Sentences with phrase «out of the tomb in»

Jesus wore white after He died and came back to life and walked out of the tomb in which no one had been laid.

They hear that he is to appear in Galilee; and they rush out of the tomb in astonishment and fear.

Not exact matches

When Jeffrey returns to New York in the second half of the novel, it feels like climbing out of a tomb and into the light.

As Jesus promised, «those in the memorial tombs will hear [Christ's] voice and come out» by means of a resurrection.

The «Epworth Pulpit» was the tomb of John Wesley's father from which the son preached in the churchyard when locked out of the parish church in which he had been reared.

Rome (CNN)- The beatification of Pope John Paul II this Sunday will probably be the biggest event in Rome since his death in April 2005, with at least 300,000 people expected to turn out for the ceremony and more than 2 million to take part in beatification - related activities in Rome, including a vigil service on Saturday in Rome's Circus Maximus and visits to John Paul's tomb.

There have been many attempts to work out the details of the events that led to belief in the resurrection of Christ, even to reconcile the patently irreconcilable details of the stories about the empty tomb.

But most of it has been tidied away, along with the crumbling and rather alarming tombs in the grass around the building, which always seemed about to open and disclose their shrouded occupants, climbing out into the modern day like a Stanley Spencer resurrection.

It is significant that the earliest Gospel, Mark, uses the term «after three days» consistently in the prediction passages, but where these are quoted in Matthew or Luke the phrase has been changed to «on the third day».23 The change can be explained by saying that between the writing of the first and the later Gospels the story of the empty tomb had become more widely known, and the phrase «after three days», as a dating of the resurrection event, fell out of use.

We can summarize the discussion up to this point by saying that the literary form of Mark's tomb pericope shows definite signs of having developed in three stages, consisting of two appendices with one third final addition (leaving aside the fact that in the second century a still further addition of Mark 16:9 — 20 was made) and that because of this, it may not have been part of the author's original plan as he set out to write his Gospel.

He was strongly opposed to the teaching of some of his Christian contemporaries who wished to interpret the idiom of resurrection as an allegorical description of that Christian experience by which «a man, having come to the truth, has been reanimated and revivified to God, and, the death of ignorance being dispelled, has as it were burst forth from the tomb of the old man».35 Tertullian was adamant that the resurrection was in the future and to be understood in physical, fleshly terms («I pronounce that the flesh will certainly rise again»).36 In order to forestall those who could contend the impossibility of such a hope on the grounds that the decayed corpse would have long since wasted away to nothing, he pointed out that quite recently, in his city, skeletons some five hundred years old had been unearthed in a remarkable state of preservatioin the future and to be understood in physical, fleshly terms («I pronounce that the flesh will certainly rise again»).36 In order to forestall those who could contend the impossibility of such a hope on the grounds that the decayed corpse would have long since wasted away to nothing, he pointed out that quite recently, in his city, skeletons some five hundred years old had been unearthed in a remarkable state of preservatioin physical, fleshly terms («I pronounce that the flesh will certainly rise again»).36 In order to forestall those who could contend the impossibility of such a hope on the grounds that the decayed corpse would have long since wasted away to nothing, he pointed out that quite recently, in his city, skeletons some five hundred years old had been unearthed in a remarkable state of preservatioIn order to forestall those who could contend the impossibility of such a hope on the grounds that the decayed corpse would have long since wasted away to nothing, he pointed out that quite recently, in his city, skeletons some five hundred years old had been unearthed in a remarkable state of preservatioin his city, skeletons some five hundred years old had been unearthed in a remarkable state of preservatioin a remarkable state of preservation.

And one I was thinking about in connection with Matthew 27:52 - 53, where it seems that others were raised to life as soon as Jesus died, although they didn't come out of their tombs until he rose again.

As the Roman Catholic and Orthodox traditions have known for centuries, and many other churches have discovered too, the only way that this extraordinary narrative will yield its meaning is quite simply if we play the events at their original speed — God's speed, not ours — living in and through the events day by day: the grieving farewells, the betrayal and denial, the shuddering fear in the garden, the stretched - out day of torture and forsakenness, and the daybreak of wonder, color and tomb - bursting newborn life.

59 When Joseph had taken the body, he wrapped it in a clean linen cloth, 60 and laid it in his new tomb which he had hewn out of the rock; and he rolled a large stone against the door of the tomb, and departed.

In every tomb the voice will be heard, «O dead, come out of your tombs!»

One of the challenges of this view is that if Mark truly ended his narrative here, he seems to have concluded by deliberately not concluding, by dangling something incomplete and unsatisfying before the reader in the final verse: «So they went out and fled from the tomb, for terror and amazement had seized them; and they said nothing to anyone, for they were afraid.»

«Jesus is out of the tomb; God is no longer safely behind the curtain (torn asunder in the Temple as Jesus breathed his last),» he writes.

At the time of Jesus» death there was an earthquake (as not in the other gospels) and «many bodies of the saints who had fallen asleep were raised, and coming forth out of the tombs after his resurrection they entered into the holy city [note the Jewish expression] and appeared to many (27:52 - 3).

«I don't know how my planting a tree today will relate to the wonderful trees that will be in God's recreated world... but I know that God's new world of justice and joy, of hope for the whole earth, was launched when Jesus came out of the tomb on Easter morning.»

The Vatican in a statement Friday registered «strong shock for the manner in which some of the raids were carried out yesterday by the judicial Belgian authorities» and expressed indignation that two cardinals» tombs were violated.

Joseph then took the body down from the cross, wrapped it in a linen shroud, and laid it in a tomb hewn out of the rock.

On the way out of town, we stopped at St. Vincent de Paul Cemetery No. 1 in Uptown, where my mother's family tomb is located.

Check out the picture below... The picture appears to show off the inside of supervillain Apocalypse's tomb in the film, an enormous practical set.

In a way Almereyda's film, shot prior to most of the tech stocks going belly - up, anticipates the downswing: Its Wall Street is ghostly and devastated, full of glass tombs that scrape a dismal sky and inhabited by, among other Gloomy Guses, a Hamlet (Ethan Hawke) who's hollowed - out like so many victims of modern materialism and parental loss.

The opening scenes are straight - out of «Raiders of the Lost Ark» and «The Mummy», as an archaeologist and his son, in 1938 Egypt, discover an ancient tomb and very special tablet.

In the format of James Patterson's signature (extremely) short chapters, the story is set out over three time periods: modern day, where we follow James» progress in writing the book; the late 19th and early 20th century and the discovery of King Tut's tomb; and 14th century BC, contemporary with King Tut's lifIn the format of James Patterson's signature (extremely) short chapters, the story is set out over three time periods: modern day, where we follow James» progress in writing the book; the late 19th and early 20th century and the discovery of King Tut's tomb; and 14th century BC, contemporary with King Tut's lifin writing the book; the late 19th and early 20th century and the discovery of King Tut's tomb; and 14th century BC, contemporary with King Tut's life.

He reaches out to his old tutor at Oxford and is soon enlisted in an archaeological expedition to find the long lost tomb of Alexander the Great.

Instead, Lara Croft is in a world she doesn't understand, striving to get her friends and herself out alive, a process which also happens to involve kicking a lot of ass and raiding a lot of tombs.

Eidos Montreal has a few months to sort a lot of this stuff out, so I'm not calling for an evac just yet, but I remain convinced that my favourite bits of this game will be those when Lara is on her lonesome in some mysterious tomb, pulling the odd lever and jumping from pillar to pillar.

Other additions include a new online co-op expansion to Endurance mode (where you can raid tombs with a friend), a re-envisioned version of the cold - weather outfit and the Hailstorm pistol that was featured in Tomb Raider III, a special card pack will allow you to replay the main story with five classic Lara models and for hardcore fans, they added a brutal new «Extreme Survivor» setting, which increases the difficulty and strips out all of the checkpoints.

In the demo, Lara Croft embarks on her first tomb raiding expedition as she seeks out the secret of immortality.

Alongside these are his roughly carved stone sculptures, together with an elongated wooden Self Portrait (1959), delicately laid out like a skeleton in an excavated tomb, all of which represent man in his most primitive form.

I also fell — out of my harness of familial expectations... I fell out of the bondage of being the oldest child with so much responsibility... In between the womb and tomb was fierce strife and anxiety.

He fell out of favour with the king and died in 1530, whereby his possessions were appropriated by Henry for his own use — angels and unfinished tomb included.

In an interview with OCULA magazine from October 2014, Heinz Mack, recalls how in the 1950s he sought out the studio of Brâncusi in Paris: «When I got there, the door wasn't really closed, and for me, it felt like discovering Tutankhamun's tomb, standing absolutely alone in this huge studio as Brâncuşi had left it before he dieIn an interview with OCULA magazine from October 2014, Heinz Mack, recalls how in the 1950s he sought out the studio of Brâncusi in Paris: «When I got there, the door wasn't really closed, and for me, it felt like discovering Tutankhamun's tomb, standing absolutely alone in this huge studio as Brâncuşi had left it before he diein the 1950s he sought out the studio of Brâncusi in Paris: «When I got there, the door wasn't really closed, and for me, it felt like discovering Tutankhamun's tomb, standing absolutely alone in this huge studio as Brâncuşi had left it before he diein Paris: «When I got there, the door wasn't really closed, and for me, it felt like discovering Tutankhamun's tomb, standing absolutely alone in this huge studio as Brâncuşi had left it before he diein this huge studio as Brâncuşi had left it before he died.

In Session 3, entitled «Consume Less Create More,» the steps in the life cycle of ballpoint pens is broken out from production to disposal, or as some say from womb to tomb: the oil drilling for the plastic, the mining for the metal, the chemicals for the ink, the factories for production, the trucks for transport to market and ultimately to the landfill and the resulting air, ground, and water pollution that accompanies each steIn Session 3, entitled «Consume Less Create More,» the steps in the life cycle of ballpoint pens is broken out from production to disposal, or as some say from womb to tomb: the oil drilling for the plastic, the mining for the metal, the chemicals for the ink, the factories for production, the trucks for transport to market and ultimately to the landfill and the resulting air, ground, and water pollution that accompanies each stein the life cycle of ballpoint pens is broken out from production to disposal, or as some say from womb to tomb: the oil drilling for the plastic, the mining for the metal, the chemicals for the ink, the factories for production, the trucks for transport to market and ultimately to the landfill and the resulting air, ground, and water pollution that accompanies each step.