It is cast into
an outer wall of the gallery space and thus illuminated by daylight.
Sharing the title of the exhibition, a digitally modified 2018 video of Turner's oleaginous sea is projected onto
the outer walls of the gallery interior.
The photographs are being shown for the first time in the photographer's adoptive city; printed on large scale they will cover inner and
outer walls of the gallery.
Not exact matches
A
wall label outside The Souls
of Millions
of Light Years Away, a mirror room that was first displayed at David Zwirner
Gallery in 2013 (to a similar lines - around - the - block, taking - over-your-Instagram-feed reception), reads: «Continuing [Kusama's] exploration
of the transience
of life and the inevitability
of death, this installation creates a harmonious and quiet place for visitors to contemplate their existence, reflect on the passage
of time, and think about their relationship to the
outer world.»
AT THE THRESHOLD
of this exhibition is Glenn Ligon's Give Us a Poem, 2007, positioned immediately adjacent to the show title that spans the entirety
of the
gallery's
outer wall.
On the other two
walls of the main
gallery, which are painted a customary white, there is an oil painting
of blue balls on a white field, «Bloobs» (2014) by Mathew Cerletty; a loopy, oddly affecting drawing, «Untitled (shit)» (2011) by David Shrigley,
of concentric circles emanating from the word «shit»; Vern Blosum's «Off The Hook» (2015), a larger - than - life - size graphite drawing
of a vintage payphone with its receiver dangling, appropriately, off the hook; and Emily Mae Smith's «The Studio (Science Fiction)» (2015), which depicts the split halves
of an eggshell hovering above a flying saucer / fried egg, the edge
of its white perimeter forming the words «THE STUDIO» against the starry blackness
of outer space.
A vast monochrome mural stretches along the length
of the
gallery's
outer wall, curved like the city's bay.