Sentences with phrase «over flash fiction»

We're looking over our flash fiction contest entries and will announce the winner next Friday, Oct. 18.

Not exact matches

I use categories that lend themselves to info about NYC or snippets, sometimes poetry and then mix in longer posts... my Flash Fiction category doesn't usually go over 1,000 words.
Over the past few years, whole new worlds of opportunity have opened up — indie publishing, self - publishing, POD publishing, e-publishing, excerpting, flash fiction, fan fiction, serials, Kindle Singles, and more...
The force of Ebooks IS with me as I aggregate my collection of over 100 short stories and flash fiction pieces from my 4 - year - old e-mail subscription short fiction Web site http://www.LongShortStories.com into my first of several ebooks.
There is no asking more, no premise of comprehensiveness, because flash fiction is a form that privileges excision over agglomeration...» [iii] One famous example of flash fiction is Ernest Hemingway's six - word story: «For sale: baby shoes, never worn.»
The question of what makes the story «matter» is perhaps best described as the «dramatic imperative,» defined in Randall Brown's A Pocket Guide to Flash Fiction as «the reason for a story's existence, the why of its being, of this moment's being chosen over all the others.»
Flash fiction writing advice so often focuses on moderation — on cutting out needless words, creating this myth of a world where every word matters, where the writer exerts complete control over every choice.
Over the next twenty six days I am going to add a flash fiction piece to every chapter of Knights and Necromancers 1 as a comment in Readmill.
In a good flash fiction there is no over writing because words are at a premium.
While I agree with Kristen that blogging makes us write «leaner, meaner, faster, and cleaner», so does short story writing, so does flash fiction writing, and so does a few rounds with an experienced editor over your novel.
A friend of mine recently asked about the difference between flash fiction and prose poetry and I found myself, somewhat embarrassingly, stumbling over words.
Every once in a great while I bend over in the field and find a small, perfect arrowhead in the mud — and then I scratch my head and think about it for a while (this is a flash fiction) before getting back on the tractor and moving on.
I'm reminded of a piece of flash fiction posted over at Creepypasta (that site is NOT safe to browse at work).
But if you're interested in flash fiction stories in the neighborhood of 500 words each, go check out my blog over there.
I read over 30 stories a month, and I can assure you that many, many of them, especially the very short «flash fiction» are astonishing in what they achieve in one or two pages.
I have been looking back over my collection of short stories and flash fiction.
The work has resulted in more than thirty articles, stories, blogs and flash fiction collaborations and over a hundred members attending creative thinking and writing workshops at CIPFA conferences — smashing another stereotypical view of dull, uncreative accountants.
Each year the judges award over # 18,000 in prize money for the best submissions in poetry, short stories, flash fiction and first novels.
She is the creator and curator of The Fbomb Flash Fiction Reading Series, the creator of FlashNano in November, a founding member of Fast Forward Press, and her work has been published in over 100 journals and anthologies including the forthcoming Norton anthology New Microfictions (2018).
I've been writing fiction for over thirty years, and so far I've published seven novels, two novellas, and a collection of flash fiction.
So there is a group of us, from Forward Motion who are part of a Flash Fiction Friday thingy over here.
Several of us have started our own, self - hosted, flash fiction challenge over at a website we're calling Obsidian Fflash fiction challenge over at a website we're calling Obsidian FlashFlash.
It's Tuesday, flash fiction time over at Carrot Ranch, which means more of Bill here at the Summerhouse.
Nancy Stohlman: Flash fiction arrived for me in 2007 as I was writing my third novel, agonizing over it like a relationship you really really want to work out, dammit!
This week for the Flash Fiction prompt over at Carrot Ranch, Charli ask us this: «In 99 words (no more, no less) write a story that... Continue reading →
Kat Evangalista is hosting a 24 days guest - post-giveaway-extravaganza, and today I'm over there with a bit of flash fiction I wrote.
Writing flash fiction (which I still do over at Carrot Ranch but haven't been publishing here lately purely because of time constraints) has helped my writing in so many ways, so I have both Sarah and Charli — chief Buckaroo at Carrot Ranch!
I have been working on flash fiction over the past few months, so this is a great contest for me.
Over the course of this series Nath Jones's writing style develops from the raw, associative, tyrannic rambles of cathartic non-fiction, flash fiction, and rant in The War is Language and our digital domains, to the delightful rough - hewn vignettes of 2000 Deciduous Trees, into the compact characterizations of the fictionalized tellings in Love & Darts, and finally toward How to Cherish the Grief - Stricken's fully - crafted short stories that use literary devices and narrative elements to reveal a world well - rendered.
Your story is mostly likely to run in its own episode, but may be serialized over multiple episodes or combined with other stories in a single episode, such as our Little Wonders themed flash fiction collections.
Flash fiction = under 1000 words (some would put this under 500) Short story = 1000 - 10,000 (or 1000 - 15,000 if we remove novelette) Novelette = 10,000 - 20,000 Novella = 20,000 - 40,000 (or 15,000 - 40,000 if remove novelette) Novel = over 40,000 (some might prefer this to be over 50,000)
Here's where you can find my most recent flash fiction, and mad luv to the fab folks over at Out of the Gutter who took it!
Will didn't mention that we're holding a flash fiction contest over at Working Stiffs.
We pay $.06 / word for original fiction 6000 words or less, $ 100 flat rate for reprints over 1500 words, and $ 20 flat rate for flash fiction reprints (stories below 1500 words).
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