Sentences with phrase «outside curators working»

Not exact matches

Each post will look at how money and income streams influence the type of work and aesthetic decisions artists (as well as curators) make inside and outside the studio.
Their living legacy will better prepare the participating artists to respond to grant proposals, calls for exhibitions, and present their works to curators during studio visits; thus enabling them to further their careers by taking advantage of opportunities at home and outside the Deep South.
Join Rachel Valinsky — independent curator, writer, translator, and co-founder of Wendy's Subway — for a special Outside the Box gallery talk on «Raymond Pettibon: A Pen of All Work
X functions as an additional public access point to Pelican Bomb's extensive work with artists, writers, curators, and thinkers in and outside of New Orleans.
Postwar Prints and Multiples is conceived as a dynamic platform for new research as students, faculty, and outside curators examine and assess the works on view through a series of gallery talks.
In January of this year, attempting to redress this deficit, curator Cesar Garcia opened the Mistake Room, an exhibition space in a warehouse south of Downtown that pledges to focus on underexposed artists working outside the United States.
She lives and works in outside of Boston, thriving with her professional art practicing as an artists» curator, educator and a creator.
Judith Tannenbaum, Curator of Contemporary Art at the RISD Museum, remarks that Benglis has ``... always been very interested in the surfaces of her works, in their textural qualities, and she has sometimes described her artmaking process as working from the outside in.»
The area of emphasis also features professional practice courses such as Field Methodologies and Field Internships, providing unique opportunities to work outside Otis College with well - known artists, activists, critics, and curators from around the world.
Alper Turan is co-founder and curator of Das Art Project, a curatorial collective that aims to work outside «white cube» gallery spaces.
Just as Matthew Higgs was an emerging curator at the time, many of the artists participating in Imprint 93 were at the beginning of their careers working outside or on the margins of the Young British Artists mainstream of the period.
Organized by Evelyn Hankins, a curator at the Hirshhorn, this is also Mr. Irwin's first major American survey outside his native California in nearly 40 years and the first anywhere devoted entirely to his work from the 1960s, when, in full experimental mode, he was shifting the emphasis of his own art from psychic encounters to physical ones, from precious objects to environments, places of contemplation.
As a non-market-oriented, independent project space, LAGE EGAL has set a long - term goal to give artists the opportunity to show their work outside the commercial art market and the institutional mediations and to provide guest curators with an experimental space.
Around 800 guests gathered in a party tent outside the Geffen Contemporary in Downtown Los Angeles to celebrate the 83 - year - old California conceptual art legend for, in Vergne's words, his pivotal role in the formation of body art, word art, post-structuralist, postmodernist, and proto - appropriation art; the rise of Los Angeles as an art center; over 377 solo exhibitions, 1,500 group shows, and 4,000 works of art — not to mention Baldessari's position as an artist trustee, newly resumed this past year (see Jeffrey Deitch Defends Klaus Biesenbach and Helen Molesworth Hired as Chief Curator of LA MOCA).
Lawrence Rinder is the Curator of Contemporary Art at the Whitney Museum of American Art, and was Chief Curator of the 2002 Whitney Biennial which was not restricted by a single theme, and aimed to expose multiple, sometimes conflicting currents, as well as extraordinary works that fall outside of any conventional aesthetic definition.
Rook & Raven is one of the best gallery spaces in the city at working with various creative industries and outside curators, turning the venue into an innovative centre for visual culture.
In this way the curator voluntarily decides to be subjected or ruled by the artist, becoming a subject of his work, rather than directing operations from the outside.
If you intend to apply to be a Torpedo Factory artist, plan to bring your work to the building on Monday, March 24, 2014, the start of a four - day process during which a group of outside jurors — curators, art professors, gallery owners, or working artists — take a fair, thoughtful look at every applicant's body of work.
We encourage Wesleyan students, faculty, and staff, as well as outside scholars, to contact the DAC Curator to arrange private viewings of selected works for teaching, study, and academic research.
Organized by artist Harrell Fletcher and Jens Hoffmann, Director, Wattis Institute for Contemporary Arts, CCA, and produced by Independent Curators International (ICI), the traveling exhibition examines the work of artists who operate outside the MFA programs, commercial galleries, and major museums that make up the mainstream art world.
Founded in 2015, the goal of the program is to provide short - term studio space where artists based outside the NYC area can invite curators, other artists, and gallerists to view and discuss their work.
As for Tiny Park specifically, we are working on an international exhibition with an outside curator, so we are really looking forward to making that happen, hopefully later this year.
The residency program's at Two Coats provides a short - term space where artists based outside the NYC area can hang work and have studio visits with curators, other artists, and gallerists.
Although the Whitney has chosen to announce that a «single curatorial vision guides [the] exhibition organisation» (press release, December 11, 1992), the curator, Elizabeth Sussman, worked with a team that included Thelma Golden, John G. Hanhardt, and Lisa Phillips, all members of the Whitney curatorial staff, and a seven - member advisory committee drawn from outside the museum.
Directors Tova Lobatz and Noah Antieau guide the programming, working directly with artists as well as in partnership with notable outside galleries, curators, and organizations.
Outside academia, Niemojewski has led projects for the Serpentine Gallery, Bergen Kunsthall, Manifesta and dOCUMENTA (13), and worked as Curator of Programs at the Hayward Gallery, Southbank Centre.
Tiny Park also collaborates with guest curators and outside organizations to present conceptually and aesthetically diverse works.
Organized by writer and curator Jan Tumlir, in the center of the exhibition stands a large structure, similar to a cage with work hung on its outside surfaces.
Connections @ Silver Eye: Reviews creates opportunities for Western Pennsylvania based artists to meet and show work to curators, gallerists, publishers, editors and collectors from outside the region.
Functioning out of the organizers» home located at 607 1/2 Genard Street, Tiny Park will also utilize outside venues for larger exhibitions and events, and will collaborate with guest curators and other galleries to present conceptually and aesthetically diverse works.
The residency program's goal is simply to provide a short - term space (up to one week) where artists based outside the NYC area can hang work and have studio visits with curators, other artists, and gallerists.
Combining a curator who has worked extensively in Los Angeles for the last 10 years with someone from outside the region, Moshayedi said, will help the program to examine regional art in relation to national and international art scenes.
a b c d e f g h i j k l m n o p q r s t u v w x y z