Sentences with phrase «out of your shooting car»

Modern FPS mode, get out of your shooting car, combat, make a strike and as much overkills as you can!

Not exact matches

At 2:24 p.m., just five minutes after police say the gunman got out of the car in front of the school, the shooting stopped, according to an official police timeline.

You are «a good soldier» for the rebels, now: beating against a a section of seemingly dead institution which nevertheless apparently holds great influence of a manipulative and brainwashing kind — still caught up in the battle like Libyans after Gaddafi: shooting side arms and even heavy artillery up in the air out of car windows and trucks in victory and defiance.

After they are unable to hit the man — who was on foot — they got out of the car and shot him 14 times.

One summer afternoon, my two closest friends came to my house to tell me that our friend Rachel — the free spirit of our group, the smartest and funniest and most creative person we knew, though also the most troubled — had driven her car far out onto a rural road, climbed a hill, and shot herself in the mouth.

The shootings happened earlier this morning as the officers sat in separate patrol cars around 1 a.m. in the closely situated Iowa cities of Des Moines and Urbandale when Urbandale police were called to reports of gunfire that turned out to be one of their fellow officers.

And Steve Bello, writer and producer of several TV hits, agrees: «It requires more time, effort and creativity to write and produce a segment that involves the interaction of three different people, than to do an equal amount of time of a car chase or shoot - out.

Coming out of pub, walking along the Shore Road, a car pulls up and [they] shot him.

Vladimir, who spent his final years in Russia working on one leg in Odessa's open - air market unloading sacks of potatoes, threw down his crutches as the train began to move and started hurling the suitcases so hard at Max, who was on the train, that he nearly shot out the door on the opposite side of the car.

You will be invited down pitch side at half - time and play out «Take Your Pick» game (shown below) where you can win one of these prizes: - Rollover cash prize - Huddersfield Town Car Mats - A Huddersfield Town Umbrella - A Tilly the Terrier - A Huddersfield Town T - Shirt - A Huddersfield Town Scarf - A Huddersfield Town Penalty Shoot - Out Mug - A Huddersfield Town Water Bottle - A Huddersfield Town Hat - A Huddersfield Town Football - Huddersfield Town Sweout «Take Your Pick» game (shown below) where you can win one of these prizes: - Rollover cash prize - Huddersfield Town Car Mats - A Huddersfield Town Umbrella - A Tilly the Terrier - A Huddersfield Town T - Shirt - A Huddersfield Town Scarf - A Huddersfield Town Penalty Shoot - Out Mug - A Huddersfield Town Water Bottle - A Huddersfield Town Hat - A Huddersfield Town Football - Huddersfield Town SweOut Mug - A Huddersfield Town Water Bottle - A Huddersfield Town Hat - A Huddersfield Town Football - Huddersfield Town Sweets

You will be invited down pitch side at half - time and play out «Take Your Pick» game where you can win one of these prizes: - Rollover cash prize - Huddersfield Town Car Mats - A Huddersfield Town Umbrella - A Tilly the Terrier - A Huddersfield Town T - Shirt - A Huddersfield Town Scarf - A Huddersfield Town Penalty Shoot - Out Mug - A Huddersfield Town Water Bottle - A Huddersfield Town Hat - A Huddersfield Town Football - Huddersfield Town Sweout «Take Your Pick» game where you can win one of these prizes: - Rollover cash prize - Huddersfield Town Car Mats - A Huddersfield Town Umbrella - A Tilly the Terrier - A Huddersfield Town T - Shirt - A Huddersfield Town Scarf - A Huddersfield Town Penalty Shoot - Out Mug - A Huddersfield Town Water Bottle - A Huddersfield Town Hat - A Huddersfield Town Football - Huddersfield Town SweOut Mug - A Huddersfield Town Water Bottle - A Huddersfield Town Hat - A Huddersfield Town Football - Huddersfield Town Sweets

Then, in the cutest move of all, Noah manages to shoot out of the car seat, past his mother, and get into the driver's seat.

Surveillance video shows the person who shot Oheka Castle owner Gary Melius tried and failed to fire at least three more times after the politically influential developer had stumbled out of his car and headed toward the castle's employee entrance.

The two officers were shot --» assassinated,» as the mayor and police commissioner put it — through the window of their patrol car by 28 - year - old Ismaaiyl Brinsley, who posted on social media that he was out for revenge for the police - related deaths of unarmed black men, Eric Garner and Michael Brown.

Even at the Gibraltar Coroner's inquest, six months later, she stuck to her guns although by then she was the only witness to say the SAS had jumped out of a police car on the other side of the road, vaulted a central reservation and shot two terrorists while they were trying to surrender.

The P.B.A., frustrated by a lack of progress on labor talks and a perceived lack of support from City Hall when protests broke out following a grand jury's decision not to indict any police officers for the death of Eric Garner, lashed out at the mayor in December after two officers were shot and killed while sitting in their patrol car.

Funny story while we were in between shooting looks I got out of my car and this scarf flew up in the air (there were 25mph gust that day!).

Heidy shot these for me last weekend, and yep, I did a shimmy out of one dress into another in the car park - with an apartment block of potential onlookers.

Haha... if i lived closer, we could take each other out for shots... now that my 3 kiddos are out of school and my giant teenage sons are eating me out of house and home and using my car every moment, I'm ready for summer to be over, lol!

There is a really fun story behind shooting these blog photos — it started raining almost immediately after we jumped out of the car.

Even when I'm doing blog shoots, men will stop and shout from their cars, «ya baby,» honk, and say other demeaning things out of their windows.

hi ladies im chuck single waiting too find the one for me / just one the right one would be nice for longterm / relationship... what i like to do play ps3 games, shoot my guns, fishing, hunting, moives, go out to eat, go for walks enjoying the out doors, spending time too know of one., work on cars an my clas...

The shooting is good and the driving / car combat / racing aspects offer a lot of potential to fill out the world even more.

A teen girl limping along a road is stopped by a police officer who tries to help her until his throat is slit (we see pulsating blood) and he falls, crawls while gurgling and dies; the teen girl enters the police car, followed by the attacker, who slashes at her several times with a carving knife and the girl picks up a rifle and shoots the attacker, blowing her out of the vehicle onto her back (we see blood), pulls the mask off the attacker and fires a rifle into her abdomen killing her in a puff of smoke (we see no additional blood).

The movie was filled with action: explosions, shooting, car chases, wrecks, heart jumping out of your chest terror and humor.

Shooting out from the wrists are electrified whips that can slice a car like a loaf of bread.

Despite his lack of prowess at writing great characters or dialogue, Besson is pretty good at car chases and shoot - outs, and Lucy gives us quite a bit of that, so for action junkies, this will likely hit the spot just right.

► Two men carjack a car with a woman in it; another man shoots the car as it speeds by striking the driver and the car crashes into a fire hydrant, the woman stumbles out of the car and runs away, one of the men in the car stumbles out shooting and he is shot in the back and then again at close range (we see bloody wounds) while the driver of the car is shown gasping and spitting blood with a bloody wound on his neck and head (he dies); we see a video of this incident several times.

Ed Gonzales, Slant Magazine: Butler, whether sliding out of a car door to shoot at a pursuer or jumping from scaffolding and into a nearby building, is as fleet on his feet as Najafi is in his sculpting of the film's flurry of action.

So I began to pick - up on some unintentionally humorous elements, including a shot of six cars driving onto an icy which looked like a scene out of a Lexus commercial, and all the Dunkin' Donuts product placement.

I can't remember any of the gags, other than West limp - wristedly shooting indians out the train car window with deadeye accuracy.

He brings the pacing of Creed's boxing matches to the longer action scenes, producing a fabulously entertaining sequence in which a shoot - out in a South Korean underground casino — presented in part as an uninterrupted long take — breaks out into a rollicking car chase through city streets.

Rather, it's a delirious five - minute sequence that involved shutting down an active freeway off - ramp for two days, hundreds of dancers hoofing and singing their hearts out on top of color - coded cars, and an extraordinary amount of co-ordination to make it seem as if it's all happening in one seamless, smooth - as - hell single shot.

Visual detritus litters Jonze's shots: A chucked can from a speeding car bounces off Malkovich's head, the culprit recognizing Malkovich in time enough to call him out by name, though why John Malkovich poorly disguised in a ball cap and covered in ectoplasm would be on the side of the road in Jersey is anyone's guess; a documentary features Brad Pitt briefly only to ignore him; an alternate universe Charlie Sheen embraces his receding hairline.

The Lincoln Lawyer (R for violence, sexuality and profanity) Matthew McConaughey stars in the title role of this courtroom drama about a disgraced criminal defense attorney working out of the back of his car who finally lands a shot at redemption when he's hired by a Beverly Hills playboy (Ryan Philippe) accused of raping a call girl.

THE GRAND BUDAPEST HOTEL — Night Train is more of a psychological thriller than an action ripper, but it ends with an exciting set - piece shoot out on a mountain - range crossing cable - car.

It has car crashes, shoot - outs, and bursts of digital effects, but is carefully minimized, its mood set and sustained by the score's piano motif, a repeated bum - dum - da - dee - da - dee - da - du - da - du.

Moving away from the horror elements of The Terminator, Terminator 2: Judgment Day is an all - out war of car chases, fight scenes, shoot outs, nuclear explosions and a phenomenal, if gratuitous set piece where the Terminator blows up numerous police cars with a machine gun for no other reason than the script required an action beat.

There are some neat touches throughout — using Q Lazzarus» «Goodbye Horses» on the soundtrack, originally immortalised by Silence of the Lambs; a brief cameo by Délé Ogundiran; a nifty shot of Wood replicating the original 1980 movie poster in a shiny, reflective car door — but this newer model never emerges out of the shadow of Lustig's astonishingly efficient original.

That new perspective is the way the film looks like an action movie, filled with car chases and fights and shoot - outs, while behaving in a way more akin to a musical (For further evidence of the musical's influence, one need only look to the opening credits, which has the hero dancing around the city, as an assortment of visual gags highlight certain lyrics).

Detained after a fight broke out on a train car, the unarmed Grant was shot in the back by a white police officer in front of dozens of witnesses taking cell phone videos of the incident.

An aerial shot of an out - of - control car beating an S through a corn field, a Native American couple vacating a house that is immediately bulldozed, a fight scene at 30,000 feet: These are treated with as much care and enthusiasm as Jesse's maybe - come - to - Jesus.

If you believe your actors are capable of conveying emotion and nuance, you don't shoot them in sexy angles and luxury car commercial colour schemes while trying to drown them out in spasmodic torrents of empty, manipulative noise.

The pointless 3D doesn't help, but CG this obvious has a bad habit of taking you right out of the film, even in such excellently crafted and executed moments like a minutes - long shot that pans around the interior of a speeding car.

Through it all, Johnson is required to look like he's in over his head and, trying to shoot out a car way up from the cab of a speeding truck, he often does.

QUESTION: Josh Brolin was talking about the first scene you guys shot together when he kicks the crap out of you next to the car.

The pair find themselves thrown together for an eventful 24 hours, during which time they experience explosive car chases, fiery shoot - outs, a merciless dictator (Gary Oldman) and a whole lot of creative expletives.

This «operativo» turned into one of the most hair - raising and intense parts of the film and also an important turning point: while scoping out an area of town, they got shot at; frantically jumped out of the car to take cover; got info about who was shooting at them and went on a witch - hunt through town looking for a «white Jetta,» Instead, they found a seemingly innocent man in a white Cherokee; pulled him out of the car and then away from his family and distraught young daughter; interrogated him at gun point in the back seat of the car speeding through town as I was jammed in between the two middle seats; and then brought him back to a torture chamber where they were similarly interrogating others with tazers.

The Rookie's best sequence is its intital car chase, in which Eastwood pursues (and boards) the car thieves» semi auto - carrier, but matters get downight nutty by the picture's midsection — in which Pulovski is kidnapped by the baddies: his escape involves a sports car shooting out of a second - story wall, just ahead of an explosion («Fasten your seatbelt,» Pulovski sez).

* «Don't shoot, I've got your shoe» — Atomic Blonde... * Brawl in Cell Block 99: Bradley (Vince Vaughn) pulling headlight cable out of wife's car... * Mother's body sailing over moonroof, Mom and Dad... * Wrists bound with Christmas lights, Super Dark Times... * Thelma: hair hanging hydralike on outside of windowglass... * «I won't let you leave until you've tried my tart» — Martin's mother (Alicia Silverstone), The Killing of a Sacred Deer... * Captain Phasma eye through shattered mask; Gwendoline Christie, Star Wars: The Last Jedi...