Fortunately, the Annual does not fuss unduly
over academic painting, and at times a residual conservatism pays off handsomely.
Not exact matches
Despite contemporary and localizing references in The Little Patriots, such as the dome of the Pantheon in the background or the paving - stone barricade to the left, the pall of the
academic poncif hangs heavier
over the
painting than the smoke of revolutionary fervor; one is made all too aware, in the pose of the little patriot in the center — reminiscent of that of Donatello's David, and so appropriate in its iconographic implications — that Jeanron was an art historian as well as an artist.
The exhibition, which will only be seen at MoMA, presents an unparalleled opportunity to study the artist's development
over nearly seven decades, beginning with his early
academic works, made in Holland before he moved to the United States in 1926, and concluding with his final, sparely abstract
paintings of the late 1980s.