Sentences with phrase «outs of screen shots»

It has an old take on RPG's, check out some of the screen shots to find out what I mean.

Not exact matches

Let's get one thing out of the way: The latest version of «The Jungle Book,» shot mainly in a warehouse in Los Angeles with green screen, is visually stunning.

In 1,2 Switch, players take control of each Joy - Con controller and can play out scenarios like quick draw shooting and sword fighting without needing to look at the screen, with their movements determined by the motion control features in the controller.

A day before the post calling out award shows, he posted another image to Instagram: A screen shot of Bethel Music's «No Longer Slaves» playing on his iPhone with the caption, «This song puts my heart and soul at ease.»

Amazing colors that jump right out of the screen, awesome shots.

So Long's Irish came at them early with screens and play - action shots intended to force the Spartans to back out of the box or risk a quick death.

wow are we sterile up top, goals need to come from defense again, ozil & cech were great, mert once again taking the brunt of bad comments meanwhile a clean sheet and did nothing wrong, open goal that was saved was kos out of position and monreal caught up the pitch too high, giroud has great ball skills, issue is his position on the pitch, watched the match again focused on giroud, he tends to camp behind the defender from the ball, this only works when you have the quickness to break, he does nt, I have screen shots where ozil is 25 yrds farther up the pitch then giroud, thisis the problem, he is rendered useless unless ozil holds up, and thats not ozils strength, thus very few sog's from giroud on the run, when giroud gets lucky w space in front of the defender, he is lethal, but needs to get into that space,

You're terrified of their three point shooting, so you have to sprint after Curry around every screen, and rush every close - out.

I was asked to be in a lot of different pick - and - roll situations, handling the ball, instead of put in situations coming off screens and being able to catch and shoot, and get out in transition and run the floor — which are my strengths.

In this case, when the two cowboys are dramatically placed at opposite sides of the screen for the final shoot - out, all the TV viewer will see is the tips of their noses and the gun barrels.

We did several painful shoots for each of the other girls, with him eventually taking the mickey out of them through the screen.)

Mann is the master of nighttime digital photography, and he fills the screen with stunning images and some intricately choreographed shoot - out scenes that I just loved.

Recent updates: Added 1/14: First Showing (additional critic), Slashfilm (additional critic) Added 1/8: Birth.Movies.Death (additional critics), Parallax View, The Tracking Board Added 1/7: Film Journey, The Film Stage (additional critic), First Showing (additional critic) Added 1/5: The Film Stage (additional critics), In Review, Moving Picture Blog, The Playlist (additional critics), Slashfilm (additional critics), Taste of Cinema Added 1/3: CBS News, Den of Geek [UK], Film Pulse, The Film Stage (substituted individual lists for consensus list), Hidden Remote, The Playlist (additional critics), PopCulture.com, Reverse Shot, ScreenAnarchy, Slant (substituted individual lists for consensus list), Slashfilm, Wichita Eagle Added 12/31: artsBHAM, Cape Cod Times, CinemaBlend (additional critics), Collider (additional critics), Criterion [The Daily], Criterion Cast, The Film Stage, First Showing, Flavorwire, The Globe and Mail, The Hollywood Reporter / Heat Vision, Lincoln Journal Star, Monkeys Fighting Robots, NOW Magazine, Omaha World - Herald, Paste, People, ReelViews, Salt Lake City Weekly, San Antonio Current, Screen Daily, SF Weekly, These Violent Delights, Toledo Blade, Uncut, Under the Radar, Vancouver Observer, Vancouver Sun Added 12/29: The Arts Desk, Austin American - Statesman, Austin Chronicle, Awards Daily, Boston Globe, Boston Herald, CinemaBlend (additional critics), Cleveland Scene, Collider (additional critics), The Daily Beast, Deadline, Film Journal International, Houston Chronicle, Ioncinema, Las Vegas Review - Journal, New Orleans Times - Picayune, New York Post, Paper, The Playlist, San Diego City Beat, San Francisco Chronicle, San Francisco Examiner, St. Louis Post-Dispatch, Salt Lake Tribune, Seattle Weekly, Shepherd Express, The Stranger, Tallahassee Democrat, Toronto Star, Tucson Weekly, Tulsa World, Uproxx, The Virginian - Pilot, Washington City Paper, White City Cinema Added 12/27: Awards Campaign, Baltimore Beat, Buffalo News, Chicago Daily Herald, CinemaBlend, Collider, Film School Rejects, GameSpot, JoBlo, Metro UK, Newsweek, Observer, San Jose Mercury News, Seattle Times, Sydney Morning Herald, Tampa Bay Times, Thrillist, USA Today, Village Voice (Wolfe), Wired UK Added 12/22: Chicago Sun - Times, Den of Geek [US], The Guardian, Mashable, Metro US, Sioux City Journal, Star Tribune, The Verge, Wired Added 12/21: BBC, Chicago Reader, The Commercial Appeal, IGN, Las Vegas Weekly, TimeOut New York, Village Voice Added 12/20: A.V. Club, Crave, Esquire, The Independent, Spectrum Culture Added 12/19: The Atlantic, Birth.Movies.Death., CineVue, Newsday, NPR, WhatCulture Added 12/18: Arizona Republic, Yahoo! Added 12/17: Dazed, Flood Magazine, New Zealand Herald, Salon, ScreenCrush, The Star - Ledger (NJ.com), Time Out London, Total Film Added 12/15: BuzzFeed, Christian Science Monitor, Detroit News, Los Angeles Times, Philadelphia Daily News, Vox Added 12/14: Associated Press, Chicago Tribune, Consequence of Sound, Little White Lies, Los Angeles Daily News, RogerEbert.com, TheWrap Added 12/13: Evening Standard, Variety Added 12/12: The Hollywood Reporter, Huffington Post, PopCrush Added 12/11: CBC, The Observer [UK], Wall Street Journal Added 12/8: The New Yorker, Rolling Stone, Slant Added 12/7: Culture Trip, IMDb, The Ringer, Slate, Time, Us Weekly Added 12/6: Cahiers du Cinéma, New York Times, Vogue, Vulture (Yoshida), Washington Post Added 12/5: Scorecard launched with 15 lists.

The hypnotic quality created by phrases repeated, building up with slight modifications, gradual additions and then the nearly out - of - control spiralling crescendo best exemplified in my opinion on the shamanistic «Screen Shot» which, had the words been different, could well make for an incitement to ritual mayhem.

Unlike any of Cruise's characters before, his latest creation Stacee is introduced onto the screen via his barely concealed crotch region sporting a very fetching gold animal head with its tongue out, followed closely by a shot of his barely covered buttocks.

Mark Steven Johnson's 2007 attempt to bring Ghost Rider to the big screen didn't turn out particularly well, and although many believed that would be the last we'd ever see of Marvel's B - list antihero, Sony decided to give the character another shot with this equally shoddy reboot by Mark Neveldine and Brian Taylor.

Schwarzenegger's big screen debut — billed as Arnold Strong — plays like a»70s porno that ran out of money before they got the chance to shoot any fucking.

There are some clear screen shots of the WiiU version out now and it looks pretty lazy.

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

Note: It was hard / virtually impossible to get good screenshots of the game itself — recording directly off the screen was strictly prohibited and SEGA's «heavies» were out in force on the day — so after a few shots of the display, I was left with very little to take photos of.

Ratner grew no less shy this weekend, according to Twitter and several Vulture sources: After a screening of his film Tower Heist at L.A.'s Arclight Cinemas, the director came out for a Q&A, and when asked by the moderator whether he prepares and rehearses with his actors before shooting a scene, Ratner waved his hand dismissively and said, «Rehearsing is for fags.»

It's your usual assortment of production anecdotes, but Wynorski is pretty good at screen - specific observation, cluing us in on which shots required the most work behind the scenes — like the tracking shot through the furniture store that forced stagehands to move furniture into place and stay out of frame as the camera rolled backwards through the set.

Some circumstances, at least, have worked out in «Margaret» «s favor: in the wake of «True Blood,» Paquin is arguably a more marketable name than she was at the time of the film's shooting, while Ruffalo might well be coming off a profile - raising awards season run by the time it hits screens.

Violence: A movie studio films various scenes for pictures including: a western with a shoot - out where one of the actors is gunned down on screen, an underwater extravaganza where an actress is swallowed by a whale, and a Roman epic that depicts centurions beating slaves.

Four years later, as Green gathered audiences for a 10th Anniversary screening of the original «Hatchet» at the FrightFest Film Festival, it turned out to be a surprise screening of the furtively shot «Victor Crowley,» the fourth installment in the deathless series.

These a scene in the movie were one of them get's shot in the leg by accident and oh my god they reaction to getting shot was freaking dreadful and such bad acting it took me out of the movie a little bit, but luckily Maika Monroe was on screen most of the time in that scene so she pretty much saved it.

Held until the last ember dies out and leaves the screen black, the shot exemplifies the great beauty and peril of Steve McQueen's work, as we gather with awe that we're watching Solomon's hope turn to ash, but we only process it on an intellectual level.

At the beginning, when Belle (Emma Watson) walks out of her house and wanders through the village singing «Belle,» that lovely lyrical meet - the - day ode that mingles optimism with a yearning for something more, the shots and beats are all in place, the spirit is there, you can see within 15 seconds that Emma Watson has the perfect perky soulfulness to bring your dream of Belle to life — and still, the number feels like something out of one of those overly bustling big - screen musicals from the late»60s that helped to bury the studio system.

Check out the colorful poster (via Rama's Screen) and clip, which shows the film's titular rock band shooting a music video for their song entitled «The Riddle of the Model,» -LSB-...]

I'm no box office expert, but while $ 54 million is obviously a great late - summer number for «Rise of the Planet of the Apes,» I can't help but wonder if it would have had a shot at more bank if it had been let out of the bag earlier via advance press screenings.

The movie vacillates between shots that belong to comedy — conventional over-the-shoulder shots that let you feel like you're in on the conversational joke — and shots that belong to horror — empty patches of screen that make you feel like someone could jump out at any moment.

Once again collaborating with DP Bill Pope and editors Paul Machliss and Jonathan Amos, Wright makes the car chases and shoot outs sing (often literally), painting a frenzy of action across the screen far easier to follow than your average summer blockbuster orgy of violence and destruction.

Up until that point, women shooting hoops on the big screen was unheard of (it's been equally unexplored ever since) and it remains refreshing to see a sports movie playing out from a woman's point of view and especially one that refuses to indulge our more traditionalist view of the genre, focusing on the long game rather than the easy win.

THE LAST SHOT, a movie about making movies, cries out for the acerbic tone of THE PLAYER, or the finely observed lunacy of DAY FOR NIGHT, or even the distilled vitriol of ALL ABOUT EVE (yes, I know that film is about the stage, not the screen, but there are so few GOOD films about... Read More»

There is something to be said for the sight of genuine Hollywood talent at their most athletic and battle - ready delivering character - appropriate witticisms out of the corner of their mouths as they shoot across the screen.

With its carefully composed and framed shots, the trailer plays out a bit like a string of potential cover photos or screen savers, but we're reminded that we're actually watching a narrative film because of the intense performances from leads Michael Fassbender (Macbeth) and Marion Cotillard (Lady Macbeth).

We could mention the heap of establishing shots of San Francisco that make no sense to the story, the out of place football throwing scene, the rooftop set with such painfully atrocious green screen work that words escape us, or the character of Peter — whose role is replaced midway after the actor left production due to other commitments, but like many things, the monstrosity that is The Room needs to be seen to be believed.

He is expected to begin shooting Girls Night Out with Juno Temple and also secured a part in a silver screen adaptation of William Shakespeare's Macbeth, with Michael Fassbender.

Further muddying the geography are a confounding lack of establishing shot, and an edit that is genuinely dizzying, snuffing out tension as the audience squints to make sense of what just happened on screen.

The trailer, cut scenes, and even screen shots create a buzz of excitement that makes you want to run out and purchase the game straight away, but don't drink the Kool - Aid just yet because the reality is, the graphics are really dated.

3 pages of Photoshop techniques laid out in a table with screen shots, tool icons and step by step instructions on how to use each one.

* Table of contents * Resume, including continuing education, special committee work and awards and special recognition * References * Letters of recommendation * Transcripts * Educational philosophy * Classroom management theory * Personal goals * Sample worksheets, games and tests * Examples of lessons — units or projects * Photos of your classroom in action to illustrate your lesson examples * Examples of students» work * Final results of projects or committees you have been a part of * Optional: short video showing you in action in front of the classroom and one - on - one with students * Optional: screen shots and addresses of school or classroom websites you have created * Optional: computer disks and print - outs of programs you have written or modified

SID Tablet Display Shoot - Out Galaxy Note II - Optimus G Pro - Nexus 7 - iPad Retina Display An invited feature article on Tablet displays written for the Society for Information Display that examines the performance of four high - end Tablet displays in ambient light, demonstrating how they progressively degrade with increasing ambient light, and then showing how to accurately compensate and correct the on - screen images for these effects by dynamically modifying the Color Gamut and Intensity Scale.

OLED Galaxy Note 5 Display Shoot - Out Samsung Galaxy Note 5 - Samsung Galaxy S6 edge + An in - depth objective scientific display performance analysis and comparison of the Samsung Galaxy Note 5 and Galaxy S6 edge + Smartphones with extensive Lab tests and measurements for the Adaptive Display, OLED Photo, and Basic Screen Modes.

OLED Galaxy Note 4 Display Shoot - Out Samsung Galaxy Note 4 - Samsung Galaxy Note Edge An in - depth objective scientific display performance analysis and comparison of the Samsung Galaxy Note 4 and Galaxy Note Edge Smartphones with extensive Lab tests and measurements for the Adaptive Display, OLED Photo, and Basic Screen Modes.

OLED Galaxy S8 Display Shoot - Out Samsung Galaxy S8 An in - depth objective scientific display performance analysis and comparison of the Samsung Galaxy S8 Smartphone with extensive Lab tests and measurements for the Adaptive Display, OLED Cinema, OLED Photo, and Basic Screen Modes, and including the DCI - P3 Digital Cinema Mode, HDR High Dynamic Range Mode, Blue Light Filter Mode, and Always On Display Mode.

OLED Galaxy S7 Display Shoot - Out Samsung Galaxy S7 - Samsung Galaxy S7 Edge An in - depth objective scientific display performance analysis and comparison of the Samsung Galaxy S7 and Galaxy S7 Edge Smartphones with extensive Lab tests and measurements for the Adaptive Display, OLED Photo, and Basic Screen Modes.

OLED Galaxy Note8 Display Shoot - Out Samsung Galaxy Note8 An in - depth objective scientific display performance analysis and comparison of the Samsung Galaxy Note8 Smartphone with extensive Lab tests and measurements for the Adaptive Display, OLED Cinema, OLED Photo, and Basic Screen Modes, and including the DCI - P3 Digital Cinema Mode, HDR High Dynamic Range Mode, Blue Light Filter Mode, and Always On Display Mode.

Our Lab measurements found the Surface RT to have the lowest Screen Reflectance of any Tablet in our Display Shoot - Out article series.

The key will be in lowering screen Reflectance and implementing Dynamic Color Management with automatic real - time modification of the display's native Color Gamut and Intensity Scales based the measured Ambient Light level in order to have them compensate for the reflected light glare and image wash out from ambient light as discussed in our 2014 Innovative Displays and Display Technology and SID Display Technology Shoot - Out articlout from ambient light as discussed in our 2014 Innovative Displays and Display Technology and SID Display Technology Shoot - Out articlOut articles.