Sentences with phrase «over background objects»

Most striking is the title's visual filter, which casts an impressionistic haze over background objects.

Not exact matches

«Advancing technology has revealed more and more of the Universe to us over the past few decades, and our study shows individual objects that account for about 96 percent of the background radio emission coming from the distant Universe,» Condon said.

Thanks to the dry, clear atmosphere at the South Pole, SPT is better able to «look» at the cosmic microwave background — the thermal radiation left over from the Big Bang — and map out the location of galaxy clusters, which are hundreds to thousands of galaxies that are bound together gravitationally and among the largest objects in the universe.

These include observations of the microwave background radiation — the relic radiation of the early universe — and surveys of astronomical objects — galaxies, quasars, supernovae, gamma - ray bursters,... — over large fractions of the sky out to large fractions of the radius of the observable universe.

Certain minecart stages will have players rolling down a spiral path, with the camera making sure to pan over to incoming objects from the background.

Fighters fly at each other at ludicrous speeds, unleash a flurry of over the top projectiles at each other, deflect said projectiles and send them flying off into the background causing objects in the background to explode in a manner similar to the anime series itself.

Bright colors flashing all over the place and background objects moving really fast.

Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text reobjects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text reObjects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text reobjects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redacted.

The large paintings Request and End of May, both from 1972, represent for me the artist at his zenith, with flat objects floating over backgrounds that have become more mottled, and deeper for it.