Sentences with phrase «over painted surfaces»

Retique It will work on virtually any hard surface, and even right over painted surfaces.
I have found the paste wax looks beautiful when used over painted surfaces and not just flat finish chalk painted surfaces.
In the most audacious move, Weatherford «draws» over the painted surfaces with one, two or three neon tubes.
In May, when she staged a solo exhibition at the David Kordansky Gallery, he wrote: «In the most audacious move, Weatherford «draws» over the painted surfaces with one, two or three neon tubes.
To achieve Annie's signature look, apply a thin coat of wax over your painted surface with a small Chalk Paint ® Wax Brush.
Wet the sandpaper or steel wool and gently go over the painted surface.
I would love to find a brand of polyurethane that didn't yellow over a painted surface.
In the Guggenheim show, these large silkscreened works are hung next to Wool's Grey paintings, made by wiping a turpentine - soaked rag over a painted surface.
The dirty cowboy consists of drybrushing dark stain over your painted surface, smearing, and sealing.
Brush a coat of decoupage medium over painted surface; let dry.
The Vintage Waxes can be used directly over the painted surface — sealing and offer a subtle antiquing.
Here, neutral sofa and armchair provide comfort without detracting from the statement dresser — distressed paintwork is an easy effect to achieve by rubbing sandpaper lightly over a painted surface, but practice on a piece of wood first to make sure you have the technique perfected.

Not exact matches

By the time I was five, I could tell as soon as we entered someone's house if the owner was an artist or not: most people had a picture or two on the walls and some ornaments on the tables; the artists had paintings stacked against one another all over the room or scuptures in various states of completion on every available surface.
According to this definition, the wo4 of art functions as a symbol when ii offers the viewer a manner of looking ai something which reveals an otherness, What we look at may be a recognizable subject or the nonreferential manipulation of paint over a surface.
To put that in perspective, the federal Consumer Product Safety Commission says household paint and products for kids are unsafe if they have over 90 ppm on their surfaces.
Airless paint sprayers are great for painting large surface areas because they use pressure to pump out droplets of paint in an even coat over any surface.
You just need to go over the surface to provide some «tooth» so the paint has something to grab onto.
Use an exterior grade paint in your favorite shade, just make sure it is okay to use on concrete surfaces so it will hold up well over time.
The sign is more of my favorite style created by dry brushing chalk paint over a stained surface.
Unless you're using a brand that specifically states you can paint over their wax, you can not apply any other product over a waxed surface and expect lasting results.
It leaves a hint of color over the existing paint surface, and depending on how dark you want the wash to be, you can do more than one coat.
To remedy the problem on your painted surface, run a wet cloth over the surface.
I would use fine / medium grit sandpaper or very fine steel wool (SOS or Brillo Pads work well) over it to remove the rust, clean the surface well, then use chalk paint over it.
I used Miss Mustard Seed's clear wax over the dried paint, I wiped a thin coat over the entire painted surface.
If you paint Chalk Paint ® over a previously crackled surface - it will cause the Chalk Paint ® to crackle.
So, Annie Sloan herself suggests using Country Grey as a base over surfaces that are dark and that you are painting with Pure White.
If there is bleed through of the tannins or stain in the wood after one coat of chalk paint, you should use clear shellac over the surface first, let dry, then apply another layer of chalk paint.
All paint even chalk paint needs a quick surface going over with sandpaper to give the surface some «tooth» so the paint has something to grab onto.
I turned the chair over and spray painted the bottom and side surfaces first.
Hi Chris — To paint over laminate with chalk paint, I would first go over the surface with 100 grit sandpaper to rough up the surface.
The process for painting is simply to spray water first over one area of the leather at a time, then paint it, continue to spray then paint until the surface is covered.
The colouring sheets are suitable for KS2 and early KS3 children and could be coloured using pencil crayons or even a watercolour or poster paint wash over the surface.
Or you might spray paint over the advertising so students have a white surface to write and draw on.
You will see the surface of the paint improve over time begin to shine.
Blade Silver paint covers the wide bodywork borrowed from the Z06, and Grand Sport fender hashes were added after delivery along with clear Xpel film over the front bumper, front portions of the hood and fenders, and vertical surfaces of the rear quarter panels.
On the software front, we're told that Amazon has «painted over the rough surfaces» of Android with its own, more accessible user interface and has closely tied the device with its content library.
As visual marking (claw marks on wooden surfaces) also encourages a cat to replicate this behavior in the same place, the only way to prevent more scratching is to sand and paint over the surface.
Essentially, MNR translates track building into «paint driving» - you paint down a track as you drive over a flat terrain, adding other elements like surface textures, water, mountains, trees, and weapon items later.
Painted bodies burst into space from a fiery crack in the earth's surface, mingling with farmhouses, weaponry, and livestock suspended over the floor of the moon.
Ruth's fascination with layering — of placing transparent glazes over the surface of a painting — has become a signature of her work.
In her introduction Samet notes: «Although Gilliam is best known for his «Drape» paintings — unstretched canvases stained in vibrant pigments and extended into three - dimensional space — the surfaces of the paintings he has made over a fifty - plus - year career are actually quite diverse.
Rose Sharp writes that Goodman's oeuvre «is a little bit difficult to sum up, perhaps, because over the course of this long and productive career, her creative output has vacillated between painting and drawing (with forays into three - dimensional constructions); smooth surfaces and chaotic buildup on canvas; and intimate small - scale works and jaw - dropping large paintings that grab your eye from across the room.
He often paints one pattern over another, turning the surface into a textured skin, like a wall that has been hurriedly covered over many times.
I don't have the title for this painting, which has funny little raised discs placed all over the surface.
Moving on to 1954 and the low - keyed eighth painting in the series (now in the Museum of Modern Art, New York)-- greys, blues, muffled yellows on a surface just over six feet high by three and a half feet wide, a motor metropolis of tightly curving ramps with headlight beams spreading like stains suggest a vision, slightly smudged, as if seen through the thick glass window of a skyscraper; at any rate remote from the scene of automotive nightmare.
Her staining method emphasized the flat surface over illusory depth, and it called attention to the very nature of paint on canvas, a concern of artists and critics at the time.
... «A beautiful suite of paintings by McArthur Binion, their surfaces pasted with shredded official documents — the artist's birth certificate and car registration, for example — painted over with a crosshatch of black and...
Each painting was evenly brushed over a gessoed ground with a disregard for brush strokes, in other words a laissez - faire approach to surface.
Greenberg, art critic Michael Fried, and others have observed that the overall feeling in Pollock's most famous works — his drip paintings — read as vast fields of built - up linear elements often reading as vast complexes of similar valued paint skeins that read as all over fields of color and drawing, and are related to the mural - sized late Monets that are constructed of many passages of close valued brushed and scumbled marks that also read as close valued fields of color and drawing that Monet used in building his picture surfaces.
Cracks, dents and paint abrasions that have accrued over decades distinguish their weathered surfaces.
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