Sentences with phrase «over artist because»

Working with director Jamie Mortellaro... I highly recommend the experience for any voice over artist because his direction is easy, clear, always supportive and confident.

Not exact matches

Taylor Swift refused to put her new album on the platform in 2015 because the company would not restrict it to premium - only users, an incident that sparked heated debate over how music should be valued and whether ad - supported music streaming services pay artists properly.

I still value exhibiting in other galleries, and although the art market has changed dramatically over the years with many artists selling their work directly online, people still go to galleries because they can see and experience the work for themselves.

This was huge in the tech space because customers could vote on designs by artists all over the world.

Because the Internet is a vast improvement over his debut effort, showcasing an artist who has confidently found a way to coalesce his love for music and films into one hybrid effort.

With some of the cast talking directly to the audience to fill us in on what's going on, «I, Tonya» stars Margot Robbie as a 15 - year - old right up to her 25th year: credit the wig people and makeup artists for converting a classy - looking actress as a hardscrabble, working - class woman who had in at least one instance is looked over by as a representative of her sport because she does not radiate a wholesome, family manner.

«Being an artist, you have to have tough skin, because you're told over and over that you're not right for this or that role,» Allen said.

Whatever it is, this moment sums up this film (and Malick's recent output): this is the work of an artist willing to do the same thing over and over and over again, not because it makes a crowd - pleasing song, because it pleases him.

(I use «Einar» here because the artists ceased to be as Lili took over and she became mainly known for being Gerda's model.)

But we are featuring the 2015 Telluride Film Festival poster because its beautiful, and it was created by Belgian artist Laurent Durieux, an artist we've featured many times over the years on / Film.

I'm not usually a big fan of movies that trade in easy «remember this» punch lines, but it works in this case because The Room is so baffling that you turn it over in your head, trying to explore it from every angle, and The Disaster Artist presents another fun way of peering at it.

Making sure that your voice over artist has lip balm, water or something to keep their mouth from getting dry (because that leads to clicks and pops in the recording);

To go back to art, marina Abramovic and Jack Vettriano are both very good at what they do, and neither will be reduced to beans on toast except by choice in the near future — but I sense if they were self - published authors, whilst both would be welcome on a platform, it would be because both are financial successes, and they would gain their places over those closer to teh breadline, whilst if it were suggested that Abramovic were, whisper it, a better artist than Vettriano, that would be deemed wholly inappropriate and the panel would be pulled from the programme.

In a strange way reading the Art of Castlevania and admiring its many beautiful pieces of artwork is a sad experience, because the various qoutes from artists and designers layout their vision in clear terms and serves to remind just how often that vision didn't manage to transfer over to the final Lords of Shadow game as well as it deserved.

- the game's shading mechanism has changed, which allows for increased gear texture quality - all graphical aspects and programming mechanisms have been built up from scratch for this sequel - maximum resolution is 1080p in TV mode - a bigger focus for Nintendo was the 60 frames per second - occasionally the resolution will be scaled down when there is too much ink displaying on the screen - Nintendo reduced the CPU load and refined the way to use CPU power effectively to maintain 60 fps in all matches - weapons were tweaked to let players be more creative by thinking about unique weapon characteristics and their best uses - weapons are designed to be effective when they are used during the right occasion - Special weapons are stronger than the original ones when used in the right situation, but weaker otherwise - the damage and effect of slowing down your movement when you step in the opponent's ink are reduced from original - you can jump up in rank if you're good enough, but only up until S - you can't jump up from C, B or A to S + - when you win battles in Ranked mode, the Ranked meter fills and your rank goes up when its fully filled - when you lose a battle, the gauge does not decrease, but the meter starts to crack - once the meter reaches its limit, it breaks - when the meter breaks, you have to start over again from the beginning or from a lower rank - highest rank is still S +, but if you fill up the Ranked meter, you get numbers after the alphabet such as «S +1», «S +2» and so on - maximum number is «S +50», but this number will not be displayed to your opponent - you are the only one to see it, and you can check it on your own status screen - Ranked Power is calculated by an algorithm to measure how strong each player is with minuteness - this will determine if a player's rank is worthy of receiving a big jump (like from «C» to «A»)- Ranked Power has no relation to your splat rate, and is more tied into to how well you lead your team to victory - you won't drop off more than one rank even if you play poorly - stage rotation time was changed to two hours - this was done because the devs expected people to play for an hour or so, but they found people play much longer - with Salmon Run, Nintendo considered how to implement a co-op oriented mode in a player - versus - player type of game - the devs will monitor how users are playing this mode to see if there's some tweaks they can throw in - more Salmon Run maps will be added in the future, but Nintendo wouldn't comment on adding more enemy types to the mode - rewards are changed each time Salmon Run is played - you can obtain rewards when playing locally, but not gear - originally Nintendo had an idea for this mode, but had no background setting, enemy designs, etc. - Inoue suggested that it should be salmon - themed - when Nintendo hosted the Splatfest that pit Callie against Marie, the development of Splatoon 2 had started - the devs had already decided to have the result reflected in the sequel - they even had an idea to announce the Splatfest with a phrase «Your choice will change the next Splatoon» - the timing to announce a sequel wasn't right, so they decided against this - they eventually released a series of short stories about the Squid Sisters to show how the Splatfest affected the sequel's story - Nintendo wouldn't say if Marina is an Octoling, and noted that Inklings are not paying attention to this too much - Inklings don't care about appearances, as long as everyone is doing something fresh - the Squid Sisters had composers who produced their songs, but Off the Hook are composing their music by themselves - Pearl is genius artist, but she couldn't find a right partner because she's a bit too edgy - she eventually found Marina as a partner though, and their chemistry is sparkling right now - Nintendo is planning a year of content updates for Splatoon 2 - when finished, the quantity of stages will be more than the original - some of the additional stages are totally new and some will be arranged stages from the first game - not all original stages will return and they are choosing stages based on the potential for them to be improved - Brella is shotgun-esque weapon, so the ink hits your opponent more if you are closer - it can shield damage when you open it, but the amount of damage has a limit and once it reaches it, it breaks - you can shoot ink, but you can't use the shield feature when it breaks - the shield won't prevent your allies ink - there are more new weapon categories which haven't been revealed yet - there are no other ranked modes outside of the three current options - the future holds any sort of possibility, but the devs didn't get specific about adding more content like that - for the modes, they adjusted the rule designs so that players will experience the more interesting aspects

We think that all of his speed paintings are amazing, so head on over to LittleBigPlaye's YouTube Channel to check out the rest of his brilliant LittleBigPlanet Speedarts and if you feel that you're a skilled Move Paint artist yourself, tweet us your creations @LittleBigPlanet because we would love to see them!

This means that unless the gallery forks over the name and contact info of the client — and very, very few do because they feel they'll be cut out of the next transaction — you as the artist loses the vital ability to keep in touch with that client!

Also, I am part of a little group of artists that get together and talk about what is working and not working in growing their business, and hopefully some of them have signed up over here, because you come highly recommended and have a reputation as having good, solid info!

She followed my trajectory from a not - all - that - certain - about - it - career coach to body image coach right on over to full time artist, and she did it because I was personable, friendly, real, and, bottom line, she cared about me and my story.

Marco Mazzoni has always been an artist that has garnered a ton of interest between our staff and readers, maybe because the Italian artist has such an interesting command over his Moleskine drawing

Almost because of this, he has opened bold new avenues over the years for artists as important and widely varied as Laurie Anderson, Martin Kippenberger, Mike Kelley and Tania Bruguera.

Ed: Artists today have a HUGE advantage over previous generations because they can do much of these things at home, online, in their pajamas.

Stella described them as «three artists I admire because they help me care less about my own work,» in the sense of fretting over it.

The news that artists over the age of 50 are, for the first time since 1991, once again eligible for the Turner Prize partly reflects wider efforts to reassess artists who have been unduly neglected, often because their race or gender has excluded them from the dominant narrative of post-war art.

Over a century and a half ago, the Ashcan artist and teacher Robert Henri warned his disciples, that just because Franz Hals had depicted scenes of drunken revelry in which the artist himself had been involved, none of them should be fooled into thinking Hals was an undisciplined sloppy drunkard when it came to making his paintings.

Visual AIDS utilizes art to fight AIDS by provoking dialogue, supporting HIV + artists, and preserving the legacy — because AIDS IS NOT OVER!

As artists respond to the possibility of global environmental chaos, Mark Rappolt examines Tomás Saraceno's Aerocene project, one of the artist's most ambitious imaginings yet The Truth about «Cultural Appropriation» With controversies over cultural appropriation regularly in the headlines, Kenan Malikargues that trying to control what culture artists can and can not use is bad news for political interaction and artistic imagination Power in Black and White In an America where the dividing line of race is now a cultural and artistic flashpoint, Jonathan T.D. Neil searches for a path beyond both pluralism and white privilege Carol Rhodes «Rhodes's landscapes are unlocatable because they are fantastical... They are «nowhere places».»

Who wants to burn down the Brooklyn Museum, just because it gives its shows over to the Rubell Family Collection of one artist, Hernan Bas?

He highlighted the importance of supporting the artists, because he feels strongly that they should «not get rolled over by a big box economy.»

One big decision the curators agonized over was whether to dispense with the traditional museum practice of devoting separate galleries for drawings and prints; paintings and sculpture; photographs; and film and video — in part because they felt that artists today think and produce across different media.

I really liked what MULHERIN showed at the Armory show although here it is hard to tell if I just keep seeing Raymond Pettibon all over the place, or if that's because he's one of the artists Ballroom Marfa is bringing a print edition by, or whether (like I warned) it's because getting older seems to involve seeing through things indubitably.

AG: I think a little of both because American artists were — before the advent of the war — with many of these immigrants coming over here bringing the European ideas directly to the American shores.

I was an abstract painter when I left Yale, and I was really aware, partially because minimalist artists had helped me articulate this, how standing in front of a painting or sculpture felt different depending on whether it's symmetrical or asymmetrical, if it towers over you, or it's smaller than your head how all of those things affect bodily feeling.

Four galleries devoted to Ellsworth Kelly span the artist's whole career; Agnes Martin's refined, ethereal works are in an octagonal room with a central sofa because «they need time»; a Frank Stella print series runs along a wall that breaks open to give views over the city.

The 2017 Turner prize shortlist is unexpected and refreshing, not least because of the welcome relaxation of the rule that previously disbarred artists over 50 — a rule designed, I believe, to prevent older artists dominating through seniority alone.

The internationally - renowned artist, accused of killing sex worker Nokuphila Kumalo last April, saw, on the 10 November, his trial pushed back for over six months because no judge was available.

And just because I love a good filibuster here are the over 250 artists participating in the show (thanks to all for making it happen):

Visual AIDS utilizes art to fight AIDS by provoking dialogue, supporting HIV + artists and preserving a legacy - because AIDS IS NOT OVER

George Stoll, a Los Angeles artist, works small partly because it gives him more control over the process.

For those of you collapsing with excitement over Frieze London — because it takes all kinds, I guess — Frieze New York opens next month on Randall's Island, where Rose will appear in conversation on May 14 with Obrist and artist Tony Oursler.

This installation made up of the dodecahedron, a 12 - sided geometric form explored by many scientists and artists over the centuries because of its beautiful symmetry.

Of course quality was the first selection criterion to bring these 36 artists from different countries together, but for curator Janice Whittle there was another important reason to select the artists she liked to present: she wanted to give the floor to artists who have not had many chances over the years to show their work because of the limited infrastructure of the island: Barbados — as most of the Caribbean countries — does not have a museum for modern or contemporary art; a National Gallery has been a subject for discussion for countless years, but it never got of the ground; the Queen's Park Gallery — a governmentally managed institution — was closed for years and commercial galleries came and went.

SPERO: I suppose I felt doomed to be an artist early on, because of the way I drew all over the books that I needed for school, from ancient history to math.

Because the artists are working so close to one another over such a concentrated period of time, conversations are readily formed about the nature and approach to making art: to problems, struggles and validations of what constitutes appropriate criticism at any given time or situation.

A: Visual AIDS utilizes art to fight AIDS by provoking dialogue, supporting HIV + artists and preserving the legacy, because AIDS IS NOT OVER!

A monumental mobile by Alexander Calder, one of the 20th century's great artists, began to disappear from its decades - old home in Willis Tower's lobby Monday, headed for an art storage facility and an uncertain future because of a legal dispute over...

Because they weigh 320 tons in all, the artist had to position the pairs over four weight - bearing pylons beneath the gallery floor.

«The book is special to me because it captures a time in my life when I was just beginning to find myself as an artist and I was crawling through a lot of internal and external muck,» Abelow told me recently over a cup of coffee.

Visual AIDS utilizes art to fight AIDS by provoking dialogue, supporting HIV + artists, and preserving a legacy, because AIDS IS NOT OVER.

Well, he was so intimidating that they'd sit way over on the other side of the cafeteria looking at him, not daring to approach him because he's filled with rage about how he's the only pure artist in the world and everyone's corrupt.