Marshall's House, 1932, watercolor
over graphite on paper, Wadsworth Atheneum Museum of Art, Hartford, Connecticut; Purchased through the Gift of Henry and Walter Keney © Wadsworth Atheneum Museum of Art.
John Singer Sargent (1856 - 1925), Portrait of Paul - César Helleu, ca. 1882 - 85, Watercolor
over graphite on paper, Gift of Rose Pitman Hughes and J. Lawrence Hughes in memory of Junius and Louise Morgan, 2005, The Morgan Library & Museum.
Pablo Picasso (1881 - 1973), Portrait of Marie Derval, 1901, Pen and brush and black ink
over graphite on paper.
Joseph Wright of Derby (1734 - 1797), Portrait of John Stavely, ca. 1775, Pen and black ink
over graphite on paper, Purchased by Pierpont Morgan, 1909, The Morgan Library & Museum.
Pietro Fancelli, Study for Orpheus and Eurydice (recto); A Bacchanal Procession (verso), circa 1800 — 10, pen and brown ink
over graphite on paper, 16 x 22 ⅛ in., Minneapolis Institute of Art
Not exact matches
You can also do it in pencil first, or trace it
on with a
graphite paper, and then going
over it if hand lettering isn't your jam.
Pierre — Paul Prud» hon, Psyche Carried Off by the Zephyrs, 1808 or later, black and white chalk
over graphite on faded blue wove
paper, with framing lines in black chalk, 17 1/2 x 12 in., Minneapolis Institute of Art
PAGE 51: Detail of «Soldiers and Students,» 1962 (opaque watercolor
over graphite on wove
paper) by Jacob Lawrence.
The drawings are composed of
graphite on paper (black
over white) and represent the starting point for Lynch's colorful paintings and immersive installations that she has been developing for many years.
Alexandra Exter Construction for a Tragedy ca. 1925 Gouache, with
graphite and pen and black ink,
over graphite,
on paper prepared with a blue - gray ground Signed in
graphite at lower right, A. Exter.
MARTIN PURYEAR, «Drawing for Maroon,» 1986/88 (black Conté crayon, with smudging,
over graphite,
on ivory wove
paper).
Over the past five years, Martí Cormand has been rendering iconic conceptual works from the 1960s, 1970s, and 1980s in
graphite on paper and with an extraordinary amount of attention.
It presents more than 50 color reproductions of
graphite, watercolor and ink
on paper drawings made by Richter
over a period of five decades, from 1966 to 2005.
Acrylic, florescent and iridescent colours
over graphite,
on two layers of wove
paper with attached collage pieces
Salzwedel utilizes materials such as
graphite or watercolors to draw
on mylar or tracing
paper, which he then encases in layers of resin, a difficult medium that he has learned to work with
over the years.
Compressed charcoal
over graphite pencil
on paper, 17 x 11 in.
Transparent and opaque watercolors
over graphite on gray / green, moderately thick, smooth textured wove
paper, Sheet: 101/16 x 147/16 in.
In the former, Snyder has built up her oil and acrylic
on canvas with
paper mache, fabric, pastel,
graphite, glitter, dirt, and straw, resulting in a three - dimensional impastoed surface that begs to be touched, and that features the word «requiem» (twice) in red paint and glitter; the latter features an all -
over composition with lusciously applied pastel - colored paint in big, sweeping gestures, combined with repetitive circular and floral forms.
Diverging from his small
graphite drawings that determined his practice for so many years, Matthews focuses
on large ink and gouache works
on paper attached to canvas and stretched
over wood supports.
Over the course of a month, he will adorn the gallery space with ochre, charcoal, sanguine and
graphite drawings in homage to the prehistoric cave art of Lascaux, Pech Merle and Font de Gaume, working
on an organic surface of elephant dung
paper hand - stained with tea.
This presentation is comprised of approximately 50
graphite, watercolor, and ink
on paper drawings made by Gerhard Richter (b. 1932, Dresden, Germany)
over a period of five decades from 1966 to 2005.
Above, «Drawing for Maroon,» 1986/88 (black Conté crayon, with smudging,
over graphite,
on ivory wove
paper).
over graphite with scraping out, heightened with varnish and / or gum arabic,
on wove
paper, Gift of The Circle of the National Gallery of Art, in Honor of the 50th Anniversary of the National Gallery of Art, 1990.87.1
Two Scouts, 1887, watercolor
over graphite on wove
paper, Gift of Nancy Voorhees, in Honor of the 50th Anniversary of the National Gallery of Art, 1992.6.1
John Ruskin, The Garden of San Miniato near Florence, 1845, watercolor and pen and black ink, heightened with white gouache,
over graphite on wove
paper laid down
on thick, white
paper, Patrons» Permanent Fund, 1991.88.1
Sir Edward Coley Burne - Jones, Ariadne, 1863/1864, watercolor and gouache
over graphite on smooth wove
paper, The Armand Hammer Collection, 1989.2.1
George Fennel Robson, A Loch in Scotland, watercolor
over graphite on wove
paper, Ailsa Mellon Bruce Fund, 1989.37.1