Sentences with phrase «outs of the production life»

During the time that I worked in a similar capacity, I have been exposed to the ins and outs of the production life cycle.

Not exact matches

After eight years of producing or funding live theatre in Canada, five as the head of his own production company, Dan backed out of the business in late April.

Silver Standard's rationale for doing the deal was simple — its Pirquitas Mill runs out of feed in 2017 and it sees an opportunity to use Chinchillas, located only 30 km from the mill, to extend Pirquitas» production life by multiple decades.

What is often missing with tragic impact is the principle set out as Principle 8: «To achieve sustainable development and a higher quality of life for all people, states should reduce and eliminate unsustainable patterns of production and consumption and promote appropriate demographic policies

Production of S - Town began when a man reached out to This American Life bitterly complaining about his small Alabama town.

Even from the start, however, the Federation should send out an ad hoc internationally responsible program production team for live coverage of international events, in cooperation with the United Nations.

It comes right out of Disney's film productions, a place where we meet animated «real - life» versions of goodness personified (Snow White, the third Little Pig, Dumbo, Pollyanna) and the essence of evil (the Wicked Queen, the Big Bad Wolf)-- and thus learn to divide the world into good and evil, watching goodness triumph with a smile and a song.

They are: rationalization, which tends toward sterile intellectualization and robs life of its character and vitality; estheticism, which cuts off true communication by maintaining an esthetic distance in order to dominate, rather than to support, others; capitalism, which tends to deper - sonalize people by providing for their hedonistic needs in order to support production and consumption regardless of its human utility; and nationalism, which tends to make national things sacred and in doing so to create idols out of them.31.

(Ehrlich & Ehrlich 1990, p. 36) As the Ehrlichs point out, this is a frightening figure for ecologists, yet they are even more concerned about the rising fraction of potential plant production that is being lost for all life, including ourselves.

By showing every step of the way — from production of packaging material and filling of liquid food product, to how the lightweight packages stand out on the shelf and become the next everyday champion in the consumer's home, as well as what happens at the package's end - of - life.

And it's a production powerhouse, full of life - giving stem cells — pumping out red blood cells, white blood cells, bone cells, and fat cells.

Christ also points out the benefits of delayed gratification and the rewards that come from seeing a project to completion, starting with an idea and finishing with a live stage production eight months later.

Prior to design, her unique journey spanned multiple roles in four countries, three cities, and two states — including professional ballet, management, copywriting, event production, business consulting, and national and international public relations As a designer, she has had the opportunity to work with businesses of all sizes, start - ups, agencies, higher education institutions, and non-profits for projects in branding, brand strategy, print design, multi-media, advertising, digital design, presentation design, marketing, project management, live event production, e-learning, video, photography, art direction, and out - of - home.

However, it could be related to increased use of this chemical as a solvent in place of other long - lived chemicals (e.g. CFCs and HCFCs) that have been phased out, or from use as feedstock in the production of other chemicals.»

In fact, the majority of kelp production is exported out of the forest rather than consumed by animals living there.

Production costs turned out to be $ 80 per barrel, meaning that for most of the plant's working life Appel has lost about $ 40 per barrel.

In this webinar you'll hear from leading professionals who are experienced in both scaling - up (generating more cells per batch) and scaling - out (generating more batches) the production of their «living drugs» in the most effective way possible.

«There's roughly seven million people who die globally from air pollution every year, so getting rid of coal could take a big chunk out of that number as well,» Pearce says, adding that another goal of future research is to dig deeper into the life cycles of coal production as this study only looked at air pollution - related deaths.

To find out the environmental cost of wine grape production in the two regions, researchers conducted a life cycle analysis taking into account variables including irrigation practices, cover crops, and fertilizers.

So the thing that I would consider first of all is you may want to actually get one of this film canisters or like a noon type of bottle and actually take digestive enzymes out there with you or use digestive enzymes for a period of time in your life that you jumpstart or up - regulate your body's own natural production of digestive enzymes which can actually happen if you use digestive enzymes for a period of time.

Besides, YOU are the star in this epic production living out the role of your LIFE!

In the Season 1 finale, Vin stars in a couple's personal video production and faces a tough life decision when his girlfriend takes an out of town job; tensions between Nic and Jimmy escalate, threatening to break them apart.

Shadow Complex comes to Xbox Live and more than projecting the revival of a genre out of use by industry it surfaces the difficulty of organizing a large - scale production at a low cost.

Some of the other production design elements stand out, but overall the series doesn't quite live up to the premise.

Although Adaline's story isn't fully fleshed out across the decades of her life, if you are a history buff, a fan of great cinematography and production design, or just looking for a good «date - nite» fantasy romance to experience on your home theater, definitely give Age of Adaline a look.

The Coty eyeliner and pink frosted lipstick, the Aqua Net hairspray (only on the bangs), the cigarettes at twelve, the vicious fights at home that the television couldn't drown out, the going - nowhere - slowly production design of our lives — all conspired to age girls about fifteen years.

Though Ng dropped out of film school with one semester left for the chance to document Willard's journey to the screen, I can't imagine she'll live to regret it: She's the best I've seen at compiling on - set footage with momentum since David Prior and should find steady employment in the specialized field of DVD production.

Originally set for a June 2018 release, the live - action version of Barbie suffered a huge setback last March when comedy star Amy Schumer suddenly dropped out of the project due to «scheduling conflicts,» just two months before the film was set to go into production.

BEST SUPPORTING ACTOR: Sam Rockwell, «Three Billboards outside Ebbing, Missouri» BEST MAKEUP AND HAIRSTYLING: «Darkest Hour» (Kazuhiro Tsuji, David Malinowski, Lucy Sibbick) BEST COSTUME DESIGN: «Phantom Thread» (Mark Bridges) BEST DOCUMENTARY FEATURE: «Icarus» (Bryan Fogel, Dan Cogan) BEST SOUND EDITING: «Dunkirk» (Richard King, Alex Gibson) BEST SOUND MIXING: «Dunkirk» (Gregg Landaker, Gary A. Rizzo and Mark Weingarten) BEST PRODUCTION DESIGN: «The Shape of Water» (Paul D. Austerberry, Jeffrey A. Melvin, Shane Vieau) BEST FOREIGN LANGUAGE FILM: «A Fantastic Woman» from Chile BEST SUPPORTING ACTRESS: Allison Janney, «I, Tonya» BEST ANIMATED SHORT FILM: «Dear Basketball» (Kobe Bryant, Glen Keane) BEST ANIMATED FEATURE FILM: «Coco» (Lee Unkrich, Darla K. Anderson) BEST VISUAL EFFECTS: «Blade Runner 2049» (John Nelson, Gerd Nefzer, Paul Lambert and Richard R. Hoover) BEST FILM EDITING: «Dunkirk» (Lee Smith) BEST DOCUMENTARY SHORT: «Heaven Is a Traffic Jam on the 405» (Frank Stiefel) BEST LIVE ACTION SHORT: «The Silent Child» (Chris Overton, Rachel Shenton) BEST ADAPTED SCREENPLAY: «Call Me by Your Name» (James Ivory) BEST ORIGINAL SCREENPLAY: «Get Out» (Jordan Peele) BEST CINEMATOGRAPHY: «Blade Runner 2049» (Roger Deakins) BEST ORIGINAL SCORE: «The Shape of Water» (Alexandre Desplat) BEST ORIGINAL SONG: «Remember Me» from «Coco» BEST DIRECTING: Guillermo del Toro, «The Shape of Water» BEST ACTOR: Gary Oldman, «Darkest Hour» BEST ACTRESS: Frances McDormand, «Three Billboards outside Ebbing, Missouri» BEST PICTURE: «The Shape of Water» (Fox Searchlight Pictures)

Nyman, also starring in this production, plays the cynical paranormal investigator who makes a living out of debunking psychics or explaining away supernatural sightings with rational explanations.

Picture: Get Out Director: Guillermo del Toro, The Shape of Water Actor: Gary Oldman, Darkest Hour Actress: Frances McDormand, Three Billboards Outside Ebbing, Missouri Supporting Actor: Sam Rockwell, Three Billboards Outside Ebbing, Missouri Supporting Actress: Laurie Metcalf, Lady Bird Original Screenplay: Three Billboards Outside Ebbing, Missouri Adapted Screenplay: Call Me by Your Name Foreign Language: A Fantastic Woman Documentary Feature: Icarus Animated Feature Film: Coco Documentary Short: Heaven Is a Traffic Jam on the 405 Animated Short: Revolting Rhymes Live Action Short: The Eleven O'Clock Film Editing: Dunkirk Production Design: The Shape of Water Cinematography: The Shape of Water Costume Design: Phantom Thread Makeup and Hairstyling: Darkest Hour Score: The Shape of Water Song: «Remember Me,» Coco Sound Editing: Dunkirk Sound Mixing: Dunkirk Visual Effects: War for the Planet of the Apes

Best British Independent Film: God's Own Country Best Director: Rungano Nyoni, I Am Not a Witch Best Actress: Florence Pugh, Lady Macbeth Best Actor: Josh O'Connor, God's Own Country Best Supporting Actress: Patricia Clarkson, The Party Best Supporting Actor: Simon Russell Beale, The Death of Stalin Best Screenplay: Alice Birch, Lady Macbeth Best Debut Screenwriter: Francis Lee, God's Own Country Best International Independent Film: Get Out Best Documentary: Almost Heaven Best Casting: Sarah Crowe, The Death of Stalin Best Editing: Jon Gregory, Three Billboards Outside Ebbing, Missouri Best Music: Carter Burwell, Three Billboards Outside Ebbing, Missouri Best Cinematography: Ari Wegner, Lady Macbeth Best Costume Design: Holly Waddington, Lady Macbeth Best Sound: Anna Bertmark, God's Own Country Best Production Design: Cristina Casali, The Death of Stalin Best Hair and Make - Up: Nicole Stafford, The Death of Stalin Best Effects: Nick Allder & Ben White, The Ritual Best British Short: Fish Story Breakthrough Producer: Emily Morgan, I Am Not a Witch Douglas Hickox Award for Debut Director: Rungano Nyoni, I Am Not a Witch Discovery Award: In Another Life Most Promising Newcomer: Naomi Ackie, Lady Macbeth

Last month it was revealed that Megalyn Echikunwoke is set to bring Mari McCabe from animation to live - action with a guest - starring role as Vixen in the fourth season of Arrow, and now we have out first official look at the actress in character... The official image comes after Stephen Amell posted a behind - the - scenes shot from production -LSB-...]

Featuring a colorfully ingenious landscape right out of Princess Mononoke or Howl's Moving Castle, Mark Digby's (Dredd, Never Let Me Go) exquisite production design is like a surrealistic Hayao Miyazaki - inspired animated wonderland come to vibrant practical life.

This is completely to its detriment, sullying its chances of fully connecting with an international audience, and squandering some stand - out performances from John Clarke as Frank's boss Phillip — who is responsible for nearly all of the comedy in this «Comedy / Drama» affair — as well as Julia Blake and Justine Clark, who are the only people that manages to give this production a semblance of life.

Picture: The Revenant Director: Alejandro González Iñárritu, The Revenant Actor: Leondardo DiCaprio, The Revenant Actress: Brie Larson, Room Supporting Actor: Sylvester Stallone, Creed Supporting Actress: Alicia Vikander, The Danish Girl Original Screenplay: Spotlight Adapted Screenplay: The Big Short Foreign Language: Son of Saul Documentary Feature: Amy Animated Feature Film: Inside Out Documentary Short: Last Day of Freedom Animated Short: Sanjay's Super Team Live Action Short: Ave Maria Film Editing: Mad Max: Fury Road Production Design: Mad Max: Fury Road Cinematography: The Revenant Costume Design: Cinderella Makeup and Hairstyling: Mad Max: Fury Road Score: The Hateful Eight Song: «Til It Happens to You,» The Hunting Season Sound Editing: Mad Max: Fury Road Sound Mixing: The Revenant Visual Effects: Mad Max: Fury Road

Blu - ray Highlight: There aren't any extras on the disc that stand out, but the making - of featurette «The Raven Guts: Bringing Death to Life» provides the usual behind the scenes fluff on things like casting and production design for those who are interested.

Like his other films, it still centers on a relationship tempted with infidelity, but through this, and through a plot involving the production of two vastly different independent films, Swanberg ponders out loud the role of the filmmaking process in the lives of the creators, and whether or not the resulting films are worth the strain and possible damage the process can cause.

When Group B rally cars were legislated out of the World Rally Championship at the end of the 1986 season, Lancia needed a production - based alternative to tackle Group A. Key technologies from the Delta S4 Group B, namely four - wheel drive and turbocharging, were then applied to the narrow - bodied Delta HF 4WD to create a very short - lived (yet able) road car and, for 1987, a WRC championship - winning rally car.

I recently interviewed an up - and - coming steampunk author who raised over $ 90,000 to fund the production costs of his book (his original goal was $ 4,000, so, even after he produces and ships all those books, he ought to have come out of the deal with a year's salary in addition to whatever he makes on sales once the book goes live).

They've written to market, have 10 (or more) books out (and they're good, follow tropes, etc) have great blurbs, great covers, a big mailing list, a free reader magnet, and use thousands of dollars in advertisement when the book releases, yet they still don't come close to making a living (most only make a few hundred dollars after production costs).

The upshot, though, is Warshawsky concluded that while an annuity didn't always outperform systematic withdrawal, an annuity provided more inflation - adjusted income throughout retirement often enough (with little risk of ever running out) so that «it is hard to argue against a significant and widespread role for immediate life annuities in the production of retirement income.»

However, you should know that in terms of suffering, animals raised to be food themselves are actually better off than dairy cattle and egg - laying chickens, who live far longer and surely crueler lives as production machines, and still face death at the slaughterhouse when they are too worn out to be worth keeping.

And based on the production values of Grand Theft Auto IV DLC The Ballad of Gay Tony and The Lost and Damned, I'd be more than willing to throw money at Rockstar to get more life out of my Red Dead copy, would you?

- $ 150 tier PLUS 2 Ultimate Gamer V.I.P. Backstage Experience Packages which consist of the following: Video Games Live backstage laminated tour pass, Pre-show production tour, Q&A and special personal meet & greet with Video Games Live creator and game composer Tommy Tallarico, Free download card for the special extended Video Games Live: Level 2 album, Official vintage Video Games Live poster, Video Games Live Temporary Tattoos, Special FRONT OF LINE access to the Video Games Live post-show meet & greet, Signed composers scores and sheet music from the performance (V.I.P. Packages to be given in person at the show of your choice and does NOT include show tickets, travel, airfare, transportation, accommodations, etc., you pick the show and get yourself there, we supply the experience), PLUS a High Quality Thick Presentation Paper print out of original artwork of Earthworm Jim playing a guitar created exclusively for Tommy Tallarico (composer of Earthworm Jim) from EWJ creator Doug TenNaple SIGNED by Tommy AND Douof the following: Video Games Live backstage laminated tour pass, Pre-show production tour, Q&A and special personal meet & greet with Video Games Live creator and game composer Tommy Tallarico, Free download card for the special extended Video Games Live: Level 2 album, Official vintage Video Games Live poster, Video Games Live Temporary Tattoos, Special FRONT OF LINE access to the Video Games Live post-show meet & greet, Signed composers scores and sheet music from the performance (V.I.P. Packages to be given in person at the show of your choice and does NOT include show tickets, travel, airfare, transportation, accommodations, etc., you pick the show and get yourself there, we supply the experience), PLUS a High Quality Thick Presentation Paper print out of original artwork of Earthworm Jim playing a guitar created exclusively for Tommy Tallarico (composer of Earthworm Jim) from EWJ creator Doug TenNaple SIGNED by Tommy AND DouOF LINE access to the Video Games Live post-show meet & greet, Signed composers scores and sheet music from the performance (V.I.P. Packages to be given in person at the show of your choice and does NOT include show tickets, travel, airfare, transportation, accommodations, etc., you pick the show and get yourself there, we supply the experience), PLUS a High Quality Thick Presentation Paper print out of original artwork of Earthworm Jim playing a guitar created exclusively for Tommy Tallarico (composer of Earthworm Jim) from EWJ creator Doug TenNaple SIGNED by Tommy AND Douof your choice and does NOT include show tickets, travel, airfare, transportation, accommodations, etc., you pick the show and get yourself there, we supply the experience), PLUS a High Quality Thick Presentation Paper print out of original artwork of Earthworm Jim playing a guitar created exclusively for Tommy Tallarico (composer of Earthworm Jim) from EWJ creator Doug TenNaple SIGNED by Tommy AND Douof original artwork of Earthworm Jim playing a guitar created exclusively for Tommy Tallarico (composer of Earthworm Jim) from EWJ creator Doug TenNaple SIGNED by Tommy AND Douof Earthworm Jim playing a guitar created exclusively for Tommy Tallarico (composer of Earthworm Jim) from EWJ creator Doug TenNaple SIGNED by Tommy AND Douof Earthworm Jim) from EWJ creator Doug TenNaple SIGNED by Tommy AND Doug!

Although the 2012 retrospective at Tate Modern was rapturously received, bringing with it a renewed reminder of the power of early works such as The Physical Impossibility of Death in the Mind of Someone Living and Mother and Child, Divided, recent exhibitions have been panned — Schizophrenogenesis was condemned for coasting on past glory, while 2012's painting - focused Two Weeks, One Summer received scathing one - star reviews — and there is a nagging sense that these days his art can resemble a factory production line, with endless copies of his popular «spot» paintings churned out in the name of brand recognition.

During his time at the Armory he worked on productions and partnerships with the Donmar Warehouse and Manchester International Festival, including the sold - out and critically acclaimed versions of Robert Wilson «s restaged The Life and Death of Marina Abramovic, Massive Attack versus Adam Curtis (MIF, The Park Avenue Armory, The Ruhrtriennale), and Macbeth starring Kenneth Branagh and Alex Kingston in their New York stage debut.

[1] Claiming that this privileged space had become nothing more than an «ossified custom» — a «commercial depot» for curators and dealers to ship works out into the world (and thus detach the artwork from the conditions of production and site of creation)-- Buren stated that artists could only resist the domestication of their work by preserving it within their studios forever (like Constantin Brancusi) or abandoning the four walls of the studio altogether for a life of art making away from institutional repression and commodification.

Lastly, Beatriz Olabarrieta scripts a live action to play out the production of her work in real - time on the opening night.

The way «post-internet art» is defined — as culture that is not internet specific, but simply lives in and out of the internet as if that was just the default condition for artistic production — the street art boom of the 2000s is a perfect example.