Sentences with phrase «out of the studio space»

Not exact matches

Whether you live in a dorm, galley, studio apartment, tiny house or what - have - you, it's an ideal salad / avo toast combo for all of you small - space - inhabiting babes out there.

Enjoy the spectacular views of the Ten Mile range and the Breckenridge Ski Resort out the studio windows and the incredible energy inside the space.

Tuesday are notoriously tough for me, whether I'm catching the 7 am flight out of MSP or rolling into our share studio space (a whopping 5 minute commute from my house), I rarely leave enough time to think about what to put on.

Still, Lindsey Carter couldn't have envisioned how rich her life would later become with her own fashion brand gracing the shelves of stores like Anthropologie and Rent the Runway, becoming a mom to twins, and operating out the most stunning design studio and office space, perched on the charming streets of Charleston.

Rounding out our studio tours of the creative Boston co-op at 369 Congress Street (previous features included graphic designer Jessica Sutton, interior designer Erin Gates, photographer Sarah Winchester, and ceramicist Jill Rosenwald), Stayci gives us a peek inside the industrial space she redefined into a retro - glamorous office.

Yet «The Cloverfield Paradox» has far more in common with two other contemporary space - set sci - fi studio outings, if only because they all share the same retrograde vision of otherwise compelling female characters.

Sold out, but with tickets available via Friday Rush and day seats, Ivo van Hove's staging of Paddy Chayefsky's 1976 movie script about media truth and lies is a visually dazzling, high - concept show, turning the space into a news studio.

If it is not the out - and - out success that Disney hoped for, The Black Hole is nonetheless certainly one of the studio's finest straight science fiction films, possessing a credibility and coherency (for the most part) that something like The Cat From Outer Space lacks.

August 5: Headlands Center for the Arts Check out working studio and exhibition space — free and open to the public — in the inspirational setting of the Headlands.

The other attractive feature of this hotel is that it is located on Sydney's north shore - a quick ferry ride to the bustle of the city but removed enough to offer a serene and leafy place to live (when not celebrating) Harbourside Apartments offers visitors to Australia's first city, open plan studios, One and Two bedroom apartments with fully self - contained kitchens and space to stretch out a little and may be a good accommodation choice for your stay in Sydney over New Years Eve.

This came out in the wide open spaces of their studio, sure, but also in the staff that I met, all of whom were very friendly, and all of whom clearly believed that VR holds substantial potential as the future of the gaming industry.

Like a lot of studios, Spaces is being proactive about the new hardware, and it's hoping to get a double resolution update out within a few weeks of the devices presumed launch a little later this month...

They've been churning out games in pretty short spaces of time recently but with the impending reveal / launch of the NX being upon us, perhaps the studio is already getting their ducks in a row to launch their newest games on the platform.

From tiny home studios and co-working spaces to some of the world's leading agencies and creative brands — we love to find out what your office looks like.

PT: The 20 - foot tin - pressed ceiling of your studio, and the trains occasionally rumbling by on the track out back, create such a romantic and capacious creative space.

Leading up to his two exhibitions later this autumn at David Zwirner's gallery spaces in London (October 5 — November 17) and New York (November 1 — December 19), I discussed with Tuymans a number of subjects that come out of his two new bodies of work, including the questions they raise around the romanticized life of artists, the recurring issue of otherness in his work, and how a talking parrot in a charmingly ramshackle tapas bar close to his studio inspired the title for a series of new paintings.

Her art practice is based out of a shared studio space at Russell Industrial Center in Detroit, Michigan.

I do miss it, but I'm also figuring out how to incorporate observation, such as when I'm painting in my studio and I see a flood light that gives me an idea of a kind of mark I want to make or I just layer stuff that I perceive in different spaces into a single painting.

As I ducked in and out of open studios and alternative spaces the other weekend, few of us stopped to read one — although on other days I rely no end on press releases and press kits.

It's a brand new project space located in the Asmalimescit district that initially started out as artist Burkut Kum's personal studio in the neighborhood of Galata.

A centerpiece of the residency is the open studio, a centrally located studio space that is part of the school's main gallery where the resident carries out work in a public domain.

They journey out of the studio, into the neighbourhood, the city, the territory or entire continent beyond, in a manner that evokes by turns Surrealist, Borgesian or Situationist metropolitan perambulation, or exploration in wilderness spaces nature and culture.

Points of View: Our writers on what's happening in the artworld and beyond: Jonathan T.D. Neil on whether art is good, or just valuable; David Claerbout on the performed video; J.J. Charlesworth on cultural boycotts; Maria Lind on the contemporary need for depth, continuity and pleasure; Mark Sladen on information flow in the work of Aaron Flint Jamison; Oliver Basciano on the moral panic surrounding the proposed recreation of Kongolandsbyen; Hettie Judah on ancient cheese networks and monasteries for the modern age; Jonathan Grossmalerman on how to put out a fire in the studio; Karen Archey on off - space the Suburban, in Oak Park, Illinois.

It's a team operation.We provide studio space to up to three artists 7 months out of the year.

This performance - like ritual is carried out in the privacy of my studio or a designated public space devoid of human activity.

It is as though the complexity and chaos of life has spilled out into the studio space, that the things these women surround themselves with somehow reflect their inner lives.

She positions herself as one of the materials through which information is filtered — with the present - day contents of her studio and computer spilling out into the space of the viewer.

And many artists make a point of branching out from their more commercially based studio process, particularly in the more experimental project space.

Notably, 1953 was also a pivotal year for de Kooning, who finally found staunch critical support and solid financial success following the exhibition of paintings and drawings from his Woman series at the Janis Gallery that spring.22 By then, Rauschenberg had known de Kooning for a year or more and had seen him on occasion, often through their mutual friend Jack Tworkov (1900 — 1982), who sublet studio space from de Kooning.23 Even as other details of the Erased de Kooning Drawing story changed, Rauschenberg always insisted that he chose de Kooning out of deep respect for his work and because there was no question that a drawing of his would be considered art — and this was more true than ever in 1953.24 Critic Leo Steinberg later reported asking Rauschenberg whether he would have erased a drawing by Rembrandt, to which he replied no.

I enter the K.O.S. studio in Chelsea to find a sunlit space crowded with giant canvases, tables covered with books (Darwin's Origin of Species, Shakespeare's A Midsummer Night's Dream, H.G. Wells's The Time Machine), ladders with people reaching out to work at the top of the canvas, computers, music blaring, and several individuals kneeling and standing as they fill in and stamp, with various levels of pressure, hand stamps of tiny branches over a canvas covered in a grid of book pages.

[1] Claiming that this privileged space had become nothing more than an «ossified custom» — a «commercial depot» for curators and dealers to ship works out into the world (and thus detach the artwork from the conditions of production and site of creation)-- Buren stated that artists could only resist the domestication of their work by preserving it within their studios forever (like Constantin Brancusi) or abandoning the four walls of the studio altogether for a life of art making away from institutional repression and commodification.

What / Why: Lisa's studio is like a living classroom, in addition to being a place she calls «home», the artist also teaches painting lessons out of her gorgeous space.

All made by his own hand — the artist does not use studio assistants and works on his own out of a large space built behind his home in California — these artworks range greatly in size and scope.

The word itself suggests a spectrum of destinations that come to mind when thinking about a studio — there's a darkroom, a place for manual production, a testing ground in which different practices are carried out (they are close to each other, and he can observe the effects closely and make comparisons), a viewing space, an archive.

What lies in between the physical proximity of the working studios and exhibition spaces turns out to be more than just a symbolic separation.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

I'm also starting to organize a loosely collaborative arts group out of our new studio space in the West End.

«My studio has white walls, a grey painted wooden floor, a big window with a view out to the garden and lots of space to put / store stuff.

Allowing just three residencies at a time in two - to six - week slots, the Shandaken Project boards guests in the house and offers studio spaces in mobile hut - like structures scattered around the grounds, allowing residents to fashion productive experiences out of completely unstructured time in a wonderfully stress - free environment.

Check out Theodore: Art's brand - new gallery space on the main level of the studio building.

Information session offered for artists and artist collectives interested in applying to Studio in the Park — a residency program that provides an artist or artist collective use of a 150 square foot mobile studio space, situated in an NYC public park, to carry out a community engaged art project over the course of 6 weeks.

SDAI currently operates out of our main exhibition space in Balboa Park which houses our educational programs and artist studio.

Her studio practice is based out of Butter Projects in Royal Oak, MI, an artist - run studio and exhibition space she founded in 2009.

JS: How do you plan and map out the spaces — the detailed interiors of your home and studio, and views of your neighborhood — in your paintings?

«Artist Kate Fauvell had studio space that grew too expensive and was working out of her home before she found a place through Spaceworks.»

Lucius, who also works in collage, works out of a studio in Screwball Space in Red Hook.

In the shadow of Honolulu's impending real estate boom, Lana Lane Studios rents out studio spaces and hosts events for creatives.

, providing an artist or artist collective use of a 150 square foot mobile studio space, situated in an NYC public park, to carry out a community engaged art project over the course of 6 weeks.

Landscape painting doesn't require much of an imagination, because for the artist it only takes to go out of their home or their studio and there it is — inspiration is all around them, whether they live in the city and they want to capture an urban atmosphere in their sketch or they step outside their living space and get out there looking for some untouched nature to transfer it to canvas in all its glory.

Instead of being defeated by this situation, Luke decided to make good out of a bad situation and proposed to James Balmforth, James Capper, Alex Chinneck and me to put on a group exhibition, transforming his old studio briefly into a warehouse style exhibition space for the show entitled Sculpture In Public curated by Luke Hart and George Marsh of William Benington Gallery.