In fact, the viewer is hearing recordings of Beloufa's interviews with these «witnesses» played
over staged scenes with actors.
Not exact matches
In a
scene straight out of HBO's Silicon Valley, Barnard, then SolarCity's chief revenue officer, burst onto the
stage in front of Lyndon, Peter, and 1,300 employees (Musk would arrive later) at Hakkasan nightclub, rapping
over Nicki Minaj and Drake's hit «Truffle Butter» while surrounded by provocatively dressed dancers.
The Belgium - based Ghanaian entertainment personality mentioned that although the «Kakai» hit maker seems to be doing well on the local
scene, «I don't think the Shatta brand is all that strong on the international
stage and so we will like to take
over the management of that brand to make it a stronger one.»
After a lyrical introduction that layers wistfully reflective voiceover
over a spun - sugar cloudscape, the film's opening
stages are less concerned with setting a
scene than they are with establishing a vivid and unshakable sense of trauma — zeroing in on isolated images of slaughter, human and otherwise, in disorienting darkness.
That
scene sets the
stage for the plot of the film, which surprisingly, takes place
over a very concentrated point in time — only a month, really — when the Civil War was limping to an end, and Lincoln was rushing to pass the 13th Amendment to ban slavery.
The animated set pieces are technically flawless, with Yuh
staging eye - busting battle
scenes that employ rousing feats of flight and fist from the animal heroes, but also smuggles in plenty of physical comedy, again tracking Po as he bounces all
over China, leaving a trail of destruction behind him.
That today's sitcoms run just
over 21 minutes after commercials means episodes whiz by, particularly with all the location and costume changes and lacks of big,
staged scene - closing zingers.
Reports
over at the Toronto Sun and Las Vegas Sun (via The Film
Stage) claim that The Hangover Part III will take place mainly in Tijuana, with
scenes also taking place in Las Vegas and Los Angeles.
I didn't like the idea of flashing back to the rest of the Olympics after that
stage was perfectly set in the opening
scenes of the film, in fact they could have edited the film to have the entire hostage - drama portion before the credits, the flip
over to Avner and company and not keep coming back to it.
Yet in an early
scene in her new movie she's apprehensively clutching a guitar on a small
stage, singing an original song
over the hum of a...
The fact that the entire cast is actually on
stage performing the
scene in reality then going
over and animating it just makes me epically excited.
Director Antoine Fuqua (Who made a stink in the press upon the film's release
over the PG - 13 cut that he had to deliver) gives the film a great look and
stages some impressive battle
scenes, but the film has no heart.
Not enough of the film's 2 - hour running time is given
over to its
stage sequences, and once George overcomes his youthful indiscretion and becomes a star, the filler
scenes lose their bite.
Coco Bongo is a world - class show with
over 40 artists on
stage that combines acrobats, concerts, dance routines and famous
scenes from movies.
The one exception we picked up on concerns a single, non-playable cut -
scene just before the Venice
stage in Metro Last Light, where a judiciously tossed box of dynamite annihilates a bunch of pursuing mutants during a water chase, producing a mini-tidal wave that momentarily causes the only noticeable frame - rate drop we saw
over multiple hours of play on both versions of each remaster.
Visual Diversity:
Over 30 unique characters, 17
stages with a variety of environments, and a storyline which unfolds in 70 impressive cut -
scenes.
«Having a
stage next door means that we can literally just jump
over and shoot
scenes as we need them.
Having a
stage next door means we can literally just jump
over and shoot
scenes as we need them.
At Siggraph in July, the teams introduced the concept of Realtime Cinematography, whereby a complex
scene was performed, captured, edited and rendered live on
stage in minutes in front of
over 2000 attendees from the VFX industry — a process that would normally take months.
This is the new work for the Turbine Hall — a vast
stage set that has,
over the past dozen years, been the
scene of Bruce Nauman's soundscapes, Olafur Eliasson's swollen orange sun and Doris Salcedo's chthonic rupture through the concrete floor.
In a series of photographs titled SABC Minimal Candice Breitz explores the studios and
stages behind the
scenes at the South African Broadcasting Corporation, an institution that, despite its radical transformation
over the past 20 years, remains indelibly marked by its own role in the country's political and social history.