Not exact matches
It is this point where it becomes clear the films modus operandi favours intuition and the moment
over logic and
narrative.
I'm not going to compare its directors, the Duffer Brothers, to Stanley Kubrick, as I'd probably get pipe - bombed as soon as I press save on this Word doc, but the Stranger Things feed frenzy has a strange similarity to the way people used to pore
over Kubrick's films — shot by shot, idea by idea, line by line — desperately searching for a secret
logic or unseen
narrative.
Many films associated with the French New Wave could also be considered prime examples of stoned -
logic films because they foreground style
over tight
narratives, and focus on existential themes of the individual's place in modern society.
Novelists» polemics tend to be
over the top (cf. LeCarre, Vidal, Mailer...); hardly seems worth rebutting reasoning that owes more to
narrative structure than to standards of evidence or
logic.