Not exact matches
Or consider JB Priestley's account
of travelling out of London in 1933 along the Great Western road and confronting the endless, low - density exurbia
of ribbon sprawl: «We might suddenly have rolled into California... This is the England
of arterial and by - pass roads,
of filling stations and factories that look like
exhibition buildings,
of giant cinemas and dance - halls and cafes, bungalows with tiny garages, cocktail bars, Woolworths, motor - coaches, wireless, hiking, factory girls looking like actresses, grey - hound racing and dirt tracks, swimming pools, and everything given away for cigarette coupons.»
Paris About Blog The Lifestyle Blog
of a Parisian: brunches, restaurants,
travels,
exhibitions, tips, cultural
outings in Paris and around the world since 2008.
Reed
Travel Exhibitions Chairman World
Travel Market Fiona Jeffery said: «While it's certainly too early to claim we're fully
out of the woods economically, these results are encouraging.
World
Travel Market is for the first time reaching out to the global online travel community with the launch of a new travel blog, a number of social media webinars and an extensive social media programme taking place during the exhib
Travel Market is for the first time reaching
out to the global online
travel community with the launch of a new travel blog, a number of social media webinars and an extensive social media programme taking place during the exhib
travel community with the launch
of a new
travel blog, a number of social media webinars and an extensive social media programme taking place during the exhib
travel blog, a number
of social media webinars and an extensive social media programme taking place during the
exhibition.
Tom took some time
out at Arabian
Travel Market to speak to BTN about his successes.Under Nutley's leadership and through his vision, RTE has experienced phenomenal success and growth since its launch in 1992 and is the world's leading business - to - business organiser of major international, regional and sector exhibitions and events for the travel and tourism industry worl
Travel Market to speak to BTN about his successes.Under Nutley's leadership and through his vision, RTE has experienced phenomenal success and growth since its launch in 1992 and is the world's leading business - to - business organiser
of major international, regional and sector
exhibitions and events for the
travel and tourism industry worl
travel and tourism industry worldwide.
Reed
Travel Exhibitions Chairman World
Travel Market, Fiona Jeffery, said: «There is very positive news coming
out of Africa.
Reed
Travel Exhibitions Chairman World
Travel Market Fiona Jeffery said: «It's heartbreaking to think the good work
of an entire nation can be wiped
out in an instant by the next APD increase.
«Throughout the region, we are witnessing major growth in online bookings as airlines, tour operators and hotels develop ever - more sophisticated digital platforms and social media strategies to ensure they reach
out effectively to both existing and potential guests,» said Nadege Noblet,
exhibition manager
of Arabian
Travel Market.
Forthcoming
exhibitions include
Out of Easy Reach, a cross-institutional collaboration hosted by DePaul Art Museum, Gallery 400 at UIC, and the Rebuild Foundation, opening April 26, 2018 (Chicago), which will
travel to Grunwald Gallery, Indiana University, opening August 24, 2018.
His most recent solo
exhibitions include: Lovers, Le Consortium, l'Académie Conti, Vosne - Romanée, France (2015 - 16); Masks (Pentagon), Rockefeller Plaza, New York (2015); Thomas Houseago: Studies «98 — «14, Gemeentemuseum Den Haag, The Hague (2014); Striding Figure / Standing Figure, Galleria Borghese, Rome, Italy (2014); As I Went
Out One Morning, Storm King Art Center, Mountainville, NY (2014); Thomas Houseago: Where the Wild Things Are, Sainsbury Centre for Visual Arts, University
of East Anglia, Norwich, UK (2012) and What Went Down, Centre International d'art et du paysage, île de vassivière, Vassivière, France (2012,
travelled to Museum Abteiberg, Mönchengladbach, Germany; Modern Art Oxford and The Ashmolean Museum, Oxford).
Nikki is curating a
traveling drawing
exhibition; «Drawn
Out, Drawn Over: Mapping the Territory
of Experience and in the last year has had two solo
exhibitions and participated in numerous group
exhibitions.
2010 Greater New York, Opening performance, MOMA PS1, Queens, NY The Library
of Babel / In and
Out of Place, Zabludowicz Collection, London, UK Move, MOMA PS1, Queens, NY Roundabout,
Traveling Exhibition.
Major solo
exhibitions include «Bruce Nauman: Inside
Out» Museo Nacional Centro de Arte Reina Sofía (1993 - 94,
traveled to Walker Art Center, Minneapolis; Museum
of Contemporary Art, Los Angeles; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; and Museum
of Modern Art, New York, through 1995); «Bruce Nauman: Mapping the Studio I (Fat Chance John Cage),» Dia Center for the Arts, New York (2002); «Mapping the Studio,» Museum für Gegenwartskunst, Basel (2002); «Bruce Nauman: Theaters
of Experience,» Deutsche Guggenheim, Berlin (2003); «Bruce Nauman: Raw Materials» Unilever Commission, Tate Modern Turbine Hall (2005); «A Rose Has No Teeth: Bruce Nauman in the 1960s,» UC Berkeley Art Museum and Pacific Film Archive, Berkeley, CA (2007); «Notations / Bruce Nauman: Days and Giorni,» Biennale di Venezia (2009,
traveled to Philadelphia Museum
of Art; and Museum
of Modern Art, New York (through 2010); «Bruce Nauman: Dream Passage,» Hamburger Bahnhof, Berlin (2010); and «Bruce Nauman's Words on Paper,» Art Gallery
of Ontario (2014).
Group
exhibitions include
Out of Line, The High Line, NYC; The World is a Mirror
of My Freedom, McColl Center, Charlotte, NC (2017); Wound: Mending Time & Attention, The Cooper Union, NYC; A Dark Matter..., Tarble Arts Center, Eastern Illinois University, Charleston, IL, March Madness, Fort Gansevoort, NYC (2016); superHUMAN, Central Utah Art Center, Ephraim, UT; Greater New York: Five - Year Review, MoMA PS1, Long Island City, NY; Mixed Signals: Artists Consider Masculinity in Sports, Independent Curators International,
traveling exhibition; Hard Targets: Masculinity and American Sports, Los Angeles County Museum
of Art, Los Angeles, CA; The S - Files, Museo del Barrio, NYC; and Emergency Room, P.S. 1 Contemporary Art Center, Long Island City, NY.
1995 Choice Morsels from the Collection
of the Centre National d'Art Contemporain, Centre National d'Art Contemporain, Grenoble, France Velge Noirhomme Gallery, Brussels Works on Paper, Baumgartner Galleries, Washington, DC Transatlantic, Museo de Artes Visuales Alejandro Otero, Caracas, Venezuela Out Of Use 95: Caravanserraglio Arte Contemporanea, Pescara, Italy Pièces — Meublés, Espace Gran Dia / Galerie Jousse Seguin, Paris (curated by Robert Nickas) Komix, Brooke Alexander Editions, New York Peter Halley and Ettore Sottsass, Jay Gorney Modern Art, New York Pace Prints, Ewing Gallery of Art and Architecture, University of Tennessee, Knoxville, TN Exhibition in Honor of the 30th Anniversary of the Israel Museum, Marian Goodman Gallery, New York Altered States, Forum for Contemporary Art, St. Louis, MO (curated by Robert Nickas, catalogue) Pittura Immedia, Malerei in den 90er Jahren, Landesmuseum Joanneum Graz, Klagenfurt, Austria (catalogue) It's Only Rock and Roll, Phoenix Art Museum, Phoenix, AZ (catalogue) Degrees of Abstraction: From Morris Louis to Mapplethorpe, Museum of Fine Arts, Boston, MA New York Abstract, Contemporary Arts Center, New Orleans, LA (catalogue) Compensation, Gabinetto Disegni e Stampe Degli Uffizi, Florence, Italy Critiques of Pure Abstraction, Sarah Campbell Blaffer Gallery, University of Houston, TX (catalogue); travelled to Illingworth Kerr Gallery, Alberta College of Art, Calgary, Canada; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE; Armand Hammer Museum of Art, Los Angeles; Crocker Art Museum, Sacramento, CA; Museum of South Texas, Corpus Christi, TX; Lowe Art Museum, University of Miami, Coral Gables, FL; Polk Museum of Art, Lakeland, FL; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis (catalogue) Mesótica Painting, America non-representativa, Museo de Arte y Diseño Contemporaneo, San Jose, Costa Rica (catalogue) Open Your Heart, AIDS Resource Center's Seventh Annual Valentine Auction, Christinerose Gallery, New York Reinventing the Emblem, Yale University Art Gallery, New Haven, CT (catalogue) Private Passions, Musée d'Art Moderne de la Ville de Paris, Paris (catalogu
of the Centre National d'Art Contemporain, Centre National d'Art Contemporain, Grenoble, France Velge Noirhomme Gallery, Brussels Works on Paper, Baumgartner Galleries, Washington, DC Transatlantic, Museo de Artes Visuales Alejandro Otero, Caracas, Venezuela
Out Of Use 95: Caravanserraglio Arte Contemporanea, Pescara, Italy Pièces — Meublés, Espace Gran Dia / Galerie Jousse Seguin, Paris (curated by Robert Nickas) Komix, Brooke Alexander Editions, New York Peter Halley and Ettore Sottsass, Jay Gorney Modern Art, New York Pace Prints, Ewing Gallery of Art and Architecture, University of Tennessee, Knoxville, TN Exhibition in Honor of the 30th Anniversary of the Israel Museum, Marian Goodman Gallery, New York Altered States, Forum for Contemporary Art, St. Louis, MO (curated by Robert Nickas, catalogue) Pittura Immedia, Malerei in den 90er Jahren, Landesmuseum Joanneum Graz, Klagenfurt, Austria (catalogue) It's Only Rock and Roll, Phoenix Art Museum, Phoenix, AZ (catalogue) Degrees of Abstraction: From Morris Louis to Mapplethorpe, Museum of Fine Arts, Boston, MA New York Abstract, Contemporary Arts Center, New Orleans, LA (catalogue) Compensation, Gabinetto Disegni e Stampe Degli Uffizi, Florence, Italy Critiques of Pure Abstraction, Sarah Campbell Blaffer Gallery, University of Houston, TX (catalogue); travelled to Illingworth Kerr Gallery, Alberta College of Art, Calgary, Canada; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE; Armand Hammer Museum of Art, Los Angeles; Crocker Art Museum, Sacramento, CA; Museum of South Texas, Corpus Christi, TX; Lowe Art Museum, University of Miami, Coral Gables, FL; Polk Museum of Art, Lakeland, FL; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis (catalogue) Mesótica Painting, America non-representativa, Museo de Arte y Diseño Contemporaneo, San Jose, Costa Rica (catalogue) Open Your Heart, AIDS Resource Center's Seventh Annual Valentine Auction, Christinerose Gallery, New York Reinventing the Emblem, Yale University Art Gallery, New Haven, CT (catalogue) Private Passions, Musée d'Art Moderne de la Ville de Paris, Paris (catalogu
Of Use 95: Caravanserraglio Arte Contemporanea, Pescara, Italy Pièces — Meublés, Espace Gran Dia / Galerie Jousse Seguin, Paris (curated by Robert Nickas) Komix, Brooke Alexander Editions, New York Peter Halley and Ettore Sottsass, Jay Gorney Modern Art, New York Pace Prints, Ewing Gallery
of Art and Architecture, University of Tennessee, Knoxville, TN Exhibition in Honor of the 30th Anniversary of the Israel Museum, Marian Goodman Gallery, New York Altered States, Forum for Contemporary Art, St. Louis, MO (curated by Robert Nickas, catalogue) Pittura Immedia, Malerei in den 90er Jahren, Landesmuseum Joanneum Graz, Klagenfurt, Austria (catalogue) It's Only Rock and Roll, Phoenix Art Museum, Phoenix, AZ (catalogue) Degrees of Abstraction: From Morris Louis to Mapplethorpe, Museum of Fine Arts, Boston, MA New York Abstract, Contemporary Arts Center, New Orleans, LA (catalogue) Compensation, Gabinetto Disegni e Stampe Degli Uffizi, Florence, Italy Critiques of Pure Abstraction, Sarah Campbell Blaffer Gallery, University of Houston, TX (catalogue); travelled to Illingworth Kerr Gallery, Alberta College of Art, Calgary, Canada; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE; Armand Hammer Museum of Art, Los Angeles; Crocker Art Museum, Sacramento, CA; Museum of South Texas, Corpus Christi, TX; Lowe Art Museum, University of Miami, Coral Gables, FL; Polk Museum of Art, Lakeland, FL; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis (catalogue) Mesótica Painting, America non-representativa, Museo de Arte y Diseño Contemporaneo, San Jose, Costa Rica (catalogue) Open Your Heart, AIDS Resource Center's Seventh Annual Valentine Auction, Christinerose Gallery, New York Reinventing the Emblem, Yale University Art Gallery, New Haven, CT (catalogue) Private Passions, Musée d'Art Moderne de la Ville de Paris, Paris (catalogu
of Art and Architecture, University
of Tennessee, Knoxville, TN Exhibition in Honor of the 30th Anniversary of the Israel Museum, Marian Goodman Gallery, New York Altered States, Forum for Contemporary Art, St. Louis, MO (curated by Robert Nickas, catalogue) Pittura Immedia, Malerei in den 90er Jahren, Landesmuseum Joanneum Graz, Klagenfurt, Austria (catalogue) It's Only Rock and Roll, Phoenix Art Museum, Phoenix, AZ (catalogue) Degrees of Abstraction: From Morris Louis to Mapplethorpe, Museum of Fine Arts, Boston, MA New York Abstract, Contemporary Arts Center, New Orleans, LA (catalogue) Compensation, Gabinetto Disegni e Stampe Degli Uffizi, Florence, Italy Critiques of Pure Abstraction, Sarah Campbell Blaffer Gallery, University of Houston, TX (catalogue); travelled to Illingworth Kerr Gallery, Alberta College of Art, Calgary, Canada; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE; Armand Hammer Museum of Art, Los Angeles; Crocker Art Museum, Sacramento, CA; Museum of South Texas, Corpus Christi, TX; Lowe Art Museum, University of Miami, Coral Gables, FL; Polk Museum of Art, Lakeland, FL; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis (catalogue) Mesótica Painting, America non-representativa, Museo de Arte y Diseño Contemporaneo, San Jose, Costa Rica (catalogue) Open Your Heart, AIDS Resource Center's Seventh Annual Valentine Auction, Christinerose Gallery, New York Reinventing the Emblem, Yale University Art Gallery, New Haven, CT (catalogue) Private Passions, Musée d'Art Moderne de la Ville de Paris, Paris (catalogu
of Tennessee, Knoxville, TN
Exhibition in Honor
of the 30th Anniversary of the Israel Museum, Marian Goodman Gallery, New York Altered States, Forum for Contemporary Art, St. Louis, MO (curated by Robert Nickas, catalogue) Pittura Immedia, Malerei in den 90er Jahren, Landesmuseum Joanneum Graz, Klagenfurt, Austria (catalogue) It's Only Rock and Roll, Phoenix Art Museum, Phoenix, AZ (catalogue) Degrees of Abstraction: From Morris Louis to Mapplethorpe, Museum of Fine Arts, Boston, MA New York Abstract, Contemporary Arts Center, New Orleans, LA (catalogue) Compensation, Gabinetto Disegni e Stampe Degli Uffizi, Florence, Italy Critiques of Pure Abstraction, Sarah Campbell Blaffer Gallery, University of Houston, TX (catalogue); travelled to Illingworth Kerr Gallery, Alberta College of Art, Calgary, Canada; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE; Armand Hammer Museum of Art, Los Angeles; Crocker Art Museum, Sacramento, CA; Museum of South Texas, Corpus Christi, TX; Lowe Art Museum, University of Miami, Coral Gables, FL; Polk Museum of Art, Lakeland, FL; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis (catalogue) Mesótica Painting, America non-representativa, Museo de Arte y Diseño Contemporaneo, San Jose, Costa Rica (catalogue) Open Your Heart, AIDS Resource Center's Seventh Annual Valentine Auction, Christinerose Gallery, New York Reinventing the Emblem, Yale University Art Gallery, New Haven, CT (catalogue) Private Passions, Musée d'Art Moderne de la Ville de Paris, Paris (catalogu
of the 30th Anniversary
of the Israel Museum, Marian Goodman Gallery, New York Altered States, Forum for Contemporary Art, St. Louis, MO (curated by Robert Nickas, catalogue) Pittura Immedia, Malerei in den 90er Jahren, Landesmuseum Joanneum Graz, Klagenfurt, Austria (catalogue) It's Only Rock and Roll, Phoenix Art Museum, Phoenix, AZ (catalogue) Degrees of Abstraction: From Morris Louis to Mapplethorpe, Museum of Fine Arts, Boston, MA New York Abstract, Contemporary Arts Center, New Orleans, LA (catalogue) Compensation, Gabinetto Disegni e Stampe Degli Uffizi, Florence, Italy Critiques of Pure Abstraction, Sarah Campbell Blaffer Gallery, University of Houston, TX (catalogue); travelled to Illingworth Kerr Gallery, Alberta College of Art, Calgary, Canada; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE; Armand Hammer Museum of Art, Los Angeles; Crocker Art Museum, Sacramento, CA; Museum of South Texas, Corpus Christi, TX; Lowe Art Museum, University of Miami, Coral Gables, FL; Polk Museum of Art, Lakeland, FL; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis (catalogue) Mesótica Painting, America non-representativa, Museo de Arte y Diseño Contemporaneo, San Jose, Costa Rica (catalogue) Open Your Heart, AIDS Resource Center's Seventh Annual Valentine Auction, Christinerose Gallery, New York Reinventing the Emblem, Yale University Art Gallery, New Haven, CT (catalogue) Private Passions, Musée d'Art Moderne de la Ville de Paris, Paris (catalogu
of the Israel Museum, Marian Goodman Gallery, New York Altered States, Forum for Contemporary Art, St. Louis, MO (curated by Robert Nickas, catalogue) Pittura Immedia, Malerei in den 90er Jahren, Landesmuseum Joanneum Graz, Klagenfurt, Austria (catalogue) It's Only Rock and Roll, Phoenix Art Museum, Phoenix, AZ (catalogue) Degrees
of Abstraction: From Morris Louis to Mapplethorpe, Museum of Fine Arts, Boston, MA New York Abstract, Contemporary Arts Center, New Orleans, LA (catalogue) Compensation, Gabinetto Disegni e Stampe Degli Uffizi, Florence, Italy Critiques of Pure Abstraction, Sarah Campbell Blaffer Gallery, University of Houston, TX (catalogue); travelled to Illingworth Kerr Gallery, Alberta College of Art, Calgary, Canada; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE; Armand Hammer Museum of Art, Los Angeles; Crocker Art Museum, Sacramento, CA; Museum of South Texas, Corpus Christi, TX; Lowe Art Museum, University of Miami, Coral Gables, FL; Polk Museum of Art, Lakeland, FL; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis (catalogue) Mesótica Painting, America non-representativa, Museo de Arte y Diseño Contemporaneo, San Jose, Costa Rica (catalogue) Open Your Heart, AIDS Resource Center's Seventh Annual Valentine Auction, Christinerose Gallery, New York Reinventing the Emblem, Yale University Art Gallery, New Haven, CT (catalogue) Private Passions, Musée d'Art Moderne de la Ville de Paris, Paris (catalogu
of Abstraction: From Morris Louis to Mapplethorpe, Museum
of Fine Arts, Boston, MA New York Abstract, Contemporary Arts Center, New Orleans, LA (catalogue) Compensation, Gabinetto Disegni e Stampe Degli Uffizi, Florence, Italy Critiques of Pure Abstraction, Sarah Campbell Blaffer Gallery, University of Houston, TX (catalogue); travelled to Illingworth Kerr Gallery, Alberta College of Art, Calgary, Canada; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE; Armand Hammer Museum of Art, Los Angeles; Crocker Art Museum, Sacramento, CA; Museum of South Texas, Corpus Christi, TX; Lowe Art Museum, University of Miami, Coral Gables, FL; Polk Museum of Art, Lakeland, FL; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis (catalogue) Mesótica Painting, America non-representativa, Museo de Arte y Diseño Contemporaneo, San Jose, Costa Rica (catalogue) Open Your Heart, AIDS Resource Center's Seventh Annual Valentine Auction, Christinerose Gallery, New York Reinventing the Emblem, Yale University Art Gallery, New Haven, CT (catalogue) Private Passions, Musée d'Art Moderne de la Ville de Paris, Paris (catalogu
of Fine Arts, Boston, MA New York Abstract, Contemporary Arts Center, New Orleans, LA (catalogue) Compensation, Gabinetto Disegni e Stampe Degli Uffizi, Florence, Italy Critiques
of Pure Abstraction, Sarah Campbell Blaffer Gallery, University of Houston, TX (catalogue); travelled to Illingworth Kerr Gallery, Alberta College of Art, Calgary, Canada; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE; Armand Hammer Museum of Art, Los Angeles; Crocker Art Museum, Sacramento, CA; Museum of South Texas, Corpus Christi, TX; Lowe Art Museum, University of Miami, Coral Gables, FL; Polk Museum of Art, Lakeland, FL; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis (catalogue) Mesótica Painting, America non-representativa, Museo de Arte y Diseño Contemporaneo, San Jose, Costa Rica (catalogue) Open Your Heart, AIDS Resource Center's Seventh Annual Valentine Auction, Christinerose Gallery, New York Reinventing the Emblem, Yale University Art Gallery, New Haven, CT (catalogue) Private Passions, Musée d'Art Moderne de la Ville de Paris, Paris (catalogu
of Pure Abstraction, Sarah Campbell Blaffer Gallery, University
of Houston, TX (catalogue); travelled to Illingworth Kerr Gallery, Alberta College of Art, Calgary, Canada; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE; Armand Hammer Museum of Art, Los Angeles; Crocker Art Museum, Sacramento, CA; Museum of South Texas, Corpus Christi, TX; Lowe Art Museum, University of Miami, Coral Gables, FL; Polk Museum of Art, Lakeland, FL; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis (catalogue) Mesótica Painting, America non-representativa, Museo de Arte y Diseño Contemporaneo, San Jose, Costa Rica (catalogue) Open Your Heart, AIDS Resource Center's Seventh Annual Valentine Auction, Christinerose Gallery, New York Reinventing the Emblem, Yale University Art Gallery, New Haven, CT (catalogue) Private Passions, Musée d'Art Moderne de la Ville de Paris, Paris (catalogu
of Houston, TX (catalogue);
travelled to Illingworth Kerr Gallery, Alberta College
of Art, Calgary, Canada; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE; Armand Hammer Museum of Art, Los Angeles; Crocker Art Museum, Sacramento, CA; Museum of South Texas, Corpus Christi, TX; Lowe Art Museum, University of Miami, Coral Gables, FL; Polk Museum of Art, Lakeland, FL; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis (catalogue) Mesótica Painting, America non-representativa, Museo de Arte y Diseño Contemporaneo, San Jose, Costa Rica (catalogue) Open Your Heart, AIDS Resource Center's Seventh Annual Valentine Auction, Christinerose Gallery, New York Reinventing the Emblem, Yale University Art Gallery, New Haven, CT (catalogue) Private Passions, Musée d'Art Moderne de la Ville de Paris, Paris (catalogu
of Art, Calgary, Canada; Sheldon Memorial Art Gallery, University
of Nebraska, Lincoln, NE; Armand Hammer Museum of Art, Los Angeles; Crocker Art Museum, Sacramento, CA; Museum of South Texas, Corpus Christi, TX; Lowe Art Museum, University of Miami, Coral Gables, FL; Polk Museum of Art, Lakeland, FL; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis (catalogue) Mesótica Painting, America non-representativa, Museo de Arte y Diseño Contemporaneo, San Jose, Costa Rica (catalogue) Open Your Heart, AIDS Resource Center's Seventh Annual Valentine Auction, Christinerose Gallery, New York Reinventing the Emblem, Yale University Art Gallery, New Haven, CT (catalogue) Private Passions, Musée d'Art Moderne de la Ville de Paris, Paris (catalogu
of Nebraska, Lincoln, NE; Armand Hammer Museum
of Art, Los Angeles; Crocker Art Museum, Sacramento, CA; Museum of South Texas, Corpus Christi, TX; Lowe Art Museum, University of Miami, Coral Gables, FL; Polk Museum of Art, Lakeland, FL; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis (catalogue) Mesótica Painting, America non-representativa, Museo de Arte y Diseño Contemporaneo, San Jose, Costa Rica (catalogue) Open Your Heart, AIDS Resource Center's Seventh Annual Valentine Auction, Christinerose Gallery, New York Reinventing the Emblem, Yale University Art Gallery, New Haven, CT (catalogue) Private Passions, Musée d'Art Moderne de la Ville de Paris, Paris (catalogu
of Art, Los Angeles; Crocker Art Museum, Sacramento, CA; Museum
of South Texas, Corpus Christi, TX; Lowe Art Museum, University of Miami, Coral Gables, FL; Polk Museum of Art, Lakeland, FL; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis (catalogue) Mesótica Painting, America non-representativa, Museo de Arte y Diseño Contemporaneo, San Jose, Costa Rica (catalogue) Open Your Heart, AIDS Resource Center's Seventh Annual Valentine Auction, Christinerose Gallery, New York Reinventing the Emblem, Yale University Art Gallery, New Haven, CT (catalogue) Private Passions, Musée d'Art Moderne de la Ville de Paris, Paris (catalogu
of South Texas, Corpus Christi, TX; Lowe Art Museum, University
of Miami, Coral Gables, FL; Polk Museum of Art, Lakeland, FL; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis (catalogue) Mesótica Painting, America non-representativa, Museo de Arte y Diseño Contemporaneo, San Jose, Costa Rica (catalogue) Open Your Heart, AIDS Resource Center's Seventh Annual Valentine Auction, Christinerose Gallery, New York Reinventing the Emblem, Yale University Art Gallery, New Haven, CT (catalogue) Private Passions, Musée d'Art Moderne de la Ville de Paris, Paris (catalogu
of Miami, Coral Gables, FL; Polk Museum
of Art, Lakeland, FL; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis (catalogue) Mesótica Painting, America non-representativa, Museo de Arte y Diseño Contemporaneo, San Jose, Costa Rica (catalogue) Open Your Heart, AIDS Resource Center's Seventh Annual Valentine Auction, Christinerose Gallery, New York Reinventing the Emblem, Yale University Art Gallery, New Haven, CT (catalogue) Private Passions, Musée d'Art Moderne de la Ville de Paris, Paris (catalogu
of Art, Lakeland, FL; Frederick R. Weisman Art Museum, University
of Minnesota, Minneapolis (catalogue) Mesótica Painting, America non-representativa, Museo de Arte y Diseño Contemporaneo, San Jose, Costa Rica (catalogue) Open Your Heart, AIDS Resource Center's Seventh Annual Valentine Auction, Christinerose Gallery, New York Reinventing the Emblem, Yale University Art Gallery, New Haven, CT (catalogue) Private Passions, Musée d'Art Moderne de la Ville de Paris, Paris (catalogu
of Minnesota, Minneapolis (catalogue) Mesótica Painting, America non-representativa, Museo de Arte y Diseño Contemporaneo, San Jose, Costa Rica (catalogue) Open Your Heart, AIDS Resource Center's Seventh Annual Valentine Auction, Christinerose Gallery, New York Reinventing the Emblem, Yale University Art Gallery, New Haven, CT (catalogue) Private Passions, Musée d'Art Moderne de la Ville de Paris, Paris (catalogue)
Widely
traveled and with countless
exhibitions, (and with armfuls
of awards that include the Guggenheim), Webb is at the top
of his form as he looks back over thirty years in this upcoming
exhibition and publication, whose title was provided by the great poet and thinker Goethe, (who wrote books about color that are still sought
out and read today).
Her group
exhibitions include Arte ≠ Vida: Actions by Artists
of the Americas, 1960 - 2000, El Museo del Barrio, New York, NY (2008); Kiss Kiss Bang Bang, Bilbao Fine Arts Museum, Spain (2007); Venice - Istanbul, Istanbul Modern, Turkey (2006); Into Me /
Out of Me, P.S. 1 Contemporary Art Center, Long Island City, NY,
traveled to Kunst - Werke Institute for Contemporary Art, Berlin, Germany (2006 - 07); and Venice Biennale, Italy (2001, 05).
Traveled to: Renwick Gallery, National Collection
of Fine Arts, Smithsonian Institute, Washington, D.C.; Cooper - Hewitt Museum, New York, 1979 - 1980 «Art from Corporate Collections,» Union Carbide Corporation Gallery, New York, May 9 - 30 «Selections from the Collection
of Mr. and Mrs. Eugene Schwartz,» Knoedler Gallery, October 31 - November 28 «Color Abstractions: Selections from the Museum
of Fine Arts, Boston,» Federal Reserve Bank Display Area, November 2 - January 31, 1980 1980 «L'Amerique aux Independents,» 91e Exposition, Societe des Artistes, Grand Palais, Paris, March 13 - April 13 «The Washington Color School Revisited: The Sixties,» Fendrick Gallery, Washington, D.C., September 9 - October 4 «Washington Color Painters,» Milwaukee Art Center, September 1 - December 1981 «Paintings from the United States from the Museums
of Washington, D.C.,» Institute
of Fine Arts, Mexico City, November 18, 1980 - January 4 1982 «A Private Vision: Contemporary Art from the Graham Gund Collection,» Museum
of Fine Arts, Boston, February 7 - April 4 «Papermaking U.S.A.: History, Process, Art,» American Craft Museum, New York, May 20 - September 26 «
Out of the South: An
Exhibition of Work by Artists Born in the South,» Heath Gallery, Atlanta, Georgia, October 1982 1983 «Early Works by Contemporary Masters: Caro, Francis, Frankenthaler, Gottlieb, Held, Louis, Noland, Olitski,» Andre Emmerich Gallery, New York, September 6 - October 8 «Tapestries: Contemporary Masters,» Malcolm Brown Gallery, Shaker Heights, Ohio, October 21 - November 30; New York, February 25 - March 7 «American Post-War Purism,» Marilyn Pearl Gallery, New York, May 31 «Recent Paintings by Kenneth Noland and Darby Bannard,» Douglas Drake Gallery, Kansas City, Missouri, June 1 - 30 «Arte Contemporaneo Norteamericans, Collection David Mirvish,» American Embassy in Madrid, January 1985 «Recent Acquisitions,» Museum
of Modern Art, New York, February 16 - March 17 «Grand Compositions: Selections from the Collection
of David Mirvish,» The Fort Worth Art Museum, Texas, May 1 «Contemporary Monotypes,» Edith C. Blum Art Institute, Bard College, Annandale - on - Hudson, May 8 - July 10 «Selections from the William J. Hokin Collection,» Museum
of Contemporary Art, Chicago, April 20 - June 16 «American Abstract Painting,» Margo Leavin Gallery, Los Angeles, California, June 19 - August 24
1987 The Whitney Museum
of American Art at Philip Morris, New York, Contemporary Cut -
Outs (catalogue) Monte Carlo, Monaco, Monte Carlo Sculpture ’87 Port
of History Museum at Penn's Landing, Philadelphia, National Sculpture Society 54th Annual
Exhibition Kent Fine Art, New York, Assemblage Odakyu Grand Gallery, Tokyo, U.S.A. — U.K. Pop Art, exhibition traveled to Daimuru Museum of Art, Osaka; Sogo Museum, Yokohama) Whitney Museum of American Art, Fairfield County, CT, Contemporary Cut - Outs: Figurative Sculpture in Two Dimensions laneni Lanzone Gallery, San Francisco, After Pollock: Three Decades of Diversity Herter Ar
Exhibition Kent Fine Art, New York, Assemblage Odakyu Grand Gallery, Tokyo, U.S.A. — U.K. Pop Art,
exhibition traveled to Daimuru Museum of Art, Osaka; Sogo Museum, Yokohama) Whitney Museum of American Art, Fairfield County, CT, Contemporary Cut - Outs: Figurative Sculpture in Two Dimensions laneni Lanzone Gallery, San Francisco, After Pollock: Three Decades of Diversity Herter Ar
exhibition traveled to Daimuru Museum
of Art, Osaka; Sogo Museum, Yokohama) Whitney Museum
of American Art, Fairfield County, CT, Contemporary Cut -
Outs: Figurative Sculpture in Two Dimensions laneni Lanzone Gallery, San Francisco, After Pollock: Three Decades
of Diversity Herter Art Gallery.
Exhibitions of Serra's drawings have been held at museums and institutions internationally, including «Richard Serra: tekeningen = drawings: 1971 - 1977,» Stedelijk Museum, Amsterdam (1977); «Richard Serra: Drawings / Zeichnungen, 1969 - 1990,» Bonnefantenmuseum, Maastricht (1990); «Richard Serra: Drawings,» Serpentine Gallery, London (1992); «Richard Serra, Drawings: Work Comes
Out of Work,» Kunsthaus Bregenz, Austria (2008); «Richard Serra Drawing: A Retrospective,» The Metropolitan Museum
of Art, New York (2011,
travelled to the San Francisco Museum
of Modern Art, CA; and The Menil Collection, Houston); «Richard Serra: Drawings for The Courtauld,» The Courtauld Gallery, London (2013); and «Richard Serra: Drawings 2015 — 2017,» Museum Boijmans Van Beuningen, Rotterdam (2017).
Pulling from a year's worth
of travel, insight from some
of the world's most influential curators and collectors, and early intel on upcoming
exhibitions, we've skimmed the top
of emerging art to bring you the 16 artists to look
out for in 2016.
Originally published in 2010 on the occasion
of Dumas» first solo presentation at David Zwirner in New York, this much sought - after
exhibition catalogue — which sold
out shortly after publication — has been reprinted in 2014 to coincide with the artist's European retrospective
exhibition The Image as Burden, organized by Tate Modern, London in collaboration with the Stedelijk Museum, Amsterdam and the Fondation Beyeler, Basel
traveling through 2015.
Couwenberg's work has been included in the permanent collections
of the Laguna Art Museum, the Montgomery Gallery / Pomona College Museum
of Art and the
traveling exhibition, «
Out of Line,» featuring non-objective work from Southern California.
2006 Sisyphean Desires, Systems, and Devices, an
exhibition of time based works
traveling to Georgia, Michigan, Portland, and India, curated by Avantika Bawa
Out of Paint, Kuhn Gallery, Ohio State University, Marion, OH (juried) Faculty Biennial, Archer Gallery, Clark College, Vancouver, WA
Recent
exhibitions include the «The Artist's Museum,» MOCA, Los Angeles (2010); «What Went Down,» Modern Art Oxford (2010;
traveled to Ashmolean Museum, Oxford; Museum Abteiberg, Mönchengladbach; and Centre International d'Art et du Paysage; île de Vassivière, through 2011); «The Beat
of the Show,» Inverleith House, Edinburgh (2011); «The World Belongs to You,» Palazzo Grassi, Venice (2011); «Where the Wild Things Are» and «Thomas Houseago: Hermaphrodite,» Sainsbury Centre for the Visual Arts, Norwich (2012); «Thomas Houseago: Striding Figure / Standing Figure,» Galleria Borghese, Rome (2013); «As I Went
Out One Morning,» Storm King Art Center, Mountainville, New York (2013); and «Masks (Pentagon),» Rockefeller Center Plaza, New York (2015).
Beal, along with Philip Pearlstein, was recently the focus
of «Abstract Expressionism and the New American Realism», a
travelling exhibition organized by the Columbus Museum in Georgia that examined their emergence as realists from
out of the Abstract - Expressionist milieu.
Ruangkritya has involved in many
exhibitions in and
out of the country and the previous
exhibitions include «LANDSCAPE: Hotel Asia Project» (
Traveled from Gallery Soap, Fukuoka to China, Thailand and Tokyo University
of the Arts, Japan, 2016 - 2017), «Omnivoyeur» - a visual and sound project with Christina Kubisch (Bangkok Art and Cultural Center, Thailand, 2016), «Dream Property» (Bangkok CityCity Gallery, Thailand, 2016), «The Archive as Conversation» (Singapore Photography Festival, Singapore, 2016) and «Urban and Reflections: Contemporary Thai Photography» (Otterbein University, Ohio, USA, 2016).
Exhibition Checklist Main Gallery (Clockwise from entrance) Robert Arneson Splatt, 1983 bronze with unique ceramic base 71 x 21 x 21 inches RAs 130.01 Robert Arneson Elvis II, 1978 conte, pastel on paper 41 5/8 x 29 7/8» RAd 04 Joan Brown Self - Portrait at Age 42, 1980 enamel on canvas 71 3/4» x 60» JBRp 19 Steven Campbell Men Insulting Nature and the Notion
of Travel, 1986 oil on canvas 83 x 99 inches SCamp 01 Carol Cole Tar Baby, 2004 mixed media 7 x 13 inches CCs 1 Peter Saul Come and Get Me, 1968 oil on canvas 63 1/2 x42 inches PSp 118 Richard Shaw Figure on a Palette, 1980 glazed porcelain 39 x 13 x 18 inches RSs 68 Andrew Lenaghan Big Sarah, 2005 acrylic on canvas 77 1/2 x 58 inches AnLp 395 Yoan Capote Madness II, 2004 steel 70 1/2 x 40 x 23 inches YCs 19 Collier Schorr Esther's Fine Dream (Ashes to Ashes, We All Fall Down), 1991 cast paper, acrylic, pencil, and collage L 18 x W 12 x D 10 inches CoSs 1 James Barsness Untitled (Red nude on street), 2004 acrylic, ballpoint pen 12 x 9 inches JBARd 60 James Barsness Untitled (with jack o'lantern), 2004 acrylic, ballpoint pen, inkjet archival print on paper 11 7/8 x 8 5/8 inches JBARd 61 Anthony Kulig Look - Out, 2005 plaster, acrylic Two figures 17 x 4 1/2 x 3 inches each AKuls 8 Don Colley Weave 2003 7 x 6 1/2 inches scratchboard, artist's frame DCp 10 Don Colley Reel, 2003 scratchboard, hand - made hardwood frame 6 x 6 inches DCp 09 Side Gallery Diane Edison Self - Portrait Interior (striped robe), 1992 color pencil / black paper 30 x 22 inches DEd 8 Adolph Gottlieb The Watchers, c. 1941 oil on canvas 30 x 24 inches AGotp01 Lesley Dill Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd
of Travel, 1986 oil on canvas 83 x 99 inches SCamp 01 Carol Cole Tar Baby, 2004 mixed media 7 x 13 inches CCs 1 Peter Saul Come and Get Me, 1968 oil on canvas 63 1/2 x42 inches PSp 118 Richard Shaw Figure on a Palette, 1980 glazed porcelain 39 x 13 x 18 inches RSs 68 Andrew Lenaghan Big Sarah, 2005 acrylic on canvas 77 1/2 x 58 inches AnLp 395 Yoan Capote Madness II, 2004 steel 70 1/2 x 40 x 23 inches YCs 19 Collier Schorr Esther's Fine Dream (Ashes to Ashes, We All Fall Down), 1991 cast paper, acrylic, pencil, and collage L 18 x W 12 x D 10 inches CoSs 1 James Barsness Untitled (Red nude on street), 2004 acrylic, ballpoint pen 12 x 9 inches JBARd 60 James Barsness Untitled (with jack o'lantern), 2004 acrylic, ballpoint pen, inkjet archival print on paper 11 7/8 x 8 5/8 inches JBARd 61 Anthony Kulig Look -
Out, 2005 plaster, acrylic Two figures 17 x 4 1/2 x 3 inches each AKuls 8 Don Colley Weave 2003 7 x 6 1/2 inches scratchboard, artist's frame DCp 10 Don Colley Reel, 2003 scratchboard, hand - made hardwood frame 6 x 6 inches DCp 09 Side Gallery Diane Edison Self - Portrait Interior (striped robe), 1992 color pencil / black paper 30 x 22 inches DEd 8 Adolph Gottlieb The Watchers, c. 1941 oil on canvas 30 x 24 inches AGotp01 Lesley Dill
Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd
Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd 52
The Dada Seminars developed
out of a series held by the Center for Advanced Study in the Visual Arts at the National Gallery
of Art, in advance
of 2005's major
traveling exhibition on international Dada.
Artists who couldn't
travel relied on second - hand information: newspapers, magazines,
exhibition photographs, and catalogs stashed in the luggage
of visitors, who often smuggled
out works by Eastern European artists.
With a renewed focus on its contemporary collection, programs, and publications, the IMA has been actively seeking
out the works
of emerging and mid-career international artists through both gift and acquisition, and organizing major
traveling exhibitions and newly commissioned projects.
Heading downstairs to the
exhibition space, «Daughters
of Penelope» surveys the historic relationship between women artists and Dovecot: there's a strong sense
of place ever present, from Moss circle / square (2010) in which Caroline Dear draws on her training in basket weaving, picking
out grasses from her home on Skye which she dries and knots into tactile, perishable grids, to Naomi Robertson's Kantha Diaries (2011) produced after a trip to west Bengal, absorbing Kantha quilt designs into blue - white reproductions
of daily rhythms, or a rug, Untitled (2013) created by Julie Brook and Dovecot, that mimics the gradations
of tone in the British artist's burnt ochre pigment drawings, picked up while
travelling through deserts in Libya and Namibia.
Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit
of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit
Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An
Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years
of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An
Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part
of the
Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years
of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics
of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In &
Out of Amsterdam:
Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum
of Modern Art, New York, US Memory Labyrinth.
Some
of them are in a process
of change: Jenifer Nails in Frankfurt has been recently shut down unexpectedly; LambdaLambdaLambda in Pristina plans a crossover between an art project space and a commercial gallery; The Green Parrot will very soon move
out of its premises in Barcelona and start flying through
travelling exhibitions.
Recent solo
exhibitions and events include: HFT The Gardener, P.P.O.W., New York US; HFT The Gardener, Annely Juda Fine Art, London UK; HFT The Gardener,
Exhibition Research Lab (ERL) / Liverpool Biennial 2016, Liverpool UK (all 2016); HEXEN 2.0, Fig - 2, ICA, London UK; Post-Surveillance Art, Acting
Out festival, Primary, Nottingham UK; Rosalind Brodsky's Electronic Time
Travelling Costumes, Schaufenster am Hofgarten, Kunstverein München Munich DE; HEXEN 2.0, Aksioma Project Space, Ljubljana SL (all 2015); Event: Post-Surveillance Art, Chisenhale Gallery, London UK; Post-Surveillance Art, Maggs Bookshop, London UK; Supper for Snowden, Supper Club, Die AU café / restaurant, Thyssen - Bornemisza Art Contemporary, Vienna AT (all 2014); In The Name
of Art and Other Works, Annely Juda Fine Art, London UK; HEXEN 2.0, Cleveland Institute
of Art (CIA), Cleveland, Ohio UK; HEXEN 2.0, P.P.O.W, New York US; Grimoir du Futur, Espace Multimédia Gantner, Bourogne RF (all 2013); THE REAL TRUTH A WORLD»S FAIR, Raven Row, London UK; HEXEN 2.0, D21 Kunstraum, Leipzig DE; HEXEN 2.0, Hartware MedienKunstverein, Dortmund DE; HEXEN 2.0, Science Museum, London UK (all 2012).
Recent
exhibitions include As I Went
Out One Morning at Storm King Art Center, Mountainville, New York (2013); Thomas Houseago: Striding Figure / Standing Figure at Galleria Borghese, Rome (2013); Where the Wild Things Are and Thomas Houseago: Hermaphrodite at Sainsbury Centre for the Visual Arts, Norwich (2012); The World Belongs to You at Palazzo Grassi, Venice (2011); The Beat
of the Show at Inverleith House, Edinburgh (2011); What Went Down at Modern Art Oxford (2010,
traveled to Ashmolean Museum, Museum Abteiberg, Mönchengladbach, and Centre International d'Art et du Paysage de l'Ile de Vassivière, through 2011); and The Artist's Museum at MOCA, Los Angeles (2010).
«AIDS, A Community in Crisis,» Jamaica Arts Center, Jamaica, NY, 1991 «Language: Body and Dream,» PS 122, New York, NY, 1991 «1991 Biennial
Exhibition,» Whitney Museum
of American Art, New York, NY, 1991; catalogue «We Interrupt Your Regularly Scheduled Programming,» White Columns, New York, NY, 1991 «Interrogating Identity, Grey Art Gallery and Study Center,» New York, NY 1991;
traveled to the Museum
of Fine Arts, Boston, MA; Walker Art Center, Minneapolis, MN; Madison Art Center, WI; Center for the Fine Arts, Miami, FL; Allen Memorial Art Museum, Oberlin College, Oberlin, OH; catalogue «Positions
of Authority,» Art in General, New York, NY, 1991 «Color Theory,» Amelie A Wallace Gallery, State University
of New York at Old Westbury, Old Westbury, NY, 1991 «Text
Out of Context,» SoHo Center, New York, NY, 1991 «New Work,» PS 122, New York, NY, 1991 «Spent: Currency, Security and Art on Deposit,» The New Museum
of Contemporary Art at Marine Midland Bank, New York, NY, 1991 «Works on Paper,» Selena Art Gallery,» Long Island University, Brooklyn, NY, 1991 «Rutgers National «90: Works on Paper, Stedman Art Gallery,» Camden, NJ, 1991; brochure «Art
of Resistance,» El Bohio, New York Public Mirror, Art against Racism, The Clocktower Gallery, New York, NY, 1991
After talks
of upcoming
exhibitions, new pieces, and various art fair
travels, midnight quickly rolled around, and the #YCCPARTY - goers trickled back
out into the Upper East Side.
2006 Jake & Dinos Chapman and John Currin — etchings from the Collection
of Magasin 3, Magasin 3 Stockholm Konsthall, Stockholm, SE Unholy Truths at Initial Access New Art from the Frank Cohen Collection, Wolverhampton, UK PLAY, Bearspace, London, UK Peculiar Culture: The Contemporary Baroque, Art Gallery
of Greater Victoria, British Columbia, CA Aftershock: Contemporary British Art 1990 - 2006, Guangdong Museum
of Art, Guangzhou, CN Works from the Frank Cohen Collection, The New Art Gallery Walsall, UK With the Artists: New Paintings by Jake, Paul, George and Dinos, RS&A, London, UK The François Pinault Collection — A Post-Pop Selection, Palazzo Grazzi, Venice, IT Surprise Surprise, Institute
of Contemporary Art, London, UK Eretica, Museum Sant» Anna, Palermo, IT People, Museo D'Arte Contemporanea Donna Regina Napoli (MADRE), Naples, IT Scarecrow, The Evangelos Averrof - Tositsas Foundation, Athens, GR Into Me /
Out of Me, P.S. 1 Contemporary Art Center, New York, US;
travelling to KW Institute for Contemporary Art, Berlin, DE Summer
Exhibition 2006, Royal Academy
of Arts, London, UK INFINITE PAINTING: Contemporary Painting and Global Realism, Villa Manin Centro D'Arte Contemporanea, Passariano, IT
Visually, the
exhibitions could not be more different, and yet In &
Out of Amsterdam:
Travels in Conceptual Art, 1960 — 1976 possesses a satirical wit similar in spirit to that
of the Belgian master.
It will be supplemented with a presentation
of Rauschenberg's work in color photography that grew
out of his China
travels, as well as documentation and ephemera related to his historic 1985
exhibition.
Hockney's 2017 retrospective at Tate Britain smashed records (even beating
out Damien Hirst's 2012 Tate Modern show), drawing almost half a million visitors eager to bask before his bright, sun - splashed paintings; the
exhibition subsequently
traveled to Paris's Centre Pompidou before arriving at the Metropolitan Museum
of Art in New York in November.
He also organized the
exhibitions In &
Out of Amsterdam:
Travels in Conceptual Art, 1960 — 1976 (2009); Projects 88: Lucy McKenzie (2008); and Book / Shelf (2008), an exploration
of how artists have used the book as an object in contemporary art.
Radical Figurative Art from Sickert to Bevan, James Hyman Fine Art, London, England 2002 Five Painters, Kilkenny Arts Festival, Kilkenny, England 2000 Painting, I Love, Michael Hue - Williams Fine Art, London Look
Out: Art, Society, Politics, Wolverhampton Art Gallery, Wolverhampton, England;
traveled to Bluecoat Gallery, Liverpool, England; and Wolsey Art Gallery, Ipswich, England 1999 Bacon, Bevan, Guston and Baselitz, Michael Hue - Williams Fine Art, London The School
of London: From Bacon to Bevan, Musee Maillol, Paris;
traveled to Auditorio de Galicia, de Santa Maria Compostela, Spain; and Kunsthaus Wien, Austria 1998 Last Dreams
of the Millennium — The Reemergence
of British Romantic Painting, Stephen Solovy Art Foundation;
traveled to California State University; Tyler Museum
of Art, Tyler TX; Manoa Art Gallery, University
of Hawaii, Honolulu 1996 Masculine Measure, Michael Kohler Arts Centre, Sheboygan, Wisconsin 1995 Inside
Out, Aldrich Museum
of Contemporary Art, Ridgefield, Connecticut;
traveled to Galeria Arialdo Ceribelli, Bergamo, Italy 1994 Here and Now: Painting since 1970, Serpentine Gallery, London, England 1993 The Portrait Now, National Portrait Gallery, London, England 1992 British Figurative Painting
of the 20th Century, The Israel Museum, Jerusalem, Israel 1991
Out of Limbo, Foundacion Luis Cernuda, Seville, Spain Five Painters from London, Colegio de Arquitectos, Malaga, Spain 1990 Inconsolable, Louver Gallery, New York, New YorK Picturing People: Figurative Art in Britain 1945 — 84, British Council touring
exhibition: National Gallery, Kuala Lumpur; Museum
of Art, Hong Kong; National Gallery, Harare, Zimbabwe 1989 Prospect 89, Schirn Kunsthalle, Frankfurt, Germany 1988 European Painting and Sculpture, L.A. Louver, Venice, CA Contemporary Portraits, Flowers East, London, England Aperto 88, XLIII Biennale di Venezia, Venice, Italy
Recent
exhibitions include Galerie de Expeditie, Amsterdam, 2007, Van Abbemuseum, Eindhoven, 2008, and In and
Out of Amsterdam:
Travels in Conceptual Art 1960 - 1976, MoMA, NY, 2009.
As an
exhibition of her extraordinary, occult - inspired works opens at the Serpentine Gallery, London, we
travel to Sweden to find
out
Widely
traveled and looking to bring new types
of programming to the msueum, Kholeif was most recently senior curator at the Whitechapel Gallery in London, where he curated
exhibitions including «Fiona Banner: Stamp
out Photographie» and «Electronic Superhighway: From Experiments in Art and Technology to Art After the Internet.»
, Gallery Joe, Philadelphia, PA 14th Annual Inliquid Benefit Auction, Gallery Joe Booth, Icebox Project Space, Crane Arts, Philadelphia, PA 2013 In Front
of Strangers, I Sing: 72nd Annual Juried
Exhibition, Woodmere Art Museum, Philadelphia, PA 2012 Transformations, Philadelphia Episcopal Cathedral, Philadelphia, PA All About Etchings, Chris Neptune Gallery, Washington, DC 2011 Something French, Art Gallery at City Hall, Philadelphia, PA
Exhibition of Select Prints, Wayne Art Center, Wayne, PA 2010 Prints by Gallery Artists, Gallery Joe, Philadelphia, PA Selections from C.R. Ettinger Studio, 2000 - 2010, Pennsylvania Academy
of the Fine Arts, Philadelphia, PA 2009 50 very small drawings, Gallery Joe, Philadelphia, PA 2008 The Figure Today, Jenkins Johnson Gallery, New York, NY The Figure Today, Jenkins Johnson Gallery, San Francisco, CA Fantastical Imaginings, Delaware Center for Contemporary Art, Wilmington, DE Group Show, Loyola University, Baltimore, MD 2007 Magical Realism, Abington Art Center, Jenkintown, PA 2006 Art on Paper 2006, Weatherspoon Art Museum, Greensboro, NC 2005 Telling Stories: The Narrative in Contemporary Art, Pennsylvania College
of Art and Design, Lancaster, PA Collaboration As a Medium, Edison Gallery, Washington, DC (
traveling Art Place, Baltimore MD and more sites) 2004 Figure
Out: Drawing as Narrative, Gallery Joe, Philadelphia, PA 2002 25th Anniversary
Exhibition, The Drawing Center, New York, NY 2001 Ten Contemporary Artists, 5 x 2, Allentown Art Museum, Allentown, PA 2000 Drawing With Color, Mangel Gallery, Philadelphia, PA When Reason Dreams: Drawings Inspired By the Visionary, the Fantastic, and the Unreal, Philadelphia Museum
of Art, Philadelphia, PA Body Dismorphia, Hicks Art Center, Bucks County Community College, Newtown, PA curated by Jeanne Jaffe Allentown Art Museum, 27th Annual Juried
Exhibition, Allentown, PA (Juror: Judith Tannenbaum, Curator, Rhode Island School
of Design, Providence, RI) 1999 Biographies: Philadelphia Narratives, Institute
of Contemporary Art, Univ.
of Pennsylvania, Philadelphia, PA (catalog) Biographies: Philadelphia Narratives, Freedman Gallery, Albright College, Reading, PA (Nov. - Dec.)
Paris About Blog The Lifestyle Blog
of a Parisian: brunches, restaurants,
travels,
exhibitions, tips, cultural
outings in Paris and around the world since 2008.
Paris About Blog The Lifestyle Blog
of a Parisian: brunches, restaurants,
travels,
exhibitions, tips, cultural
outings in Paris and around the world since 2008.