Sentences with phrase «out of waitress»

I soon managed to weasel out of waitress duty and just cook.

Not exact matches

If that happened, Corcoran would go back to waitressing, which is the one job, out of the 22 she worked before age 23, that most prepared her to build a successful company.

Or they may not be thinking that their behaviour is inappropriate at all: people often make comments like these out of earshot of the person they're talking about, thinking that what the waitress doesn't hear won't hurt her.

And every Saturday, when I go to brunch at the little place around the corner, it's right out of Cheers — the waitress greets me by name and the bartender, without waiting to ask, starts mixing my Beefeater martini.

The waitress almost ripped it out of my hands (I'd ordered at the bar and brought it to the table) after hearing I am a Celiac — turns out she is too.

We decided on the Hot Brewer's Plate for Four, and the waitress brought out this gigantic metal platter of meats and sauerkraut that she placed on a rack with large, burning candles to keep it hot.

It turned out we weren't that far from where we'd started that morning, and Amiel and Tony got warm hugs from two waitresses, both of whom were regulars at 12 Steps back in the day [Amiel: The bar, not the program, just to be clear.].

And now, if you'll excuse me, I'm off to watch Waitress and eat the following recipe straight out of the pie pan!

Then the waitress said «we just ran out of chicken & dumplings.»

Thursday night is Face Time at Harpo's, the appointed hour for a massive exchange of check - outs: J - schoolers in their Woody's wear, Ag - schoolers in their pointed boots, athletes in their motley styles, lady professors in their tight jeans — they all crowd in by nine, all the seats and booths taken and the waitresses lost in a hive of table - hoppers and minglers.

The waitress watched as the man slid all the way down his chair and out of sight under the table.

In a private room at the Fort Orange Club, a stately brick manor in Albany where the waitresses still wear French maid uniforms, a pollster laid out the results of his research on gay marriage for Senate Republicans in early June.

When restaurants give the high - profit shrimp salad appetizer an enticing name, highlight it on the menu, and have the waitress point it out as a special, it becomes more convenient, attractive, and normal to order that than the deep - fried onion rings on the back of the menu.

Say you're the waitress and you girlfriend pays for 100 percent of dinners out.

They have a serious case of «the grass is always greener» and they're trying to find out how green the waitress / bar man / taxi driver / person at the next table is.

Almost too much of a way, in fact, since he's currently dating three beautiful women in three different cities: Lorena (Roselyn Sanchez), a bright and attractive lawyer living in Chicago; Cici (Sofía Vergara), a cocktail waitress from Miami with a fiery personality; and Patricia (Jaci Velasquez), a New Yorker looking to get out from under the domineering shadow of her mother.

Set in Louisiana, Sookie Stackhouse is a telepathic waitress in a world where vampires have came out of the coffin.

Because he doesn't agree with God's assessment of mankind, so he refuses to join the destruction, starting with just saying no to killing the baby that can somehow lead the world out of darkness — a baby just about to be birthed of Paradise Falls waitress Charlie (Adrianne Palicki).

«True Blood» (Sunday at 9 p.m. on HBO) «Six Feet Under» creator Alan Ball adapts a series of novels about a telepathic Louisiana waitress (Anna Paquin), who falls in love with a vampire (Stephen Moyer) in a world where the undead live out in the open.

In the dark heart of a sprawling, anonymous city, Terminal follows the twisting tales of two assassins carrying out a sinister mission, a teacher battling a fatal illness, an enigmatic janitor and a curious waitress leading a dangerous double life.

After years of toiling away in nameless bit parts like «Sky King Waitress» in Disney's The Kid (2000) and thankless supporting parts in rom - coms like The Back - Up Plan (2010), Melissa McCarthy finally broke out as a big screen star in...

Ashley Judd (Twisted, Frida) plays Agnes, a lonely Oklahoma waitress receiving persistent phone calls from an unknown source she is sure is her ex-husband, Jerry (Connick Jr., Basic), recently let out of prison.

Along with a request that women walking the red carpet at the Golden Globes speak out and raise awareness by wearing black, the initiative includes a legal defense fund, backed by $ 13 million in donations, to help less privileged women — like janitors, nurses, farm and factory workers, waitresses, hotel housekeepers — protect themselves from sexual misconduct and the fallout from reporting it; legislation to penalize companies that tolerate persistent harassment, and to discourage the use of nondisclosure agreements to silence victims; and a drive to at long last reach gender parity at studios and talent agencies that reportedly has already begun making headway.

December 1, 2017 • Mraz recounts the palm reading that led him to drop out of college and make music, and how Sara Bareilles brought him to the Broadway musical Waitress.

In Wonder Wheel, four peoples» lives intertwine amid the hustle and bustle of the Coney Island amusement park in the 1950s: Ginny, an emotionally volatile former actress now working as a waitress in a clam house; Humpty, Ginny's rough - hewn carousel operator husband; Mickey, a handsome young lifeguard who dreams of becoming a playwright; and Carolina, Humpty's long - estranged daughter, who is now hiding out from gangsters at her father's apartment.

Early in the picture, Saginowski stumbles upon a small puppy that's been beaten up and left in the trash can of Nadia (Rapace), a local waitress, and after he pulls it out and the two clean it off they strike up a kinship that is touching and played in charmingly low - key fashion by the two actors.

Duets is the first feature about karaoke I've seen, and Byrum uses it as a suggestive metaphor for the dreams of three sets of characters who've lost their way in terms of their personal and family identities: a karaoke hustler (Huey Lewis) who meets his daughter — a Vegas showgirl played by Paltrow — for the first time at the funeral of her mother; a traveling salesman (Paul Giamatti) who flips his lid after flying to Houston instead of Orlando and then going home to an indifferent wife and kids, and who eventually splits and hooks up with an ex-con (Andre Braugher); and a young cabdriver (Scott Speedman) who reluctantly agrees to drive a waitress and part - time hooker (Maria Bello) out west.

We see Emma (a wobbly - accented Anne Hathaway) settling into a waitressing job in a Mexican restaurant, and Dexter (an uncomfortable Jim Sturgess) drifting in and out of a late - night TV career.

There, she begins working as a cocktail waitress and then an assistant to a Hollywood insider, Dean Keith (Jeremy Strong, nice and sleazy), who soon has Molly running his weekly poker night out of the Cobra Club (a stand - in for the notorious Viper Room), complete with $ 10,000 buy - ins from a pool of hand - picked, high - profile names.

On a dare from his best bud, Anderson proposes to his waitress, a complete stranger named Katie (Fisher, Wedding Crashers), in a local diner, not knowing she would do anything to avoid getting out of a proposal of her own from a guy who is completely perfect, at least from her parents point of view.

Opening with a scene straight out of a slasher handbook - a waitress cleaning up after hours hears a strange noise and goes to investigate - the movie is abruptly interrupted by a man talking directly to the viewer.

Vega is terrific as a small - town girl who wants out, a diner waitress who's tired of it all.

It nevertheless goes without saying that Waitress carves out a place for itself as a likeable endeavor that stands as a fitting farewell for Shelly, with the actress - turned - director's surprising decision to eschew certain conventions of the romantic - comedy genre elevating the movie a slight degree above its similarly - themed brethren.

They take photographs of people and animals - dockworkers» wives, a waitress, the last resident of a housing community for mining families, goats - and instantly print out the images on huge sheets that are then plastered on previously gray, unadorned walls around town.

Quinn's return to an area of Queens where at least one diner waitress remembers him as «Johnny» is confounding, in a good way, challenging viewers to figure out the timeline of Quinn's flashback in the titular safe house.

But that's easier said than done, for also standing in the way of Shaft and his way of justice is Peoples Hernandez (Jeffrey Wright), a Dominican gangster who is hired by Walter to rub out waitress Diane Palmieri (Toni Collette), the only eyewitness to his crime.

When we left Sookie Stackhouse (Anna Paquin) at the end of Season Three, the telepathic roadhouse waitress turned vampire paramour of Bon Temps, Louisiana, had been transported to Faerieland, which turns out to be a lot less like a Disney movie than a horror movie.

Mixing romance, suspense, mystery and humor, the Emmy - nominated show takes place at a time when vampires have come out of the coffin, and follows the on - and - off romance between waitress and part - faerie Sookie Stackhouse (Anna Paquin), who can hear people's thoughts, and 173 - year - old vampire Bill Compton (Stephen Moyer).

Set in the dark heart of a sprawling, anonymous city, «Terminal» follows the twisting tales of two assassins carrying out a sinister mission, a teacher battling a fatal illness, an enigmatic janitor and a curious waitress leading a dangerous double life.

The rest of the film follows suit by stuttering between two children playing hooky, a cute waitress (Melanie Doane) flirting with a drifter while dreaming, Steve Earle - like, of getting out of Dodge, and of an investigation of a possible serial killer who leaves black swan feathers at the scenes of his crimes.

The official synopsis from RLJE Films reads: «In the dark heart of a sprawling, anonymous city, «Terminal» follows the twisting tales of two assassins carrying out a sinister mission, a teacher battling a fatal illness, an enigmatic janitor and a curious waitress leading a dangerous double life.

Irresistible ingénue Audrey Tautou stars in the title role, a winsome waitress in Paris who sets out to make life better (or, if you deserve it, worse) for those around her after returning a lost box of childhood artifacts to its rightful owner.

The events are set in the 1930s, dealing with a recently released bank robber, Clyde Barrow (Warren Beatty, Heaven Can Wait) who hooks up with a small town waitress, Bonnie Parker (Faye Dunaway, The Thomas Crown Affair), who is looking to get out of her humdrum life.

The trout dinner, planned at a classical concert where Ross's cellist daughter is to perform, is hosted by the doctor and his painter wife; the guests are an out - of - work salesman (Fred Ward), who stopped off at the greasy spoon where the waitress works before going fishing, and his wife (Anne Archer), who dresses as a clown for children's parties and previously turned up at the hospital where the doctor works, after being stopped and sexually harassed by the cop.

Sitting down to breakfast at a little country establishment, he locks eyes and giggles with her as she stumbles out of the kitchen to start her waitressing duties (the reader might find it interesting to note that this stumble was quite an accident on the part of actress).

First Generation tells the story of four high school students - an inner city athlete, a small town waitress, a Samoan warrior dancer, and the daughter of migrant field workers - who set out to break the cycle of poverty and bring hope to their families and communities by pursuing a college education.

Mary Titus is a hippie earth mother waitress - environmental activist who takes out her hatred of the sea by petitioning government agencies for the termination of cod fishing, which is the town's primary economic engine.

(Get your mind out of the gutter — she was a cocktail waitress.)

And the title of Hope Was Here by Joan Bauer (2000) turns out to be true in many ways for its itinerant teen waitress protagonist... even if loss was «here,» too.

At 18, Indigo wants no more out of life than to be a waitress.