying life to its full and looking for some one to enjoy that with me I'm fun easy going and down to earth I have quite alot of tattoos and its one of my loves in life as well as going for meals, to the cinema and going out with friends to bars and clubs i also like to...

Well what can I say I'm a friendly easy going single guy who's looking for somebody special in my life and to spend the good times together I live on my own got my own house which is share with my wee pet kitten macey so you must like cats and animals lol apart from that I'm an easy guy to get on with it work as a landscaper gardener with one of the council's so that keeps me busy as I'm an outdoors person and in my spare time I like nice walks in the countryside spending time with my family or going out for a night out with friends to the pub or the cinema or I'm just as happy with a nice night in watching tv or a movie I am willing to try new things tho if I meet the right person tho.I'm also quite an affectionate and romantic person and miss being with somebody to cosy up to at night could this be you?

I enjoy watching all sorts of sports, travelling, nights in, nights out, romantic walks, the beach, shops, bowling cinema etc basically anything i am here too to meet new girls to date and i and meet my new Friends too like meet up and have a coffee and a meal out.

Hi, I'm positive genuine and caring, I enjoy walking, eating out and cinema, I go the the gym in my spare time, I feel I have a good sence of humour good level of intelligence I dress smart casual.

Bottom line: this is one of the most impressive and influential sci - fi action films out there, so it is basically required viewing for fans of the genre, and people interested in great cinema in general.

An unclassifiable but strangely charming combination of reminiscence and fantasy, this is worth seeking out not only for Anderson fans but also for anyone interested in experimental cinema.

Indeed, The Man in Grey opened a new, highly exploitable sub-genre of period bodice - ripper melodramas that war - weary audiences whole - heartedly embraced, and not just in England; it also did respectable business on the far side of the Atlantic.It was also Crabtree's permanent ticket out of low - budget cinema and to work with some of the more prestigious filmmakers of the period, most notably Anthony Asquith on Fanny By Gaslight (1944).

The final optimism of the film's worldview lands with a conviction that's rare in contemporary Hollywood cinema — a resilience that's strong enough for Liam Neeson to ride out on.

There is a rich tradition in Hollywood and trash cinema of a disreputable bunch of heavies - whether criminals, ex-soldiers or anything else - who are sent into the pits of hell to carry out a task that no - one else wants to do.

Fortunately the action is handled in a much more controlled way than the second film with the viewer actually being able to walk out of the cinema without a coma.

Look to a scene driving back from Cannes where a decade or so of French cinema plays out in one conversation, the petty argumentation and indifference wonderfully captured within the proscenium of a car windshield.

On the other hand, this is a very different film from most of the content out there today, so huge fans of cinema will be able to invest themselves in this insane ride of a movie.

If there's ever a re-release in a cinema near you, take advantage of the big screen to get the most out of this visual masterpiece.

With Avengers: Infinity War still in cinemas, the world is hardly screaming out for another effects - laden saga of superheroes banding together to defeat a baddie played by Josh Brolin.

However, when we examine 2 of his latest films (white ribbon and cache), it seems to me what stands out is his ability to use the concept of mystery and show the viewer that in cinema, as in life, there are things beyond our understanding, and nihilism isn't so bad if you can accept that.

While not containing any nudity, Bonnie and Clyde jumps out of the gates by showing audiences that a new era was about to kick off in American cinema.

The film is hilarious, if viewed in context, but of course having watched it dozens and dozens of times since my first viewing in the early 1960's in an «art cinema» in Greenwich village, I no longer laugh out loud, but enjoy my silent amusement, because I love satire.

Essentially a daytime TV movie; out of place in cinemas, but right at home on a wet Wednesday afternoon.

Be it his MPAA - slamming This Film Is Not Yet Rated or Outrage, his exposé of gay politicians, Kirby Dick's nonfiction cinema drags ugly truths out of the shadows and into the light, a modus operandi again followed with The Invisible War, his investigation - cum - rallying - cry regarding sexual assault in the military.

Most directors believe this to be the end of cinema, but I believe we are in a rut that will take a while to get out of, because we are having trouble finding the absolute best talent out there, or just settling for middle of the road.

Blow Out begins with De Palma turning the camera on himself and criticisms against him, then ends with one of the crueller, blacker chapters in cinema.

The result is sometimes overlong and wears out its welcome, but it clarifies Hosking's distinctive tone — a playful and often charming blend of outré humor and genuine emotion that makes him one of the most distinctive new voices in current cinema.

This was especially a shame in the case of Tao Qu Sheng Tian 3D (Out of Inferno 3D, Oxide Pang, Danny Pang), a spectacular 3D Chinese Towering Inferno (John Guillermin, 1974) which played in the biggest cinema in town to a mere smattering of punters.

With exactly two weeks to go until Colossal arrives in US cinemas, a new clip has debuted from Nacho Vigalondo's upcoming monster comedy featuring Anne Hathaway and Jason Sudeikis; watch it below after the official synopsis... SEE ALSO: Watch the trailer for Colossal here After Gloria (Anne Hathaway) loses her job and is kicked out of -LSB-...]

To celebrate the release of OUT OF THE FURNACE (starring Christian Bale, Zoe Saldana, Casey Affleck and Woody Harrelson) which releases in UK cinemas.of OUT OF THE FURNACE (starring Christian Bale, Zoe Saldana, Casey Affleck and Woody Harrelson) which releases in UK cinemas.OF THE FURNACE (starring Christian Bale, Zoe Saldana, Casey Affleck and Woody Harrelson) which releases in UK cinemas...

With Colossal set to arrives in cinemas next month, a new poster has debuted for Nacho Vigalondo's monster comedy featuring Anne Hathaway as Gloria, an ordinary woman who finds herself sharing a strange connection with a monster on the opposite side of the world; check it out here... SEE ALSO: Watch the trailer for Colossal here After Gloria -LSB-...]

Ava DuVernay over the last few years has become a mighty presence in cinema, and an important voice that shines a light on diversity in her films and the stories she tells and while I Will Follow came first and Selma counted as her big break out moment, Middle of Nowhere is what officially started the stir.

i heard a few people coming out of the cinema saying «well that was cheesy» and it just made me think well what did you expect, you've just paid to come see one of the biggest summer blockbusters going and it's the Third in the sequel.

«We Need to Talk About Kevin» is one of the most beautifully bleak psychological fake - outs the cinema's given us in years, as Lynne Ramsay («Ratcatcher,» «Morvern Callar «-RRB- directs an adaptation of Lionel Shriver «s 2003 novel.

Baumbach and Stiller have a comfort level with each other that helps a lot, though credit goes to the entire cast for getting so many laughs out of the material, particularly Adam Driver in one of his best supporting roles in cinema to date.

All around the cinema, I'm aware of the viewers passing out in their seats and then snoring like buzzsaws.

Pakula, when he is not indulging in subjective camera, strives to give his film the look of structural geometry, but despite the sharp edges and dramatic spaces and cinema presence out of Citizen Kane, it all suggests a tepid, rather tasteless mush.

At least the movie gets a solid performance out of Asano, a well - known face in American and Japanese cinema for his work in films like the Thor franchise and Ichi the Killer.

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

His feature debut, A Dark Song is somewhere in - between an ultra-involving parental drama, a 60s - style occult horror and an out - and - out black comedy, balancing the trio surprisingly well and delivering a thoroughly entertaining and refreshing new slice of British cult cinema.

But one laments the inevitable diminution of the theatrical experience for genre aficionados, wanting to drink in every creak, smash and buzz, only to have most of it drowned out by in - cinema noise pollution; a task akin to hearing someone next to a waterfall.

They live above an old cinema and Del Toro takes great delight in showing light from the projector seeping up through the cracks of their floorboards — a reminder of the way fantasy can seep into real life in positive ways, giving those shut out from the world the strength to be themselves, even in dark times.

At least the movie gets a solid performance out of Asano, a well - known face in American and Japanese cinema for his work in films like the

With Oscar nominee The Square out in UK cinemas, MUBI celebrates with a Ruben Östlund double - bill, introducing us to more of the Force Majeure director's work, from his visual storytelling to his sagacious observation of social power dynamics.

There isn't much sense of escalation, except for the fact that when it comes down to the final battle the robots yell out dialogue whilst pummelling each other, in that most gratuitous of cinema traditions that refuses to die.