Sentences with phrase «over a film even»

Reynolds is clearly having the time of his life with complete control over a film even more cathartic for his career missteps than the original.

Not exact matches

And then factor in that film crews are notorious for damaging things, and we brought in 24 cameras, 3 jibs... they even let me fly a drone over the top of it.

The Harry Potter book series and film franchise, worth well over $ 21 billion, continues to attract avid fans — even as many as nineteen years after author J.K. Rowling penned the first novel.

It can be argued over and interpreted for centuries, but watching even a dozen films based on Tolstoy's text will provide only a partial glimpse into its intricacies.

But all varieties of horror flick are easily identifiable at this point, whether they're spooky, low - budget films (numerous); viscera - stained slasher movies (more numerous); quick - cut zombie flicks (even more numerous); macabre sci - fi, floating - in - space efforts (somewhat less numerous than they should be); sexualized vampiric tales (I trip over one of these whenever I get the newspaper); films of the more critically favored retro - mashup variety (Quentin Tarantino and Robert Rodriguez's Death Proof plus Planet Terror feature Grindhouse); or foreign entries of the psychological horror variety (the works of Dario Argento, of course; Alexandre Aja's films, which have their defenders; and Juan Antonio Bayona's El Orfanato, which only someone who truly dislikes cinema can dismiss).

It has sold over 150 million copies, been translated into dozens of languages and reached an even wider audience with the film trilogy.

Maybe even discussion over a bunch of contemporary films to make things a little more relevant and accessible to folks who may not be overtly Christian.

It's a safe bet that the film will win at least a few of those, but even if it doesn't, 12 Years a Slave has undoubtedly brought back up an important, though often glossed over, part of American history.

However that does not give any person the right to utilize mob style justice over a film that no one will probably even watch.

And despite less - than - enthused early reviews, Baz Luhrmann's film adaptation of The Great Gatsby has garnered heightened anticipation and excitement over the past few months of lavish themed parties, soundtrack leaks and previews and even special edition fashion lines in the film's honor.

The fans have been divided over the protests, and there were even crowds of supporters fighting with each other after the draw with Manchester City last weekend, which is believed to have been in order to disrupt Arsenal Fan TV's attempt to interview people for their YouTube channel, whilst three people were also filmed fighting inside the stadium during half - time, whilst we were trailing 2 - 1 to Man City before coming back to draw the match.

Instead of taking this opportunty to impress his new coach and all the fans with his toughness, Geno instead elected to hit the emergency room over the film room even though a broke jaw is like a concusson they will naturaly both heal themselves in a few days sometimes.

Carbajal is also a keen student of his craft, poring over films that Danny has acquired of such legends as Duran, Alexis Arguello and even Joe Louis.

Even the fact that it was claimed, at first, that the film - maker was Israeli - American and «had the backing of over 100 Jewish donors» was clearly intended to needle the Muslim population (many of whom may not even have watched the fiEven the fact that it was claimed, at first, that the film - maker was Israeli - American and «had the backing of over 100 Jewish donors» was clearly intended to needle the Muslim population (many of whom may not even have watched the fieven have watched the film).

Somehow, film makes the scene a little more lush, a little more warm, even if it's not in color... and the telescope was carefully hand - guided over the 30 - minute exposure.

«Every year, over 17 million people worldwide die from heart disease,» said Dr. Fuster, who over the course of the film travels to Colombia, Kenya, Spain, Mexico, and even Harlem, to educate and serve disadvantaged communities.

What was disturbing is at the beginning of the movie the Chanel jacket, a white jacket with a black trim, ends up looking, at the end of the film, over worn, dirty, and even unrecognizable as a label.

Even during the most serious points of the film, where they flee Austria on the rise of Nazi Germany, the family finds their escape in song and journey to safety over the same hills where they learned to twirl.

, but finally they agreed, and my Dad even kept up the pretence that I wasn't allowed to cut my then long hair, right up until we got to the hairdresser's, and he handed over a photo of the film poster to the hairdresser!

But at least it provided a talking point, and I think if you book up early for the Summer Screens evenings you can benefit from over 2 weeks» worth of film choices as they play a different movie every night.

But even after the film has been copied (with diminishing returns) several times over, Se7en retains its power because it remains the only one to both clearly illuminate the line between personal responsibility and the fracture of society, and challenges you to determine on which side you stand.

The film retraces the steps of the bad boys and in a whodunit mystery style fills us in on all the lurid details, that also involves a clash with a wise - cracking vengeful gay Asian mobster head (Ken Jeong), an arrest by the police over the stolen police car, the smashing of the Mercedes convertible that Doug's father - in - law (Jeffrey Tambor) let his son - in - law drive and graphic photos in the end credits that further clear up the evening in question.

As these novels have inspired people of all ages from all over the world to take up reading, even if this final film were a complete dud (and it's far from it), the legacy that Harry Potter leaves behind is to be applauded.

But even at a scant 90 minutes, the film manages to cover a lot of ground, hopping around from interviews to live footage, the highlights of which are a live studio take of «Higgs Bossom Blues,» a 9 minute epic whose slithering slow build plays out uninterrupted and the finale, a blistering live performance of «Jubilee Street» featuring a string section and children's choir, intercut with scenes of Cave onstage over the years.

Noticeably cut from an R - rating as if one is watching an edited version on cable, the film shies away from some of the bloodier bursts of violence, and yet still comes off pretty vicious, but even more so, a few uses of the F - words are dubbed over with «frickin»,» allowing Gabrielle Union to finally use the PG - 13 rating's allowance of one F - word.

In so doing, the film's conflict symbolizes, as my colleague Vann Newkirk writes, an old argument over «the nature of power and the rightness of its use» that has long «dominated black thought in the United States,» and even beyond.

The Puffy Chair is the funniest, saddest and most emotionally honest «romantic comedy» to come along in years, even if I've yet to encounter many over the age of about 35 who like the film, or even get it.

I've been familiar with Keir Dullea's work for over thirty years, having seen most of his important film roles and even the oddball sci - fi TV series, The Star Lost, he did in Canada in 1973.

Even including the studio's few misfires (The Fifth Estate, Delivery Man, The Lone Ranger), Disney grossed on average more than $ 170 million per release in the U.S. alone; no other studio averaged over $ 100 million per film.

Pike's searing grief hangs heavy over the rest of the film, for whatever it shows next, from peeling off of scalps, to the many deaths and even rapes, doesn't match up.

In depicting Harding's brief, defiant triumph over poverty, abuse, and the perverse norms that define grace and athletic achievement, director Craig Gillespie's film goes some distance in correcting the record on the Kerrigan - Harding affair, even as it peddles in speculation and misremembered facts.

Directors Joe and Anthony Russo (Captain America: Civil War) have managed to take their balanced approach from Civil War and The Winter Soldier and inject even more characters into the mix; we're talking well over 30 big names all mashed into one nearly three hour film that briskly flies by as characters we've grown to love over the years embark on their most important (and personal) battle yet.

They were perfectly happy with their small lives, eating in the same tea rooms, watching films in crowded theaters, and going home on their respective evening trains, but just a flicker of hope rose between them over time.

Granted, whatever poignancy you might be tempted to draw from is completely rolled over by the avalanche of prurience that this film indulges in, but poignancy is so out of the picture here that it's not even a consideration.

A tpical Stanley Kramer's film: Serious (even pompous) and humanist, but essentially middlebrow, courtroom drama that while well - acted is too verbose and fearful of taking sides in the controversy over who's to blame for the Nazi atrocities.

That said, the film is effortlessly likeable and entertaining, and even at over three hours never drags or feels like a chore.

Worse, barely any of the exposition in the film's dreary first half hour affects the rest of the movie; one throwaway line creates a late - movie action beat, but it's not even played as the triumph over personal history that it could have been.

With excellent performances by the actors really making you feel even more connected with them, great diversity in planets and enviroments, and memorable moments teeming in all over the film, there's a reason

Though she would only appear in a handful of films over the next decade, Midler remained quite active on stage and television, even earning an Emmy nomination for Bette Midler: The Showgirl Must Go On in 2011.

But now, more than ten years later, having pored over the film's array of buried politics, narrative cul - de-sacs, and ceaseless attention to custom and behavior, we can see that Mike Leigh, even when he changes costumes, is still very much himself.

I really miss John Barry, after his departure from Bond we had to make do with some adequate scores over several years even from David Arnold, then along came a new Bond in the form of Mr Craig and wow DA really found the formula for Bond and composed two truly magnificent scores if only he could have done Skyfall, that said lets give Thomas Newman a chance see the film with the score then listen to the score as stand alone then we can judge, one thing, I really wish just once they could use John Barry's brilliant 007 theme in a sequence just for old times sake and as a tribute to the man that gave Bond so much.

The final straw was a disagreement between Kaye and New Line over the final cut of the film, when the studio rejected Kaye's preferred (apparently even more pessimistic) finale.

The film is Jane and Stephen's story (the script is largely based on the second of Jane Hawking's two memoirs), and even though it smooths out some of their domestic unease and eventual divorce, there's still a painful strain below the surface, from playful sparring over religion to the tougher realities of ambitions put on ice.

But over all, this was a brilliant film, probably the funniest film of the year so far except from Deadpool, it kills you inside and thrills you until the end credits roll up (which even then still is joyful).

The ultimate goal is two-fold: package a winning family film built around The Rock that will increase his fan base, while also giving us a movie that crosses over demographics such that dads and sons, mothers and daughters, and even just the kids or adults alone can sit through the movie and be engaged enough to follow along entertained.

Clerks and Office Space have been often imitated over the years, and even though those films have their share of flaws, none of the pretenders to the raunchy work comedy throne have been able to topple them in terms of quotability or pure laughter.

If either of those films are a hit at Sundance, chances are they'll go on to even bigger things, because over the years the festival has become a formidable launching pad for actors, directors and their movies.

And even if Cuaron had wanted to, Columbus had installed himself as a producer on «Azkaban» with a particular goal in mind: «I wanted to make sure that the film didn't stray too far from the world the audience and the fans have sort of fallen in love with over the course of the first two movies,» he told The Times» John Horn last year.

As you can see, it's not all doom and gloom from the critics so far, but even the first positive Dracula Untold reviews out of the gate aren't exactly tripping over themselves to praise the film.

The film follows Tomas over twelve years in his attempt to give his life meaning again, just as much as it follows Kate and Christopher until the latter is 17 years old and finally decides to face the man he met only once before, on that fateful evening... Every Thing Will Be Fine carefully and precisely tells a story of guilt and the search for forgiveness, and the fact that it is not time that is a great healer but the courage to face up to things and to forgive.