Sentences with phrase «over action sequences»

Yes, Waititi allowed, Marvel had the movie's major plot points set in stone and exerted a lot of control over the action sequences and visual effects.

There are inspired moments of «King Arthur,» but that's only because of Ritchie's visual flair and when his signature style is deployed, the use of narration over action sequences to condense exposition in an entertaining manner.

Not exact matches

As you play with the sequence over time and explore opposite actions, notice that such exploration is even more compelling as a life practice.

It had some of the best action sequences and original creature ideas in the whole show, but the writing is all over the place.

Spy Kids 3 - D: Game Over viewed at a semipublic screening with an audience of critics and ordinary moviegoers rated PG for action sequences and peril official site IMDB

Their first big punchup, at a secret casino nightclub in Busan, South Korea, is, well, a marvel of thrillingly dynamic action, a stunningly choreographed, seemingly uncut sequence that ranges all over a big space on multiple physical levels.

The action sequences mostly uninspired and the characterisations and voice - overs underwhelming.

So yeah, we all know that Black Panther, a.k.a. Prince T'Challa, is going to triumph over adversity in his bid to bring harmony to the kingdom of Wakanda, that there will be the obligatory action sequences where actual danger is a distant possibility for both hero and bystander, and that the plot will pivot on a mysterious object of unknown origin («Vibranium,» in this case — don't worry if it sounds unfamiliar; the film's characters will mention it at least three - dozen times over the course of the movie).

Despite the medium acting, the way too over the top and unrealistic action sequences, the bad CGI and the lack of great one - liners, the movie's biggest flaw is probably that it doesn't feel like a Die Hard movie.

The scripted action sequences and heavy focus on story over gameplay made the game feel like «Call of DOOM.»

While the trailer has confirmed that this franchise will hold sole dominion over the descriptor of «irreverent» for the near future, the addition of John Wick co-director David Leitch should kick the action sequences up several notches.

The action here is over the top, which sets a tone that the film is going to be a violent cartoon, but it never tops the insane sense you get from this opening action sequence.

It's as if I'm watching an over the top action movie and fast forwarding to all of the action packed sequences and replaying them in slow motion over and over.

Star Wars: The Last Jedi Rated PG - 13 for sequences of sci - fi action and violence Rotten Tomatoes Score: 91 % Available on Disc and Streaming In this official 8th Star Wars movie (not including the spin - off Rogue One of course) The Last Jedi continues the saga as we watch Rey gets some training from the unconventional teacher Luke Skywalker while Kylo Ren makes his move to take over the galaxy.

Viewers are thrown into this rainy, bloody, nighttime sea action in a 5 - minute sequence that gains meaning over the remainder of this drama.

That same animated splendor is carried over to the action sequences.

Neil Marshall, a director whose talent for epic, large - scale action sequences was proven several times over in the Game Of Thrones episodes «Blackwater» and «The Watchers On The Wall,» is planning something similarly ambitious, if slightly more intimate, for his next project.

The story manages to be both ancillary and confusing, and even the action sequences are so over directed that you can't appreciate the scope of the stunt work.

There are some thrilling action sequences, notably the escape over the wall (Adam West would be proud) and the subsequent rappels down some cliff walls.

Towards the end of the film, the satire scoots over to make room for some pretty sweet action sequences, mostly delivered by Hit - Girl.

They certainly bring an action pedigree however, although this is also mixed, with hand - to - hand combat resorting to the jittery nonsensical camerawork we were just getting over, while chase sequences are exciting and easy to follow.

(Lead actor Dylan O'Brien got run over by a car while shooting an action sequence, delaying production for almost a year.)

But once we get into the action bits, the book starts to feel somewhat anti-climactic - one sequence is overrun by Coates» monologue (which even crowds the art a little bit), while the other is really over before it begins.

Director Bong Joon - ho has much fun overseeing a thrilling set of action sequences in which Okja gets to knock stuff over.

The movie is said to contain no less than 17 different action sequences, adding up to well over an hour of footage and moreover, Evans has promised to keep some surprises for when you see this in theaters.

Surrogates is a good science fiction idea that is either too shallow and underdeveloped to provide the depth necessary to make a lasting impression, or it's a case of a rich and deep story that had been stripped away of all of its high concepts due to lack of budget, studio meddling, and a director who prefers big action sequences over scenes of talking heads.

Straight - forward where the first movie was convoluted, action - packed where Hulk dithered, The Incredible Hulk dispenses with whatever back - story and exposition there is over the film's opening credit sequence.

There is a lot of the same hack and slash action sequences that occur over and over again.

For those who didn't get to run with X-Men Legends, Marvel Ultimate Alliance is an over the top (view point) action RPG that takes in some of the more common RPG traits, like leveling up and team based strategy, with a real time action sequence that tries to capture the best of both worlds.

Marshall knows how to work with a star studded casts, and his handle on action cinema is impressive, opting for choreography over shaky cam theatrics or CGI heavy fight sequences (as many first time action directors tend to do).

Richard Roeper, Chicago Sun - Times: «Over all, this is a rousing, albeit sometimes cheesy, action - packed Western bolstered by Denzel Washington's baddest - of - the - baddasses lead performance, mostly fine supporting work, and yep, some of the most impressively choreographed extended shootout sequences in recent memory.»

The last half hour or so was pretty bad, from the terrible dialogue between Craig and Eva Green to the final action sequence which was over the top and poorly cut and shot.

Having said all of that if you judge The Magnificent Seven on its own merits, thanks to solid performances and solidly directed action sequences it is decent enough - the cringeworthy epilogue aside - but quite why anyone would choose «decent» over «magnificent» I have no idea.

That being said, go into this movie knowing that it is a campy, corny, over the top superhero / action / comedy that is just about crazy shooting sequences and one - liners, and you'll be fine.

Running over 18 minutes altogether, the footage includes character moments (Black with the water buffalo, Stiller with gift bag items), lengthened action sequences (approaching the heroin camp, an Apocalypse Now Brando - inspired exchange inside), and a conclusion with more Oscar ceremony footage and fate revelation for Matthew McConaughey's agent Peck.

While its horror elements make do with jump - scares over insidious chills — plus one cheeky plot steal from An American Werewolf In London — the action elements are numerous and proficiently executed, from the early M: I - like aeroplane crash sequence to an underwater swimming zombie attack in the catacombs beneath London.

So when it came down to Cap fighting Hydra, I just wanted the action sequences to be over so we could get to The Avengers teaser credits.

You can, believe it or not, see some of Leitch's affinity for the silent classics in Deadpool 2, a movie that often blends action and comedy with visual wit and efficiency, offering an unexpected new angle to a sequel that returns with the expected load of R - rated snark and in - jokes for movie buffs (Celine Dion sings over the opening sequence, which invokes everything from Bond movies to Flashdance.)

This is a shame since, much like the first film, this sequel managed to flawlessly combine creative and visually stunning action sequences (with a strong focus on practical effects over CGI), cool characters, and a well - told storyline that wouldn't have been nearly as interesting in another filmmaker's hands.

Unfortunately director Francis Lawrence choose to cut the monologue into an action sequence featuring Gale, despite being the perfect opportunity to use voice over effectively.

The movie grinds to a halt each time its sterile effects are moved off centre - stage — something that happens quite a lot in a lugubrious film well over two hours that features a mere three action sequences.

Mission: Impossible — Ghost Protocol Rated PG - 13 for sequences of intense action and violence Available on DVD and Blu - ray While it seems that some of the franchise pics we have seen over the last year have gotten lamer with time (best example — Twilight), a couple have really knocked it out of the park, namely Harry Potter and Mission Impossible.

strange very talky thriller... very good acting by all... a film of style over substance I think... good soundtrack and an excellent slow - motion action sequence when someone gets shot in a car but has a very ABRUBT ending that confuses!

It's officially summer movie season, meaning over-the-top action sequences, mind - blowing special effects, and 3D magic will dominate theaters over the next few months.

Bay continues to use extraneous slow - motion shots of robots jogging, leaping, and flipping cars over, and the action sequences are lifted wholesale from the two previous movies, including a highway chase, fleeing a snake - like machine with a buzz - saw mouth, and that protracted final clash in a city (this time Chicago).

Despite his conservations with Victoria over headsets, it's a solitary existence, especially given that his heart remains with some half - remembered woman, and director Joseph Kosinski (whose graphic novel was adapted by himself, Karl Gajdusek, and Michael Arndt) revels in that solitude in between the first act's requisite action sequences.

The MPAA rated Spy Kids 3 - D: Game Over PG for action sequences and peril.

Stevenson, Bloom, and Lerman all play their characters over the top (Evans is good in the straight - man slot), and thankfully the script is mostly a string of action sequences punctuated by scenes of the characters trading quick one - liners and sarcastic jokes.

The CGI effects of the third act action sequences don't live up to the high bar set as they start to take center stage over the practical combat, feeling a touch more plastic and taking some of the feeling of jeopardy out of it.

It is full blazing over the top action sequence after action sequence that ends with destruction on the level of The Avengers.