Sentences with phrase «out than any other character»

She's much more fleshed - out than any other character previously seen and can be regularly engaged in conversation.

Not exact matches

When Connor (Jason Clarke) first pops up in the trailer, there's no reason to believe he's anyone other than the heroic character he's always been depicted as; however, seemingly out of nowhere, an aged Schwarzenegger's character shoots him.

For what it's worth, the characters are slightly more fleshed out than in other «Call of Duty» games.

When Jesus says, as in the Fourth Gospel's interpretative words, «Love one another as I have loved you, greater love hath no man than this, that he lay down his life for his friends,» the very quality of the love which God has expressed through Jesus becomes the quality and character of suffering love poured out for another beyond the worthiness of that other.

Finally, it should be pointed out that Whitehead himself is unable to stick with the postulated uniform character of an actual entity as resolutely and univocally as he alleges: God as an actual entity is more than just specifically different from the other actual entities.

This principle of discontinuity, as it is often called, does not presuppose that Jesus was never in agreement with the Jews of his day or that his character and doctrine were generally out of phase with the teaching of the early Church, but simply that it is more difficult to account for dissimilar statements as originating from sources other than Jesus himself.

They are: rationalization, which tends toward sterile intellectualization and robs life of its character and vitality; estheticism, which cuts off true communication by maintaining an esthetic distance in order to dominate, rather than to support, others; capitalism, which tends to deper - sonalize people by providing for their hedonistic needs in order to support production and consumption regardless of its human utility; and nationalism, which tends to make national things sacred and in doing so to create idols out of them.31.

Joining a club of arsenal s stature has its ups and downs.There is a requirement of how our players should perform when on the pitch.The following is a list of players who were wrong to choose arsenal.Aaron ramsey - Even though he is the most favoured of all players at the club now.I cant help but think how it would have gone for Him if he decided to search for other greener pastures.He was a clear talented footballer during his time at cardiff but he hasnt been raised with the discipline at arsenal.You can always see ramseys all round strengths but sadly Its not helping him or the club with his foward moving pleasurr.He is so Over used and its sometimes difficult for him to get used to the rythm of the game.With time you realise he gets low ib confidence and his engine gets wasted.He needed somebody who would have managed him properly and with care and that person is certainpy not wenger.You would have been better off at Manu mate.Calum chambers - Came us a very talented player from southampton with raw talent.He was very good at first but wenger found a way to reduce his level of confidence.His inexperience was left exposed and wenger did nt do anything to resolve that problem and instead He looked for other talented players.Alex oxlade chamberlain - Another very talented player who needed only his skilled sharpened and his character modelled.That and he was ready to become a world beater.But wenger decided to let him run and run like a headless chicken causing him to be often injured and damaging his confidence.Who knows what would have happened to him gad he decided to look for more greener pasture.He is surely a much better player than this.Theo walcott - Another player who was tipped to have a very bright future.He had it in him.But all he needed was an appropriate manager who would nurture him with discipline and help him with his talent.But on Coming to arsenal he was given Much more responsiblities putting more weight on his shoulders on top of that another player who was recklessly managed with his talent and never coming off age because his character wasnt properly shaped.Mesut ozil - Al right i agree he perfoms well just recently.But imagine all the legendary players he was often compared to during his time at real madrid.On coming to arsenal he found no rotation often overused, suffered many injuries and his confidence dwindled.It is pretty clear arsene does not take any responsibility for players.And when at arsenal you have to be your own manager.You need not rely on your manager otherwise you might continue being the same player for the next many years.That is why each and every player are what they are because of their own efforts and wenger had nothing to do with it.Van persie was the same player for over 7 years untill he himself decided to change.Wenger only organises and prepares tge team while the rest is in your court.It is not what so many people make it out to be.Thats why we need to pressure wenger more than our own players.They are their own self managers and wenger needs to take that responsibility

Hope this one doesn't pan out the only African player we should be going for is Keita other than that it makes no sense to me, there are so many wingers better than a one season Mahrez (dembele, Brandt, Lemar, pulisic, berrardi the kid from sassuolo, Forsberg, Marco asensio, Douglas costa, Allan saint maximin, the list goes on) plus all I read was how good his dribbling skills and the occasional goal or two, I also have seen him play and as soon as things get tough his head drops that's what I mean by lazy no character, no fighting spirit and we got loads of those players the only one who differs is Sanchez so if he is coming we lose Sanchez, so no sorry I won't be happy with that mediocre replacement!!

Some of the characters, too, are more fully conceived than others: her sneering, Sid Vicious - style punk singer is a cringe - inducing embarrassment, and the comically nasal drawl she gives the stockbroker who lays out the principles of Futurism emanates from nowhere on Earth outside a beginners» acting workshop.

The menus are too awkward - selecting a betting amount is fiddly beyond reason - and there's too much competition out there for Stacked to distinguish itself as anything other than one of the ugly cliches from its own character selection menu.

There are so many things wrong with this game, first of all the plot is too linear you play as Mario throughout the whole game you don't get to play as peach or bowser, there are no new characters other than kersti, all the characters in the game are from the Mario platformers, there are no exp so you can't level up and if you run out of stickers you have no choice but to run away, peach only has about five lines, bowser is the main antagonist and he has no dialogue, in the previous installments the main antagonist always had dialogue, and one of this game's worst problems is that luigi went from being a playable character to a glorified cameo, I have no idea what nintendo was thinking when they made this game.

In other words, he's much better at effects - laden set - pieces than character drama, and this film is crying out for more of the latter.

What this prequel serves is to fill in all of the necessary gaps in order to flesh out just who all of the characters are, why they do what they do, and why the police can be seen as not much different than any one of the other powerful triad families in trying to maintain control of the city by any means necessary.

Plus, each character has their own way of getting things done, so there is plenty of variety to be had and although some will make things a lot easier than others, you will have your work cut out for you, if you wish to beat every mode, but even when dying, you will enjoy every minute of it.

On Nintendo Switch I've dived deeper into other modes than ever before, and the ability to play as Linkle and all of the DLC characters I missed out on gave me hours of fun, made even better by local multiplayer on the big screen — my favorite part of every Warriors title.

Out of the ensemble, some eggs are more rotten than others, but for the most part, Free Fire is a movie in which we're rooting the characters to find a solution, not kill each other.

mmm... a protagonist who complete dominates a long film to the detriment of context and the other players in the story (though the abolitionist, limping senator with the black lover does gets close to stealing the show, and is rather more interesting than the hammily - acted Lincoln); Day - Lewis acts like he's focused on getting an Oscar rather than bringing a human being to life - Lincoln as portrayed is a strangely zombie character, an intelligent, articulate zombie, but still a zombie; I greatly appreciate Spielberg's attempt to deal with political process and I appreciate the lack of «action» but somehow the context is missing and after seeing the film I know some more facts but very little about what makes these politicians tick; and the lighting is way too stylised, beautiful but unremittingly unreal, so the film falls between the stools of docufiction and costume drama, with costume drama winning out; and the second subject of the film - slavery - is almost complete absent (unlike Django Unchained) except as a verbal abstraction

So no great surprise here that The Lincoln Lawyer turns out to be superior piece of crime storytelling with some characters clearly designed for recurring roles (in other novels and perhaps other films should this one do well) while others are designated for showy guest appearances as larger - than - life evildoers or tough - guy eccentrics.

But it's also a far more complex character than that, and Blunt deftly shows the other sides of Sara — the remains of the irresponsible party girl she once was, the sexually frustrated young woman out in the boondocks, the parent without a rulebook to a child who scares the living shit out of her.

Those later elements are really the only thing that sets this apart from the countless other cop - tracks - down - a-killer movies out there, because for all its clichéd plot points and stock characters, it's obvious screenwriters Robert Fyvolent, Mark R. Brinker, and Allison Burnett are more concerned about coming up with graphic death scenes than anything else.

In Plaza's defense, however, she's given more freedom to flesh out her character to be something other than the wry, smartass she is usually equated with being.

A day after this image went up, Red Dead Redemption 2 was finally officially announced with the same poster, tricked out with a title and some more detail on the seven characters, making Marston's identity all the more likely, and allowing players to assume that the center character is none other than Dutch.

This one is more surprising and multi-faceted than the others but sometimes feels out of place with its more complex characters.

Yet it's not always clear what Larraín is setting out to do in this handsomely mounted character portrait, other than showcase an elaborately mannered performance by Natalie Portman as the grief - numbed former first lady.

As much as I love Knocked Up, I don't think Rudd and Mann's characters really stand out, nor would they work in anything other than supporting roles.

He has become a component of that bigger universe of super-powered characters, where heroes pop in and out of other heroes» movies (mostly during post-credit scenes) for little reason other than to set up an unstoppable team of superheroes.

None of the characters is fleshed out beyond what's necessary for the plot at hand, as we get the sense that not a single one of them has even a shred of a personal life, family or friendships other than as vessels inhabiting their current occupations.

While some may charge that it is simply a bait - and - switch when it comes the main character's gender, Hilary Swank's, Maggie, is built out in much more depth than other classic boxing characters like Rocky Balboa, James Braddock, or Micky Ward.

And while the cast is wall - to - wall great, what's notable (for genre fans, anyway) is that the title character is played by none other than Anya Taylor - Joy, who broke out in this year's hit horror movie The Witch — only now it looks like she's the one doing the tormenting.

While many love stories never delve much deeper than the initial attraction and union of two people who must overcome obstacles to finally come to equal terms, The Painted Veil differs by starting out with an uneasy union, with characters that have many conflicting feelings for one another at varying times, never quite able to come to a mutual understanding of what they mean to each other.

But at least scripters Tony Gilroy and William Blake Heron give her a character to work with, which is more than be said for other talented actors filling out the ensemble, such as Julia Stiles (merely marking time as the baddies» resident computer expert) and especially Clive Owen, who is completely wasted as a barely - seen and - heard evil operative.

The characters are great, and weird, but that made them memorable: — RRB - I spent more time going from one end of that world to the other trying to find all the secrets (tearing my hair out at times I'll admit) than I think I did with any of the other Zelda games, the key being I really did enjoy doing it.

While some of the characters stand out a little bit more than others, such as Torneko Taloon, the merchant, you'll get to know all of them very well thanks to the game's unique structure.

And though I've always favored Ferrell's absurdist, noisier roles (Elf, Anchorman, Step Brothers) to his goofy «straight» characters (Kicking & Screaming, Land of the Lost, The Other Guys), there's something to be said for Ferrell stepping out of the lime light and playing the middle ground between the two (Old School, Stranger Than Fiction, Wedding Crashers).

Despite being told that drones and teams have been sent in previously, but none have come back other than her husband, Portman's character sets out with an all - female team to retrace her husband's steps and discover what happened.

Because her thinking man's Ilsa act in The Reader is at least conceptually riskier than her put - upon dishrag Debbie Downer in Revolutionary Road, we were that close to throwing her by the wayside in this category, especially because there's a clearly superior crypto - leading role in the mix (Rosemarie DeWitt, whose titular character in Rachel Getting Married has been shut out of a lot of races thus far, but we feel anyone who actually watches enough of the film to justify throwing their vote toward frontrunner Anne Hathaway should have no other choice but to recognize DeWitt's equally tricky, equally attention - stealing performance).

Screenwriters John Ronson and Peter Straughan (who very loosely based the character on Frank Sidebottom, the comic persona of the late U.K. performer, Chris Sievey, amongst other musicians) are aware of the thin line between madness and genius, but rather than exploit that tired trope, they use it as a jumping off point to explore issues as inherent to both art and life as identity, voice, creative output, and that age old question of what it really means to sell out.

Thankfully Blanchett's panache saves the character from being totally forgettable - other than her antler influenced outfit that looks like something straight out of Rupaul's Drag Race.

I must say that this was one of the worst movies I've ever watched, «Evil Dead» was better than this mound of shit... Gareth Edwards should be banned from directing hence forth, and now I hear he's directing the new Star Wars spin - off... I'm not one to talk down to others but let's be honest, you have to be retarded to like this movie... It made absolutely no sense, the script (the most important piece to any movie) was terrible, the plot was stupid, the acting was horrible and it seemed that the actors who were chosen were acting for a different movie all together... Where was the sense of urgency, I mean there were 300 foot tall behemoths walking through buildings and all you could show us was who was going ride with the little boy on the school bus... Maybe if all the main characters died and they just let Godzilla do his thing from there on out an eyebrow could've been raised but unfortunately, there isn't one good thing to say about this movie... I'm shocked the WB handed over one their biggest names to Legendary Pictures... Let's not forget what they've done with Superman Returns... This is shameful...

While Cully (Chris Pratt), a binge drinker who doesn't realize that aggressively trying to apologize to people for being an «asshole» in high school only makes him a bigger one, and his wife Sam (Ari Graynor), who is rightly resentful of her husband's behavior, are fleshed out just enough, other characters — like Garrity (Brian Geraghty), who has to convince his wife (Aubrey Plaza) that his hip - hop lifestyle as a teenager don't define him now, and Scott (Scott Porter), who lives in Japan and has no other discernible traits — are little more than background dressing.

Every other character — Li - zhen's philandering boss, Chow's happy - go - lucky friend, the nosy landlady («Young wives shouldn't stay out so late — people will start to wonder»)-- is a satellite, and the husband and wife go almost unseen, their offscreen voices used as rhythmic punctuations in a movie that feels less like a narrative than a beautifully drawn - out musical improvisation — Wong Kar - wai's «Blue in Green.»

Other than that, the other characters fill out typical roles in this kind of «spaceship in despair» mOther than that, the other characters fill out typical roles in this kind of «spaceship in despair» mother characters fill out typical roles in this kind of «spaceship in despair» movie.

At the same time there always seem to be new characters downtown doing who knows what other than making everyone's life miserable by tracking how many students have completed how much of the MAP test with how much time left and sending the spreadsheet out to everyone to try to make it like a competition.

The central character of Wolves of the Crescent Moon is Turad, a Bedouin and former desert bandit who, as the novel opens, finds himself in the Riyadh bus station with no destination other than one that will take him out of the city he has come to loathe.

I'm thrilled with the books featuring gay characters out there, but I want to see someone other than gay white boys in books.

This gives you more control over your character than most other games out there; you could focus on building your sniper's cloaking tech, or maybe you want the biggest and best guns for the engineer, you have complete control.

On Nintendo Switch I've dived deeper into other modes than ever before, and the ability to play as Linkle and all of the DLC characters I missed out on gave me hours of fun, made even better by local multiplayer on the big screen — my favorite part of every Warriors title.

Characters that have all of their moves unlocked just hit harder and more enemies than before, and luckily it's pretty simple to unlock a character's full moveset — it's fleshing out the other badges that are tougher, requiring rarer materials.

You take on the role of one of several unlockable character classes, all with their own unique traits (and some more useful than others,) and go out into the city completing quests and generally trying to survive.