Sentences with phrase «out of the film alive»

But with Killmonger and Klaue both failing to make it out of the film alive and M'Baku seemingly on T'Challa's side, not many of the big names left from the comics have an adversarial history with Black Panther.

The Mad Titan was coming, and there was not a chance that some of my favourite superheroes were going to come out of the film alive.

Sam Rockwell, «Iron Man 2» Yeah, yeah, Rockwell is fine in «Conviction,» even if Juliette Lewis does her darnedest to ensure no other actor gets out of that film alive.

Not exact matches

There is nothing too complex or overdone about it, which is kind of what I was hoping for, but there are no real stakes aside from seeing if our main characters make it out alive, which in the end does not really matter, because they all pull of ridiculous stunts, making for a very far - fetched film.

It's by far the dullest and least inspired of the three films, and despite a robust Dan Stevens performance as the comically heroic Sir Lancelot, the juice has definitely run out of the batteries that is keeping this series alive.

However, in the film's opening scene we learn that someone, in fact, has made it out alive: Lena (Natalie Portman), a woman who appears battered and is being interviewed by a team of researchers clad in hazmat suits led by Lomax (Benedict Wong), whose many questions are eerily answered with «I don't know.»

*** out of **** Tobe Hooper's «Eaten Alive» is a film so tasteless and sleazy that literally the first few words of dialogue spoken are by Robert Englund as Buck, who is as he says, «fixin'to fuck».

There's a dream sequence late in the film that reminded me of something out of a Luis Buñuel film, complete with surreal visuals and butchered meat, and it's startling and alive in a way the film overall fails to achieve, outside of a few scenes.

Verdict: The vampire movie might feel played out for most of us, but if anyone was going to find something new in it, it was Jim Jarmusch, who delivers with «Only Lovers Left Alive» his best, and most purely enjoyable, film in years.

Paul Greengrass» film is based on the true story of a 2009 pirate attack off the Somalian coast, and despite the inescapable tension the director achieves, we know that the real - life Phillips made it out alive; this is no spoiler here, folks, he wrote the book that provided the basis for this movie.

Rocky made him an instant star, but Stallone continued to work behind the scenes, writing numerous films and directing many of them: he debuted as director with Paradise Alley (1978), directed four out of the six Rocky films, made the Saturday Night Fever sequel Staying Alive (1983), directed 2008's Rambo, and launched a new franchise with 2010's The Expendables.

It reminds of the way the Coen brothers have previously handled this type of crime film in Miller's Crossing or No Country for Old Men, where the audience has no idea who will make it out alive but can't wait to find out.

I caught some of the titles: Nugu - ui ttal - do anin Haewon (Nobody's Daughter Haewon) is a delightful film from the South Korean auteur Hong Sang - soo, the story of a female student's «sentimental education» as it were, as she traverses through reality, fantasy, and dreams, we viewers never quite sure what we are watching; Jim Jarmusch's Only Lovers Left Alive (TIFF's Opening Night film) is an engaging and drily humorous alternative vampire film, Tilda Swinton melding perfectly into the languid yet tense atmosphere of the whole piece; Night Moves is from a director (Kelly Reichardt) I've heard good things about but not seen, so I was curious to see it, but whilst the film is engaging with its ethical probing, I found the style quite laborious and lifeless; The Kampala Story (Kasper Bisgaard & Donald Mugisha) is a good little film (60 minutes long) about a teenage girl in Uganda trying to help her family out, directed in a simple, direct manner, utilising documentary elements within its fiction.

The flashback structure gives extra shape not only to his character, but also to the fim's structure — it preserves a kind of symmetry in the narrative that would be unbalanced if the stuff at Monaco were appended as a coda, though it also defuses what could have been a source of tension in the body of the film, namely the question of whether Sol would make it out of the camp alive.

The film has plenty of the usual hokey dialogue and characters (instead of a singing nun we now have a singing blind man who dies a few minutes after finally finding true love) but this time around not every passenger on board will make it out alive which does lead to some suspense.

6:00 am — TCM — Akira Kurosawa Marathon Today would be Akira Kurosawa's 100th birthday were he still alive, and after a month of weekly primetime Kurosawa mini-marathons, TCM is giving this day and night over entirely to his films, starting with a series of ones that I've frankly never heard of, and then bringing out the big guns starting with Rashomon at 8 pm.

There are plenty of cheesy TV movies that have cornered that market, and more than a handful of films that feature a meteor shower as the catalyst for disaster: NIGHT OF THE COMET (1984) brings about zombies, THE BLOB (1958, with the remake out in 1988) hitches a ride on a meteorite, THE MONOLITH MONSTERS (1957) delivers killer crystals, and a rogue comet in Stephen King's MAXIMUM OVERDRIVE (1986) prompts machines to come alive and attack uof cheesy TV movies that have cornered that market, and more than a handful of films that feature a meteor shower as the catalyst for disaster: NIGHT OF THE COMET (1984) brings about zombies, THE BLOB (1958, with the remake out in 1988) hitches a ride on a meteorite, THE MONOLITH MONSTERS (1957) delivers killer crystals, and a rogue comet in Stephen King's MAXIMUM OVERDRIVE (1986) prompts machines to come alive and attack uof films that feature a meteor shower as the catalyst for disaster: NIGHT OF THE COMET (1984) brings about zombies, THE BLOB (1958, with the remake out in 1988) hitches a ride on a meteorite, THE MONOLITH MONSTERS (1957) delivers killer crystals, and a rogue comet in Stephen King's MAXIMUM OVERDRIVE (1986) prompts machines to come alive and attack uOF THE COMET (1984) brings about zombies, THE BLOB (1958, with the remake out in 1988) hitches a ride on a meteorite, THE MONOLITH MONSTERS (1957) delivers killer crystals, and a rogue comet in Stephen King's MAXIMUM OVERDRIVE (1986) prompts machines to come alive and attack us.

And since this is the last part of the trilogy, some speculation about the film has focused on whether or not Batman will make it out alive.

So while Annihilation bypasses cinemas in this country, do call out the movie industry for its lack of faith in filmmakers and film lovers; petition Netflix to team up with Curzon cinemas more to release its original movies theatrically in the UK; support smaller titles that do have cinema releases where possible; but don't spend your time lamenting the decline of cinema when the art of the visual medium is alive and kicking through Annihilation, in US theatres and on UK computers, phones, tablets and TVs.

Another film I turned out to adore in the festival's closing days was «Only Lovers Left Alive» [A], the latest from Jim Jarmusch, which stars Tom Hiddleston and Tilda Swinton as vampiric rock stars Adam and Eve, dividing their time between Detroit and Tangier, whose comfortable, if ennui - filled, lives are upended by the arrival of Eve's sister Ava (Mia Wasikowska).

With stand - out performances from Ben Stiller (* Night At The Museum, Meet The Parents) * Golden Globe ** and six - time Emmy Award *** nominated actress Kristen Wiig (* Saturday Night Live, Bridesmaids, How To Train Your Dragon *), Adam Scott (* Step Brothers *) and Shirley MacLaine (* Wild Oats *), the THE SECRET LIFE OF WALTER MITTY Blu - ray and DVD is loaded with more than an hour of behind - the - scenes special features, including deleted, extended and alternative scenes, featurettes that dive into filming in Iceland and Walter Mitty history, a gallery of exclusive reference photography, and music video «Stay Alive» by José González, and morOF WALTER MITTY Blu - ray and DVD is loaded with more than an hour of behind - the - scenes special features, including deleted, extended and alternative scenes, featurettes that dive into filming in Iceland and Walter Mitty history, a gallery of exclusive reference photography, and music video «Stay Alive» by José González, and morof behind - the - scenes special features, including deleted, extended and alternative scenes, featurettes that dive into filming in Iceland and Walter Mitty history, a gallery of exclusive reference photography, and music video «Stay Alive» by José González, and morof exclusive reference photography, and music video «Stay Alive» by José González, and more.

But those high tech toys were like big kid fantasies come alive, magnificently designed vehicles rolled out as lovingly detailed miniatures with a sense of awe and wonder, and the success of the spawned two feature films that upped the ante on the spectacle.

In the end, the film basically cancels out the events at Alkali Lake, and Wolverine returns to a present in which all of friends are alive and well, including Jean, Xavier, and Scott Summers.

«Only Lovers Left Alive» The vampire movie might feel played out for most of us, but if anyone was going to find something new in it, it was Jim Jarmusch, who delivers with «Only Lovers Left Alive» his best, and most purely enjoyable, film in years.

Comedy though this is, it is one rife with palpable danger and no guarantees about who will make it out alive with the exception of Mike, who starts the film being questioned about what happened, providing snippets of flashback that foreshadow what will come.

Unlike all the brightly lit production design in that film, the hospital has no shortage of dark shadows where unknown forces can easily pop out at the five strangers (Taye Diggs, Ali Larter, Bridgette Wilson, Peter Gallagher, and Chris Kattan) who are assembled by theme park owner Steven Price (Geoffrey Rush) and his wayward wife (Famke Janssen) to spend the night for a cool $ 1 million each — that is, provided they are alive the next morning.