Not exact matches
Each post will look at how money and income streams influence the type of
work and aesthetic decisions artists (as well as
curators) make inside and
outside the studio.
Their living legacy will better prepare the participating artists to respond to grant proposals, calls for exhibitions, and present their
works to
curators during studio visits; thus enabling them to further their careers by taking advantage of opportunities at home and
outside the Deep South.
Join Rachel Valinsky — independent
curator, writer, translator, and co-founder of Wendy's Subway — for a special
Outside the Box gallery talk on «Raymond Pettibon: A Pen of All
Work.»
X functions as an additional public access point to Pelican Bomb's extensive
work with artists, writers,
curators, and thinkers in and
outside of New Orleans.
Postwar Prints and Multiples is conceived as a dynamic platform for new research as students, faculty, and
outside curators examine and assess the
works on view through a series of gallery talks.
In January of this year, attempting to redress this deficit,
curator Cesar Garcia opened the Mistake Room, an exhibition space in a warehouse south of Downtown that pledges to focus on underexposed artists
working outside the United States.
She lives and
works in
outside of Boston, thriving with her professional art practicing as an artists»
curator, educator and a creator.
Judith Tannenbaum,
Curator of Contemporary Art at the RISD Museum, remarks that Benglis has ``... always been very interested in the surfaces of her
works, in their textural qualities, and she has sometimes described her artmaking process as
working from the
outside in.»
The area of emphasis also features professional practice courses such as Field Methodologies and Field Internships, providing unique opportunities to
work outside Otis College with well - known artists, activists, critics, and
curators from around the world.
Alper Turan is co-founder and
curator of Das Art Project, a curatorial collective that aims to
work outside «white cube» gallery spaces.
Just as Matthew Higgs was an emerging
curator at the time, many of the artists participating in Imprint 93 were at the beginning of their careers
working outside or on the margins of the Young British Artists mainstream of the period.
Organized by Evelyn Hankins, a
curator at the Hirshhorn, this is also Mr. Irwin's first major American survey
outside his native California in nearly 40 years and the first anywhere devoted entirely to his
work from the 1960s, when, in full experimental mode, he was shifting the emphasis of his own art from psychic encounters to physical ones, from precious objects to environments, places of contemplation.
As a non-market-oriented, independent project space, LAGE EGAL has set a long - term goal to give artists the opportunity to show their
work outside the commercial art market and the institutional mediations and to provide guest
curators with an experimental space.
Around 800 guests gathered in a party tent
outside the Geffen Contemporary in Downtown Los Angeles to celebrate the 83 - year - old California conceptual art legend for, in Vergne's words, his pivotal role in the formation of body art, word art, post-structuralist, postmodernist, and proto - appropriation art; the rise of Los Angeles as an art center; over 377 solo exhibitions, 1,500 group shows, and 4,000
works of art — not to mention Baldessari's position as an artist trustee, newly resumed this past year (see Jeffrey Deitch Defends Klaus Biesenbach and Helen Molesworth Hired as Chief
Curator of LA MOCA).
Lawrence Rinder is the
Curator of Contemporary Art at the Whitney Museum of American Art, and was Chief
Curator of the 2002 Whitney Biennial which was not restricted by a single theme, and aimed to expose multiple, sometimes conflicting currents, as well as extraordinary
works that fall
outside of any conventional aesthetic definition.
Rook & Raven is one of the best gallery spaces in the city at
working with various creative industries and
outside curators, turning the venue into an innovative centre for visual culture.
In this way the
curator voluntarily decides to be subjected or ruled by the artist, becoming a subject of his
work, rather than directing operations from the
outside.
If you intend to apply to be a Torpedo Factory artist, plan to bring your
work to the building on Monday, March 24, 2014, the start of a four - day process during which a group of
outside jurors —
curators, art professors, gallery owners, or
working artists — take a fair, thoughtful look at every applicant's body of
work.
We encourage Wesleyan students, faculty, and staff, as well as
outside scholars, to contact the DAC
Curator to arrange private viewings of selected
works for teaching, study, and academic research.
Organized by artist Harrell Fletcher and Jens Hoffmann, Director, Wattis Institute for Contemporary Arts, CCA, and produced by Independent
Curators International (ICI), the traveling exhibition examines the
work of artists who operate
outside the MFA programs, commercial galleries, and major museums that make up the mainstream art world.
Founded in 2015, the goal of the program is to provide short - term studio space where artists based
outside the NYC area can invite
curators, other artists, and gallerists to view and discuss their
work.
As for Tiny Park specifically, we are
working on an international exhibition with an
outside curator, so we are really looking forward to making that happen, hopefully later this year.
The residency program's at Two Coats provides a short - term space where artists based
outside the NYC area can hang
work and have studio visits with
curators, other artists, and gallerists.
Although the Whitney has chosen to announce that a «single curatorial vision guides [the] exhibition organisation» (press release, December 11, 1992), the
curator, Elizabeth Sussman,
worked with a team that included Thelma Golden, John G. Hanhardt, and Lisa Phillips, all members of the Whitney curatorial staff, and a seven - member advisory committee drawn from
outside the museum.
Directors Tova Lobatz and Noah Antieau guide the programming,
working directly with artists as well as in partnership with notable
outside galleries,
curators, and organizations.
Outside academia, Niemojewski has led projects for the Serpentine Gallery, Bergen Kunsthall, Manifesta and dOCUMENTA (13), and
worked as
Curator of Programs at the Hayward Gallery, Southbank Centre.
Tiny Park also collaborates with guest
curators and
outside organizations to present conceptually and aesthetically diverse
works.
Organized by writer and
curator Jan Tumlir, in the center of the exhibition stands a large structure, similar to a cage with
work hung on its
outside surfaces.
Connections @ Silver Eye: Reviews creates opportunities for Western Pennsylvania based artists to meet and show
work to
curators, gallerists, publishers, editors and collectors from
outside the region.
Functioning out of the organizers» home located at 607 1/2 Genard Street, Tiny Park will also utilize
outside venues for larger exhibitions and events, and will collaborate with guest
curators and other galleries to present conceptually and aesthetically diverse
works.
The residency program's goal is simply to provide a short - term space (up to one week) where artists based
outside the NYC area can hang
work and have studio visits with
curators, other artists, and gallerists.
Combining a
curator who has
worked extensively in Los Angeles for the last 10 years with someone from
outside the region, Moshayedi said, will help the program to examine regional art in relation to national and international art scenes.