Sentences with phrase «over artists continue»

Not exact matches

Created over 20 years ago, Bioderma has been an industry backstage staple for makeup artists and models alike and continues to attract attention for their biological approach to formulations to restore the skins natural balance.

Your participation and generosity enables us to continue our year - round work helping exciting, dedicated artists all over the world.

«Writing and performance capture was just beginning,» he explained, continuing, «What followed was an intense year of motion capture clean - up, animation, camera work, set building, lip - synching, prop building, editing, sound and music, by a team of over 50 artists working across five different studios.»

Additional increases were projected as well over the remaining months as the classroom teacher continued the programming led by the Teaching Artist.

This is surprising, as with all of the artists who have worked on Batman over the years and the many which continue to do so, you'd think there would have been someone with a more dynamic style available.

Yet, artists from the United States and from all over Europe continued to flock to Paris just as the center of the western art world was shifting to New York... Their reasons varied.

I had an art professor recommend it for an project we needed to build an artist website for class but I wanted to use a website that would continue over after graduation and work to sell and promote my art.

Nash, whose interest in Diebenkorn was sparked after meeting the artist and his family in 1976, added, «I knew Richard Diebenkorn, and so it is an absolute privilege and honor to be elected to this position.We will strive to bring greater recognition and understanding to Richard Diebenkorn's remarkable output over a lengthy and highly productive career, and we will continue to support public exhibitions and foster new scholarship about the artist and his time.»

Having continued to invest in art over the years, Mr. Brant's well - regarded collection includes works by contemporary masters such as Jean - Michel Basquiat and Andy Warhol, as well as up - and - coming North American artists.

Lewis was the sole African - American artist of his generation who became committed to issues of abstraction at the start of his career and continued to explore them over its entire trajectory.

This exhibition marks the beginning of a two - year exchange series that takes place in MCASB's Bloom Project exhibition gallery, a space that for over a decade continues to feature new commissions and experimental projects by regional, national, and international emerging or under - recognized artists.

Instead, the renamed Southampton Arts Center has over the past two years opened its doors to outside curators and has become an important new participant in exhibiting and publicizing the continued vibrancy of the local artist community on the East End.

This exhibition is part of MCASB's Exchange exhibition series that takes place in the museum's Bloom Project exhibition gallery, a space that for over a decade continues to feature new commissions and experimental projects by regional, national, and international emerging or under - recognized artists.

Bringing together works by over 50 artists — from Duchamp and Man Ray to Andy Warhol and Martin Creed, along with some of Australia's leading practitioners — this is a one - of - a-kind salute to an idea that continues to define the very nature of contemporary art.Presented in association with Melbourne Festival

Over 150 artists opened their doors and it was great... Continue reading →

Over this time, we have continued our commitment to the work of younger emerging artists, whilst also achieving ambitious acquisitions of major works by Australia's leading artists.

At 18th Street, Fernández will use the Artist Lab as a working studio where she will continue to index the collection of objects based on her walks over the Pyrenees and translate writings from Spanish into English.

is indebted to the artists, art historians, and art patrons who contributed to this exhibition, and truly helped shape the BCMA as an institution, through their generous gifts over time that would be near impossible to acquire today,» continued Anne Goodyear, co-director of the Bowdoin College Museum of Art.

Today, over 35 years after its conception, the gallery continues to exhibit an international roster of prominent artists working in a wide variety of media.

Over in LA, I am continuing to follow the movements of artist and choreographer Adam Linder, who often collaborates with his partner Shahryar Nashat; his work will be featured at the Walker Art Center later this year.

A surprising number of established artists soon followed with experimentations in holography that have continued over the last four decades.

Chung's works have grown more intricate over the course of his career, as the artist continues to explore variations of the grid pattern.

However, the work of these artists developed considerably over sustained careers that spanned numerous decades and — in the case of Auerbach, Kossoff and Rego — continue into the present day.

Over a decade after the artist's death, Lee - Smith's paintings continue to be relevant as they challenge us to contemplate the complexities of human existence and its representation.

Continuing to work, as she has for over a decade, with the multi-layered concepts associated with the intersection of nature and technology, the artist has transformed the gallery space into the various signs.

Chung's works have grown more intricate over the course of his career, as the artist continues to explore...

The project continued until 2002, when the artist published a book collecting over seventy images.

THE BIBLE, which the artist refers to as «a network of finely woven nets,» is the culmination of three years of work, and he plans to continue adding to it over time.

The images» continuing power, more than 60 years later, to speak about race and violence is being demonstrated once again in protests that have arisen online and at the newly opened Whitney Biennial over the decision of a white artist, Dana Schutz, to make a painting based on the photographs.

Re-defining contemporary sculpture over the past decade, these artists have anchored Joshua Liner's programming and will continue to do so in 2018.

As creative workshops all over the world expand their offerings in digital fabrication (in addition to those mentioned here, the Centre for Fine Print Research in Bristol and Factum Arte in Madrid are notable)-- and artists continue to explore these media on their own — we are likely to enjoy the blossoming of completely new arms of creative endeavor.

The legion of admirers of Prunella Clough's paintings continues to grow, over 15 years after the British artist's death.

The artist continues his exultation of the familiar — frayed urban palms in Florida, highway overpasses, subway stations — with a series of lively new paintings on view through May 23 at Kohn Gallery in Los Angeles, marking his first solo show in the city in over a decade.

It shows that the languages of abstraction have remained urgent, relevant and critical, revisited and reinvented by subsequent generations of artists over the last fifty years, and that they continue to provoke contemporary practitioners into dialogue.

Over the course of the next hundred years the collection continued to grow, especially in the 1950s when a substantial collection of prints by modern British artists was acquired.

Through the 2014 State of the Art: Discovering American Art Now exhibition, the museum introduced 102 artists who live and work in communities all over the U.S.. We're continuing that effort in 2018 through new installations and the upcoming exhibitions, The Beyond: Georgia O'Keeffe and Contemporary Art and Native North America, both organized by Crystal Bridges.

With over 50 artists, most of whom worked — and continue to work — in New York, Concept, Performance, Documentation, Language illustrates the shared interests and common endeavor that animated a loosely defined community of artists from the late 1960s to the early 1980s.

Initiated by Donald Judd's discovery of Marfa, and reinforced over time by both Judd's legacy and the artists and institutions drawn to the area, Marfa continues to be a vital outpost for contemporary art, thriving in the remote reaches of West Texas.

The exhibition catalog notes that the painter «was the sole African - American artist of his generation who became committed to issues of abstraction at the start of his career and continued to explore them over its entire trajectory.»

The exhibition continues with Heilmann's slide show, Her Life (2006), which juxtaposes images of the artist's work with photographs she has taken over the years.

This tradition, carried forth, expanded, and transformed over the course of the 20th century, continues into the present with innovative approaches to the genre by: Patrick Wilson Ruth C. Horton Gallery Los Angeles artist Patrick Wilson creates luminous, sumptuously colored abstract paintings composed of richly layered geometric forms — lines, squares, and rectangles.

In discussing the return of NEWD, directors and co-founders Kibum Kim and Kate Bryan commented, «This year's iteration continues and amplifies NEWD's objective of interrogating the art market, especially given that over half of the exhibiting artists are female,» Kim and Bryan noted.

So this is why also over the last years, we have built up a very strong website, where a lot of our programs, for example we have a lot of artist talks, concerts, performances, etc., people can follow that over the internet, prepare their visit, but also people who are far away and can visit only once in their life can continue to follow the museum.

Norman Lewis was the sole African - American artist of his generation who became committed to issues of abstraction at the start of his career and continued to explore them over its entire trajectory.

The NAWA continues its long - standing tradition of supporting dynamic and relevant women artists all over the United States.

As technology has accelerated and proliferated dramatically over the past twenty years, artists have continued to monitor its impact.

In his West Coast debut, the artist departs from his well - known paintings to unveil over 200 new collages that continue his exploration of the natural world.

Klaus Biesenbach, the museum's director, said that the piece begot a wave of skyspaces, has become «more and more revered» over time and continues to influence artists.

Our deepest gratitude goes out to the artists, collectors, enthusiasts and visitors that have allowed our gallery to thrive for over two decades, and support our vision as we continue to evolve.

Featuring work by more than 150 artists from over 500 exhibitions staged at Lisson's galleries in London, Milan and New York since 1967, this substantial 1200 - page volume celebrates the legacy and continuing importance of Lisson.