Sentences with phrase «out to sea without»

Not exact matches

So Shepherd had to come up with a method for taking the salt out of sea water with boilers and kettles but without incurring the bloated carbon footprint of fossil fuels, which would betray the green ideals of his customer base.

Second of all, the faithful are not in any better position, because they choose to believe in God, which is akin to picking a parachute out of a sea of backpacks (other religions) and without checking decide that it'll save them.

One year without a net loss also doesn't buck the long - term trend of Greenland losing ice, both from surface melt and from ocean waters eating away at glaciers that flow out to sea.

If you take any information from this website or any website at face value and go try it without medical or professional supervision, you can and very well might get what is coming to you, including death, injury, disability, loss of your birthday, or being sent out to sea.

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Many - a thespian has spoken out previously regarding how difficult it can be to act among a sea of green without any physical costumes, sets or fellow actors to use as reference and Brolin essentially admits that this was his expectation heading into Infinity War.

For a test of this transfer's mettle, check out chapter 10, «Intolerance»: Light sources fixed (lamps) and in flux (the cloud - covered sun) interact on the sea green walls of Sister Aloysius's office, never to band or to produce anything less than the million subtly different shades you'd see in real life — and these colours have a vividness that is achieved without sacrificing Meryl Streep's Grim Reaper - like complexion.

Both must be outstanding to justify singling one out from the hundreds of other candidates, and while I like The Deep Blue Sea a great deal (it was on my top 10 list last year), Hester just has too few facets to permit a truly great performance, at least without talking liberties.

Gwen, who taught fourth grade at an urban elementary school, described feeling «lost at sea without any map or anything, without an astronomer to figure out where you were going.»

Stories are compasses and architecture, we navigate by them, we build our sanctuaries and our prisons out of them, and to be without a story is to be lost in the vastness of a world that spreads in all directions like arctic tundra or sea ice.

Upon arrival we found out that it is impossible to drive anywhere on the island, especially down sea cove's driveway, without 4 wheel drive in the rain.

Partnering with vets and biologists, the Sandos hotels ensure the sea turtles have a safe place out of harm's way to lay their eggs, without human interruption.

by Molly Feltner, SmarterTravel.com Staff - December 8, 2008 Sea Kayak Adventures has a great itinerary for veteran sea kayakers seeking for a new destination to explore or beginners who want to try a multi-day excursion without having to rough it: A six - day trip in British Columbia's God's Pocket Marine Provincial Park based out of an island resort in the middle of the paSea Kayak Adventures has a great itinerary for veteran sea kayakers seeking for a new destination to explore or beginners who want to try a multi-day excursion without having to rough it: A six - day trip in British Columbia's God's Pocket Marine Provincial Park based out of an island resort in the middle of the pasea kayakers seeking for a new destination to explore or beginners who want to try a multi-day excursion without having to rough it: A six - day trip in British Columbia's God's Pocket Marine Provincial Park based out of an island resort in the middle of the park.

A glass - bottom boat tour is also included on this half day tour, so you can check out the sea life around the island without needing to get wet, perfect for non-swimmers or just those who prefer to stay high and dry.

- after the remakes of Terry's Wonderland 3D and Dragon Quest Monsters 2, Yuji Horii asked the team what should be next - the choices were Caravan Heart (GBA), a professional version of Dragon Quest Monsters 2, or a brand new game - the staff made the plot together with Takeshi Uchikawa (who is currently directing Dragon Quest XI)- the suggestion was to make the theme become something catchy, which lead to a science fiction vibe - Horii said «anything's alright as long as it's interesting» - the creation of the Dragon Quest Monsters: Super Light helped build Joker 3 - fan feedback from the mobile game was used, which lead to monster stats being seen - the Reactor device lets you easily see all the things that occur on the field - the team had some trouble bringing together the ridable monsters aspect of the game, but eventually worked it out - the full game starts off with monsters that players can ride on land - you'll eventually unlock sea, air, and multi-jump land rising monsters - a «Big Air ride» was teased as well - by clearing the story, features will be unlocked that further modify monsters such as abilities and changing their sizes - Stealth Boxes which can not be found without using the Reactor only contains useful items that are optional - compulsory items that are needed to be found with the Reactor are placed in non-stealth locations - accessories can strengthen monsters, but monster strength is mainly determined from raising and combining them - features more offense - related content in the form of new spells and skills - new water - type spells are included - new skills added enable more detailed adjustments in versus, adding more strategic features - one of the items that can be bought with Communication Coins has the same effect with «Key of Encounters» - this lets players recruit monsters a bit more easily they've befriended before - since Communication Coins can only be obtained from multiplayer battles, it's completely optional - people who still do StreetPass but don't want to do multiplayer battles can still get them by combining monsters - DLC monsters are planned to be added regularly post-release until around Golden Week (April 29 — May 5)- - A national tournament is also planned, with more details coming later - carryover feature from Dragon Quest Monsters 2 that comes into play after the ending - players can bring up to 10 monsters which are ranked A or below from DQM2 to DQMJ3 each day

Swim Out is a strategic, turn - by - turn puzzle game where you control a swimmer who wants to get out of a pool, a river or the sea without touching any swimmeOut is a strategic, turn - by - turn puzzle game where you control a swimmer who wants to get out of a pool, a river or the sea without touching any swimmeout of a pool, a river or the sea without touching any swimmers.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

Or, if a hurricane headed out to sea made a sudden turn to the west then eight hours later struck New York, New Jersey, and Connecticut without warning, the death toll would have been in the five figures.

THE BIG PICTURE storm, earthquake & volcanic events come a lowerly 6th on the ladder of cause & effect & to study ocean temperature without finding out «why» under sea volcano eruptions happen isn't a sientific aproach in that book of mine.

It's also worth pointing out that global land ice and global sea ice continue to decline, absorbing heat without warming as they melt.

Translating the above to climate science, if you tell me that in 100 years earth inhabited by your children is going to hell in a handbasket, because our most complicated models built with all those horrendously complicated equestions you can find in math, show that the global temperatures will be 10 deg higher and icecaps will melt, sea will invade land, plant / animal ecosystem will get whacked out of order causing food supply to be badly disrupted, then I, without much climate science expertise, can easily ask you the following questions and scrutinize the results: a) where can I see that your model's futuristic predictions about global temp, icecaps, eco system changes in the past have come true, even for much shorter periods of time, like say 20 years, before I take this for granted and make radical changes in my life?

Still, anyone else out there looking forward to the day when we can do without gigantic oil - filled tankers traversing the seas, occasionally spewing their load over marine life?

«If we'd continue to do business as usual and churn out emissions,» says Levermann, «not even such an immense macro-adaptation project as storing water on Antarctica would suffice to limit long - term sea - level rise — more than 50 meters in the very long term without climate change mitigation.

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